UZH-Logo

Maintenance Infos

Browse by Communities & Collections - Zurich Open Repository and Archive

Navigate back| Up a level
Export as
Number of items at this level: 751.

2017

Schneider, Gerold; Pettersson, Eva; Percillier, Michael (2017). Comparing Rule-based and SMT-based Spelling Normalisation for English Historical Texts. In: Proceedings of the NoDaLiDa 2017 Workshop on Processing Historical Language, Gothenburg, 22 May 2017 - 22 May 2017, 40-46.

Caspar, Cyril L. The Last Pilgrimage to Eternity: Protestant Paths to the Afterlife in Early Modern English Poetry. 2017, University of Zurich, Faculty of Arts.

Timofeeva, Olga (2017). Lexical loans and their diffusion in old english: of ‘gospels’, ‘martyrs’, and ‘teachers'. Studia Neophilologica:Epub ahead of print.

Ittensohn, Mark (2017). Fictionalising the Romantic Marketplace: Self-reflexivity in the Early-Nineteenth-Century Frame Tale. Victoriographies, 7(1):25-41.

Schoenenberger, Petra. Transformations of the Supernatural: Problems of Representation in the Work of Daniel Defoe. 2017, University of Zurich, Faculty of Arts.

Jucker, Andreas H; Staley, Larssyn (2017). (Im)politeness and developments in methodology. In: Culpeper, Jonathan; Haugh, Michael; Kádár, Dániel Z. The Palgrave Handbook of Linguistic (Im)politeness. London: Palgrave Macmillan, 403-429.

Timofeeva, Olga (2017). Aelfred mec heht gewyrcan: sociolinguistic concepts in the study of Alfredian English. English Language and Linguistics:Epub ahead of print.

Jucker, Andreas H; Kopaczyk, Joanna (2017). Historical (im)politeness. In: Culpeper, Jonathan; Haugh, Michael; Kádár, Dániel Z. The Palgrave Handbook of Linguistic (Im)politeness. London, 433-459.

Bronfen, Elisabeth (2017). Hurray for Hollywood. Philosophy and Cinema According to Stanley Cavell. In: Herzogenrath, Bernd. Film as Philosophy. Minneapolis: University of Minnesota Press, 180-199.

Jucker, Andreas H; Locher, Miriam A (2017). Introducing Pragmatics of Fiction: Approaches, trends and developments. In: Locher, Miriam A; Jucker, Andreas H. Pragmatics of Fiction. Berlin: de Gruyter Mouton, 1-21.

Riquet, Johannes (2017). Island Spatialities. In: Tally Jr, Robert T. The Routledge Handbook of Literature and Space. Abingdon: Routledge, 214-229.

Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone (2017). Language History Meets Psychology. In: Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone. The Changing English Language: Psycholinguistic Perspectives. Cambridge: Cambridge University Press, 1-17.

Landert, Daniela (2017). Meta-communicative expressions and situational variation of stance marking: I say and I tell (you) in Early Modern English dialogues. Nordic Journal of English Studies, 16(1):120-144.

Straumann, Barbara (2017). Noise and Voice: Female Performers in George Meredith, George Eliot and Isak Dinesen. In: Mieszkowski, S; Nieberle, S. Unlaute : Noise / Geräusch in Kultur, Medien und Wissenschaften seit 1900 (unter Mitarbeit von Innokentij Kreknin). Bielefeld: Transcript, 239-260.

Jucker, Andreas H (2017). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 550-566.

Pragmatics of Fiction. Edited by: Locher, Miriam A; Jucker, Andreas H (2017). Berlin: De Gruyter Mouton.

Landert, Daniela (2017). Stance in Fiction. In: Locher, Miriam A; Jucker, Andreas H. Pragmatics of Fiction. Berlin: De Gruyter, 489-514.

The Changing English Language: Psycholinguistic Perspectives. Edited by: Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone E (2017). Cambridge: Cambridge University Press.

Jucker, Andreas H; Landert, Daniela (2017). Variation and change: Historical pragmatics. In: Barron, Anne; Gu, Yuego; Steen, Gerard. The Routledge Handbook of Pragmatics. London: Routledge, 79-90.

Bronfen, Elisabeth (2017). Vorwort: Ivo Ritzer. Medialität der Mise-en-scène. Zur Archäologie telekinematischer Räume. In: Ritzer, Ivo. Medialität der Mise-en-scène. Zur Archäologie telekinematischer Räume. Wiesbaden: Springer, VII-X.

2016

Straumann, Barbara. Jane Austen Goes to the Movies: Die 'Austenmania' des Kinos. In: Kinok, December 2016, p.4-9.

Rivera Godoy-Benesch, Rahel (2016). "Komm süsser Tod". Frauen und Alterssuizid. : Die feministisch-theologische Zeitschrift der Schweiz.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah. New Approaches in English Linguistics : Building Bridges. Amsterdam: Benjamins, 1-12.

New Approaches in English Linguistics : Building Bridges. Edited by: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah (2016). Amsterdam: Benjamins.

Schneider, G; Grigonyte, Gintare (2016). Statistical sequence and parsing models for descriptive linguistics and psycholinguistics. In: Timofeeva, Olga; Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo. New Approaches in English Linguistics : Building Bridges. Amsterdam: John Benjamins Publishing, 281-320.

Variations Nr. 24 : Ursprünge / Origines / Origins. Edited by: Barras, Roxane; Drath, Marie; Haensler, Philippe; Heine, Stefanie; Höhn, Simone; Hofmann, Tatjana; Ittensohn, Mark; Özelt, Clemens; Zöllner, Reto (2016). Bern: Peter Lang.

Schneider, Gerold; Hundt, Marianne; Oppliger, Rahel (2016). Part-Of-Speech in Historical Corpora: Tagger Evaluation and Ensemble Systems on ARCHER. In: KONVENS 2016, Bochum, 19 September 2016 - 21 September 2016.

Binotto, Johannes (2016). Allein sein. Tonari no Totoro, Hayao Miyazaki, Japan 1988. In: Frenzel Ganz, Y; Fäh, M. Cinépassion - The Sequel. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 123-129.

Ljungberg, Christina (2016). The diagrammatic nature of maps. In: Krämer, Sybille; Ljungberg, Christina. Thinking with diagrams : the semiotic basis of human cognition. Boston/Berlin: De Gruyter, 139-159.

Thinking with diagrams: the semiotic basis of human cognition. Edited by: Krämer, Sybille; Ljungberg, Christina (2016). Boston/Berlin: De Gruyter.

Hundt, Marianne (2016). Who is the/a/ø professor at your university? A construction-grammar view on changing article use with single role predicates in American English. In: López-Couso, Maria José; Méndez-Naya, Belén; Núñez-Pertejo, Paloma; Palacios-Martínez, Ignacio. Corpus Linguistics on the Move: Exploring and Understanding English Through Corpora. Amsterdam: Brill - Rodopi, 227-258.

Rivera Godoy-Benesch, Rahel (2016). Das Alter in der Literatur : eine Chance für die Gerontologie. Angewandte Gerontologie Appliquée, 1(2):33-34.

Caspar, Cyril L (2016). New Perspectives of the Early Modern Afterlife: The Last Pilgrimage in the Poetry of John Donne and Sir Walter Raleigh. In: Classen, Albrecht. Death and the Culture of Death in the Middle Ages and Early Modern Time: the Material and Spiritual Conditions of the Medieval and Early Modern Culture of Death. Berlin: Walter de Gruyter, 432-456.

Binotto, Johannes (2016). Vorstellen, ein Wunder. Zu Frederick Wisemans "National Gallery". Filmbulletin: Zeitschrift für Film und Kino, 3:40-41.

Rivera Godoy-Benesch, Rahel (2016). Ageing, agency, and autobiography: Challenging Ricoeur's concept of narrative identity. In: Cerezo Moreno, Marta; Pascual Soler, Nieves. Traces of Aging: Old Age and Memory in Contemporary Narrative. Bielefeld: transcript, 91-109.

Binotto, Johannes (2016). Bilder geben: Übertragungen zwischen Film und Psychiatrie. Filmbulletin: Zeitschrift für Film und Kino, 2:46-55.

Reddick, Allen (2016). Lynda Mugglestone. 2015. Samuel Johnson and the Journey into Words. International Journal of Lexicography:ecw009.

Binotto, Johannes (2016). Stimmen hören. Zu "Suddenly Last Summer". Filmbulletin: Zeitschrift für Film und Kino, 2:42-43.

Binotto, Johannes. Weltreise im Zimmer: Zum Hotel als Ort des Films. In: Neue Zürcher Zeitung, 12 February 2016, p.43.

Binotto, Johannes. Von Angesicht zu Angesicht: Über die Grossaufnahme. In: WOZ, 21 January 2016, p.8.

Seiler, Annina (2016). Untangling the strands: The spelling of the Épinal glossary. In: Dusil, Stephan; Schwedler, Gerald; Schwitter, Raphael. Exzerpieren - Kompilieren - Tradieren : Transformationen des Wissens zwischen Spätantike und Frühmittelalter. Berlin: De Gruyter, 153-174.

Straumann, Barbara (2016). "How to Live Well on Nothing a Year": money, credit and debt in Thackeray's Vanity Fair. In: Puskas, Genoveva; Leer, Martin Hugo. Economies of English. Tübingen: Swiss Association of University Teachers of English, SAUTE, 163-180.

Bronfen, Elisabeth (2016). A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting. In: Latham, Janine. Maria Lassnig. Woman Power. Maria Lassnig in New York 1968-1980. New York: Petzel and the Maria Lassnig Foundation, 7-10.

Ittensohn, Mark (2016). A Story Telling and a Story Reading Age: Textuality and Sociability in the Romantic Frame Tale. Studies in Romanticism, 55(3):393-415.

Timofeeva, Olga (2016). Alfredian press on the vikings: critical discourse approach to outgroup construction. Journal of English Linguistics, 44(3):230-253.

Zipp, Lena (2016). Allan Bell. 2014. The Guidebook to Sociolinguistics: Review. English World-Wide, 37(1):91-96.

Timofeeva, Olga (2016). Bide nu æt Gode þæt ic grecisc cunne: Attitudes to Greek and the Greeks in the Anglo-Saxon period. Studia Anglica Posnaniensia, 51(2):5-29.

Schreier, Daniel (2016). Contact histories and simplification: Some typological and sociolinguistic considerations. In: Seiler, Guido; Bächler, Raffaela. Complexity, Isolation and Variation. Berlin: De Gruyter, 139-157.

Binotto, Johannes (2016). Continuing Peyton Place: Das Melodrama und seine Bastarde. In: Ritzer, Ivo; Schulze, Peter. Transmediale Genre-Passagen : Interdisziplinäre Perspektiven. Wiesbaden: Springer, 269-288.

Bronfen, Elisabeth (2016). Dame im Schach. Eine fortlaufende Serie. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders : Zu einer Poetik des Seriellen. Zürich, Berlin: Diaphanes, 17-43.

Straumann, Barbara (2016). Der viktorianische Roman denkt seriell: Wiederholung und Differenz bei George Eliot. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders: Zu einer Poetik des Seriellen. Zurich: Diaphanes, 163-180.

Schneider, Gerold; Gilquin, Gaëtanelle (2016). Detecting innovations in a parsed corpus of learner english. International Journal of Learner Corpus Research, 2(2):177-204.

Bronfen, Elisabeth (2016). Die Maschinenfrau. Ein monströs-astrales Denkbild und seine filmischen Ausformungen. In: Mettler, Michel; Rogger, Basil; Weber, Peter; Widmer, Ruedi; Zweifel, Stefan. Holy Shit : Katalog einer verschollenen Ausstellung. Zürich: Diaphanes, 110-121.

Mühlheim, Martin (2016). Dissecting Sacrificial Logic: Markus Werner's Bis bald, Hartmann von Aue's Der arme Heinrich, and the Ethics of Intentional Suffering. In: Brooks, Nicholas; Thuswaldner, Gregor. Making Sacrifices - Opfer bringen: Visions of Sacrifice in European and American Cultures - Opfervorstellungen in europäischen und amerikanischen Kulturen (Symphilologus). Wien: New Academic Press, 160-178.

Binotto, Johannes (2016). Durch die Wände = Through the Walls. In: Malik, M; Luethi, Claude. 4661m2: Art in Prison. Zürich: Niggli, 12-21.

Barras, Roxane; Höhn, Simone; Ittensohn, Mark (2016). Editorial. Variations, 24:9-15.

Binotto, Johannes (2016). Eigenwillige Echos: Zu Heidis Nachleben im Film. In: Service de Presse Suisse, S. Viceversa literatur: "Heidi". Zürich: Rotpunktverlag, 90-95.

Bronfen, Elisabeth; Straumann, Barbara (2016). Elizabeth I: the cinematic afterlife of an early modern political diva. In: Merck, Mandy. The British monarchy on screen. Manchester: Manchester University Press, 132-154.

Zipp, Lena; Staicov, Adina (2016). English in San Francisco Chinatown – Indexing identity with speech rhythm? In: Seoane, Elena; Suárez Gómez, Cristina. World Englishes: New theoretical and methodological considerations. Amsterdam: John Benjamins, 205-228.

Zipp, Lena; Staicov, Adina (2016). English in San Francisco Chinatown. Indexing identity with speech rhythm? In: Seoane, Elena; Suárez-Gómez, Cristina. World Englishes. New theoretical and methodological considerations. Amsterdam, 205-227.

Hundt, Marianne (2016). Error, feature, (incipient) change - or something else altogether? In: Seoane, Elena; Suárez-Gómez, Cristina. World Englishes: New Theoretical and methodological considerations. Amsterdam: John Benjamins Publishing, 37-60.

Seiler, Annina (2016). Factual and Fictional Inscriptions: Literacy and the Visual Imagination in Anglo-Saxon England. In: Niles, John D; Klein, Stacy S; Wilcox, Jonathan. Anglo-Saxon England and the Visual Imagination. Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 211-236.

Taavitsainen, Irma; Jucker, Andreas H (2016). Forms of address. In: Hough, Carole. The Oxford Handbook of Names and Naming. Oxford: Oxford University Press, 427-437.

Hundt, Marianne (2016). Global spread of English: processes of change. In: Kytö, Merja; Pahta, Päivi. The Cambridge Handbook of English Historical Linguistics. Cambridge: Cambridge University Press, 335-346.

Bronfen, Elisabeth (2016). Hybrid Spaces in Antony and Cleopatra. In: Habermann, Ina; Witen, Michelle. Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. London: Palgrave Macmillan, 103-120.

Jucker, Andreas H (2016). Höflichkeit im Theater der englischen Renaissance : Ben Jonsons Bartholomew Fair. Wolfenbütteler Renaissance-Mitteilungen, 36(2):77-88.

Rathore-Nigsch, Claudia; Schreier, Daniel (2016). Indian English in Uganda: The historical sociolinguistics of a migrant community. In: Meierkord, Christiane; Namyalo, Saudah; Bebwa, Isingoma. Ugandan English: Its sociolinguistics, structure and uses in a globalising post-protectorate. Amsterdam: John Benjamins, 251-274.

Berger, Manuel; Jucker, Andreas H; Locher, Miriam A (2016). Interaction and space in the virtual world of Second Life. Journal of Pragmatics, 101:83-100.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapoja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapoja, Alpo; Chevalier, Sarah. New Approaches ot English Linguistics. Building Bridges. Amsterdam: John Benjamins Publishing, 1-12.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah. New Approaches to English Linguistics: Building bridges. Amsterdam: John Benjamins Publishing, 1-12.

Riquet, Johannes (2016). Islands as Shifting Territories: Evolution and Geology in the Island Poetics of Darwin, Wallace, Wells and Ghosh. In: Schödel, Kathrin; Dautel, Katrin. Insularity : representations and constructions of small worlds. Würzburg: Königshausen & Neumann, 223-236.

Riquet, Johannes (2016). Islands erased by snow and ice: approaching the spatial philosophy of cold water island imaginaries. Island Studies Journal, 11(1):145-160.

Reddick, Allen (2016). Lynda Mugglestone. Samuel Johnson and the Journey into Words. Review of English Studies, 67(281):807-809.

Bronfen, Elisabeth (2016). Mad Men, death and the American dream. Zurich, Berlin: Diaphanes.

Staicov, Adina (2016). Methodologies in sociolinguistic fieldwork. In: Christ, Hanna; Klenovšak, Daniel; Sönning, Lukas; Werner, Valentin. A Blend of MaLT: Selected Contributions from the Methods and Lingusitic Theories Symposium 2015. Bamberg: University of Bamberg Press, 39-47.

Neukom-Hermann, Anja. Negation, Quantification and Scope. A Corpus Study of English and German All...Not Constructions. 2016, University of Zurich, Faculty of Arts.

New Approaches to English Linguistics: Building Bridges. Edited by: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah (2016). Amsterdam: John Benjamins.

Noch einmal anders : Zu einer Poetik des Seriellen. Edited by: Bronfen, Elisabeth; Frey, Christiane; Martyn, David (2016). Zürich, Berlin: Diaphanes.

Rathore-Nigsch, Claudia; Schreier, Daniel (2016). Our heart is still in Africa: Twice migration and its sociolinguistic consequences. Language in Society, 45(2):163-191.

Bronfen, Elisabeth (2016). Panoply of Power. Salzburg: Salzburg Festival Bookshop.

Jucker, Andreas H (2016). Politeness in eighteenth-century drama: A discursive approach. Journal of Politeness Research: Language, Behaviour, Culture, 12(1):95-115.

Bronfen, Elisabeth (2016). Reigen der Macht. Salzburg: Salzburg Festival Bookshop.

Riquet, Johannes (2016). Review of Daniel Barbu, Nicolas Meylan and Youri Volokhine (Eds.) (2015). Mondes clos: Les îles. Island Studies Journal:332-334.

Höhn, Simone (2016). Rezension : Charis Charalampous, Rethinking the Mind-Body Relationship in Early Modern Literature, Philosophy and Medicine. The Renaissance of the Body, New York: Routledge 2016 (review). Variations, 24:242-243.

Staicov, Adina (2016). San Francisco Chinatown: Transnationalism, identity construction, and heritage language maintenance. Bulletin Suisse de Linguistique Appliquée (Vals-Asla), 104:67-85.

Mühlheim, Martin (2016). Slippery Subjects: Intersecting Economies of Genre in Gay Male Coming-Out Films, 1995–2015. In: Leer, Martin; Puskás, Genoveva. Economies of English. Tübingen: Narr, 199-223.

Riquet, Johannes (2016). Spectral Island Topographies: Geology, Cultural Sedimentation and the Haunted East-West Relations in Letters from Iwo Jima and Skyfall. In: Salmela, Markku; Piipponen, Maarit. Topographies of Popular Culture. Newcastle upon Tyne: Cambridge Scholars Publishing, 115-136.

Schreier, Daniel (2016). Super-leveling, fraying-out, internal restructuring: A century of present be concord in Tristan da Cunha English. Language Variation and Change, 28(2):203-224.

Gardner, Anne-Christine (2016). The Development of a Lexical Standard in English. In: Glessgen, Martin-Dietrich; Trotter, David. La Régionalité Lexicale du Français au Moyen Âge. Strasbourg: Société de Linguistique Romane/ÉLiPhi, 413-431.

Timofeeva, Olga (2016). The Viking outgroup in early medieval English chronicles. Journal of Historical Sociolinguistics, 2(1):83-121.

Hundt, Marianne; Schneider, Gerold; Seoane, Elena (2016). The use of the be-passive in academic Englishes: local versus global usage in an international language. Corpora, 11(1):31-63.

Tom McCarthy. Recessional - or, the Time of the Hammer. Edited by: Bronfen, Elisabeth (2016). Zürich, Berlin: Diaphanes.

Bronfen, Elisabeth; Frey, Christiane; Martyn, David (2016). Vorwort. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders : Zu einer Poetik des Seriellen. Zürich, Berlin: Diaphanes, 7-15.

Staicov, Adina. “I feel like I’m a born again Chinese – but kinda fake:” Ethnic identity construction in San Francisco Chinatown’s diaspora community. 2016, University of Zurich, Faculty of Arts.

2015

Hundt, Marianne; Zipp, Lena; Huber, André (2015). Attitudes in Fiji towards varieties of English: A shift to endonormativity? World Englishes, 34(4):688-707.

Huber, André (2015). Facebook graph search for refined screen-based data collection in CMC: A pilot study for Fiji English. Discourse, Context & Media, 10:10-18.

Binotto, Johannes (2015). Mit doppeltem Boden. Fassbinders Happy Ends und Hollywoods Hoffnung. Text und Kritik, 103:54-62.

Ittensohn, Mark (2015). Romanticism and the Beyond of Language: Northrop Frye and the Wordsworthian Imitation of the Point of Epiphany. In: Bewell, Alan; ten Kortenaar, Neil; Warkentin, Germaine. Educating the Imagination: Northrop Frye, Past, Present, and Future. Montreal: McGill-Queen's University Press, 147-163.

Binotto, Johannes (2015). Whiteout. Eine Theorie des Schneewesterns. Filmbulletin: Zeitschrift für Film und Kino, (8.15):6-16.

Variations Nr. 23 : Tanz / Danse / Dance. Edited by: Barras, Roxane; Drath, Marie; Heine, Stefanie; Zöllner, Reto; Hofmann, Tatjana; Höhn, Simone; Ittensohn, Mark; Özelt, Clemens; Zöllner, Reto (2015). Bern: Peter Lang.

Binotto, Johannes (2015). Gefühle synchronisieren: "La Boum". Filmbulletin: Zeitschrift für Film und Kino, (7.15):44-45.

Bronfen, Elisabeth. Kalte Kriegerinnen. Mythos 007: Die Geheimnisse der Bond-Girls. In: RollingStone, 253, November 2015, p.68-74.

Hundt, Marianne (2015). Standards bei digitalen Editionen. Bulletin der Schweizerischen Akademie der Geistes- und Sozialwissenschaften (SAGW), (4 (2015)):51-52.

Perez, Danae Maria (2015). Traces of Portuguese in Afro-Yungueño Spanish? Journal of Pidgin and Creole Languages, 30(2):307-343.

Straumann, Barbara (2015). Adaptation – Remediation – Transmediality. In: Rippl, Gabriele. Intermediality: Literature – Image – Sound – Music. Handbooks of English and American Studies. Berlin: De Gruyter Mouton, 249-267.

Binotto, Johannes. Tier werden, im Kino. In: Neue Zürcher Zeitung, 10 July 2015, p.17.

Binotto, Johannes. Mit Ambivalenz leben. Das philosophische Kino von Hayao Miyazaki. In: Neue Zürcher Zeitung, 8 July 2015, p.15.

Binotto, Johannes (2015). Fall Out: Zum Kino von Sam Peckinpah. Filmbulletin: Zeitschrift für Film und Kino, (5.15):6-17.

Binotto, Johannes (2015). Kontakt, gestört: Paul Schraders „The Canyons“. Filmbulletin: Zeitschrift für Film und Kino, (5.15):50-51.

Letter Writing and Language Change. Edited by: Auer, Anita; Schreier, Daniel; Watts, Richard J (2015). Cambridge UK: Cambridge University Press.

Ljungberg, Christina (2015). Intermediality and Performance Art. In: Rippl, Gabriele. Handbook of Intermediality. Berlin, Boston: De Gruyter Mouton, 547-561.

Binotto, Johannes. Schwankende Seele. Das Schiff als Film und umgekehrt. In: Programmheft Kino Xenix, June 2015, p.1-4.

Leitner, Magdalena. Conflicts in Early Modern Scottish Letters and Law-Courts. 2015, University of Glasgow, Faculty of Arts.

Bissig, Florian. Coleridge and Communication. 2015, University of Zurich, Faculty of Arts.

Bissig, Florian (2015). Coleridge and Communication. Trier: Wissenschaftlicher Verlag Trier.

Binotto, Johannes. Phantomschmerzen. Zu Stanley Kubrick. In: Neue Zürcher Zeitung, 27 March 2015, p.19.

Markin, Alexander (2015). Bezdna zvezd polna. Seance, (59/60):107-112.

Binotto, Johannes. Effekte haschen: Luc Bessons exzessives Kino der Attraktionen. In: Neue Zürcher Zeitung, 6 February 2015, p.19.

Pfenninger, Simone E (2015). MSL in the digital ages: Effects and effectiveness of computer-mediated intervention for FL learners with dyslexia. Studies in Second Language Learning and Teaching, 5(1):109-133.

Honkapohja, Alpo (2015). A review of Richard Ingham (2012), The Transmission of Anglo-Norman: Language history and language acquisition. Neuphilologische Mitteilungen, CXVI(1):199-201.

Binotto, Johannes (2015). Affekt, Effekt, Defekt: Filmtechnik und/als Affektstörung. RISS. Zeitschrift für Psychoanalyse, (81):78-104.

Bronfen, Elisabeth (2015). Afterword : Thomas Mann and Shakespeare : something rich and strange. In: Döring, Tobias; Fernie, Ewan. Thomas Mann and Shakespeare : something rich and strange. New York: Bloomsbury, 246-256.

Bronfen, Elisabeth (2015). Am Nabel des Weiblichen: Hans Schärers Madonnen. In: Schuppli, Madeleine; Wagner, Marianne. Hans Schärer. Madonnen & Erotische Aquarelle. Luzern/Poschiavo: s.n., 144-156.

Hundt, Marianne; Zipp, Lena; Huber, André (2015). Attitudes towards Varieties of English in Fiji: A shift to endonormativity? World Englishes, 34(3):688-707.

Rivera Godoy-Benesch, Rahel (2015). Autorenporträts: Nadine Gordimer und Pablo Neruda. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 9. Baar, Switzerland: Klett und Balmer, 46-47.

Bronfen, Elisabeth (2015). Begegnungen Traumatischer Art. JAWS im Zeichen des Todestriebes gelesen. In: Schwanebeck, Wieland. DER WEISSE HAI revisited : Steven Spielbergs JAWS und die Geburt eines amerikanischen Albtraums. Berlin: Bertz und Fischer, 161-176.

Daub, Adrian; Bronfen, Elisabeth (2015). Broomhilda Unchained: Tarantino's Wagner. The Wagner Journal, 9(2):55-67.

Ljungberg, Christina (2015). Cartosemiotics. In: Trifonas, Peter Perikles. International Handbook of Research in Semiotics. New York: Springer Verlag, 759-770.

Binotto, Johannes (2015). Choreographie als Schizophrenie: Bleuler, Deleuze und die Musicals von Busby Berkeley. In: Sollberger, Daniel; Kapfhammer, Hans-Peter; Boehlke, Erik; Hoff, Paul; Stompe, Thomas. Bilder der Schizophrenie. Berlin: Frank & Timme, 307-321.

Bronfen, Elisabeth (2015). Cleopatra's Venus. In: Berressem, Hanjo; Blamberger, Günter; Goth, Sebastian. Venus as Muse : From Lucretius to Michel Serres. Leiden, Boston: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 235-249.

Ronan, Patricia; Schneider, Gerold (2015). Determining light verb constructions in contemporary British and Irish English. International Journal of Corpus Linguistics, 20(3):326-354.

Die Amerikanerin in Hitlers Badewanne : Drei Frauen berichten über den Krieg: Martha Gellhorn, Lee Miller, Margaret Bourke-White. Edited by: Bronfen, Elisabeth; Kampa, Daniel (2015). Hamburg: Hoffmann und Campe.

Binotto, Johannes (2015). Die gesprungene Wahrheit. Jacques Lacan, Delmer Daves und das Happy End. In: Ritzer, Ivo. Classical Hollywood und kontinentale Philosophie. Wiesbaden: Springer VS, 113-132.

Binotto, Johannes (2015). Die gesprungene Wahrheit: Jacques Lacan, Delmer Daves und das Happy End. In: Ritzer, Ivo. Classical Hollywood und kontinentale Philosophie. Wiesbaden: Springer, 113-132.

Hundt, Marianne (2015). Do-support in early New Zealand and Australian English. In: Collins, Peter. Grammatical Change in English World-Wide. Amsterdam: John Benjamins, 65-86.

Bronfen, Elisabeth (2015). Faszinierende Zerstörung des Krieges : Drei Weibliche Ansichten. In: Bronfen, Elisabeth; Kampa, Daniel. Die Amerikanerin in Hitlers Badewanne : Drei Frauen berichten über den Krieg: Martha Gellhorn, Lee Miller, Margaret Bourke-White. Hamburg: Hoffmann und Campe, 297-354.

Bronfen, Elisabeth (2015). Francesca Woodman : Fotografische Tableaux Vivants. In: Schor, Gabriele. Feministische Avantgarde : Kunst der 1970er-Jahre aus der Sammlung Verbund, Wien. München, London, New York: Prestel Verlag, 363-364.

Bronfen, Elisabeth (2015). Frequency Hopping. Thema Selections Spiel mit der Uniform. In: Bucher, Gina. Female Chic. Thema Selection – Geschichte eines Modelabels. Zurich: Edition Patrick Frey, 40-67.

Binotto, Johannes (2015). Glanz / Glance / Glas: Von der Unsichtbarkeit des Spiegels = On the invisibility of mirrors = De l’invisibilité du miroir. In: Haus am Gern, H. Aire de bellelay. Biel: Edition Haus am Gern, 5-17.

Bronfen, Elisabeth (2015). Gothic Wars - Media's Lust: On the Cultural Afterlife of the War Dead. In: Fred, Botting; Catherine, Spooner. Monstrous Media / Spectral Subjects. Imaging Gothic From the Nineteenth Century to the Present. Manchester: Manchester university Press, 15-28.

Jucker, Andreas H; Landert, Daniela (2015). Historical pragmatics and early speech recordings: Diachronic developments in turn-taking and narrative structure in radio talk shows. Journal of Pragmatics, 79:22-39.

Ljungberg, Christina (2015). Iconicity. In: Sotirova, Violeta. Bloomsbury Companion to Stylistics. London: Bloomsbury, 476-489.

Bronfen, Elisabeth (2015). Isoldes Liebestod in Hollywood. Eine Transmediale Affäre. In: Fornoff, Christine; Unseld, Melanie. Wagner - Gender - Mythen. Wagner in der Diskussion. Würzburg: Königshausen & Neumann, 231-257.

Rivera Godoy-Benesch, Rahel (2015). Kompass zur Altersbelletristik der Gegenwart. Trends, Analysen, Interpretationen. Zürich: Pro Senectute Verlag.

Bronfen, Elisabeth (2015). Mad Men. Zürich/Berlin: Diaphanes.

Binotto, Johannes (2015). Masochistisches Ritual als Alltagstrott. The Duke of Burgundy von Peter Strickland. Filmbulletin: Zeitschrift für Film und Kino, (3.15):24-25.

Locher, Miriam A; Jucker, Andreas H; Berger, Manuel (2015). Negotiation of space in Second Life newbie interaction. Discourse, Context & Media, 9:34-45.

Schneider, Gerold; Lehmann, Hans Martin; Schneider, Peter (2015). Parsing early and late modern english corpora. Literary and Linguistic Computing, 30(3):423-439.

Jucker, Andreas H (2015). Pragmatics of fiction: Literary uses of "uh" and "um". Journal of Pragmatics, 86:63-67.

Landert, Daniela (2015). Reportable Facts and a Personal Touch: The Functions of Direct Quotes in Online News. In: Arendholz, Jenny; Bublitz, Wolfram; Kirner-Ludwig, Monika. The Pragmatics of Quoting Now and Then. Berlin/Boston: De Gruyter, 29-52.

Representations of War, Migration and Refugeehood: Interdisciplinary Perspectives. Edited by: Rellstab, Daniel H; Schlote, Christiane (2015). New York und Abingdon: Routledge.

Schneider, Gerold (2015). Review of Automatic Treatment of Learner Corpus Data, Ana Diaz Negrillo, Nicolas Ballier and Paul Thompson, eds. (2013). International Journal of Learner Corpus Research, (1):172-177.

Binotto, Johannes (2015). Räume, Gänge, Kammern, Straßen: Das Unheimliche im Film. In: Mitterer, Nicola; Nagy, Hajnalka. Zwischen den Worten. Hinter der Welt Wissenschaftliche und didaktische Annäherungen an das Unheimliche. Innsbruck, Wien, Bozen: Studien Verlag, 157-172.

Bronfen, Elisabeth (2015). Screening and disclosing fantasy: rear projection in Hitchcock. Screen, 56(1):1-24.

Bronfen, Elisabeth (2015). Shakespeare's Wire. In: Ernst, Christoph; Paul, Heike. Amerikanische Fernsehserien der Gegenwart : Perspektiven der American Studies und der Media Studies. Bielefeld: Transcript, 89-109.

Biewer, Carolin (2015). South Pacific Englishes. A Sociolinguistic and Morphosyntactic Profile of Fiji English, Samoan English and Cook Islands English. Amsterdam: John Benjamins.

Honkapohja, Alpo (2015). Suomalaista rockmusiikkia "I hear a tone, I gotta go.". Helsinki: Study Materials, University of Helsinki.

Binotto, Johannes; Pfister, Michael (2015). Totalität und Unendlichkeit. Ein Dialog über die Fernsehserie. In: Knellessen, Olaf; Schiesser, Giaco; Strassberg, Daniel. Serialität : Wissenschaften, Künste, Medien. Wien: Turia + Kant, 53-67.

Taavitsainen, Irma; Jucker, Andreas H (2015). Twenty years of historical pragmatics: Origins, developments and changing thought styles. Journal of Historical Pragmatics, 16(1):1-24.

Jucker, Andreas H (2015). Uh and um as planners in the Corpus of Historical American English. In: Taavitsainen, Irma; Kytö, Merja; Claridge, Claudia; Smith, Jeremy. Developments in English: Expanding Electronic Evidence. Cambridge: Cambridge University Press, 162-177.

Bronfen, Elisabeth (2015). Vorwort : Horrorgeschichten / Ambrose Bierce. In: Haefs, Gisbert. Horrorgeschichten Ambrose Bierce. Zürich: Elster Verlag, 7-29.

Bronfen, Elisabeth (2015). War Literature into War Film: The Aesthetics of Violence and the Violence of Aesthetics. In: Rippl, Gabriele. Handbook of Intermediality. Berlin, Boston: De Gruyter Mouton, 287-305.

Hundt, Marianne (2015). World Englishes. In: Biber, Douglas; Reppen, Randi. The Cambridge Handbook of English Corpus Linguistics. Cambridge: Cambridge University Press, 381-400.

Seiler, Annina (2015). Writing the Germanic Languages: The Early History of the Digraphs <th>, <ch> and <uu>. In: Conti, Aidan; Da Rold, Orietta; Shaw, Philip. Writing Europe, 500-1450: Texts and Contexts. Cambridge: D. S. Brewer, 101-121.

Binotto, Johannes (2015). fleck / flush / flaque: Von der Schwärze des Sehens = On the blackness of vision = De la noirceur du voir. In: Haus am Gern, H. Aire de bellelay. Biel: Edition Haus am Gern, 25-37.

2014

Binotto, Johannes. Verführungen, Kraftakte : Gene Kelly, der Tänzer vor und hinter der Kamera. In: Neue Zürcher Zeitung, 302, 30 December 2014, p.15.

Binotto, Johannes. Liebe dein Symptom! «It's a Wonderful Life», der Weihnachtsfilm aller Weihnachtsfilme, im Filmpodium. In: Neue Zürcher Zeitung, 292, 16 December 2014, p.17.

Straumann, Barbara. Stimmt es, dass Frauen im 19. Jahrhundert keine Stimme hatten? In: Journal: die Zeitung der Universität Zürich, 6, 8 December 2014, p.20.

Binotto, Johannes. Ihre Hoheit. Retrospektive zur Schauspielerin Judi Dench. In: Neue Zürcher Zeitung, 280, 2 December 2014, p.19.

Binotto, Johannes (2014). Labyrinth der Leere : Über den Raum des Unheimlichen. UZH Magazin, 4(14):48-49.

Binotto, Johannes (2014). Bastardkinder. Zur Wiederentdeckung der frühen TV-soap "PEYTON PLACE". CARGO. Film/Medien/Kultur, (24):65-67.

Binotto, Johannes (2014). Die einschüchternde Erotik der Charlotte Rampling. Stadtkino Basel Programmzeitschrift:15-16.

Schreier, Daniel (2014). Koinéisation and historical phonology. In: Honeybone, Patrick; Salmons, Joseph C. The Handbook of Historical Phonology. Oxford: Oxford University Press, 217-239.

Ljungberg, Christina (2014). Laurie Anderson's Versions of Massenet / Corneille,Melville's Moby Dick and Döblin / Fassbinder. In: Cavagna, Mattia; Maeder, Costantino. Philology and Performing Arts: A Challenge. Louvain: Presses universitaires de Louvain, 257-269.

Binotto, Johannes. Mazed World : Zur unheimlichen Landschaft des Sommernachtstraums. In: Programmheft Schauspielhaus Zürich: Ein Sommernachtstraum, October 2014, p.8-25.

Bissig, Florian (2014). Review of Roger Perret (ed.). Moderne Poesie in der Schweiz: Eine Anthologie. Zürich: Limmat Verlag, 2013 and Luzius Keller (ed.). Modern and Contemporary Swiss Poetry: An Anthology. Champaign, Ill.: Dalkey Archive Press, 2012. Variations: Literaturzeitschrift der Universität Zürich, 22:211-213.

Hundt, Marianne (2014). Home is where you're born: Negotiating identity in the diaspora. Studia Neophilologica, 86(2):125-137.

Studer-Joho, Nicole (2014). Diffusion and Change in Early Middle English: Methodological and Theoretical Implications from the LAEME Corpus of Tagged Texts. Tübingen: Francke Verlag.

Hundt, Marianne (2014). 'Books that sell' – mediopassives and the modification ‘constraint’. In: Hundt, M. Late Modern English Syntax. Cambridge: Cambridge University Press, 90-109.

History of German Literature. Modern and contemporary times. Edited by: Markin, Alexander; Dmitrieva, Katja; Pavlova, Nina (2014). Moscow: Russian State University for Humanities Press.

Hundt, Marianne (2014). Introduction: Late Modern English syntax in its linguistic and socio-historical context. In: Hundt, Marianne. Late Modern English Syntax. Cambridge: Cambridge University Press, 1-10.

Late Modern English Syntax. Edited by: Hundt, M (2014). Cambridge: Cambridge University Press.

Jucker, Andreas H (2014). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 1-15.

Binotto, Johannes. Testgelände für Ungehörigkeit. Pre-Code Hollywood im Filmpodium. In: Neue Zürcher Zeitung, 18 July 2014, p.17.

Leitner, Magdalena (2014). Crabit or offended? Words in conflicts in Scotland’s past. Dictionary of the Scots Language: Scotland: Scottish Language Dictionaries.

Straumann, Barbara. Embodied Voices: Female Performers in Narrative Fiction. 2014, University of Zurich, Faculty of Arts.

Gardner, Anne-Christine (2014). Review: Anneli Meurman-Solin and Jukka Tyrkkö (eds.). Principles and practices for the digital editing and annotation of diachronic data (Studies in Variation, Contacts and Change in English 14). ICAME Journal, 38(1):207-211.

Binotto, Johannes. Bilder schiessen. Über Sergio Leone. In: Neue Zürcher Zeitung, 31 March 2014, p.17.

Binotto, Johannes. Der Mann im Schatten der Leinwand. Der legendäre Drehbuchautor Jean-Claude Carriere zu Besuch. In: Neue Zürcher Zeitung, 12 March 2014, p.21.

Schneider, Edgar W; Hundt, Marianne; Schreier, Daniel (2014). The times they are a-changin' - and so are the editors of EWW. English World-Wide. A Journal of Varieties of English, 35(1):1-5.

Binotto, Johannes (2014). Phantombilder, Glance-Lichter: Zur Fortführung des Kinos bei Christoph Girardet und Matthias Müller. Filmbulletin: Zeitschrift für Film und Kino, 56(1.14):38-43.

Binotto, Johannes. Kino als Trieb. Zum Filmregisseur Monte Hellman. In: Neue Zürcher Zeitung, 31 January 2014, p.19.

Ex Philologia Lux: Essays in honour of Leena Kahlas-Tarkka. Edited by: Tyrkkö, Jukka; Timofeeva, Olga; Salenius, Maria (2014). Helsinki: Mémoires de la Société Néophilologique.

Smith, Sara W; Jucker, Andreas H (2014). "Maybe, but probably not": Negotiating likelihood and perspective. Language and Dialogue, 4(2):284-298.

Reddick, Allen (2014). A Kinde of Massacre: Censoring John Milton. In: Iannaccaro, Giuliana; Iamartino, Giovanni. Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives. Newcastle upon Tyne: Cambridge Scholars Publishing, 31-42.

Honkapohja, Alpo (2014). A review of Da Rold, Orietta, and Elaine Treharne (eds.), Textual Cultures: Cultural Texts. Essays and Studies Collected on Behalf of the English Association. Neuphilologische Mitteilungen, CXV(4):503-506.

Chevalier, Sarah (2014). Attitudes of Students in Switzerland Towards Varieties of English. In: Langlotz, Andreas; Soltysik Monnet, Agnieszka. Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling. Tübingen: Gunter Narr Verlag, 197-213.

Bronfen, Elisabeth (2014). Audiovisuell und Romanesk. Televisuelle Imagination als Kulturkritik: Am Beispiel von David Simons "The Wire". In: Widmer, Ruedi. Laienherrschaft: 18 Exkurse zum Verhältnis von Künsten und Medien. Zürich, Berlin: Diaphanes, 27-39.

Binotto, Johannes (2014). Aussen drin: Francesca Woodmans eigene Räume. In: Schor, Gabriele; Bronfen, Elisabeth. Francesca Woodman. Werke aus der Sammlung Verbund. s.n.: Sammlung Verbund, 51-61.

Rivera Godoy-Benesch, Rahel (2014). Autorenporträts: Toni Morrison und Mark Twain. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 8. Baar, Switzerland: Klett und Balmer, 34-35.

Riquet, Johannes (2014). Bliss and War on the Island: Undoing Myth and Negotiating History in Stevenson's Treasure Island (1883) and Garland's The Beach (1996). In: Horatschek, Anna-Margaretha; Rosenberg, Yvonne; Schäbler, Daniel. Navigating Cultural Spaces: Maritime Places. Amsterdam: Brill, 177-190.

Landert, Daniela (2014). Blurring the Boundaries of Mass Media Communication? Interaction and User-Generated Content on Online News Sites. In: Tyrkkö, Jukka; Leppänen, Sirpa. Texts and Discourses of New Media. Helsinki: VARIENG, online.

Binotto, Johannes (2014). Cela ne se voit pas. Wie man im Kino beobachten kann, was sich nicht zeigen lässt. Filmbulletin: Zeitschrift für Film und Kino, (614):21-23.

Bronfen, Elisabeth (2014). Cinema of the Gothic Extreme. In: Hogle, Jerrold E. The Cambridge Companion to the Modern Gothic. New York: Cambridge University Press, 107-122.

Jucker, Andreas H; Taavitsainen, Irma (2014). Complimenting in the history of American English: A metacommunicative expression analysis. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 257-276.

Contact, variation, and change in the history of English. Edited by: Pfenninger, Simone E; Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schreier, Daniel (2014). Amsterdam: John Benjamins Publishing.

Jucker, Andreas H (2014). Courtesy and politeness in "Sir Gawain and the Green Knight". Studia Anglica Posnaniensia, 49(3):5-28.

Binotto, Johannes (2014). Cutting/Together. Operations on the Body of Film. In: Kunstverein Hannover. Christoph Girardet & Matthias Müller: Tell Me What You See. s.n.: Kunstverein Hannover, 119-121.

Gardner, Anne-Christine (2014). Derivation in Middle English: Regional and Text Type Variation. Helsinki: Société Néophilologique.

Diachronic Corpus Pragmatics. Edited by: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka (2014). Amsterdam: John Benjamins.

Jucker, Andreas H; Taavitsainen, Irma (2014). Diachronic corpus pragmatics: Intersections and interactions. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 3-26.

Binotto, Johannes (2014). Die halbe Wahrheit – Zur Verteidigung des Happy Ends. Cinema, (59):10-21.

Bolander, Brook; Locher, Miriam A (2014). Doing sociolinguistic research on computer-mediated data: A review of four methodological issues. Discourse, Context & Media, 3:14-26.

Schlote, Christiane (2014). Dramatizing the Congo: Refugees, Humanitarian Aid Workers and Gender. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 214-229.

Zipp, Lena (2014). Educated Fiji English. Lexico-grammar and variety status. Amsterdam: John Benjamins Publishing.

Bronfen, Elisabeth (2014). Einen Abdruck hinterlassen. Francesca Woodmans fotographische tableaux vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman. Werke aus der SAMMLUNG VERBUND. Köln, New York : Verlag der Buchhandlung König, 11-31.

English in the Indian Diaspora. Edited by: Hundt, Marianne; Sharma, Devyani (2014). Amsterdam: Benjamins.

Francesca Woodman: Works from the SAMMLUNG VERBUND. Edited by: Bronfen, Elisabeth; Schor, Gabriele (2014). Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König .

Schlote, Christiane (2014). From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre. In: Aragay, Mireia; Monforte, Enric. Ethical Speculations in Contemporary British Theatre. Houndmills: Palgrave, 173-189.

Bronfen, Elisabeth (2014). Geist/Gespenst. In: Wirz, Benno; Pieper, Natalie. Philosophische Kehrseiten: Eine andere Einleitung in die Philosophie. Freiburd, München : Verlag Karl Alber, 141-168.

Bronfen, Elisabeth (2014). Gender and Noir. In: Pettey, Homer B; Palmer, R Barton. Film Noir. Edinburgh: Edinburgh University Press, 143-163.

Gothic Renaissance: A Reassessment. Edited by: Bronfen, Elisabeth; Neumeier, Beate (2014). Manchester, New York: Manchester University Press.

Hundt, Marianne (2014). Heterogeneity vs. homogeneity. In: Auer, Anita; Schreier, D; Watts, Richard J. Letter Writing and Language Change. Cambridge: Cambridge University Press, 72-100.

Bronfen, Elisabeth (2014). Hollywood und der Erste Weltkrieg: Eine Frage der imaginären Annäherung. In: Wagner, Karl; Baumgartner, Stephan; Gamper, Michael. Der Held im Schützengraben: Führer, Massen und Medientechnik im Ersten Weltkrieg. Zürich: Chronos Verlag , 323-336.

Bronfen, Elisabeth (2014). Hollywood's Wagner: The Return to/of the Ordinary. In: Börnchen, Stefan; Mein, Georg; Strowick, Elisabeth. Jenseits von Bayreuth. Richard Wagner heute. Paderborn: Wilhelm Fink Verlag, 239-262.

Bronfen, Elisabeth (2014). Hollywoods Wagner: Die Rückkehr zum/des Gewöhnlichen. In: Drehmel, Jan; Vogt, Steffen; Jaspers, Kristina. Richard Wagner und das Kino der Dekadenz. Wien, Berlin: Turia + Kant, 44-75.

Zipp, Lena (2014). Indo-Fijian English. Linguistic diaspora or endonormative stabilization? In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing Company, 187-213.

Straumann, Barbara (2014). Inhabiting feminine suspicion. In: Badmington, Neil. Alfred Hitchcock: Critical evaluations of leading film-makers. London, New York: Routledge, Taylor & Francis Group, 159-195.

Hundt, Marianne; Sharma, Devyani (2014). Introduction. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 1-8.

Bronfen, Elisabeth; Neumeier, Beate (2014). Introduction. In: Bronfen, Elisabeth; Neumeier, Beate. Gothic Renaissance: A Reassessment. Manchester, New York: Manchester University Press, 1-13.

Rellstab, Daniel H; Schlote, Christiane (2014). Introduction. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 1-14.

Riquet, Johannes (2014). Killing King Kong: The camera at the borders of the tropical island, 1767-1937. Nordlit : Tidsskrift i litteratur og kultur, 31:133-149.

Bronfen, Elisabeth (2014). Leaving an Imprint: Francesca Woodman's Photographic Tableaux Vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman: Works from the SAMMLUNG VERBUND. Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König, 11-31.

Bronfen, Elisabeth (2014). Lubitsch's War: Comedy as Political Ploy in To Be or Not to Be. In: Dolar, Mladen; Novak, Ivana; Krečič, Jela. Lubitsch Can't Wait: A Theoretical Examination. Ljubljana: Columbia University Press, 131-150.

Markin, Alexander (2014). Martin Opitz and the reform of German poetry. In: Markin, Alexander. History of German Literature: Modern and Contemporary Times. Moscow: Russian Statte University for Humanities Press, 61-76.

Schreier, Daniel (2014). On cafeterias and new dialects: the role of primary transmitters. In: Buschfeld, Sarah; Hoffmann, Thomas; Huber, Magnus; Kautzsch, Alexander. The Evolution of Englishes : The Dynamic Model and beyond. Amsterdam: John Benjamins, 231-248.

Binotto, Johannes (2014). Outside In: Francesca Woodman’s Rooms of Her Own. In: Schor, Gabriele; Bronfen, Elisabeth. Francesca Woodman. Works of the Sammlung Verbund. s.n.: Sammlung Verbund, 51-61.

Landert, Daniela (2014). Personalisation in Mass Media Communication. British online news between public and private. Amsterdam/Philadelphia: John Benjamins.

Binotto, Johannes (2014). Punktförmiges D/denken: Veränderte Wahrnehmung in, auf und durch Yves Netzhammers Zeichnungen. In: Thomé, Pierre; Kost, Lynn. In Bildern denken. Ein Experiment über die Wahrnehmung von Bildern. Zürich: APPLAUS Medien AG, 169-186.

Bronfen, Elisabeth (2014). Queen Margaret's Haunting Revenge: The Gothic Legacy of Shakspeare's Wars of the Roses. In: Bronfen, Elisabeth; Neumeier, Beate. Gothic Renaissance: A Reassessment. Manchester, New York: Manchester University Press, 75-91.

Mühlheim, Martin (2014). Resisting Governmental Illegalisation: Xenophobia and Otherness in Steven Spielberg’s E. T.: The Extra-Terrestrial. In: Bashir, Hassan; Roye, Susmita. Experiencing Otherness: Multidisciplinary Perspectives. Oxford: Inter-Disciplinary, 1-10.

Dreiding, Michelle (2014). Rethinking the Beginning: Toni Morrison and the Dramatization of Liminality. Reconstruction : Studies in Contemporary Culture:n/a.

Hundt, Marianne (2014). Review of 'A Dictionary of South African Indian English' by Rajend Mesthrie. Journal of Language Contact, 7(2):446-452.

Hundt, Marianne (2014). Review of 'Early Modern English Dialogues: Spoken Interaction as Writing' by Jonathan Culpepper and Merja Kytö. Journal of Historical Pragmatics, 15(1):149-152.

Rüegg, Larssyn (2014). Thanks responses in three socio-economic settings: A variational pragmatics approach. Journal of Pragmatics, 71:17-30.

Riquet, Johannes. The Aesthetics of Island Space: Perception, Ideology, Geopoetics. 2014, University of Zurich, Faculty of Arts.

Hundt, Marianne (2014). The demise of the being to V construction. Transactions of the Philological Society, 112(2):167-187.

Jucker, Andreas H; Berger, Manuel (2014). The development of discourse presentation in The Times, 1833–1988. Media History, 20(1):67-87.

Seiler, Annina (2014). The scripting of the Germanic languages: A comparative study of "spelling difficulties" in Old English, Old High German and Old Saxon. Zurich: Chronos.

Binotto, Johannes (2014). There Are No Subbasements. Zur Oberflächlichkeit von Film, Erinnerung und Unbewusstem. In: Holl, Ute; Wittmann, Matthias. Memoryscapes. Filmformen der Erinnerung. Zürich, Berlin: Diaphanes, 181-198.

Bronfen, Elisabeth (2014). Valérie Favre's Suicide Images: An Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 154-162.

Bronfen, Elisabeth (2014). Valérie Favres Bilder des Selbstmordes. Ein Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 12-21.

Schreier, Daniel (2014). Variation and Change in English: an introduction (Grundlagen der Anglistik und Amerikanistik 39). Berlin: Erich Schmidt Verlag.

Bronfen, Elisabeth (2014). War and its Fictional Recovery On-Screen: Narrative Management of Death in The Big Red One and The Thin Red Line. In: LaRocca, David. The Philosophy of War Films. Lexington, Kentucky: University Press of Kentucky, 413-436.

Schlote, Christiane (2014). Writing Dubai. Indian Labour Migrants and Taxi Topographies. South Asian Diaspora, 6(1):33-46.

Hundt, Marianne (2014). Zero articles in Indian English. A Comparison of primary and secondary diaspora situations. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 131-170.

Binotto, Johannes (2014). Zusammen/schneiden: Operationen am lebenden Körper des Films. In: Kunstverein Hannover. Christoph Girardet & Matthias Müller: Tell Me What You See. Nannover: Kunstverein Hannover, 118-120.

2013

Mühlheim, Martin. Fictions of Home: Narratives of Alienation and Belonging, 1850-2000. 2013, University of Zurich, Faculty of Arts.

Timofeeva, Olga (2013). The Wor(l)ds of Kalevala: Finnish Loans in Modern English. In: Tyrkkö, Jukka; Timofeeva, Olga; Salenius, Maria. Ex Philologia Lux: Essays in Honour of Leena Kahlas-Tarkka. Helsinki: Mémoires de la Société Néophilologique, 159-185.

Heller-Andrist, Simone (2013). 34. Heller-Andrist, Simone . 2012. The Friction of the Frame: Derrida’s Parergon in Literature. Tübingen: Francke, 277 pp. English and American Studies in German, 2(1):57-60.

Schreier, Daniel (2013). Collecting ethnographic and sociolinguistic data. In: Krug, Manfred; Schlüter, Julia. Research Methods in Language Variation and Change. Cambridge: Cambridge University Press, 17-39.

Bissig, Florian (2013). Review of James Grant. The Critical Imagination. Oxford: Oxford University Press, 2013. Variations: Literaturzeitschrift der Universität Zürich, 21:230-232.

Binotto, Johannes. Der ironische Stylist. Retrospektive George Cukor. In: Neue Zürcher Zeitung, 7 October 2013, p.13.

Honkapohja, Alpo. A linguistic and codicological study of the Sloane group of middle English manuscripts. 2013, University of Zurich, Faculty of Arts.

Timofeeva, Olga (2013). Anglo-Latin and Old English: A Case for Integrated Bilingual Corpus Studies of Anglo-Saxon Registers. In: Bennett, Paul; Durrell, Martin; Scheible, Silke; Whitt, Richard J. New Methods in Historical Corpus Linguistics. Tübingen: Narr, 195-204.

Röthlisberger, Melanie; Schneider, Gerold (2013). Of-genitive versus s-genitive: A corpus-based analysis of possessive constructions in 20thcentury English. In: Bennett, Paul; Durrell, Martin; Scheible, Silke; Whitt, Richard J. New Methods in Historical Corpora. Tübingen: Narr Verlag, 163-180.

Kollmann, Elizabeth (2013). Resurrecting the dead in Anne Michaels’s Fugitive Pieces. HBI Project on Families, Children and the Holocaust N/A, University of Zurich.

Binotto, Johannes. Die schizophrenen Träume des Kinos. Vorschau auf das 11. Internationale Festival für Animationsfilm Fantoche. In: NZZ, 203, 3 September 2013, p.17.

Binotto, Johannes. Verblüffende Verbindungen. Das Filmpodium Zürich zeigt einen Querschnitt aus den Kinojahren 1963 und 1973. In: NZZ, 155, 8 July 2013, p.11.

Binotto, Johannes. Nichts dahinter. «The Real Eighties» – Amerikanisches Kino 1980–89 im Filmpodium Zürich. In: NZZ, 145, 26 June 2013, p.19.

Binotto, Johannes. Welche Möglichkeiten, welche Überraschungen! Zu den Filmen Jane Campions. In: NZZ, 126, 4 June 2013, p.18.

Binotto, Johannes (2013). Abgrund der Oberfläche. The Real Eighties – Amerikanisches Kino 1980-1989. Filmbulletin: Zeitschrift für Film und Kino, (4.13):12-21.

Denison, David; Hundt, Marianne (2013). Defining relatives. Journal of English Linguistics, 41(2):135-167.

Binotto, Johannes (2013). My Home Is My Symptom: A Psychoanalytic Plea for Flawed Architecture. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: Transcript, 33-46.

Binotto, Johannes. Klassische Subversionen. Internationales Experimentalfilm-Festival Videoex. In: NZZ, 117, 24 May 2013, p.21.

Binotto, Johannes (2013). Das Begehren ist ein Knochen. Bringing Up Baby, Howard Hawks, USA 1938. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 121-128.

Binotto, Johannes (2013). Was will der Mann? After Hours, Martin Scorsese, USA 1985. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 121-128.

Schönfelder, Christa (2013). Wounds and words: childhood and family trauma in romantic and postmodern fiction. Bielefeld: Transcript.

Binotto, Johannes (2013). Rück-Sicht auf Darstellbarkeit. Zur Ästhetik und Aussagekraft der Rear Projection. Filmbulletin: Zeitschrift für Film und Kino, (2.13):37-43.

Schreier, Daniel (2013). English as a contact language: lesser-known varieties. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambriudge University Press., 149-164.

Hundt, Marianne; Schreier, Daniel (2013). Nothing but a contact language... In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 1-17.

Frey Büchel, Nicole (2013). "Indefinite, sketchy but not entirely obliterated": Narrative identity in Jeffrey Eugenides's Middlesex. In: Holler, Claudia; Klepper, Martin. Rethinking Narrative Identity: Persona and Perspective. Amsterdam / Philadelphia: John Benjamins, 129-146.

Schönfelder, Christa (2013). (Re-)Visions of the Buried Self: Childhood Trauma and Self-Narration in Margaret Atwood's 'Cat's Eye'. In: Rippl, Gabriele; Kirss, Tiina; Schweighauser, Philipp; Steffen, Therese; Sutrop, margrit. Haunted Narratives: Life-Writing in an Age of Trauma. Toronto: Univ of Toronto, 257-274.

Markin, Alexander (2013). Amerikanskij Dom Uzhasa: Ot Idillii k horroru. Seance, (53/54):259-270.

Schönfelder, Christa (2013). Renegotiations of Longing and Belonging: Exile, Memory, and Nostalgia. In: Rippl, Gabriele; Schweighauser, Philipp; Kirss, Tiina; Sutrop, Margrit; Steffen, Therese. Haunted Narratives: Life-Writing in an Age of Trauma. Toronto: Univ of Toronto, 297-304.

Binotto, Johannes. Im Dickicht der Bilder. Waldrausch im Kino Xenix. In: NZZ, 48, 27 February 2013, p.19.

Bronfen, Elisabeth (2013). "Man weiß nicht woher die Einfälle einfallen": Über das Verhältnis von Form und Nichts bei Meret Oppenheim. In: Eipeldauer, Heike. Meret Oppenheim: Retrospektive. Ostfildern: Hatje Cantz , 35-44.

Honkapohja, Alpo (2013). A review of Code-switching in Early English (2011) by Herbert Schendl & Laura Wright (eds.). Journal of Historical Pragmatics, 14(2):321-327.

Eberle, Nicole; Schreier, Daniel (2013). African Bermudian English and the Caribbean Connection. English World-Wide. A Journal of Varieties of English, 34(3):279-304.

Bronfen, Elisabeth (2013). Angst im Film. In: Koch, Lars. Angst: Ein interdisziplinäres Handbuch. Stuttgart: Metzler, 251-264.

Bronfen, Elisabeth (2013). Auf der Suche nach Kleopatra: Das Nachleben einer kulturellen Ikone. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra: Die Ewige Diva. München: Hirmer, 8-21.

Binotto, Johannes (2013). Bond Rerouted: 007 and the Internal Conflict in/of Digital Media. SPELL: Swiss papers in English language and literature, 29:51-63.

Leitner, Magdalena (2013). Book review of: Merja Kytö, Peter J. Grund and Terry Walker. Testifying to language and life in Early Modern England. Journal of Historical Pragmatics, 14(2):305-309.

Chevalier, Sarah (2013). Caregiver responses to the language mixing of a young trilingual. Multilingua, 32(1):1-32.

Alexander, Markin (2013). Chicago. In: Bronfen, Elisabeth; Grob, Norbert. Classical Hollywood. Stuttgart: Reclam Verlag, 193-199.

Classical Hollywood. Edited by: Bronfen, Elisabeth; Grob, Norbert (2013). Stuttgart: Reclam.

Jucker, Andreas H; Kopaczyk, Joanna (2013). Communities of practice as a locus of language change. In: Kopaczyk, Joanna; Jucker, Andreas H. Communities of practice in the history of English. Amsterdam: John Benjamins, 1-16.

Communities of practice in the history of English. Edited by: Kopaczyk, Joanna; Jucker, Andreas H (2013). Amsterdam: John Benjamins.

Jucker, Andreas H (2013). Corpus pragmatics. In: Östman, Jan-Ola; Verschueren, Jef. Handbook of Pragmatics. Amsterdam: John Benjamins, 1-17.

Cultures in Conflict / Conflicting Cultures. Edited by: Ljungberg, C; Klarer, M (2013). Tübingen: Narr.

Gardner, Anne-Christine. Derivation in Middle English: Regional and Text Type Variation. 2013, University of Zurich, Faculty of Arts.

Schneider, Gerold (2013). Describing Irish English with the ICE Ireland Corpus. University of Lausanne. Institut de Linguistique et des Sciences du Langage. Cahiers, 38:137-162.

Rathore-­Nigsch, Claudia. Dialect variation and change in the diaspora: a sociophonetic study of the East African Indian community in Leicester, UK. 2013, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2013). Die Kunst des Exils. In: Bischoff, Doerte; Komfort-Hein, Susanne. Literatur und Exil: Neue Perspektiven. Berlin: De Gruyter, 381-395.

Seiler, Annina (2013). Die Urkunden des Schreibers Waldo: eine graphematische Analyse. Sprachwissenschaft, 38(2):123-146.

Schneider, Gerold; Zipp, Lena (2013). Discovering new verb-preposition combinations in New Englishes. Studies in Variation, Contacts and Change in English, 13:online.

Jucker, Andreas H; Taavitsainen, Irma (2013). English Historical Pragmatics. Edinburgh: Edinburgh University Press.

English as a Contact Language. Edited by: Schreier, Daniel; Hundt, Marianne (2013). Cambridge: Cambridge University Press.

Binotto, Johannes (2013). Gold diggers of 1933. In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 121-127.

Binotto, Johannes (2013). Goldgräber von 1933 - Gold Diggers of 1933. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.

Timofeeva, Olga (2013). Hearsay and lexical evidentials in old germanic languages, with focus on old English. In: Diewald, Gabriele; Kahlas-Tarkka, Leena; Wischer, Ilse. Comparative Studies in Early Germanic Languages: With a Focus on Verbal Categories. Amsterdam: Benjamins, 169-194.

Bronfen, Elisabeth (2013). Hollywoods Kriege: Geschichte einer Heimsuchung. Frankfurt am Main : S. Fischer Verlag .

Bronfen, Elisabeth (2013). Hollywoods Kriegsbilder: Historisches Wissen anderer Art. In: Ernst, Christoph; Paul, Heike. Präsenz und implizites Wissen: Zur Interdependenz zweier Schlüsselbegriffe der Kultur- und Sozialwissenschaften. Bielefeld: transcript, 35-48.

Bronfen, Elisabeth (2013). Hollywoods Kriegsgerichtsdramen. In: Kappelhoff, Hermann; Gaertner, David; Pogodda, Cilly. Mobilisierung der Sinne: Der Hollywood-Kriegsfilm zwischen Genrekino und Historie. Berlin: Vorwerk 8, 88-121.

Iconic Investigations. Edited by: Elleström, L; Fischer, O; Ljungberg, C (2013). Amsterdam: John Benjamins.

Hundt, Marianne; Schreier, Daniel (2013). Introduction: nothing but a contact language. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 1-17.

Straumann, Barbara (2013). Kleopatra im Doppelporträt mit Elizabeth I.: Die Inszenierung der zwei Körper der Königin. In: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. Kleopatra - Die ewige Diva. München: Hirmer, 68-77.

Kleopatra: Die Ewige Diva. Edited by: Bronfen, Elisabeth; Lulinska, Agnieszka (2013). München: Hirmer.

Bolander, Brook (2013). Language and Power in Blogs: Interaction, disagreements and agreements. Amsterdam: John Benjamins.

Timofeeva, Olga (2013). Latin Loans in Old English and Finnish Loans in Modern English: Can We Distinguish Statistics from Myth? In: McConchie, R W; Juvonen, Teo; Kaunisto, Mark; Nevala, Minna; Tyrkkö, Jukka. Selected Proceedings of the 2012 Symposium on New Approaches in English Historical Lexis (HEL-LEX 3). Somerville, MA, USA: Cascadilla Proceedings Project, 166-176.

Binotto, Johannes (2013). Leave her to heaven (USA 1945). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 285-291.

Bronfen, Elisabeth (2013). Lubitschs Krieg. Die Komödie als politische Strategie in To Be or Not to Be. Neue Rundschau, 124(4):151-172.

Honkapohja, Alpo (2013). Manuscript abbreviations in Latin and English: History, typologies and how to tackle them in encoding. Studies in Variation, Contacts and Change in English, 14:online.

Meaning in the history of English. Words and texts in context. Edited by: Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole (2013). Amsterdam/Philadelphia: John Benjamins.

Straumann, Barbara (2013). Medien im englischsprachigen Bereich. In: Rippl, Gabriele; Winko, Simone. Handbuch Kanon und Wertung: Theorien - Instanzen - Geschichte. Stuttgart: Metzler, 140-146.

Hackert, Stephanie; Deuber, Dagmar; Biewer, Carolin; Hilbert, Michaela (2013). Modals of possibility, ability and permission in selected New Englishes. Helsinki: VARIENG.

Bronfen, Elisabeth (2013). Monumental Cleopatra: Hollywood’s epic film as historical re-imagination. Anglia, 131:218-235.

Bronfen, Elisabeth (2013). Männliche Sammelwut, weibliche Neugierde: Blaubarts Wunde(r)kammer. Fabula, 53(3/4):194-204.

Bronfen, Elisabeth (2013). Night Passages: Philosophy, Literature, and Film. New York: Columbia University Press.

Timofeeva, Olga (2013). Of ledenum bocum to engliscum gereorde: Bilingual communities of practice in anglo-saxon England. In: Kopaczyk, Joanna; Jucker, A H. Communities of Practice in the History of English. Amsterdam: Benjamins, 201-224.

Alexander, Markin (2013). Pis'mo, pustota i pokojniki. Russkaja Proza, (3):online.

Bronfen, Elisabeth (2013). Reappropriations of the Cowboy. In: Scheidegger, Ildegarda; Frehner, Matthias. Hannes Schmid: Real Stories. Zürich: JRP|Ringier, 53-62.

Hundt, Marianne (2013). Relatives in scientific English: Variation across time and space. In: Poppi, Franca; Cheng, Winnie. The Three Waves of Globalization: Winds of Change in Professional, Institutional and Academic Genres. Newcastle: Cambridge Scholars Publishing, 244-268.

Bronfen, Elisabeth (2013). Remains of War: Battlefields, Ruins and the Trick of Commemoration. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: transcript, 161-175.

Paparunas, Penny (2013). Review of: Fritz Senn, Noch mehr über Joyce: Streiflichter, hg. mit einem Nachwort von Sabine Baumann, Frankfurt am Main: Schöffling & Co, 2012. Variations: Literaturzeitschrift der Universität Zürich, 21:234-236.

Timofeeva, Olga (2013). Review of: Janie Steen, Verse and Virtuosity: The Adaptation of Latin Rhetoric in Old English Poetry. Toronto: University of Toronto Press, 2008. Neuphilologische Mitteilungen:125-128.

Reddick, Allen (2013). So What's Wrong with "Buxom"? Samuel Johnson, Poetical Language, and Semantics. In: McConchie, R W; Juvonen, Teo; Kaunisto, Mark; Nevala, Minna; Tyrkkö, Jukka. Selected Proceedings of the 2012 Symposium on New Approaches in English Historical Lexis (HEL-LEX 3). Somerville, MA, USA: Cascadilla Proceedings Project, 159-165.

Binotto, Johannes (2013). Some Came Running (USA 1958). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 385-391.

Biewer, Carolin. South Pacific Englishes - The Dynamics of Second-language Varieties of English in Fiji, Samoa and the Cook Islands. 2013, University of Zurich, Faculty of Arts.

Binotto, Johannes (2013). TAT/ORT. Das Unheimliche und sein Raum in der Kultur. Zürich, Berlin: Diaphanes.

Straumann, Barbara (2013). The Conflict of Voice in Nathaniel Hawthorne's The Blithedale Romance. In: Ljungberg, Christina; Klarer, Mario. Cultures in Conflict / Conflicting Cultures. Tübingen: Swiss Association of University Teachers of English, SAUTE, 93-107.

Heusser, Martin (2013). The Semantics of Structure: Iconicity in the Poetry of William Carlos Williams and E. E. Cummings. In: Elleström, Lars; Fischer, Olga; Ljungberg, Christina. Iconic Investigations. Amsterdam, Philadelphia: John Benjamins Publishing Company, 159-172.

Hundt, Marianne (2013). The diversification of English: old, new and emerging epicentres. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 182-203.

Honkapohja, Alpo (2013). The trinity seven planets. Scholarly Editing: The Annual of the Association for Documentary Editing, 34:online.

Leitner, Magdalena (2013). Thou and you in Late Middle Scottish and Early Modern Northern English witness depositions. Journal of Historical Pragmatics, 14(1):100-129.

Binotto, Johannes (2013). Todsünde – Leave Her to Heaven. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.

Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole (2013). Uncovering layers of meaning in the history of the English language. In: Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole. Meaning in the History of English. Words and texts in context. Amsredam: John Benjamins, 1-15.

Keller, Thomas (2013). Unterwürfige Souveränität: Kleopatra in der Popmusik. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra. Die ewige Diva. München, 124-131.

Binotto, Johannes (2013). Untiefen. Zu den unheimlichen Räumen Dario Argentos. In: Stiglegger, Marcus; Flintrop, Michael. Dario Argento: Anatomie der Angst. Berlin: Bertz + Fischer, 68-83.

Hundt, Marianne (2013). Using web-based data for the study of global English. In: Krug, Manfred G; Schlüter, Julia. Research Methods in Language Variation and Change. Cambridge: Cambridge University Press, 158-177.

Binotto, Johannes (2013). Verdammt sind sie alle – Some Came Running. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 385-391.

Paparunas, Penny (2013). Wasserfrau als Maskerade? Melusine von Barby und die Hybridisierung von Geschlechterkonfigurationen in Theodor Fontanes »Stechlin«. In: Michel, Paul. Spinnenfuss & Krötenbauch: Genese und Symbolik von Kompositwesen. Zürich: Pano-Verlag, 369-404.

2012

Binotto, Johannes (2012). Beyond Bond: Der Spion im Film zwischen Weltrettung und Selbstzweifel. Stadtkino Basel Programmzeitschrift:10-12.

Bronfen, Elisabeth (2012). Specters of War. Hollywood's Engagement with Military Conflict. New Brunswick, NJ: Rutgers UP.

Binotto, Johannes. Die Welt als Puppenhaus. Die verzauberten Filme des Wes Anderson als Retrospektive im Kino Xenix. In: NZZ, 254, 31 October 2012, p.21.

Ljungberg, Christina (2012). Creative dynamics. Diagrammatic strategies in narrative. Amsterdam: John Benjamins.

Binotto, Johannes. Roter als Rot. Technicolor – ein Augenschmaus. In: Neue Zürcher Zeitung, 4 October 2012, p.19.

Binotto, Johannes. Roter als rot. Das Filmpodium feiert die Farbfilme von Technicolor - ein Augenschmaus. In: NZZ, 231, 4 October 2012, p.19.

Markin, Alexander (2012). Nemetskaja Pornografija. In: Volchek, Dmitry. Sestra Monika. Tver': Kolonna Publications, 168-181.

Hundt, Marianne (2012). Varieties of English: Australian/ New Zealand English. In: Bergs, Alex; Brinton, Laurel. Historical Linguistics of English: An International Handbook. Berlin: Walter de Gruyter, 1995-2012.

Binotto, Johannes (2012). Übernatürliche Farbe. Zu Technicolor und dessen Ästhetik. Filmbulletin: Zeitschrift für Film und Kino, (6.12):33-39.

Paparunas, Penny (2012). Figurationen des Verworfenen: Schönheit, Hässlichkeit und Alter in Augusta Websters Lyrik. In: Filter, Dagmar; Reich, Jana. Bei mir bist Du schön...Kritische Reflexionen über Konzepte von Schönheit und Körperlichkeit. Hamburg: Centaurus Verlag & Media KG, 159-191.

Binotto, Johannes. Beschwingte Avantgarde. «Swinging London» im Filmpodium. In: NZZ, 151, 2 July 2012, p.13.

Mühlheim, Martin (2012). Keramik, Knollenfrüchte und Kinderbücher: Eine postkoloniale Spurensuche in Zürich. In: Purtschert, Patricia; Lüthi, Barbara; Falk, Francesca. Postkoloniale Schweiz: Formen und Folgen eines Kolonialismus ohne Kolonien. Bielefeld: Transcript Verlag, 157-174.

Timofeeva, Olga (2012). Latin Absolute Constructions and Their Old English Equivalents: Interfaces between Form and Information Structure. In: Meurman-Solin, Anneli; Lopez-Couso, Maria Jose; Los, Bettelou. Information Structure and Syntactic Change in the History of English. USA: Oxford University Press, 228-242.

Lehmann, Hans Martin; Schneider, Gerold (2012). Dependency bank. In: LREC 2012 Conference Workshop "Challenges in the Management of Large Corpora", Istanbul, Turkey, 22 May 2012 - 22 May 2012, 23-28.

Schneider, Gerold (2012). Using semantic resources to improve a syntactic dependency parser. In: LREC 2012 Conference Workshop "Semantic Relations II", Istanbul, Turkey, 22 May 2012 - 22 May 2012, 67-76.

Binotto, Johannes. Das alte Kino lebt: Retrospektive zum Filmschaffen des deutschen Regisseurs Rainer Werner Fassbinder im Kino Xenix. In: NZZ, 100, 30 April 2012, p.15.

Binotto, Johannes. Unberechenbarer Stern: Zu Marilyn Monroe. In: Basler Zeitung, 21 April 2012, p.2.

Heller-Andrist, Simone (2012). The Friction of the Frame: Derrida's Parergon in Literature. Tübingen: Francke Verlag.

Binotto, Johannes. Im Bann des Magiers. In: TagesWoche, 3 February 2012, p.43-45.

Paparunas, Penny (2012). Transgressive religiöse Figuren. Rosa : Die Zeitschrift für Geschlechterforschung, 44:45-47.

Binotto, Johannes. Medium und Massage. Der Film «Hysteria» macht die Erfindung des Vibrators zum Komödienthema. In: Basler Zeitung, 12 January 2012, p.35.

Binotto, Johannes (2012). From my cold, dead hands. Die Melancholie des Schneewesterns. Stadtkino Basel Programmzeitschrift, (179):11-12.

Hundt, Marianne; Mair, Christian (2012). "Agile" and "Uptight" genres: The corpus-based approach to language change in progress. In: Biber, Douglas; Reppen, Randi. Corpus Linguistics. Vol. 3 : Varieties. London: Sage, 199-218.

Schneider, Gerold; Hundt, Marianne (2012). "Off with their heads". Profiling TAM in ICE corpora. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 1-34.

Hundt, Marianne; Leech, Geoffrey (2012). "Small is beautiful" On the value of standard reference corpora for observing recent grammatical change. In: Nevalainen, Terttu; Traugott, Elizabeth. The Oxford Handbook of the History of English. Oxford: Oxford University Press, 175-188.

Schreier, Daniel (2012). "Varieties resistant to standardisation.". In: Hickey, Raymond. Standards of English: Codified Varieties around the World. Cambridge: Cambridge University Press, 369-386.

Straumann, Barbara (2012). 'We didn't need dialogue, we had faces': The Public Bodies of Gloria Swanson. PhiN. Philologie im Netz, 5:128-146.

Deuber, Dagmar; Biewer, Carolin; Hackert, Stephanie; Hilbert, Michaela (2012). 'Will' and 'would' in selected New Englishes: general vs. variety-specific tendencies. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 77-102.

Piccitto, Diane (2012). 1793 and the Aftermath of the French Revolution. West Lafayette, Indiana: Extension of Romanticism and Victorianism on the Net.

Schlote, Christiane (2012). A different theatre of war. Humanitarian aid on british stages. In: Reitz, Bernhard; Berninger, Mark. Ethical Debates in Contemporary Theatre and Drama. Trier: WVT, 121-135.

Timofeeva, Olga (2012). Absolutnye prichastnye konstruktsii v pozdnedrevneangliyskih perevodah Biblii. In: Uspenskij, Fjodor. Imenoslov.Istorija jazyka. Istorija kultury. Moscow: Russkij fond sodejstvija obrazovaniju i nauke, 277-292.

Gardner, Anne-Christine (2012). Abstract noun ‘suffixes’ and text type in Old English. In: Sauer, Hans; Waxenberger, Gaby. English Historical Linguistics 2008. Selected Papers from the 15th ICEHL, Munich, 24-30 August 2008. Volume II: Words, Texts and Genres. Amsterdam, Philadelphia: John Benjamins, 119-132.

Biewer, Carolin (2012). Acrolectal English in the South Pacific: emerging standards? In: Hickey, Raymond. Standards of English. Codified Varieties around the World. Cambridge: Cambridge University Press, 336-353.

Chevalier, Sarah (2012). Active trilingualism in early childhood: The motivating role of caregivers in interaction. International Journal of Multilingualism, 9(4):437-454.

Schneider, Gerold (2012). Adapting a parser to historical English. Helsinki: University of Helsinki.

Hundt, Marianne; Szmrecsanyi, Benedikt (2012). Animacy in early New Zealand English. English World-Wide, 33(3):241-263.

Lehmann, Hans Martin; Schneider, Gerold (2012). BNC Dependency Bank 1.0. In: Oksefjell, Signe; Ebeling, Jarle; Hasselgard, Hilde. Aspects of corpus linguistics: compilation, annotation, analysis. Helsinki: Research Unit for Variation, Contacts, and Change in English, online.

Jucker, Andreas H (2012). Changes in politeness cultures. In: Nevalainen, Terttu; Traugott, Elizabeth Closs. The Oxford handbook of the history of international law. Oxford: Oxford University Press, 422-433.

Bronfen, Elisabeth (2012). Cleopatra's Venus. In: Renger, Almut-Barbara; Solomon, Jon. Ancient Worlds in Film and Television : Gender and Politics. Leiden: Brill, 137-150.

Bronfen, Elisabeth (2012). Contending with the Father: Louise Bourgeois and her Aesthetics of Reparation. In: Larratt-Smith, Philip. Louise Bourgeois: The Return of the Repressed: Psychoanalytic Writings. London: Violette Editions, London, 101-114.

Bronfen, Elisabeth (2012). Die Königin ist tot! Lang lebe die Königin! Zu Hiroshi Sugimotos Portrait von Königin Elizabeht II als Wachsfigur. In: Janser, Daniela; Seelig, Thomas. Status – 24 Dokumente von heute. (Winterthur): Photomuseum Winterthur, 38.

Hundt, Marianne; Dose, Stefanie (2012). Differential change in British and American English: Comparing pre- and post-war data. In: Hoffmann, Sebastian; Rayson, Paul; Leech, Geoffrey. English Corpus Linguistics: Looking back, Moving forward. Amsterdam: Rodopi, 79-101.

Studer-Joho, Nicole. Diffusion and Change in Early Middle English: Methodological and Theoretical Implications from the LAEME Corpus of Tagged Texts. 2012, University of Zurich, Faculty of Arts.

Bolander, Brook (2012). Disagreements and agreements in personal/diary blogs: A closer look at responsiveness. Journal of Pragmatics, 44(12):1607-1622.

Schlote, Christiane (2012). Dramatising Refuge(e)s: Rukhsana Ahmad's Song for a Sanctuary and Tanika Gupta's Sanctuary. In: Ley, Graham; Dadswell, Sarah. Critical Essays on British South Asian Theatre. Exeter: University of Exeter Press, 66-78.

Riquet, Johannes (2012). How shall we find the concord of this discord?. Music, magic and ideology in A Midsummer Night’s Dream. Variations: Literaturzeitschrift der Universität Zürich, 31(20):77-92.

Ljungberg, Christina (2012). Intermedial narration i den fotolyriska bildboken. Samlaren, 133:366-369.

Hundt, Marianne; Gut, Ulrike (2012). Introduction: Mapping unity and diversity in New Englishes. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, ix-xiii.

Schlote, Christiane (2012). Iraqi Playwrights and the (Un)Reality of War. In: Milich, Stephan; Pannewick, Friederike; Tramontini, Leslie. Conflicting Narrative, War, Trauma and Memory in Iraqi Culture. Wiesbaden: Reichert Verlag, 161-180.

Journal of Historical Pragmatics. Edited by: Jucker, A H; Taavitsainen, I (2012). Amsterdam/Philadelphia: John Benjamins.

Mapping unity and diversity world-wide. Corpus-based studies of new Englishes. Edited by: Hundt, M; Gut, U (2012). Amsterdam: John Benjamins.

Heusser, Martin (2012). Mexicanness in Katherine Anne Porter's "María Concepción" and "Flowering Judas". In: Kern-Stähler, Annette; Britain, David. English on the Move: Mobilities in Literature and Language. Tübingen: Swiss Association of University Teachers of English, SAUTE, 69-80.

Chevalier, Sarah (2012). Mobile Parents, Multilingual Children: Children’s Production of Their Paternal Language in Trilingual Families. In: Kern-Stähler, Annette; Britain, David. On the Move: Mobilities in English Language and Literature. Tübingen: Narr Dr. Gunter, 99-115.

Musik und Literatur/ Musique et littérature/ Music and Literature. Variations: Literaturzeitschrift der Universität Zürich. Edited by: Bissig, Florian; Struzek-Krähenbühl, Franziska; Escher, Georg (2012). Bern: Peter Lang.

Schlote, Christiane (2012). Oil, Masquerades, and Memory: Sokari Douglas Camp's Memorial of Ken Saro-Wiwa. In: Collier, Gordon; Delrez, Marc; Fuchs, Anne; Ledent, Bénédicte. Engaging with Literature of Commitment. Volume 1: Africa in the World. Amsterdam: Rodopi, 243-263.

Bolander, Brook. On language and power in blogs. 2012, University of Basel, Faculty of Arts.

Zipp, Lena; Bernaisch, Tobias (2012). Particle verbs across first and second language varieties of English. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 167-196.

Bronfen, Elisabeth (2012). Pathosformeln des Krieges und ihr Nachleben in Hollywood. In: Geimer, Peter; Hagner, Michael. Nachleben und Rekonstruktion : Vergangenheit im Bild. München: Fink; Nationaler Forschungsschwerpunkt »Bildkritik«, 231-249.

Paparunas, Penny (2012). Patricia Rigg, Julia Augusta Webster: Victorian Aestheticism and the Woman Writer, Madison: Farleigh Dickinson University Press, 2009. Variations: Literaturzeitschrift der Universität Zürich, 20:306-308.

Schreier, Daniel (2012). Phonological inventories. In: Hickey, Raymond. Areal Features of the Anglophone World. Berlin and New York: Walter de Gruyter, 277-297.

Bronfen, Elisabeth (2012). Picasso's War Women. In: Schulz-Hoffmann, Carla. Women. Picasso, Beckmann, de Kooning. Ostfildern: Hatje Cantz Verlag , 254-265.

Schlote, Christiane (2012). Post-Millennial British Asian Theatre. Hard Times, (91):33-38.

Jucker, Andreas H; Taavitsainen, Irma (2012). Pragmatic variables. In: Hernández-Campoy, Juan M; Conde-Silvestre, Juan C. The Handbook of Historical Sociolinguistics. Chichester, West Sussex: Wiley-Blackwell, 293-306.

Jucker, Andreas H (2012). Pragmatics in the history of linguistic thought. In: Allan, Keith; Jaszczolt, Kasia M. The Cambridge Handbook of Pragmatics. Cambridge: Cambridge University Press, 495-512.

Heusser, Martin (2012). Radical Eye Rhymes: Visual Strategies in Modernist Poetry. In: Homem, Rui Carvalho. Relational designs in literature and the arts : page and stage, canvas and screen. Amsterdam: Editions Rodopi B.V., Amsterdam, 221-235.

Piccitto, Diane (2012). Reclaiming ‘the Grandeur of Inspiration’: Authenticity, repetition and parody in William Blake’s Milton. In: Straub, Julia. Paradoxes of Authenticity: Studies on a Critical Concept. Bielefeld: Transcript Verlag, 243-262.

Hundt, Marianne; Denison, David; Schneider, Gerold (2012). Relative complexity in scientific discourse. English Language and Linguistics, 16(2):209-240.

Hundt, Marianne; Denison, David; Schneider, Gerold (2012). Retrieving relatives from historical data. Literary and Linguistic Computing, 27(1):3-16.

Jucker, Andreas H (2012). Review of Culpeper and Kytö, Early Modern English dialogues: Spoken interaction as writing. Studies in English Language. Cambridge: Cambridge University Press, 2010. English Language and Linguistics, 16:519-523.

Rivera Godoy-Benesch, Rahel (2012). Review of: Simone Heller-Andrist, The Friction of the Frame. Derrida's Parergon in Literature, Tübingen: Francke, 2012. Variations, 20:301-302.

Schönfelder, Christa (2012). Review of: Suman Gupta: Contemporary Literature. Variations: Literaturzeitschrift der Universität Zürich, 20:292-293.

Bissig, Florian (2012). Review of: Tim Milnes. The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge. Cambridge: Cambridge University Press. Variations: Literaturzeitschrift der Universität Zürich, 20:286-288.

Schlote, Christiane (2012). Revisiting Bolton: Transcultural Adaptation and Regional Identity in Ayub Khan-Din's Rafta, Rafta. In: Nicklas, Pascal; Lindner, Oliver. Adaptation and Cultural Appropriation. Berlin: De Gruyter, 251-263.

Schreier, Daniel (2012). Second-language varieties of English. In: Brinton, Laurel; Bergs, Alexander. Historical Linguistics of English: An International Handbook. Berlin: Walter de Gruyter, 2106-2120.

Jucker, Andreas H; Taavitsainen, Irma; Schneider, Gerold (2012). Semantic corpus trawling: Expressions of “courtesy” and “politeness” in the Helsinki Corpus. In: Suhr, Carla; Taavitsainen, Irma. Developing Corpus Methodology for Historical Pragmatics. Helsinki: Research Unit for Variation, Contacts and Change in English, 1.

Hundt, Marianne (2012). The committee has/have decided... On concord patterns with collective nouns in inner- and outer-circle varieties of English. In: Biber, Douglas; Reppen, Randi. Corpus Linguistics. Vol. 3 : Varieties. London: Sage, 293-318.

Seiler, Annina (2012). The function of the sword-hilt inscription in Beowulf. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond. Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Narr Francke Attempto, 181-197.

Hundt, Marianne; Hoffmann, Sebastian; Mukherjee, Joybrato (2012). The hypothetical subjunctive in South Asian Englishes. Local developments in the use of a global construction. English World-Wide, 33(2):147-164.

Schreier, Daniel (2012). The impact of migratory movements on linguistic systems: Transplanted speech communities and varieties from a historical sociolinguistic perspective. In: Hernández-Campoy, J M; Conde-Sylvestre, J Camilo. The Handbook of Historical Sociolinguistics. Oxford: Wiley-Blackwell Publishing, 524-551.

Jucker, Andreas H; Dürscheid, Christa (2012). The linguistics of keyboard-to-screen communication. A new terminological framework. Linguistik Online, 56(6/12):1-26.

Landert, Daniela. The personalisation of mass media communication. Involving settings, private content and linguistic immediacy in british online news. 2012, University of Zurich, Faculty of Arts.

Studer-Joho, Nicole (2012). The transmission of alliterative poetry: scribal practice in the A text of William Langland's Piers Plowman. Neuphilologische Mitteilungen, 113(1):85-104.

Hundt, Marianne (2012). Towards a corpus of New Zealand English: News from Erewhon? Te Reo: Journal of the Linguistic Society of New Zealand, 55:51-74.

Bitterli, Dieter (2012). Two Old English Prose Riddles of the Eleventh Century. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond: Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Franke, 1-11.

Schreier, Daniel (2012). Words and the New Englishes: Borrowing as evidence of contact and ancestral effects. In: Chevalier, Sarah; Honegger, Thomas. Words, word, words: Philology and beyond. Festschrift for Andreas Fischer on the occasion of his 65th birthday. Tübingen: Francke, 165-180.

Words, Words, Words: Philology and Beyond: Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Edited by: Chevalier, Sarah; Honegger, Thomas (2012). Tübingen: Narr.

Schönfelder, Christa. Wounds and words: childhood and family trauma in romantic and postmodern fiction. 2012, University of Zurich, Faculty of Arts.

Binotto, Johannes (2012). Zusammen-Schneiden. Von der Notwendigkeit körperlicher und geistiger Versehrtheit. Denkbilder. Das Germanistikmagazin der Universität Zürich, 17(31):6-7.

Jucker, Andreas H (2012). “These imputations are too common, sir”: Politeness in Early Modern English dialogues: The case of Ben Jonson’s Volpone, or The Fox. In: Mazzon, Gabriella; Fodda, Luisianna. Historical Perspective on Forms of English Dialogue. Milano: FrancoAngeli, 40-58.

Jucker, Andreas H (2012). “What’s in a name?”: Names and terms of address in Shakespeare’s Romeo and Juliet. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond. Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Narr, 77-97.

2011

Schlote, Christiane (2011). Street lives, roof lives. Literary transformations of Arab urban spaces after Mahfouz. Journal of Postcolonial Writing, 47(5):524-535.

Bissig, Florian (2011). Coleridge and the contemporaneity of authorship. Variations: Literaturzeitschrift der Universität Zürich, 19:71-84.

Paparunas, Penny (2011). Rezension zu Christine O'Neill (Hg.), Zerrinnerungen. Fritz Senn zu James Joyce, Aus dem Englischen von Fritz Senn, Zürich: Verlag Neue Zürcher Zeitung, 2007. Variations: Literaturzeitschrift der Universität Zürich, 19:284-286.

Schneider, Gerold (2011). Using automatically parsed corpora to discover lexico-grammatical features of English varieties. In: 30th International Conference on Lexis and Grammar, Nicosia, Cyprus, 5 October 2011 - 8 October 2011, 251-258.

Schneider, Gerold; Clematide, Simon; Rinaldi, Fabio (2011). Detection of interaction articles and experimental methods in biomedical literature. BMC Bioinformatics, 12(Suppl 8):S13.

Binotto, Johannes. Ästhetik des Verderbens. In: Neue Zürcher Zeitung, 21 September 2011, p.21.

Esterhammer, Angela (2011). John Thelwall's "Panoramic Miscellany": the lecturer as journalist. Romantic Circles Praxis:online.

Zipp, Lena; Dellwo, Volker (2011). ’Read speech normalization’ (RSN): A method to study prosodic variability in spontaneous speech. In: The 17th International Congress of Phonetic Sciences, Hong Kong, 17 August 2011 - 31 August 2011, 2328-2331.

Zipp, Lena; Dellwo, Volker (2011). ‘Read speech normalization’ (RSN): a method to study prosodic variability in spontaneous speech. In: Lee, Wai-Sum; Zee, Eric. Proceedings of the 17th International Congress of Phonetic Sciences. Hong Kong: City University of Hong Kong, 2328-2331.

Binotto, Johannes (2011). Der Wille zum Exzess. Über die Filme von Nicholas Ray. Filmpodium: Das Programmheft, 2011(Aug-Sep):13-15.

Neurauter-Kessels, Manuela (2011). Im/polite reader responses on British online news sites. Journal of Politeness Research, 7(2):187-214.

Binotto, Johannes. Medium und Verbrechen. Das Zürcher Filmpodium zeig Fritz Langs «While the City Sleeps». In: NZZ, 150, 30 June 2011, p.21.

Schneider, Gerold; Zimmermann, Heinrich (2011). Text-Mining-Methoden im Semantic Web. Wirtschaftsinformatik und Management, 3:28-35.

Reddick, Allen (2011). Thomas Hollis Gifts to Linnaeus. PuLSe, 10:4-5.

Schreier, Daniel; Lavarello Schreier, Karen (2011). Tristan da Cunha and the Tristanians. London: Battlebridge.

Lehmann, Hans Martin; Schneider, Gerold (2011). A large-scale investigation of verb-attached prepositional phrases. Helsinki: University of Helsinki.

Schneider, Gerold; Rinaldi, Fabio (2011). A data-driven approach to alternations based on protein-protein interactions. In: III Congreso Internacional de Lingüística de Corpus, Valencia, Spain, 7 April 2011 - 9 April 2011, 597-607.

Esterhammer, Angela (2011). Review of: Romantic Europe and the Ghost of Italy, by Joseph Luzzi. European Journal of English Studies, 15(1):85-86.

Gardner, Anne-Christine (2011). Review of: Susanne Mühleisen. Heterogeneity in word-formation patterns. A corpus- based analysis of suffixation with -ee and its productivity in English (Studies in Language Companion Series 118). Amsterdam, Philadelphia: John Benjamins, 2010. 245 pp. ISBN 978-90-272-0585-8. ICAME Journal, (35):248-252.

Binotto, Johannes. Fruchtbare Umwege. «Niedertourige Roadmovies» im Aprilprogramm des Zürcher Kinos Xenix. In: NZZ, 74, 29 March 2011, p.21.

Binotto, Johannes. Die Schönheit des Abseitigen. Die «Tiger Lillies Freakshow» im Theater Winterthur. In: NZZ, 71, 25 March 2011, p.25.

Caspar, Cyril L; Eschle Wyler, Regula; Wyler, Bruno (2011). Cornerstones in Ulrich Bach’s Work on theology and disability. Journal of Religion, Disability & Health, 15(1):34-41.

Binotto, Johannes. Hellsichtige Verdunkelungen. Das Filmpodium Zürich zeigt eine Retrospektive auf das Werk von Arthur Penn. In: NZZ, 38, 15 February 2011, p.17.

Schlote, Christiane (2011). Not just another play about Iraq: An interview with Hassan Abdulrazzak. Journal of Postcolonial Writing, 47(1):101-111.

Honkapohja, Alpo (2011). Multilingualism in Trinity College Cambridge Manuscript O.1.77. In: Fisiak, Jacek; Bator, Magdalena. Foreign Influences on Medieval English. Frankfurt am Main: Peter Lang, 25-45.

Biber, Douglas; Grey, Bethany; Honkapohja, Alpo; Pahta, Päivi (2011). Propositional modifiers in early English medical prose: A study on their historical development in noun phrases. In: Pahta, Päivi; Jucker, Andreas H. Communicating Early English Manuscripts. Cambridge: Cambridge University Press, 197-211.

Straumann, Barbara (2011). A Voice of Her Own? Weibliche Stimmeffekte bei George Du Maurier, George Bernard Shaw und Isak Dinesen. In: Brandt, Sabina; Butte, Maren. Bild und Stimme. München: Wilhelm Fink, 239-255.

Straumann, Barbara (2011). A voice of her own? Feminine voice effects in George Du Maurier, George Bernard Shaw and Isak Dinesen. Slovo a smysl / Word and Sense: A Journal of Interdisciplinary Theory and Criticism in Czeck Studies, 15:21-39.

Timofeeva, Olga (2011). Battlefield victory: Lexical transfer in Medieval Anglo-Latin. In: Kranich, Svenja; Becher, Viktor; Höder, Steffen; House, Juliane. Multilingual Discourse Production: Diachronic and Synchronic Perspectives. Amsterdam/Philadelphia: John Benjamins, 109-132.

Binotto, Johannes (2011). Baumeister Kino - Überlegungen zum Film als Raumkunst. Modulor. Magazin für Architektur, Immobilien, Recht, 4(6):24-30.

Steiner - Karafili, Enit (2011). Bodies playing on the boundaries of Jane Austen's Juvenilia. Figurationen: Gender - Literatur - Kultur, 12(2):61-72.

Piccitto, Diane (2011). Book Review of: Mary A. Favret. War at a Distance: Romanticism and the Making of Modern Wartime; Princeton 2010. Variations: Literaturzeitschrift der Universität Zürich, 19:307-308.

Binotto, Johannes (2011). Che vuoi? Mafia und die Hysterie der Männer. In: Läubli, M; Sahli, S. Männlichkeiten denken. Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transcript, 285-302.

Esterhammer, Angela (2011). Coleridge's "The Improvisatore": poetry, performance, and remediation. Wordsworth Circle, 40:122-128.

Esterhammer, Angela (2011). Coleridge, Sgricci, and the shows of London: improvising in print and performance. In: Burwick, Frederick; Douglass, Paul. Dante and Italy in British Romanticism. New York: Palgrave Macmillan, 143-159.

Communicating early English manuscripts. Edited by: Pahta, P; Jucker, A H (2011). Cambridge: Cambridge University Press.

Jucker, Andreas H; Pahta, Päivi (2011). Communicating manuscripts: authors, scribes, readers, listeners and communicating characters. In: Pahta, Päivi; Jucker, Andreas H. Communicating early English manuscripts. Cambridge: Cambridge University Press, 3-10.

Bronfen, Elisabeth (2011). Der Geodät des Bürgerkriegs. In: Biers, Ambrose; Haefs, Hanswilhelm. Geschichten aus dem Bürgerkrieg. Zürich: Elster Verlag, 7-21.

Binotto, Johannes (2011). Descartes, Le Corbusier und der Terror der idealen Stadt. Modulor. Magazin für Architektur, Immobilien, Recht, (7):37-42.

Hundt, Marianne; Mukherjee, Joybrato (2011). Discussion forum: New Englishes and learner Englishes – quo vadis? In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes : Bridging a Paradigm Gap. Amsterdam: John Benjamins Publishing, 209-218.

Binotto, Johannes (2011). Ein-Bildungen – Zum Kino der Hysterie. Zürich: Kino Xenix.

Exploring Second-Language Varieties of English and Learner Englishes. Edited by: Mukherjee, Joybrato; Hundt, Marianne (2011). Amsterdam: Benjamins.

Schlote, Christiane (2011). Generic activism: Ahdaf Soueif and Etel Adnan’s art of creative non-fiction. In: Oboe, Annalisa; Bassi, Shaul. Experiences of Freedom in Postcolonial Literatures and Cultures. London: Routledge, 283-295.

Buonanno, Giovanna; Sams, Victoria; Schlote, Christiane (2011). Glocal routes in British Asian drama: Between adaptation and tradaptation. Postcolonial Text, 6(2):1-18.

Jucker, Andreas H (2011). Greetings and farewells in Chaucer's Canterbury Tales. In: Pahta, Päivi; Jucker, Andreas H. Communicating early English manuscripts. Cambridge: Cambridge University Press, 229-240.

Jucker, Andreas H (2011). Historical speech act analysis: Greetings and farewells. In: Frenk, Joachim; Steveker, Lena. Anglistentag 2010 Saarbrücken. Proceedings. Trier: Wissenschaftlicher Verlag, 397-406.

Bronfen, Elisabeth (2011). Hitler goes pop: Totalitarianism, avant-garde aesthetics and Hollywood entertainment. In: Madsen, Deborah L; Klarer, Mario. The Visual Culture of Modernism. Tübingen: Narr, 85-106.

Steiner - Karafili, Enit (2011). Images of masculinity and the feminist inflection. In: Läubli, M; Sahli, S. Männlichkeiten denken. Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transcript, 219-238.

Hoffmann, Sebastian; Hundt, Marianne; Mukherjee, Joybrato (2011). Indian English - an emerging epicentre? A pilot study on light verbs in web-derived corpora of South Asian Englishes. Anglia, 129(3-4):258-280.

Timofeeva, Olga (2011). Infinitival Complements with the Verb (ge)don in Old English: Latin Influence Revisited. Leeds Studies in English, 42:93-108.

Hundt, Marianne; Mukherjee, Joybrato (2011). Introduction: Bridging a paradigm gap. In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes : Bridging a Paradigm Gap. Amsterdam: John Benjamins Publishing, 1-6.

Binotto, Johannes (2011). Io sono sempre vista. Das Unheimliche dies- und jenseits des Bildes. In: Heilmann, T A; von der Heiden, A; Tuschling, A. medias in res. Medienkulturwissenschaftliche Positionen. Bielefeld: Transcript, 97-111.

Piccitto, Diane (2011). Jahrgänge. Versuche über historische Gleichzeitigkeit: 1793. Variations: Literaturzeitschrift der Universität Zürich, 19:18-21.

Esterhammer, Angela (2011). John Galt's fictional and performative worlds. In: Pittock, Murray. The Edinburgh Companion to Scottish Romanticism. Edinburgh: Edinburgh University Press, 166-177.

Frey Büchel, Nicole (2011). Jugendliche brauchen Heldinnen! – Buchbesprechung von: Manuela Kalbermatten:'Von nun an werden wir mitspielen': Abenteurerinnen in der phantastischen Kinder- und Jugendliteratur der Gegenwart, Zürich, Chronos, 2011. ph Akzente, 18(4):47.

Binotto, Johannes (2011). Jump Cut. Zur Chrono-Logik von Film und Psychoanalyse. In: Kiening, Christian; Prica, Aleksandra; Wirz, Benno. Wiederkehr und Verheissung. Dynamiken der Medialität in der Zeitlichkeit. Zürich: Chronos, 253-268.

Markin, Alexander (2011). Kommentar zu Alfred Döblins "Berge Meere und Giganten". In: Gory Morja i Giganty. Roman / Alfred Döblin. Sankt Petersburg: Izdatel'stvo Ivana Limbakha, 702-788.

Markin, Alexander (2011). Kommentar zu Alfred Döblins "Berlin Alexanderplatz. Geschichte von Franz Biberkopf". In: Berlin Aleksandrplac : istorija o France Biberkopfe / Alfred Döblin. Moskau: Ladomir, 509-607.

LautSchriftSprache. Beiträge zur vergleichenden historischen Graphematik. Edited by: Glaser, Elvira; Seiler, Annina; Waldispühl, Michelle (2011). Zürich: Chronos.

Seiler, Annina (2011). Litteras superfluas - Zum Gebrauch 'überflüssiger' Buchstaben im Althochdeutschen, Altsächsischen und Altenglischen. In: Glaser, Elvira; Seiler, Annina; Waldispühl, Michelle. LautSchriftSprache. Beiträge zur vergleichenden historischen Graphematik. Zürich: Chronos, 167-183.

Bronfen, Elisabeth (2011). Man wird weder als Frau noch als Jude geboren. Was wir von Lubitsch über den Kaufmann von Venedig lernen können. In: Ackermann, Zeno; Schülting, Sabine. Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Berlin: De Gruyter, 201-218.

Jucker, Andreas H (2011). Mass media. In: Östman, Jan Ola; Verschueren, Jef. Pragmatics in Practice. Amsterdam/Philadelphia: John Benjamins, 248-263.

Biewer, Carolin (2011). Modal auxiliaries in second language varieties of English: A learner's perspective. In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes: Bridging a Paradigm Gap. Amsterdam: John Benjamins, 7-33.

Hundt, Marianne; Vogel, Katrin (2011). Overuse of the progressive in ESL and learner Englishes – fact or fiction? In: Mukherjee, Joybrato; Hundt, Marianne. Second-language varieties and learner Englishes. Amsterdam: Benjamins, 145-166.

Bronfen, Elisabeth (2011). Pipipilotti's body camera. In: Rosenthal, Stephanie. Pipilotti Rist: Eyball Massage. London: Hayward Publishing, 116-123.

Jucker, Andreas H (2011). Positive and negative face as descriptive categories in the history of English. Journal of Historical Pragmatics, 12(1-2):178-197.

Landert, Daniela; Jucker, Andreas H (2011). Private and public in mass media communication: from letters to the editor to online commentaries. Journal of Pragmatics, 43:1422-1434.

Schönfelder, Christa (2011). Review of: Anne Whitehead: Memory. Variations: Literaturzeitschrift der Universität Zürich, 19:292-293.

Straumann, Barbara (2011). Review of: Diva – Die Inszenierung der übermenschlichen Frau. Interdisziplinäre Untersuchungen zu einem kulturellen Phänomen des 19. und 20. Jahrhunderts. Ed. Rebecca Grotjahn, Dörte Schmidt and Thomas Seedorf. Forum Musikwissenschaft 7. Schliengen: Argus, 2011. In: Grosch, Nils; Hörner, Fernand. Lied und Populäre Kultur/Song and Popular Culture: Original und Kopie/Original and Copy. Münster: Waxman, 282-287.

Timofeeva, Olga (2011). Review of: Kiriko Sato, The Development from Case-Forms to Prepositional Constructions in Old English Prose. Studies in Language and Communication, 88. Bern: Lang, 2009. Leeds Studies in English, 42:122-124.

Frey Büchel, Nicole (2011). Review of: Károly Pintér, The anatomy of utopia: Narration, estrangement and ambiguity in More, Wells, Huxley and Clarke, Critical explorations in science fiction and fantasy 23, Jefferson, North Carolina and London, McFarland, 2010. Variations: Literaturzeitschrift der Universität Zürich, 19:278-280.

Schlote, Christiane (2011). Rewriting Columbus: Coatlicue’s dramatization of Mexican Indigenous history. In: Davis, Geoffrey V; Devi, Ganesh; Chakravarty, K K. Voice and Memory: Indigenous Imagination and Expression. Delhi: Orient BlackSwan, 68-77.

Bronfen, Elisabeth (2011). Rezension von: Helen Hackett, Shakespeare and Elizabeth: The meeting of two myths. In: Schülting, Sabine; Döring, Tobias; Greiner, Norbert. Shakespeare Jahrbuch. Bochum: Deutsche Shakespeare-Gesellschaft, 235-236.

Binotto, Johannes (2011). Rezension: Matei Chihaia, Der Golem-Effekt. Orientierung und phantastische Immersion im Zeitalter des Kinos. Bielefeld: transcript, 2011. Variations: Literaturzeitschrift der Universität Zürich:297-298.

Kilpiö, Matti; Timofeeva, Olga (2011). Semantic Polyfunctionality and Grammaticalization of the OE Subordinator be þæm þe: A Corpus-based Study. Varieng. Studies in Variation, Contacts and Change in English, 8:online.

Semblance and Signification. Edited by: Michelucci, P; Fischer, O; Ljungberg, C (2011). Amsterdam/Philadelphia: John Benjamins.

Hundt, Marianne (2011). The committee has/have decided... On concord patterns with collective nouns in inner- and outer-circle varieties of English. In: Bautista, Maria Lourdes S. Studies of Philippine English. Exploring the Philippine Component of the International Corpus of English. Manila: Anvil, 117-143.

Jucker, Andreas H (2011). The discourse of poverty in British newspapers: A CDA perspective. In: Valić Nedeljković, Dubravka. Media Discourse of Poverty and Social Exclusion. Novi Sad: Faculty of Philosophy, 13-19.

Bronfen, Elisabeth (2011). The female side of crime: Film noir's femme fatale and the dark side of modernity. In: Nicol, Brian; et al. Crime Culture. Figuring Criminality in Fiction and Film. London: Continuum International Publishing, 71-89.

Chevalier, Sarah. Trilingual Language Acquisition: Contextual Factors Affecting Active Trilingualism. 2011, University of Zurich, Faculty of Arts.

Ljungberg, Christina (2011). Unbinding the text: Intermedial Iconicity in Peter Greenaway's Prospero's Books. In: Michelucci, Pascal; Fischer, Olga; Ljungberg, Christina. Semblance and Signification. Amsterdam / Philadelphia: John Benjamins, 369-388.

Schönfelder, Christa (2011). Verletzte Grenzen: Der versehrte Körper, Trauma und Stigmatisierung in Trezza Azzopardi’s 'The Hiding Place'. Figurationen, 2:73-86.

Reddick, Allen (2011). Vindicating Milton: Poetic misprision in Johnson's dictionary of the English language. In: Horrocks, Thomas A; Weinbrot, H D. Johnson After Three Centuries: New Light on Texts and Contexts. Cambridge, MA: Harvard University Press, 62-71.

Gardner, Anne-Christine (2011). Word formation in Early Middle English: Abstract nouns in the linguistic atlas of Early Middle English. Varieng. Studies in Variation, Contacts and Change in English, 6:online.

Zeitgenossenschaft / Le Contemporain / Contemporaneity. Edited by: Piccitto, Diane; Schönfelder, Christa; Villiger, Christian; Zöllner, Reto (2011). Bern, Switzerland: Peter Lang.

Jucker, Andreas H (2011). 「チョーサーの『カンタベリー物語』における呼称」. In: Takada, Hiroyuki; Shiina, Michi; Onodera, Noriko. 歴史語用論入門:過去のコニュニケーションを復元する (Introduction to Historical Pragmatics). Tokyo: Taishukan, 130-142.

2010

Binotto, Johannes. Mit dem Verstand eines Kindes. In: Neue Zürcher Zeitung, 6 December 2010, p.13.

Bronfen, Elisabeth (2010). The Day after Battle: Much Ado about Nothing and the Continuation of War with other Means. In: Herbsttagung der Deutschen Shakespeare-Gesellschaft, Universität Zürich, 28 November 2010 - 29 November 2010.

Binotto, Johannes. Gott ist fort und lacht. Woody Allens abgründige Komödien im Zürcher Filmpodium. In: Neue Zürcher Zeitung, 17 November 2010, p.21.

Bronfen, Elisabeth (2010). Reporting from the War Zone. In: Certainty Undermined. Life-Worlds and Knowledge in Transition, Wien, 14 October 2010 - 16 October 2010.

Binotto, Johannes. Der Entrückte. In: Neue Zürcher Zeitung, 8 October 2010, p.21.

Bissig, Florian (2010). Review of Elinor Shaffer and Edoardo Zuccato (eds.). The Reception of S.T. Coleridge in Europe. Romanticism, 16:327-329.

Bronfen, Elisabeth (2010). Hollywood's War: Thoughts on the Cinematic Mediation of Military Conflict. In: Vortrag am Townsend Center der University of California at Berkeley, Berkeley, 17 September 2010 - 17 September 2010.

Piccitto, Diane. Dramatic Forms and Identity-Formation in the Works of William Blake. 2010, University of Western Ontario (Canada), Faculty of Arts.

Rinaldi, Fabio; Schneider, Gerold; Clematide, Simon; Jegen, Silvan; et al (2010). OntoGene (Team 65): preliminary analysis of participation in BioCreative III. In: BioCreative III workshop, Bethesda, Maryland, 13 September 2010 - 15 September 2010.

Frey Büchel, Nicole; Berliner, Donna (2010). Prelude, or Growth of a Poet's Mind, The William Wordsworth (1799, 1805, 1850). In: Maunder, Andrew. Encyclopedia of Literary Romanticism. New York: Facts on File, Infobase Publishing, 345-349.

Binotto, Johannes. Von wegen Understatement. In: Neue Zürcher Zeitung, 17 August 2010, p.15.

Bronfen, Elisabeth (2010). Engenderign Historical Evidence as Visual Reality: Choreography of Battle in Hollywood Cinema. In: Jahrestagung des Deutschen Forum für Kunstgeschichte in Paris, zum Thema "Poiesis- Über das Tun in der Kunst", Paris, 3 July 2010 - 3 July 2010.

Rinaldi, Fabio; Schneider, Gerold; Kaljurand, Kaarel; Clematide, Simon; Vachon, Thérèse; Romacker, Martin (2010). OntoGene in BioCreative II.5. IEEE/ACM Transactions on Computational Biology and Bioinformatics, 7(3):472-480.

Bronfen, Elisabeth (2010). Before the Law: Fritz Lang's M as a court room drama. In: Signs of the Times: Fritz Lang's M and the End of the Weimar Republic, Wien , 17 June 2010 - 17 June 2010.

Bronfen, Elisabeth (2010). A Capacity for Movement: Hollywood's Military Musical an the Choreography of Battle. In: Eigth Tel Aviv International Colloquium on Cinema and Television studies, "Suspenseful Times and the Moving Images" , Tel Aviv, 8 June 2010 - 10 June 2010.

Binotto, Johannes. Aussen vor, innen drin. Zur Wiederentdeckeung Daniel Schmids im Zürcher Kino Xenix. In: Neue Zürcher Zeitung, 124, 2 June 2010, p.21.

Tottie, Gunnel; Neukom-Hermann, Anja (2010). Quantifier-negation interaction in English: A corpus linguistic study of all...not constructions. In: Horn, Laurence R. The Expression of Negation. Berlin, New York: De Gruyter Mouton, 149-185.

Binotto, Johannes (2010). Schnitttechnik des psychischen Apparats. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 21-28.

Esterhammer, Angela (2010). Übertragene Ruinen. Byron, Hemans, Keats. In: Döring, Tobias; et al. Übertragene Anfänge. Imperiale Figurationen um 1800. München: Fink, 131-146.

Binotto, Johannes. Cinérotomanie. Godard, Truffaut und die Frauen – eine Xenix-Filmreihe. In: Neue Zürcher Zeitung, 28 April 2010, p.21.

Heller-Andrist, Simone. The Friction of the Frame: Derrida's Parergon in Literature. 2010, University of Zurich, Faculty of Arts.

Binotto, Johannes (2010). Für ein unreines Kino. Film und Surrealismus. Filmbulletin: Zeitschrift für Film und Kino, 306(April ):33-39.

Markin, Alexander (2010). Hronologija žizni i tvorčestva H.H. Janna = Zeittafel zum Leben und Werk H.H. Jahnns. In: Volček, D. Hans Henni Jann «Eto nastiget každogo» = «Die Nacht aus Blei». Tver': Kolonna Publications, 385-393.

Jucker, Andreas H (2010). Review of Laurel J. Brinton. 2008. The Comment Clause in English. Syntactic Origins and Pragmatic Developments. Cambridge: Cambridge University Press. Language, 86(1):214-215.

Ljungberg, Christina (2010). Intermedial Strategies in Multimedial Art. In: Elleström, Lars. Media Border, Multimodality and Intermediality. London: Palgrave MacMillan, 81-95.

Schneider, Gerold; Zimmermann, Heinrich (2010). Text Mining Methoden im Semantic Web. HMD Praxis der Wirtschaftsinformatik, (271):35-46.

Bronfen, Elisabeth (2010). Hollywoods Kriegsfuror: Zerstört die Schlacht die Personlichkeit oder hilft sie psychische Störungen zu überwinden, zumindest im Kino? In: 10. Vierwaldstätter-Psychiatrietag zum Thema "Persönlichkeit! Störung? Ein Spannungsfeld sondergleichen!?", Luzern, 28 January 2010 - 28 January 2010.

Jucker, Andreas H (2010). "Audacious, brilliant!! What a strike!": Live text commentaries on the Internet as real-time narratives. In: Hoffmann, Christian R. Narrative Revisitied. Telling a Story in the Age of New Media. Amsterdam / Philadelphia: John Benjamins, 57-77.

Jucker, Andreas H (2010). "In curteisie was set ful muchel hir lest": Politeness in Middle English. In: Culpeper, Jonathan; Kádár, Dániel Z. Historical (Im)Politeness. Bern: Peter Lang, 175-200.

Straumann, Barbara (2010). "There are many that I can be": The Poetics of Self-Performance in Isak Dinesen's "The Dreamers". In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr, 153-163.

Biewer, Carolin; Hundt, Marianne; Zipp, Lena (2010). 'How' a Fiji corpus? Challenges in the compilation of an ESL ICE component. ICAME Journal, 34:5-23.

Bronfen, Elisabeth (2010). A Diva's War: Marlene Dietrich's glamorous female soldier. In: Tagung des Netzwerkes Vergleichende Literaturwissenschaften an Schwedischen Universitäten zum Thema "Autorschaft", Universität Göteborg, 12 March 2010 - 2010.

Bitterli, Dieter (2010). Alkuin von York und die angelsächsische Rätseldichtung. Anglia, 128(1):4-20.

Schlote, Christiane (2010). British Asian Drama: Ayub Khan-Din. In: Tönnies, Merle. Das englische Drama der Gegenwart. Kategorien – Entwicklungen – Modellinterpretationen. Trier: WVT, 229-248.

Frey Büchel, Nicole (2010). Buchbesprechung von: The English renaissance, orientalism, and the idea of Asia, eds. Debra Johanyak, Walter S.H. Lim., Palgrave Macmillan, 2010. Variations: Literaturzeitschrift der Universität Zürich, 18:254-256.

Steiner - Karafili, Enit (2010). Byron and the Albanians: Unearthing Identities. Studia Albanica, 47(2):137-147.

Bolander, Brook; Locher, Miriam A (2010). Constructing identity on Facebook. SPELL: Swiss papers in English language and literature, 24:165-188.

Straumann, Barbara (2010). Diva Warhol: Mediale Performance und Versteckspiel. In: Bier, Rolf; Büttner, Nils. Who is that pale man? Neues zu Warhol. München: Verlag Silke Schreiber, 195-222.

Ljungberg, Christina (2010). Dynamic instances of interaction: the performative function of iconicity in literary texts. Sign Systems Studies, 38(1/4):270-297.

Schreier, Daniel; Wright, Laura (2010). Earliest St Helenian English in writing: Evidence from the St Helena Consultations (1682-1723). In: Hickey, Raymond. Varieties of English in Writing: The written word as linguistic evidence. Amsterdam: John Benjamins Publishing, 245-262.

Bronfen, Elisabeth (2010). Engendering historical Evidence as Visual Reality: The Choreography of Battle in Hollywood Cinema. In: 37. Internationale Tagung der Österreichichen und Schweizer Assoziationen für Amerika Studien (AAAS und SANAS), Universität Insbruck, 13 November 2010 - 2010.

Zipp, Lena. Exo- and endonormative models in Fiji – A corpus-based study on the dynamics of first and second language varieties with a focus on Indo-Fijian English. 2010, University of Zurich, Faculty of Arts.

Taavitsainen, Irma; Jucker, Andreas H (2010). Expressive speech acts and politeness in eighteenth-century English. In: Hickey, Raymond. Eighteenth-Century English: Ideology and Change. Cambridge: Cambridge University Press, 159-181.

Gutbrodt, Fritz (2010). Fußnoten und Geistesblitze: Zur Motivation des Credit Suisse Award for Best Teaching. In: Tremp, Peter. „Ausgezeichnete Lehre!“ Lehrpreise an Universitäten. Erörterungen – Konzepte – Vergabepraxis. Münster: Waxmann, 89-98.

Historical pragmatics. Edited by: Jucker, A H; Taavitsainen, I (2010). Berlin / New York: De Gruyter Mouton.

Jucker, Andreas H (2010). Historical pragmatics. In: Fried, Mirjam; et al. Variation and change: pragmatic perspectives. Amsterdam: Benajmins, 110-122.

Bronfen, Elisabeth (2010). Interrogating light. The visuality of the text. In: Agazzi, E; Giannetto, E; Giudice, F. Representing light across arts and sciences : theories and practices. Göttingen, DE: V & R Unipress, 167-182.

Schreier, Daniel; Trudgill, Peter; Schneider, Edgar W; Williams, Jeffrey P (2010). Introduction. In: Schreier, Daniel; et al. The lesser-known varieties of English: an introduction. Cambridge, UK: Cambridge University Press, 1-14.

Seiler, Annina (2010). Latinis regulis barbara nomina stringi non possunt, or: How to write the vernacular. In: Robinson, Pamela R. Teaching Writing, Learning to Write: Proceedings of the XVIth Colloquium of the Comité International de Paléographie Latine. London: King's College London CLAMS (18 Nov 2010), 91-101.

Ljungberg, Christina (2010). Mapping Practices for Different Geographies. In: Kriz, Karel; Cartwright, William; Hurni, Lorenz. Mapping Different Geographies. Heidelberg / Berlin: Springer Verlag, 37-56.

Binotto, Johannes; Gerber, Andri (2010). Narration/Non-Ville/Description. le Journal Spéciale 'Z:32-39.

Schlote, Christiane (2010). No leisurely stroll through arab and punjabi london: transnational cityscapes in hanan al-shaykh’s only in london and meera syal’s life isn’t all ha ha hee hee. Interactions. Journal of English and American Literature and Culture, 19(1-2):75-91.

Bronfen, Elisabeth (2010). Nocturnal Wagner: The cultural survival of tristan and isolde in hollywood. In: Jeongwan, J; Gilman, S L. Wagner & Cinema. Bloomington: Indiana University Press, 315-332.

Reddick, Allen (2010). Past and Present in Samuel Johnson’s Dictionary of the English Language. International Journal of Lexicography, 23(2):207-222.

Esterhammer, Angela (2010). Performing identities in Byron and Bourdieu. In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr, 21-31.

Schlote, Christiane (2010). Representational Ambiguities and the ‘Dictator Play’. Carmen Rivera’s Dictator: The Downfall of the Dominican Dictator Rafael Leónidas Trujillo Molina. Journal of Haitian Studies, 16(1):70-86.

Steiner - Karafili, Enit (2010). Review of: Karen O'Brien. Women and Enlightenment in Eighteenth-Century Britain. CUP, 2009. Variations: Literaturzeitschrift der Universität Zürich, 18:260-261.

Schönfelder, Christa (2010). Review of: Roger Luckhurst, The Trauma Question. Variations: Literaturzeitschrift der Universität Zürich, 18:245-246.

Bronfen, Elisabeth (2010). Rezension von Margerie Garber, Shakespeare and Modern Culture. Shakespear Jahrbuch, 146:233-234.

Signergy. Edited by: Conradie, J; Johl, R; Beukes, M; Fischer, O; Ljungberg, C (2010). Amsterdam / Philadelphia: John Benjamins.

Bronfen, Elisabeth (2010). Silencing voices. In: Neumeier, Beate. Dichotonies. Gender and Music. Heidelberg: Winter, 23-29.

Esterhammer, Angela (2010). Spontaneity, immediacy, and improvisation in Romantic poetry. In: Mahoney, Charles. The Blackwell Companion to Romantic Poetry. Oxford: Blackwell, 321-336.

Schreier, Daniel (2010). St Helena. In: Schreier, Daniel; et al. The Lesser-Known Varieties of English: an Introduction. Cambridge, UK: Cambridge University Press, 224-244.

Binotto, Johannes. Tat/Ort: Das Unheimliche und sein Raum in der Kultur. 2010, University of Zurich, Faculty of Arts.

The Lesser-Known Varieties of English: an Introduction. Edited by: Schreier, D; Trudgill, P; Schneider, E W; Williams, J P (2010). Cambridge: Cambridge University Press.

Seiler, Annina. The Scripting of the Germanic Languages. A Comparative Study of "Spelling Difficulties" in Old English, Old High German and Old Saxon. 2010, University of Zurich, Faculty of Arts.

Ljungberg, Christina (2010). The bell jar, the maze and the mural: Diagrammatic figurations as textual performance. In: Conradie, Jac; et al; Ljungberg, C. Signergy. Amsterdam / Philadelphia: John Benjamins, 47-72.

Schreier, Daniel (2010). The consequences of migration and colonialism II: overseas varieties. In: Auer, Peter; Schmidt, Jürgen Erich. Language and Space: An International Handbook of Linguistic Variation. Berlin, Germany: Mouton de Gruyter, 451-467.

Esterhammer, Angela (2010). The scandal of sincerity: Wordsworth, Byron, Landon. In: Milnes, Tim; Sinanan, Kerry. Romanticism, Sincerity and Authenticity. London: Palgrave Macmillan, 101-119.

Bronfen, Elisabeth (2010). The spectral bride and her uncanny double. In: McKinnon, E Luanne. Eva Hesse Spectres. New Heaven: Yale University Press, 40-47.

Taavitsainen, Irma; Jucker, Andreas H (2010). Trends and developments in historical pragmatics. In: Jucker, Andreas H; Taavitsainen, Irma. Historical pragmatics. Berlin / New York: De Gruyter Mouton, 3-30.

Schreier, Daniel (2010). Tristan da Cunha. In: Schreier, Daniel; et al. The Lesser-Known Varieties of English: an Introduction. Cambridge, UK: Cambridge University Press , 245-260.

2009

Bronfen, Elisabeth; Straumann, Barbara (2009). Political visions: The two bodies of Elizabeth I. In: Oakley-Brown, Liz; Wilkinson, Louise J. The rituals and rhetoric of queenship: medieval to early modern. Dublin: Four Courts Press, 252-270.

Ljungberg, Christina (2009). Cartographies of the Future: Julie Mehretu’s Dynamic Charting of Fluid Spaces. The Cartographic Journal, 46(4):308-315.

Bronfen, Elisabeth (2009). Crossmappings: Essays zur visuellen Kultur. Zürich: Scheidegger und Spiess.

Straumann, Barbara (2009). The Effects of Voice in Isak Dinesen's "The Dreamers". Variations: Literaturzeitschrift der Universität Zürich, 17:157-171.

Bronfen, Elisabeth (2009). Shakespeare's Specters of War. In: Gothic Renaisance, Köln, 3 October 2009 - 3 October 2009.

Bronfen, Elisabeth (2009). Kriegsfotografie. In: Stahel, Urs. Darkside II - Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Göttingen, 125-129.

Sprache als Material. Edited by: Lüthi, Ariane; Villiger, Christian; Weber, Tobias; Zöllner, Reto (2009). Bern: Peter Lang.

Bronfen, Elisabeth (2009). Blaubarts Wunde(r)kammer. In: 49. Literaturtagung zum Thema 'Wir sind die Seinen lachenden Munds': Das Thema Tod in der Literatur, St. Pölten, 31 September 2009 - 31 September 2009.

Esterhammer, Angela (2009). London periodicals, Scottish novels, and Italian fabrications: 'Andrew of Padua, the Improvisatore' re-membered. Studies in Romanticism, 48(3):469-490.

Esterhammer, Angela (2009). Review of: Balladeering, Minstrelsy, and the Making of British Romantic Poetry, by Maureen M. McLane. Review of English Studies, 60:825-827.

Biewer, Carolin (2009). Modals and semi-modals of obligation and necessity in South Pacific Englishes. Anglistik, 20(2):41-55.

Fischer-Hornung, Dorothea; Brosius, Christiane; Hundt, Marianne; Mesthrie, Rajend (2009). Moodling beyond Bollywood: e-teaching the language, literature and culture of the Indian diaspora. A report on an interdisciplinary e-course experiment on language, literature and culture in the Indian Diaspora. English Today, 25(3):18-28.

Redefining Literary Semiotics. Edited by: Veivo, Harri; Ljungberg, C; Johansen, J D (2009). Newcastle upon Tyne: Cambridge Scholars' Press.

Ljungberg, Christina (2009). Subjectivity as Performance in Literary Texts. In: Veiveo, Harri; Ljungberg, Christina; Johansen, J Dines. Redefining Literary Semiotics. Newcastle upon Tyne: Cambridge Scholars' Press, 86-108.

Bronfen, Elisabeth (2009). Introduction. Textus: English Studies In Italy, 11:197-219.

Markin, Alexander (2009). O slovar'ah "izmov". Inostrannaja Literatura (Ausländische Literatur), (8):125-129.

Bolander, Brook (2009). On the relevance of Bernstein for German-speaking Switzerland. Multilingua, 28(2-3):195-228.

Bolander, Brook; Watts, Richard J (2009). Re-reading and rehabilitating Basil Bernstein. Multilingua, 28(2-3):143-175.

Jucker, Andreas H (2009). Speech act research between armchair, field and laboratory: The case of compliments. Journal of Pragmatics, 41(8):1611-1635.

Ronan, Patricia; Schneider, Gerold (2009). Multi-verbal expressions of ‘giving’ in Old English and Old Irish. In: Corpus Linguistics Conference, Liverpool, UK, 20 July 2009 - 23 July 2009, 116.

Schneider, Gerold; Hundt, Marianne (2009). Using a parser as a heuristic tool for the description of New Englishes. In: The Fifth Corpus Linguistics Conference, Liverpool, UK, 20 July 2009 - 23 July 2009, online.

Markin, Alexander (2009). Barocke Königinnen. In: Königinnen: Macht, Körper, Teatralität, Englisches Seminar Universität Zürich, 12 June 2009 - 13 June 2009.

Kaljurand, Kaarel; Schneider, Gerold; Rinaldi, Fabio (2009). UZurich in the BioNLP 2009 Shared Task. In: BioNLP 2009 Companion Volume: Shared Task on Event Extraction, NAACL/HLT, Boulder, Colorado, 4 June 2009 - 5 June 2009, 28-36.

Binotto, Johannes. Che vuoi? - Martin Scorsese und seine hysterischen Männer im Zürcher Filmpodium. In: Neue Zürcher Zeitung, 111, 15 May 2009, p.50.

Binotto, Johannes (2009). Bruch mit allen Gesetzen: Das Kino und das Böse - eine Filmgeschichte. Filmbulletin: Zeitschrift für Film und Kino, 3(298):14-23.

Bautz, Annika (2009). Scott's Victorian Readers. Nineteenth-Century Contexts, 31:1:19-29.

Hundt, Marianne; Smith, Nicholas (2009). The present perfect in British and American English: Has there been any change, recently? ICAME Journal, 33:45-63.

Schreier, Daniel (2009). Assessing the status of lesser-known varieties of English. English Today, 25(1): 19-24.

Schneider, Gerold; Kaljurand, Kaarel; Rinaldi, Fabio (2009). Detecting protein-protein interactions in biomedical texts using a parser and linguistic resources. In: Gelbukh, Alexander. Computational Linguistics and Intelligent Text Processing. Berlin: Springer, 406-417.

Biewer, Carolin (2009). Dietetics as a Key to Language and Character in Shakespeare's Comedy. English Studies, 90(1):17-33.

Schreier, Daniel (2009). Language in isolation, and its implications for variation and change. Language and Linguistics Compass, 3:682-699.

Schreier, Daniel (2009). How diagnostic are English universals? In: Filppula, Markku; Klemola, Juhani; Paulasto, Heli. Vernacular Universals and Language Contacts: Evidence from Varieties of English and Beyond. New York, USA: Routledge, 57-79.

Heusser, Martin (2009). "This is Captain America, I'm Billy": costumes, cultural memory and national identity in Easy Rider. In: Giorcelli, Cristina. Abito e Identità: Ricerche di storia letteraria e culturale. Palermo, Italy: ILA Palma, 169-193.

Sennrich, Rico; Schneider, Gerold; Volk, Martin; Warin, Martin (2009). A New Hybrid Dependency Parser for German. In: Chiarcos, Christian; de Castilho, Richard Eckart; Stede, Manfred. Von der Form zur Bedeutung: Texte automatisch verarbeiten / From Form to Meaning: Processing Texts Automatically. Proceedings of the Biennial GSCL Conference 2009. Tübingen: Narr, 115-124.

Esterhammer, Angela; Domsch, Sebastian (2009). America: A Prophecy. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon. Stuttgart: Metzler, 618-619.

Mühlheim, Martin (2009). Between the Wild West and Pastoral Peace: Nature, Gender, and Tragedy in Annie Proulx's 'Brokeback Mountain'. In: Hyner, B H; McKenzie Stearns, P. Forces of Nature: Natural(-izing) Gender and Gender(-ing) Nature in the Discourses of Western Culture. Newcastle upon Tyne: Cambridge Scholars, 210-241.

Piccitto, Diane (2009). Book review of: Celestine Woo. Romantic actors and bardolatry: performing Shakespeare from Garrick to Kean; New York 2008. Variations: Literaturzeitschrift der Universität Zürich, 17:251-253.

Frey Büchel, Nicole (2009). Buchbesprechung von: Teaching India, ed. Oliver Lindner, Universitätsverlag Winter, Heidelberg 2008. ph akzente, 16(4):34.

Esterhammer, Angela (2009). Byron and cosmopolitanism. Primerjalno Književnost (Comparative Literature), 32(2):113-121.

Leech, Geoffrey; Hundt, Marianne; Mair, Christian; Smith, Nicholas (2009). Change in Contemporary English. A Grammatical Study. Cambridge: Cambridge University Press.

Esterhammer, Angela (2009). Coleridge in the Newspapers, Periodicals, and Annuals. In: Burwick, Frederick. The Oxford Handbook of Samuel Taylor Coleridge. Oxford: Oxford University Press, 165-184.

Hundt, Marianne (2009). Colonial lag, colonial innovation or simply language change? In: Rohdenburg, Günter; Schlüter, Julia. One Language, Two Grammars? Differences between British and American English. Cambridge, UK: Cambridge University Press, 13-37.

Hundt, Marianne (2009). Concord with collective nouns in Australian and New Zealand English. In: Peters, Pam; Collins, Peter; Smith, Adam. Comparative studies in Australian and New Zealand English grammar and beyond. Amsterdam : John Benjamins, 207-224.

Corpora: Pragmatics and Discourse. Edited by: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne (2009). Amsterdam, The Netherlands: Rodopi.

Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne (2009). Corpus linguistics, pragmatics and discourse. In: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 3-9.

Bronfen, Elisabeth (2009). Das Licht befragen: Die Visualität des Textes. In: Bronfen, Elisabeth; Goebel, Eckart. Narziss und Eros: Bild oder Text? Berlin: Wallstein , 229-250.

Binotto, Johannes (2009). Das Verbrechen des Schauplatzes. Unheimliche Tatorte in der Fotografie. In: Stahel, U. Darkside II – Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Göttingen: Steidl, 104-107.

Bronfen, Elisabeth (2009). Der versehrte Körper des Soldaten im Hollywood-Kriegskino: Schlachtenszenen in Saving Private Ryan und Flags of our Fathers. In: Küchenhoff, Joachim; Pfeiffer, Joachim. Körper, Konstruktionen. Freiburg: Königshausen & Neumann, 109-118.

Schneider, Gerold (2009). Detecting Protein-Protein Interactions in Biomedical Literature Using a Parser. In: Clematide, Simon; Klenner, Manfred; Volk, Martin. Searching Answers. Münster: MV Verlag, 109-118.

Bronfen, Elisabeth (2009). Die Diva. In: Moebius, Stephan; Schroer, Markus. Diven, Hacker, Spekulanten : Sozialtypen der Gegenwart. Frankfurt a. M: Suhrkamp, 81-97.

Bronfen, Elisabeth (2009). Die Fragilität des Glücks: Gefühl und Geschlecht im Hollywood-Melo. In: Fehr, Johannes; Folkers, Gerd. Gefühle zeigen: Manifstationsformen emotionaler Prozesse. Zürich: Chronos, 355-370.

Bissig, Florian (2009). Die Wahrheit im Gedicht: Gadamer und die Lyrik William Wordsworths. Sophist: Philosophische Zeitschrift für Studierende, (1):10-17.

Early modern English news discourse: newspapers, pamphlets and scientific news discourse. Edited by: Jucker, A H (2009). Amsterdam, The Netherlands: John Benjamins.

Esterhammer, Angela; Domsch, Sebastian (2009). Europe: A Prophecy. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart, 619-620.

Gries, Stefan; Stoll, Sabine (2009). Finding developmental groups in acquisition data: variability-based neighbor clustering. Journal of Quantitative Linguistics, 16:217-242.

Hundt, Marianne (2009). Global English - Global Corpora: Report on a panel discussion at the 28th ICAME conference. In: Renouf, Antoinette; Kehoe, Andrew. Corpus Linguistics: Refinements and Reassessments. Amsterdam and New York: Rodopi, 451-462.

Hundt, Marianne (2009). Global feature - local norms? A case study on the progressive passive. In: Hoffmann, Thomas; Siebers, Lucia. World Englishes - Problems, Properties and Prospects. Amsterdam and Philadelphia: John Benjamins, 287-308.

Jucker, Andreas H (2009). Historical Pragmatics. In: Mey, Jacob L. Concise Encyclopedia of Pragmatics. Second Edition. Oxford, UK: Elsevier, 325-328.

Binotto, Johannes (2009). Hors-champ. Vom psychoanalytischen Feld am Rand des Films. RISS. Zeitschrift für Psychoanalyse, 23(72/73):77-96.

Hundt, Marianne (2009). How often to things get v-ed in Philippine and Singapore English? A case study on the get-passive in two outer-circle varieties of English. In: Bowen, Rhonwen; Mobärg, Mats; Ohlander, Sölve. Corpora and Discourse - and Stuff. Papers in Honour of Karin Aijmer. Göteborg: Acta Universitatis Gothoburgensis, 121-129.

Reddick, Allen (2009). Introduction : From the great desire of promoting learning : Thomas Hollis's gifts to the Harvard College Library / William H. Bond. In: Bond, William H; Reddick, Allen; Stoneman, William. From the great desire of promoting learning : Thomas Hollis's gifts to the Harvard College Library. Harvard: Houghton Library of the Harvard College Library, 1-31.

Esterhammer, Angela; Dick, Alexander (2009). Introduction: Romantic spheres of action. In: Dick, Alexander; Esterhammer, Angela. Spheres of Action: Speech and Performance in Romantic Culture. Toronto, Canada: University of Toronto Press, 3-18.

Steiner - Karafili, Enit. Jane Austen and the civilized woman: moral development and gender. 2009, University of Zurich, Faculty of Arts.

Esterhammer, Angela (2009). Jerusalem: The Emanation of the Giant Albion. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart: Metzler, 622-623.

Narziss und Eros: Bild oder Text? Edited by: Bronfen, E; Goebel, E (2009). Berlin: Wallstein.

Jucker, Andreas H (2009). Newspapers, pamphlets and scientific news discourse in early modern Britain. In: Jucker, Andreas H. Early modern English news discourse: newspapers, pamphlets and scientific news discourse. Amsterdam, The Netherlands: John Benjamins, 1-9.

Bronfen, Elisabeth (2009). Nocturnal battles between good and evil: A cross-mapping of "Macbeth" and "The night of the hunter". In: Achilles, Jochen; Bergmann, Ina. Representations of evil in fiction and film. Trier: Wissenschaftlicher Verlag Trier , 197-212.

Lehmann, Hans Martin; Schneider, Gerold (2009). Parser-based analysis of syntax-lexis interactions. In: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 477-502.

Biewer, Carolin (2009). Passive constructions in Fiji English: a corpus-based study. In: Jucker, A H; Schreier, D; Hundt, M. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 361-377.

Gutbrodt, Fritz (2009). Pygmalion: Von der Ästhetik als Modellierung der Gefühle. In: Fehr, Johannes; Folkers, Gerd. Gefühle zeigen: Manifestationsformen emotionaler Prozesse. Zürich, Switzerland: Chronos, 215-242.

Ljungberg, Christina; Veivo, Harri (2009). Redefining Literary Semiotics: Introduction. In: Ljungberg, C; Veivo, H; Johansen, J D. Redefining Literary Semiotics. Newcastle upon Tyne: Cambridge Scholars' Press, 1-9.

Esterhammer, Angela (2009). Review of: Romantic Prose Fiction, ed. Gerald Gillespie, Manfred Engel, and Bernard Dieterle. Literary Research / Recherche Littéraire, 25:51-57.

Bitterli, Dieter (2009). Say What I Am Called: The Old English Riddles of the Exeter Book and the Anglo-Latin Riddle Tradition. Toronto: University of Toronto Press.

Spheres of Action: Speech and Performance in Romantic Culture. Edited by: Dick, A; Esterhammer, A (2009). Toronto, Canada: University of Toronto Press.

Bronfen, Elisabeth (2009). Stanley Cavell zur Einführung. Hamburg: Junius Verlag.

Bitterli, Dieter (2009). The 'Cuckoo' in the Collectanea of Pseudo-Bede: An Unnoticed Analogue to Exeter Book Riddle 9. Notes and Queries, 56(4):481-482.

Esterhammer, Angela; Domsch, Sebastian (2009). The Book of Urizen. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart, 620-621.

Nyffenegger, Sara D (2009). The little disturbances of man. In: Cronin, Gloria L; Berger, Alan L. Encyclopedia of Jewish-American Literature. New York, USA: Facts on File, 171-172.

Nyffenegger, Sara D (2009). The mirror, friend or foe? - Sara Coleridge and the ill effects of society's judgment on female appearance. The Coleridge Bulletin, (33):89-95.

Esterhammer, Angela (2009). Translating the Elgin Marbles: Byron, Hemans, Keats. In: Gravil, Richard. Grasmere 2008: Selected Papers from the Wordsworth Conference. Penrith: Humanities Ebooks, 106-124.

Esterhammer, Angela (2009). Translating the Elgin Marbles: Byron, Hemans, Keats. Wordsworth Circle, 40(1):29-36.

Bronfen, Elisabeth (2009). Zeichnungen des Körpers weiblicher Art: Maria Lassnigs Selbstportraits. In: Friedrich, Julia. Maria Lassnig: Im Möglichkeitsspiegel, Aquarelle und Zeichnungen von 1947 bis heute. Ostfildern: Hatje Cantz , 26-33.

Gutbrodt, Fritz (2009). Zwischen Ach und Ich: Kleists Alkmene als Übersetzerin. In: Fioretos, Aris. Babel: Festschrift für Werner Hamacher. Basel, Switzerland: Urs Engeler, 218-225.

Reddick, Allen (2009). ‘O Fair Britannia! Hail!’: Thomas Hollis and James Boswell at Liberty in Geneva and Switzerland. In: Cossy, Valérie; Kapossy, Béla; Whatmore, Richard. Genève, lieu d’Angleterre, 1725-1814 = Geneva, an English Enclave, 1725-1814. Geneva, Switzerland: Slatkine, 241-268.

2008

Straumann, Barbara (2008). Figurations of exile in Hitchcock and Nabokov. Edinburgh: Edinburgh University Press.

Markin, Alexander (2008). Trauerpoesie kontra Trauerphotographie. In: Klassik und Klassizismus im XX Jahrhunderts, Russische Staatliche Universität für Geisteswissenschaften, Moskau, 4 December 2008 - 6 December 2008.

Reddick, Allen (2008). Johnson and Richardson. In: Cowie, Anthony P. The Oxford History of English Lexicography. Oxford: Oxford University Press, 155-181.

Heusser, Martin (2008). Introduction. In: Heusser, Martin; Fischer, Andreas; Jucker, Andreas H. Mediality /Intermediality. Tübingen, Germany: Gunter Narr Verlag, 11-13.

Mediality/Intermediality. Edited by: Heusser, M; Fischer, A; Jucker, A H (2008). Tübingen, Germany: Gunter Narr Verlag.

Reddick, Allen (2008). Living Lives: The Return of Johnson's Lives of the English Poets. Huntington Library Quarterly, 71(3):539-552.

Esterhammer, Angela; Gatrall, Jefferson J A (2008). Introduction: identity, community, and comparative literature. Arcadia: Internationale Zeitschrift für Literaturwissenschaft, 43(1):2-7.

Demont, Florian (2008). The Expression of Self-consciousness in Kamla Das's “An Introduction”. Consciousness, Literature and the Arts:Online.

Schneider, Gerold. Hybrid long-distance functional dependency parsing. 2008, University of Zurich, Faculty of Arts.

Rickli, Christina (2008). Wegweiser aus dem Trauma? Amerikanische Romane nach dem 11. September. In: Domsch, Sebastian. Amerikanisches Erzählen nach 2000: Eine Bestandesaufnahme. München, Germany: edition text + kritik, 126-145.

Straumann, Barbara (2008). Vocal effect and resonance: voice in Henry James's "The Bostonians". English Text Construction, 1(1):83-96.

Esterhammer, Angela (2008). Translating the ruins of empire: Byron in the Eastern Mediterranean and the Elgin Marbles in England. In: Uebertragene Anfänge: Imperiale Figurationen um 1800, Munich, Germany, 9 January 2008 - 11 January 2008.

Ljungberg, Christina (2008). Mapping fluid spaces: semiotic bodies and cyberart. In: Armand, Louis; Cernovsky, Pavel. Language Systems after Prague Structuralism. Prague, Czech Republic: Litteraria Pragensia, 98-107.

Taavitsainen, Irma; Jucker, Andreas H (2008). "Methinks you seem more beautiful than ever": Compliments and gender in the history of English. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Benjamins, 195-228.

Jucker, Andreas H; Taavitsainen, Irma (2008). Apologies in the history of English: Routinized and lexicalized expressions of responsibility and regret. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Benjamins, 229-244.

Seiler, Annina (2008). Bedas Sterbelied | Rätsel des Symphosius | Mönchisches Ratespiel | Venantius Fortunatus: Kreuzgedicht | Labyrinth. In: Kiening, Christian; Stercken, Martina. SchriftRäume: Dimensionen von Schrift zwischen Mittelalter und Moderne. Zürich, Switzerland: Chronos, 164-193.

Seiler, Annina (2008). Book review: Dietz, Klaus. Schreibung und Lautung im mittelalterlichen Englisch. Entwicklung und Funktion der englischen Schreibungen ch, gh, sh, th, wh und ihrer kontinentalen Entsprechungen. Anglistische Forschungen, Bd. 364. Heidelberg: Winter, 2006. Anglia, 126(1):130-133.

Jucker, Andreas H (2008). Communicative tasks across languages. Movie narratives in English, in English as a foreign language and in German. In: de los Angeles Gómez González, Maria; Mackenzie, J Lachlan; González Alvarez, Elsa M. Languages and cultures in contrast and comparison. Amsterdam: John Benjamins, 247-274.

Biewer, Carolin (2008). Concord patterns in South Pacific Englishes - the influence of New Zealand English and the local substrate. In: Stierstorfer, K. Anglistentag 2007 Münster: Proceedings. Trier, Germany: Wissenschaftlicher Verlag, 331-343.

Chevalier, Sarah (2008). Contextual aspects of early trilingualism. In: Nikolaev, Alexandre; Niemi, Jussi. Two or More Languages: Proceedings from the 9th Nordic Conference on Bilingualism. August 10–11, 2006. Joensuu: University of Joensuu, 37-46.

Bronfen, Elisabeth (2008). Die Fragilität des Alltäglichen: Eija-Liisa Ahtilas Arbeit mit dem Tod. In: Bonnefoy, Françoise. Eija-Liisa Ahtila: Ausstellungskatalog K21 Kunstsammlung Nordrhein-Westfalen. Düsseldorf: Hatje Cantz, 8-13.

Bronfen, Elisabeth (2008). Femme fatale - Negotiations of tragic desire. In: Felski, Rita. Rethinking tragedy. Baltimore: Johns Hopkins University Press , 287-301.

Jucker, Andreas H; Schneider, Gerold; Taavitsainen, Irma; Breustedt, Barb (2008). Fishing for compliments: precision and recall in corpus-linguistic compliment research. In: Jucker, Andreas H; Taavitsainen, Irma. Speech acts in the history of English. Amsterdam: John Benjamins, 273-294.

Bronfen, Elisabeth (2008). Freuds Nachtreisen. In: Boothe, Brigitte. Ordnung und Außer-Ordnung: zwischen Erhalt und tödlicher Bürde. Bern: Hans Huber , 237-250.

Jucker, Andreas H (2008). Historical pragmatics. Language and Linguistics Compass, 2(5):894-906.

Identity and community: constructions, deconstructions, reconstructions. Edited by: Esterhammer, A; Gatrall, J J A (2008). Berlin, Germany: de Gruyter.

Bronfen, Elisabeth (2008). Marilyn: Diva und Sexikone der 50er Jahre. In: Paul, Gerhard. Das Jahrhundert der Bilder: 1949 bis heute. Göttingen: Vandenhoeck & Ruprecht , 114-121.

Straumann, Barbara (2008). Medial effects: the singer and her voice in Willa Cather's the song of the lark. In: Heusser, Martin; Fischer, Andreas; Jucker, Andreas H. Mediality/Intermediality. Tübingen, Germany: Gunter Narr, 59-73.

Esterhammer, Angela (2008). Musing in public: the sociability and solitude of the romantic improvvisatore. In: Schmid, Susanne. Einsamkeit und Geselligkeit um 1800. Heidelberg: Winter, 17-28.

Bronfen, Elisabeth (2008). Night and the uncanny. In: Collins, Jo; Jervis, John. Uncanny modernity: cultural theories, modern anxieties. Basingstoke, U.K.: Palgrave Macmillan, 51-67.

Schreier, Daniel (2008). Non-standardisation. In: Locher, Miriam A; Strässler, Jürg. Standards and Norms in the English Language. Berlin and New York: Mouton de Gruyter: Mouton de Gruyter, 85-103.

Jucker, Andreas H (2008). Politeness in the history of English. In: Dury, Richard; Gotti, Maurizio; Dossena, Marina. English Historical Linguistics 2006. Volume II: Lexical and semantic change. Selected papers from the fourteenth International Conference on English Historical Linguistics (ICEHL 14), Bergamo, 21-25 August 2006. Amsterdam: John Benjamins, 3-29.

Breustedt, Barb. Prefabricated input in language acquisition: the syntax of storybooks. 2008, University of Zurich, Faculty of Arts.

Piccitto, Diane (2008). Review of: Translators, interpreters, mediators: women writers 1700-1900. Variations: Literaturzeitschrift der Universität Zürich, 16:253-255.

Esterhammer, Angela (2008). Review of: Worrall, David: Theatric revolution: drama, censorship, and romantic period subcultures 1773-1832. Studies in Romanticism, 47:413-417.

Esterhammer, Angela (2008). Romanticism and improvisation, 1750-1850. Cambridge: Cambridge University Press.

Bronfen, Elisabeth (2008). Sein Körper sein: Die letzte Diva Leigh Bowery. In: Zechlin, René. Leigh Bowery : beautified provocation. Heidelberg: Kehrer, 67-72.

Bronfen, Elisabeth (2008). Sexualität und die nächtliche Stadt. In: Stahel, Urs. Darkside I - Fotografische Begierde und fotografierte Sexualität. Göttingen: Steidl, 103-107.

Bronfen, Elisabeth (2008). So sind sie gewesen: Inszenierte Weiblichkeit in den Bildern von Fotografinnen. In: Ingelmann, Inka Graeve. Female Trouble: Die Kamera als Spiegel und Bühne weiblicher Inszenierungen. Katalog zur Ausstellung in der Pinakothek der Moderne München vom 17. Juli bis 26. Oktober 2008. München: Hatje Cantz, 11-19.

Biewer, Carolin (2008). South Pacific Englishes: unity and diversity in the usage of the present perfect. In: Nevalainen, T; Taavitsainen, I; Pahta, P; Korhonen, M. The Dynamics of Linguistic Variation : Corpus evidence of English past and present. Amsterdam, The Netherlands: John Benjamins, 203-219.

Jucker, Andreas H (2008). Speech act research between armchair, field and laboratory: The case of compliments. In: Gloning, Thomas; Bons, Iris; Kaltwasser, Dennis. Festplatte für Gerd Fritz. Deutschland, online.

Speech acts in the history of english. Edited by: Jucker, A H; Taavitsainen, I (2008). Amsterdam/Philadelphia: John Benjamins.

Taavitsainen, Irma; Jucker, Andreas H (2008). Speech acts now and then: Towards a pragmatic history of English. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Bejamins, 1-23.

Schreier, Daniel (2008). St Helenian English: origins, evolution and variation. Amsterdam and Philadelphia: Benjamins.: John Benjamins.

Hundt, Marianne (2008). Text corpora. In: Lüdeling, Anke; Kytö, Merja. Corpus Linguistics: An International Handbook. Berlin, Germany: Mouton de Gruyter, 168-186.

Seiler, Annina (2008). The scripting of Old English: An analysis of Anglo-Saxon spellings for w and þ. Sprachwissenschaft, 33(2):139-172.

Bronfen, Elisabeth (2008). Tiefer als der Tag gedacht: eine Kulturgeschichte der Nacht. München: Hanser.

Esterhammer, Angela (2008). Trophies, Triumphs, Tourism, and the Topography of History. Colloquium Helveticum, 39:25-42.

Bronfen, Elisabeth (2008). Verkörperungen der Nacht: Nyx und ihre kulturellen Nachbilder. In: Wyss, Beat; Buschhaus, Markus. Den Körper im Blick: Grenzgänge zwischen Kunst, Kultur und Wissenschaft. München: Fink, 19-33.

Bronfen, Elisabeth (2008). William Shakespeare, Hamlet (1600). In: Kiening, Christian; Herberichs, Cornelia. Literarische Performativität: Lektüren vormoderner Texte. Zürich: Chronos, 373-387.

2007

Bautz, Annika (2007). Early Nineteenth-Century Readers of Jane Austen. Literature Compass, 4(5):1412-1427.

Seiler, Annina (2007). Exegese eines neutestamentlichen Gleichnisses (Arbeiter im Weinberg). Eine althochdeutsche Predigt über Mt 20, 1-16. In: Forster, Regula; Michel, Paul. Significatio. Zürich, Switzerland: Pano, 175-190.

Introduction to Jane Austen, Krenari dhe Paragjykim. Trans. Enit K.Steiner. Edited by: Steiner - Karafili, Enit (2007). Tirana: Toena.

Mühlheim, Martin; Heusser, Martin (2007). Narrative Space and the Location of Meaning. Academic Exchange Quarterly, 11(1):26-30.

Frey Büchel, Nicole (2007). Perpetual performance : selfhood and representation in Byron's writing. Tübingen: Francke.

Frey Büchel, Nicole (2007). Review of: Regula Schmid: Storytime. Teacher's Guide /Student's Book, Lehrmittelverlag des Kantons Zürich, Zürich 2006. ph Akzente, (2):42.

Bautz, Annika (2007). The Reception of Jane Austen and Walter Scott: A Comparative Longitudinal Study. London: Continuum.

Bautz, Annika (2007). The Reception of Jane Austen in Germany, 1949-2003. In: Mandal, A; Southam, B. The Reception of Jane Austen in Europe. London: Continuum, 93-116.

Bautz, Annika (2007). Walter Scott's Novels in East and West Germany, 1949-2003. In: Pittock, M. The Reception of Scott in Europe. London: Continuum, 117-137.

2006

Frey Büchel, Nicole (2006). Review of: David Higgins: Romantic genius and the literary magazine: biography, celebrity, politics; London 2005. Variations: Literaturzeitschrift der Universität Zürich, (14):221-223.

2005

Paparunas, Penny (2005). Wasserfrau als Maskerade? Die Hybridisierung von Geschlechterkonfigurationen in Theodor Fontanes Stechlin. In: Kolloquium: »Spinnenfuß und Krötenbauch«, Zürich, 7 October 2005 - 8 October 2005.

Schneider, Gerold (2005). A Broad-Coverage, Representationally Minimalist LFG Parser: Chunks and F-Structures Are Enough. In: LFG05, Bergen, Norway, 18 July 2005 - 20 July 2005.

Mühlheim, Martin (2005). Hot Topics, Professed Beliefs, and Dissenting Voices: Theoretical Comments on Politics, Ideology, and Fiction. Variations: Literaturzeitschrift der Universität Zürich, (13):133-145.

Bitterli, Dieter (2005). Imago Sancti Judoci: An Unknown Cycle of Applied Emblems in Central Switzerland. In: Saunders, Alison; Davidson, Peter. Visual Words and Verbal Pictures: Essays in Honour of Michael Bath. Glasgow: Glasgow Emblem Studies, 13-36.

2004

Bitterli, Dieter (2004). The Survival of the Dead Cuckoo: Exeter Book Riddle 9. In: Honegger, Thomas. Riddles, knights and cross dressing saints : essays on medieval English language and literature. Bern, Berlin: Peter ang, 95-114.

2002

Binotto, Johannes (2002). Das revoltierende Fleisch. Foucault, Deleuze, Cronenberg und der menschliche Körper. Variations. Literaturzeitschrift der Universität Zürich:85-99.

Bitterli, Dieter (2002). Exeter book riddle 15: Some points for the porcupine. Anglia, 120(4):461-487.

This list was generated on Fri Jul 21 00:27:27 2017 CEST.