Permanent URL to this publication: http://dx.doi.org/10.5167/uzh-57260
Boehler, N (2011). The Jungle as Borderzone: The Aesthetics of Nature in the Work of Apichatpong Weerasethakul. Austrian Journal of Southeast Asian Studies, 4(2):290-304.
In Thai cinema, nature is often depicted as an opposition to the urban sphere, forming a contrast in ethical terms. This dualism is a recurring and central theme in Thai representations and an important carrier of Thainess (khwam pen Thai). The fi lmmaker Apichatpong Weerasethakul off ers a new take on this theme. Signifi cant parts of his work are set in the jungle, a realm radically diff erent from the agricultural sphere that the mainstay of Thai representations tends to focus on. In Apichatpong’s work, the wilderness becomes a liminal space, on multiple levels. This paper focuses on how this liminality translates into Apichatpong’s aesthetics of the jungle and on how this aesthetics and the fi lms’ narrations negotiate Thai nationhood via the perception of the spectators.
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|Item Type:||Journal Article, refereed, original work|
|Communities & Collections:||06 Faculty of Arts > Institute of Cinema Studies|
|Dewey Decimal Classification:||700 Arts
|Deposited On:||29 Feb 2012 15:43|
|Last Modified:||24 Nov 2012 22:00|
|Publisher:||Society for South-East Asian Studies|
|Related URLs:||http://www.seas.at (Publisher)|
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