Permanent URL to this publication: http://dx.doi.org/10.5167/uzh-35188
Kelterborn, M (2010). Zum Verhältnis von Gehalt und Gestalt in klassischen chinesischen Gedichten. Asiatische Studien / Études Asiatiques, 64(1):55-88.
There is more to the prosodic and tonal features in Tang-dynasty poems than their mere use in the formal classification of individual texts as either new-style regulated verse (lüshi, jueju) or old-style verse such as the music bureau poem (yuefu). The prosodic and tonal patterns of a poem can also be related to its contents and its expressive qualities. Therefore, the close analysis and highlighting of such acoustic effects can support textual interpretation. The present paper scrutinizes a small sample of seven poems on the topic of Mount Wu (“Wushan gao”), comprising five yuefu and two jueju poems. It points out the deliberate use of tonal and formal peculiarities also in irregular poems. The significant tonal elements include such diverse features as the structuring function of prosodic patterns in longer poems, word repetition or a “missing” verse. Moreover, for instance, clusters of uneven tones are analyzed as expressing strong emotions. Creative elements such as these should be taken into consideration in reading, analyzing and translating classical Chinese poetry.
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|Item Type:||Journal Article, refereed, original work|
|Communities & Collections:||Journals > Asiatische Studien / Études Asiatiques > Archive > 64 (2010) > 1|
|Dewey Decimal Classification:||950 History of Asia|
|Deposited On:||26 Jul 2010 06:54|
|Last Modified:||05 Apr 2016 14:12|
|Publisher:||Schweizerische Asiengesellschaft / Verlag Peter Lang|
|Related URLs:||http://www.sagw.ch/de/asiengesellschaft/publikationen/Asiatische-Studien.html (Publisher)|
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