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Faded shine…. The degradation of brass powder in two nineteenth century paintings


Ferreira, Ester S B; Gros, Danièle; Wyss, Karin; Scherrer, Nadim C; Zumbühl, Stefan; Marone, Federica (2015). Faded shine…. The degradation of brass powder in two nineteenth century paintings. Heritage Science, 3:24.

Abstract

During the examination of two 19th century oil paintings by Swiss artists, the Reading pastor (ca. 1885) by Ferdinand Hodler (1853–1918) and Portrait of a young girl (ca. 1888) by Filippo Franzoni (1857–1911), it was observed that in particular locations, the surface had an unusually granular texture, given by the application of metallic particles and the presence of large translucent green agglomerates. In this paper we investigate the composition and origin of the metal particles and green agglomerates. A combination of bulk analysis (GC–MS and FTIR) and analytical microscopy techniques (X-ray tomographic microscopy, light microscopy, ATR–FTIR–FPA imaging and SEM–EDX) were used. It was concluded that the metal particles are composed of a lower quality brass (copper/zinc alloy) and ground from foil. The current appearance resulted from the reaction of the brass and its corrosion products with the fatty acids in the surrounding paint/varnish matrix. This has lead to the formation of agglomerates of zinc and copper carboxylates, the latter responsible for their green colour.

Abstract

During the examination of two 19th century oil paintings by Swiss artists, the Reading pastor (ca. 1885) by Ferdinand Hodler (1853–1918) and Portrait of a young girl (ca. 1888) by Filippo Franzoni (1857–1911), it was observed that in particular locations, the surface had an unusually granular texture, given by the application of metallic particles and the presence of large translucent green agglomerates. In this paper we investigate the composition and origin of the metal particles and green agglomerates. A combination of bulk analysis (GC–MS and FTIR) and analytical microscopy techniques (X-ray tomographic microscopy, light microscopy, ATR–FTIR–FPA imaging and SEM–EDX) were used. It was concluded that the metal particles are composed of a lower quality brass (copper/zinc alloy) and ground from foil. The current appearance resulted from the reaction of the brass and its corrosion products with the fatty acids in the surrounding paint/varnish matrix. This has lead to the formation of agglomerates of zinc and copper carboxylates, the latter responsible for their green colour.

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Additional indexing

Item Type:Journal Article, refereed, original work
Communities & Collections:04 Faculty of Medicine > Institute of Biomedical Engineering
Dewey Decimal Classification:170 Ethics
610 Medicine & health
Language:English
Date:2015
Deposited On:09 Feb 2016 11:24
Last Modified:30 Oct 2016 08:36
Publisher:BioMed Central
ISSN:2050-7445
Free access at:Publisher DOI. An embargo period may apply.
Publisher DOI:https://doi.org/10.1186/s40494-015-0052-3

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