Header

UZH-Logo

Maintenance Infos

Browse by Communities & Collections

Navigate back| Up a level
Export as
Number of items at this level: 633.

Published electronically before print/final form (Epub ahead of print)

Timofeeva, Olga (2017). Lexical loans and their diffusion in old english: of ‘gospels’, ‘martyrs’, and ‘teachers'. Studia Neophilologica:Epub ahead of print.

Timofeeva, Olga (2017). Aelfred mec heht gewyrcan: sociolinguistic concepts in the study of Alfredian English. English Language and Linguistics:Epub ahead of print.

Published in final form

Jucker, Andreas H (2017). Speech acts and speech act sequences: greetings and farewells in the history of American English. Studia Neophilologica:1-20.

Schneider, Gerold; Pettersson, Eva; Percillier, Michael (2017). Comparing Rule-based and SMT-based Spelling Normalisation for English Historical Texts. In: Proceedings of the NoDaLiDa 2017 Workshop on Processing Historical Language, Gothenburg, 22 May 2017 - 22 May 2017, 40-46.

Ittensohn, Mark (2017). Fictionalising the Romantic Marketplace: Self-reflexivity in the Early-Nineteenth-Century Frame Tale. Victoriographies, 7(1):25-41.

Jucker, Andreas H; Staley, Larssyn (2017). (Im)politeness and developments in methodology. In: Culpeper, Jonathan; Haugh, Michael; Kádár, Dániel Z. The Palgrave Handbook of Linguistic (Im)politeness. London: Palgrave Macmillan, 403-429.

Bitterli, Dieter (2017). Der Bilderhimmel von Hergiswald. Salenstein: Benteli.

Bronfen, Elisabeth (2017). Freuds zeitgemässe Gedanken über Krieg und Kino: Zum narrativen Umgang mit dem Tod in The Big Red One und The Thin Red Line. In: Tippner, Anja; Laferl, Christopher F. Extreme Erfahrungen: Grenzen des Erlebens und der Darstellung. Berlin, Deutschland: Kulturverlag Kadmos, 225-249.

Jucker, Andreas H; Kopaczyk, Joanna (2017). Historical (im)politeness. In: Culpeper, Jonathan; Haugh, Michael; Kádár, Dániel Z. The Palgrave Handbook of Linguistic (Im)politeness. London, 433-459.

Bronfen, Elisabeth (2017). Hurray for Hollywood. Philosophy and Cinema According to Stanley Cavell. In: Herzogenrath, Bernd. Film as Philosophy. Minneapolis: University of Minnesota Press, 180-199.

Jucker, Andreas H; Locher, Miriam A (2017). Introducing Pragmatics of Fiction: Approaches, trends and developments. In: Locher, Miriam A; Jucker, Andreas H. Pragmatics of Fiction. Berlin: de Gruyter Mouton, 1-21.

Riquet, Johannes (2017). Island Spatialities. In: Tally Jr, Robert T. The Routledge Handbook of Literature and Space. Abingdon: Routledge, 214-229.

Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone (2017). Language History Meets Psychology. In: Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone. The Changing English Language: Psycholinguistic Perspectives. Cambridge: Cambridge University Press, 1-17.

Landert, Daniela (2017). Meta-communicative expressions and situational variation of stance marking: I say and I tell (you) in Early Modern English dialogues. Nordic Journal of English Studies, 16(1):120-144.

Straumann, Barbara (2017). Noise and Voice: Female Performers in George Meredith, George Eliot and Isak Dinesen. In: Mieszkowski, S; Nieberle, S. Unlaute : Noise / Geräusch in Kultur, Medien und Wissenschaften seit 1900 (unter Mitarbeit von Innokentij Kreknin). Bielefeld: Transcript, 239-260.

Jucker, Andreas H (2017). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 550-566.

Bronfen, Elisabeth (2017). Reigen nächtlicher Begegnungen: Chantal Akermanns TOUTE UNE NUIT. Film-Konzepte, 47:41-54.

Landert, Daniela (2017). Stance in Fiction. In: Locher, Miriam A; Jucker, Andreas H. Pragmatics of Fiction. Berlin: De Gruyter, 489-514.

Bronfen, Elisabeth (2017). Unsaubere Schnittflächen: Mit Susan Sontag den Krieg betrachten. In: Dieter, Anna-Lisa; Tiedtke, Silvia. Radikales Denken : Zur Aktualität Susan Sontags. Zürich: Diaphanes, 195-218.

Jucker, Andreas H; Landert, Daniela (2017). Variation and change: Historical pragmatics. In: Barron, Anne; Gu, Yuego; Steen, Gerard. The Routledge Handbook of Pragmatics. London: Routledge, 79-90.

Bronfen, Elisabeth (2017). Vorwort: Ivo Ritzer. Medialität der Mise-en-scène. Zur Archäologie telekinematischer Räume. In: Ritzer, Ivo. Medialität der Mise-en-scène. Zur Archäologie telekinematischer Räume. Wiesbaden: Springer, VII-X.

Seiler, Annina (2017). Zur Graphematik des i-Umlauts im Altenglischen und Althochdeutschen. In: Waxenberger, Gaby; Sauer, Hans; Kazzazi, Kerstin. Von den Hieroglyphen zur Internetsprache: Das Verhältnis von Laut, Schrift und Sprache. Wiesbaden: Reichert, 97-110.

Rivera Godoy-Benesch, Rahel (2016). "Komm süsser Tod". Frauen und Alterssuizid. : Die feministisch-theologische Zeitschrift der Schweiz.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah. New Approaches in English Linguistics : Building Bridges. Amsterdam: Benjamins, 1-12.

Schneider, G; Grigonyte, Gintare (2016). Statistical sequence and parsing models for descriptive linguistics and psycholinguistics. In: Timofeeva, Olga; Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo. New Approaches in English Linguistics : Building Bridges. Amsterdam: John Benjamins Publishing, 281-320.

Schneider, Gerold; Hundt, Marianne; Oppliger, Rahel (2016). Part-Of-Speech in Historical Corpora: Tagger Evaluation and Ensemble Systems on ARCHER. In: KONVENS 2016, Bochum, 19 September 2016 - 21 September 2016.

Binotto, Johannes (2016). Allein sein. Tonari no Totoro, Hayao Miyazaki, Japan 1988. In: Frenzel Ganz, Y; Fäh, M. Cinépassion - The Sequel. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 123-129.

Ljungberg, Christina (2016). The diagrammatic nature of maps. In: Krämer, Sybille; Ljungberg, Christina. Thinking with diagrams : the semiotic basis of human cognition. Boston/Berlin: De Gruyter, 139-159.

Hundt, Marianne (2016). Who is the/a/ø professor at your university? A construction-grammar view on changing article use with single role predicates in American English. In: López-Couso, Maria José; Méndez-Naya, Belén; Núñez-Pertejo, Paloma; Palacios-Martínez, Ignacio. Corpus Linguistics on the Move: Exploring and Understanding English Through Corpora. Amsterdam: Brill - Rodopi, 227-258.

Rivera Godoy-Benesch, Rahel (2016). Das Alter in der Literatur : eine Chance für die Gerontologie. Angewandte Gerontologie Appliquée, 1(2):33-34.

Caspar, Cyril L (2016). New Perspectives of the Early Modern Afterlife: The Last Pilgrimage in the Poetry of John Donne and Sir Walter Raleigh. In: Classen, Albrecht. Death and the Culture of Death in the Middle Ages and Early Modern Time: the Material and Spiritual Conditions of the Medieval and Early Modern Culture of Death. Berlin: Walter de Gruyter, 432-456.

Binotto, Johannes (2016). Vorstellen, ein Wunder. Zu Frederick Wisemans "National Gallery". Filmbulletin: Zeitschrift für Film und Kino, 3:40-41.

Rivera Godoy-Benesch, Rahel (2016). Ageing, agency, and autobiography: Challenging Ricoeur's concept of narrative identity. In: Cerezo Moreno, Marta; Pascual Soler, Nieves. Traces of Aging: Old Age and Memory in Contemporary Narrative. Bielefeld: transcript, 91-109.

Binotto, Johannes (2016). Bilder geben: Übertragungen zwischen Film und Psychiatrie. Filmbulletin: Zeitschrift für Film und Kino, 2:46-55.

Reddick, Allen (2016). Lynda Mugglestone. 2015. Samuel Johnson and the Journey into Words. International Journal of Lexicography:ecw009.

Binotto, Johannes (2016). Stimmen hören. Zu "Suddenly Last Summer". Filmbulletin: Zeitschrift für Film und Kino, 2:42-43.

Seiler, Annina (2016). Untangling the strands: The spelling of the Épinal glossary. In: Dusil, Stephan; Schwedler, Gerald; Schwitter, Raphael. Exzerpieren - Kompilieren - Tradieren : Transformationen des Wissens zwischen Spätantike und Frühmittelalter. Berlin: De Gruyter, 153-174.

Straumann, Barbara (2016). "How to Live Well on Nothing a Year": money, credit and debt in Thackeray's Vanity Fair. In: Puskas, Genoveva; Leer, Martin Hugo. Economies of English. Tübingen: Swiss Association of University Teachers of English, SAUTE, 163-180.

Bronfen, Elisabeth (2016). A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting. In: Latham, Janine. Maria Lassnig. Woman Power. Maria Lassnig in New York 1968-1980. New York: Petzel and the Maria Lassnig Foundation, 7-10.

Ittensohn, Mark (2016). A Story Telling and a Story Reading Age: Textuality and Sociability in the Romantic Frame Tale. Studies in Romanticism, 55(3):393-415.

Timofeeva, Olga (2016). Alfredian press on the vikings: critical discourse approach to outgroup construction. Journal of English Linguistics, 44(3):230-253.

Zipp, Lena (2016). Allan Bell. 2014. The Guidebook to Sociolinguistics: Review. English World-Wide, 37(1):91-96.

Timofeeva, Olga (2016). Bide nu æt Gode þæt ic grecisc cunne: Attitudes to Greek and the Greeks in the Anglo-Saxon period. Studia Anglica Posnaniensia, 51(2):5-29.

Schreier, Daniel (2016). Contact histories and simplification: Some typological and sociolinguistic considerations. In: Seiler, Guido; Bächler, Raffaela. Complexity, Isolation and Variation. Berlin: De Gruyter, 139-157.

Binotto, Johannes (2016). Continuing Peyton Place: Das Melodrama und seine Bastarde. In: Ritzer, Ivo; Schulze, Peter. Transmediale Genre-Passagen : Interdisziplinäre Perspektiven. Wiesbaden: Springer, 269-288.

Bronfen, Elisabeth (2016). Dame im Schach. Eine fortlaufende Serie. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders : Zu einer Poetik des Seriellen. Zürich, Berlin: Diaphanes, 17-43.

Straumann, Barbara (2016). Der viktorianische Roman denkt seriell: Wiederholung und Differenz bei George Eliot. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders: Zu einer Poetik des Seriellen. Zurich: Diaphanes, 163-180.

Schneider, Gerold; Gilquin, Gaëtanelle (2016). Detecting innovations in a parsed corpus of learner english. International Journal of Learner Corpus Research, 2(2):177-204.

Bronfen, Elisabeth (2016). Die Maschinenfrau. Ein monströs-astrales Denkbild und seine filmischen Ausformungen. In: Mettler, Michel; Rogger, Basil; Weber, Peter; Widmer, Ruedi; Zweifel, Stefan. Holy Shit : Katalog einer verschollenen Ausstellung. Zürich: Diaphanes, 110-121.

Mühlheim, Martin (2016). Dissecting Sacrificial Logic: Markus Werner's Bis bald, Hartmann von Aue's Der arme Heinrich, and the Ethics of Intentional Suffering. In: Brooks, Nicholas; Thuswaldner, Gregor. Making Sacrifices - Opfer bringen: Visions of Sacrifice in European and American Cultures - Opfervorstellungen in europäischen und amerikanischen Kulturen (Symphilologus). Wien: New Academic Press, 160-178.

Binotto, Johannes (2016). Durch die Wände = Through the Walls. In: Malik, M; Luethi, Claude. 4661m2: Art in Prison. Zürich: Niggli, 12-21.

Barras, Roxane; Höhn, Simone; Ittensohn, Mark (2016). Editorial. Variations, 24:9-15.

Binotto, Johannes (2016). Eigenwillige Echos: Zu Heidis Nachleben im Film. In: Service de Presse Suisse, S. Viceversa literatur: "Heidi". Zürich: Rotpunktverlag, 90-95.

Bronfen, Elisabeth; Straumann, Barbara (2016). Elizabeth I: the cinematic afterlife of an early modern political diva. In: Merck, Mandy. The British monarchy on screen. Manchester: Manchester University Press, 132-154.

Zipp, Lena; Staicov, Adina (2016). English in San Francisco Chinatown – Indexing identity with speech rhythm? In: Seoane, Elena; Suárez Gómez, Cristina. World Englishes: New theoretical and methodological considerations. Amsterdam: John Benjamins, 205-228.

Zipp, Lena; Staicov, Adina (2016). English in San Francisco Chinatown. Indexing identity with speech rhythm? In: Seoane, Elena; Suárez-Gómez, Cristina. World Englishes. New theoretical and methodological considerations. Amsterdam, 205-227.

Hundt, Marianne (2016). Error, feature, (incipient) change - or something else altogether? In: Seoane, Elena; Suárez-Gómez, Cristina. World Englishes: New Theoretical and methodological considerations. Amsterdam: John Benjamins Publishing, 37-60.

Seiler, Annina (2016). Factual and Fictional Inscriptions: Literacy and the Visual Imagination in Anglo-Saxon England. In: Niles, John D; Klein, Stacy S; Wilcox, Jonathan. Anglo-Saxon England and the Visual Imagination. Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 211-236.

Taavitsainen, Irma; Jucker, Andreas H (2016). Forms of address. In: Hough, Carole. The Oxford Handbook of Names and Naming. Oxford: Oxford University Press, 427-437.

Hundt, Marianne (2016). Global spread of English: processes of change. In: Kytö, Merja; Pahta, Päivi. The Cambridge Handbook of English Historical Linguistics. Cambridge: Cambridge University Press, 335-346.

Bronfen, Elisabeth (2016). Hybrid Spaces in Antony and Cleopatra. In: Habermann, Ina; Witen, Michelle. Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. London: Palgrave Macmillan, 103-120.

Jucker, Andreas H (2016). Höflichkeit im Theater der englischen Renaissance : Ben Jonsons Bartholomew Fair. Wolfenbütteler Renaissance-Mitteilungen, 36(2):77-88.

Rathore-Nigsch, Claudia; Schreier, Daniel (2016). Indian English in Uganda: The historical sociolinguistics of a migrant community. In: Meierkord, Christiane; Namyalo, Saudah; Bebwa, Isingoma. Ugandan English: Its sociolinguistics, structure and uses in a globalising post-protectorate. Amsterdam: John Benjamins, 251-274.

Berger, Manuel; Jucker, Andreas H; Locher, Miriam A (2016). Interaction and space in the virtual world of Second Life. Journal of Pragmatics, 101:83-100.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapoja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapoja, Alpo; Chevalier, Sarah. New Approaches ot English Linguistics. Building Bridges. Amsterdam: John Benjamins Publishing, 1-12.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah. New Approaches to English Linguistics: Building bridges. Amsterdam: John Benjamins Publishing, 1-12.

Riquet, Johannes (2016). Islands as Shifting Territories: Evolution and Geology in the Island Poetics of Darwin, Wallace, Wells and Ghosh. In: Schödel, Kathrin; Dautel, Katrin. Insularity : representations and constructions of small worlds. Würzburg: Königshausen & Neumann, 223-236.

Riquet, Johannes (2016). Islands erased by snow and ice: approaching the spatial philosophy of cold water island imaginaries. Island Studies Journal, 11(1):145-160.

Reddick, Allen (2016). Lynda Mugglestone. Samuel Johnson and the Journey into Words. Review of English Studies, 67(281):807-809.

Bronfen, Elisabeth (2016). Mad Men, death and the American dream. Zurich, Berlin: Diaphanes.

Staicov, Adina (2016). Methodologies in sociolinguistic fieldwork. In: Christ, Hanna; Klenovšak, Daniel; Sönning, Lukas; Werner, Valentin. A Blend of MaLT: Selected Contributions from the Methods and Lingusitic Theories Symposium 2015. Bamberg: University of Bamberg Press, 39-47.

Rathore-Nigsch, Claudia; Schreier, Daniel (2016). Our heart is still in Africa: Twice migration and its sociolinguistic consequences. Language in Society, 45(2):163-191.

Jucker, Andreas H (2016). Politeness in eighteenth-century drama: A discursive approach. Journal of Politeness Research: Language, Behaviour, Culture, 12(1):95-115.

Riquet, Johannes (2016). Review of Daniel Barbu, Nicolas Meylan and Youri Volokhine (Eds.) (2015). Mondes clos: Les îles. Island Studies Journal:332-334.

Höhn, Simone (2016). Rezension : Charis Charalampous, Rethinking the Mind-Body Relationship in Early Modern Literature, Philosophy and Medicine. The Renaissance of the Body, New York: Routledge 2016 (review). Variations, 24:242-243.

Staicov, Adina (2016). San Francisco Chinatown: Transnationalism, identity construction, and heritage language maintenance. Bulletin Suisse de Linguistique Appliquée (Vals-Asla), 104:67-85.

Mühlheim, Martin (2016). Slippery Subjects: Intersecting Economies of Genre in Gay Male Coming-Out Films, 1995–2015. In: Leer, Martin; Puskás, Genoveva. Economies of English. Tübingen: Narr, 199-223.

Riquet, Johannes (2016). Spectral Island Topographies: Geology, Cultural Sedimentation and the Haunted East-West Relations in Letters from Iwo Jima and Skyfall. In: Salmela, Markku; Piipponen, Maarit. Topographies of Popular Culture. Newcastle upon Tyne: Cambridge Scholars Publishing, 115-136.

Schreier, Daniel (2016). Super-leveling, fraying-out, internal restructuring: A century of present be concord in Tristan da Cunha English. Language Variation and Change, 28(2):203-224.

Gardner, Anne-Christine (2016). The Development of a Lexical Standard in English. In: Glessgen, Martin-Dietrich; Trotter, David. La Régionalité Lexicale du Français au Moyen Âge. Strasbourg: Société de Linguistique Romane/ÉLiPhi, 413-431.

Timofeeva, Olga (2016). The Viking outgroup in early medieval English chronicles. Journal of Historical Sociolinguistics, 2(1):83-121.

Hundt, Marianne; Schneider, Gerold; Seoane, Elena (2016). The use of the be-passive in academic Englishes: local versus global usage in an international language. Corpora, 11(1):31-63.

Bronfen, Elisabeth; Frey, Christiane; Martyn, David (2016). Vorwort. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders : Zu einer Poetik des Seriellen. Zürich, Berlin: Diaphanes, 7-15.

Hundt, Marianne; Zipp, Lena; Huber, André (2015). Attitudes in Fiji towards varieties of English: A shift to endonormativity? World Englishes, 34(4):688-707.

Huber, André (2015). Facebook graph search for refined screen-based data collection in CMC: A pilot study for Fiji English. Discourse, Context & Media, 10:10-18.

Binotto, Johannes (2015). Mit doppeltem Boden. Fassbinders Happy Ends und Hollywoods Hoffnung. Text und Kritik, 103:54-62.

Ittensohn, Mark (2015). Romanticism and the Beyond of Language: Northrop Frye and the Wordsworthian Imitation of the Point of Epiphany. In: Bewell, Alan; ten Kortenaar, Neil; Warkentin, Germaine. Educating the Imagination: Northrop Frye, Past, Present, and Future. Montreal: McGill-Queen's University Press, 147-163.

Binotto, Johannes (2015). Whiteout. Eine Theorie des Schneewesterns. Filmbulletin: Zeitschrift für Film und Kino, (8.15):6-16.

Binotto, Johannes (2015). Gefühle synchronisieren: "La Boum". Filmbulletin: Zeitschrift für Film und Kino, (7.15):44-45.

Hundt, Marianne (2015). Standards bei digitalen Editionen. Bulletin der Schweizerischen Akademie der Geistes- und Sozialwissenschaften (SAGW), (4 (2015)):51-52.

Perez, Danae Maria (2015). Traces of Portuguese in Afro-Yungueño Spanish? Journal of Pidgin and Creole Languages, 30(2):307-343.

Straumann, Barbara (2015). Adaptation – Remediation – Transmediality. In: Rippl, Gabriele. Intermediality: Literature – Image – Sound – Music. Handbooks of English and American Studies. Berlin: De Gruyter Mouton, 249-267.

Binotto, Johannes (2015). Fall Out: Zum Kino von Sam Peckinpah. Filmbulletin: Zeitschrift für Film und Kino, (5.15):6-17.

Binotto, Johannes (2015). Kontakt, gestört: Paul Schraders „The Canyons“. Filmbulletin: Zeitschrift für Film und Kino, (5.15):50-51.

Ljungberg, Christina (2015). Intermediality and Performance Art. In: Rippl, Gabriele. Handbook of Intermediality. Berlin, Boston: De Gruyter Mouton, 547-561.

Bissig, Florian (2015). Coleridge and Communication. Trier: Wissenschaftlicher Verlag Trier.

Markin, Alexander (2015). Bezdna zvezd polna. Seance, (59/60):107-112.

Pfenninger, Simone E (2015). MSL in the digital ages: Effects and effectiveness of computer-mediated intervention for FL learners with dyslexia. Studies in Second Language Learning and Teaching, 5(1):109-133.

Honkapohja, Alpo (2015). A review of Richard Ingham (2012), The Transmission of Anglo-Norman: Language history and language acquisition. Neuphilologische Mitteilungen, CXVI(1):199-201.

Binotto, Johannes (2015). Affekt, Effekt, Defekt: Filmtechnik und/als Affektstörung. RISS. Zeitschrift für Psychoanalyse, (81):78-104.

Bronfen, Elisabeth (2015). Afterword : Thomas Mann and Shakespeare : something rich and strange. In: Döring, Tobias; Fernie, Ewan. Thomas Mann and Shakespeare : something rich and strange. New York: Bloomsbury, 246-256.

Bronfen, Elisabeth (2015). Am Nabel des Weiblichen: Hans Schärers Madonnen. In: Schuppli, Madeleine; Wagner, Marianne. Hans Schärer. Madonnen & Erotische Aquarelle. Luzern/Poschiavo: s.n., 144-156.

Hundt, Marianne; Zipp, Lena; Huber, André (2015). Attitudes towards Varieties of English in Fiji: A shift to endonormativity? World Englishes, 34(3):688-707.

Rivera Godoy-Benesch, Rahel (2015). Autorenporträts: Nadine Gordimer und Pablo Neruda. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 9. Baar, Switzerland: Klett und Balmer, 46-47.

Bronfen, Elisabeth (2015). Begegnungen Traumatischer Art. JAWS im Zeichen des Todestriebes gelesen. In: Schwanebeck, Wieland. DER WEISSE HAI revisited : Steven Spielbergs JAWS und die Geburt eines amerikanischen Albtraums. Berlin: Bertz und Fischer, 161-176.

Daub, Adrian; Bronfen, Elisabeth (2015). Broomhilda Unchained: Tarantino's Wagner. The Wagner Journal, 9(2):55-67.

Ljungberg, Christina (2015). Cartosemiotics. In: Trifonas, Peter Perikles. International Handbook of Research in Semiotics. New York: Springer Verlag, 759-770.

Binotto, Johannes (2015). Choreographie als Schizophrenie: Bleuler, Deleuze und die Musicals von Busby Berkeley. In: Sollberger, Daniel; Kapfhammer, Hans-Peter; Boehlke, Erik; Hoff, Paul; Stompe, Thomas. Bilder der Schizophrenie. Berlin: Frank & Timme, 307-321.

Bronfen, Elisabeth (2015). Cleopatra's Venus. In: Berressem, Hanjo; Blamberger, Günter; Goth, Sebastian. Venus as Muse : From Lucretius to Michel Serres. Leiden, Boston: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 235-249.

Ronan, Patricia; Schneider, Gerold (2015). Determining light verb constructions in contemporary British and Irish English. International Journal of Corpus Linguistics, 20(3):326-354.

Binotto, Johannes (2015). Die gesprungene Wahrheit. Jacques Lacan, Delmer Daves und das Happy End. In: Ritzer, Ivo. Classical Hollywood und kontinentale Philosophie. Wiesbaden: Springer VS, 113-132.

Binotto, Johannes (2015). Die gesprungene Wahrheit: Jacques Lacan, Delmer Daves und das Happy End. In: Ritzer, Ivo. Classical Hollywood und kontinentale Philosophie. Wiesbaden: Springer, 113-132.

Hundt, Marianne (2015). Do-support in early New Zealand and Australian English. In: Collins, Peter. Grammatical Change in English World-Wide. Amsterdam: John Benjamins, 65-86.

Bronfen, Elisabeth (2015). Faszinierende Zerstörung des Krieges : Drei Weibliche Ansichten. In: Bronfen, Elisabeth; Kampa, Daniel. Die Amerikanerin in Hitlers Badewanne : Drei Frauen berichten über den Krieg: Martha Gellhorn, Lee Miller, Margaret Bourke-White. Hamburg: Hoffmann und Campe, 297-354.

Bronfen, Elisabeth (2015). Francesca Woodman : Fotografische Tableaux Vivants. In: Schor, Gabriele. Feministische Avantgarde : Kunst der 1970er-Jahre aus der Sammlung Verbund, Wien. München, London, New York: Prestel Verlag, 363-364.

Bronfen, Elisabeth (2015). Frequency Hopping. Thema Selections Spiel mit der Uniform. In: Bucher, Gina. Female Chic. Thema Selection – Geschichte eines Modelabels. Zurich: Edition Patrick Frey, 40-67.

Binotto, Johannes (2015). Glanz / Glance / Glas: Von der Unsichtbarkeit des Spiegels = On the invisibility of mirrors = De l’invisibilité du miroir. In: Haus am Gern, H. Aire de bellelay. Biel: Edition Haus am Gern, 5-17.

Bronfen, Elisabeth (2015). Gothic Wars - Media's Lust: On the Cultural Afterlife of the War Dead. In: Fred, Botting; Catherine, Spooner. Monstrous Media / Spectral Subjects. Imaging Gothic From the Nineteenth Century to the Present. Manchester: Manchester university Press, 15-28.

Jucker, Andreas H; Landert, Daniela (2015). Historical pragmatics and early speech recordings: Diachronic developments in turn-taking and narrative structure in radio talk shows. Journal of Pragmatics, 79:22-39.

Ljungberg, Christina (2015). Iconicity. In: Sotirova, Violeta. Bloomsbury Companion to Stylistics. London: Bloomsbury, 476-489.

Bronfen, Elisabeth (2015). Isoldes Liebestod in Hollywood. Eine Transmediale Affäre. In: Fornoff, Christine; Unseld, Melanie. Wagner - Gender - Mythen. Wagner in der Diskussion. Würzburg: Königshausen & Neumann, 231-257.

Rivera Godoy-Benesch, Rahel (2015). Kompass zur Altersbelletristik der Gegenwart. Trends, Analysen, Interpretationen. Zürich: Pro Senectute Verlag.

Bronfen, Elisabeth (2015). Mad Men. Zürich/Berlin: Diaphanes.

Binotto, Johannes (2015). Masochistisches Ritual als Alltagstrott. The Duke of Burgundy von Peter Strickland. Filmbulletin: Zeitschrift für Film und Kino, (3.15):24-25.

Locher, Miriam A; Jucker, Andreas H; Berger, Manuel (2015). Negotiation of space in Second Life newbie interaction. Discourse, Context & Media, 9:34-45.

Schneider, Gerold; Lehmann, Hans Martin; Schneider, Peter (2015). Parsing early and late modern english corpora. Literary and Linguistic Computing, 30(3):423-439.

Jucker, Andreas H (2015). Pragmatics of fiction: Literary uses of "uh" and "um". Journal of Pragmatics, 86:63-67.

Landert, Daniela (2015). Reportable Facts and a Personal Touch: The Functions of Direct Quotes in Online News. In: Arendholz, Jenny; Bublitz, Wolfram; Kirner-Ludwig, Monika. The Pragmatics of Quoting Now and Then. Berlin/Boston: De Gruyter, 29-52.

Schneider, Gerold (2015). Review of Automatic Treatment of Learner Corpus Data, Ana Diaz Negrillo, Nicolas Ballier and Paul Thompson, eds. (2013). International Journal of Learner Corpus Research, (1):172-177.

Binotto, Johannes (2015). Räume, Gänge, Kammern, Straßen: Das Unheimliche im Film. In: Mitterer, Nicola; Nagy, Hajnalka. Zwischen den Worten. Hinter der Welt Wissenschaftliche und didaktische Annäherungen an das Unheimliche. Innsbruck, Wien, Bozen: Studien Verlag, 157-172.

Bronfen, Elisabeth (2015). Screening and disclosing fantasy: rear projection in Hitchcock. Screen, 56(1):1-24.

Bronfen, Elisabeth (2015). Shakespeare's Wire. In: Ernst, Christoph; Paul, Heike. Amerikanische Fernsehserien der Gegenwart : Perspektiven der American Studies und der Media Studies. Bielefeld: Transcript, 89-109.

Biewer, Carolin (2015). South Pacific Englishes. A Sociolinguistic and Morphosyntactic Profile of Fiji English, Samoan English and Cook Islands English. Amsterdam: John Benjamins.

Binotto, Johannes; Pfister, Michael (2015). Totalität und Unendlichkeit. Ein Dialog über die Fernsehserie. In: Knellessen, Olaf; Schiesser, Giaco; Strassberg, Daniel. Serialität : Wissenschaften, Künste, Medien. Wien: Turia + Kant, 53-67.

Taavitsainen, Irma; Jucker, Andreas H (2015). Twenty years of historical pragmatics: Origins, developments and changing thought styles. Journal of Historical Pragmatics, 16(1):1-24.

Jucker, Andreas H (2015). Uh and um as planners in the Corpus of Historical American English. In: Taavitsainen, Irma; Kytö, Merja; Claridge, Claudia; Smith, Jeremy. Developments in English: Expanding Electronic Evidence. Cambridge: Cambridge University Press, 162-177.

Bronfen, Elisabeth (2015). Vorwort : Horrorgeschichten / Ambrose Bierce. In: Haefs, Gisbert. Horrorgeschichten Ambrose Bierce. Zürich: Elster Verlag, 7-29.

Bronfen, Elisabeth (2015). War Literature into War Film: The Aesthetics of Violence and the Violence of Aesthetics. In: Rippl, Gabriele. Handbook of Intermediality. Berlin, Boston: De Gruyter Mouton, 287-305.

Hundt, Marianne (2015). World Englishes. In: Biber, Douglas; Reppen, Randi. The Cambridge Handbook of English Corpus Linguistics. Cambridge: Cambridge University Press, 381-400.

Seiler, Annina (2015). Writing the Germanic Languages: The Early History of the Digraphs <th>, <ch> and <uu>. In: Conti, Aidan; Da Rold, Orietta; Shaw, Philip. Writing Europe, 500-1450: Texts and Contexts. Cambridge: D. S. Brewer, 101-121.

Binotto, Johannes (2015). fleck / flush / flaque: Von der Schwärze des Sehens = On the blackness of vision = De la noirceur du voir. In: Haus am Gern, H. Aire de bellelay. Biel: Edition Haus am Gern, 25-37.

Binotto, Johannes (2014). Labyrinth der Leere : Über den Raum des Unheimlichen. UZH Magazin, 4(14):48-49.

Binotto, Johannes (2014). Bastardkinder. Zur Wiederentdeckung der frühen TV-soap "PEYTON PLACE". CARGO. Film/Medien/Kultur, (24):65-67.

Binotto, Johannes (2014). Die einschüchternde Erotik der Charlotte Rampling. Stadtkino Basel Programmzeitschrift:15-16.

Schreier, Daniel (2014). Koinéisation and historical phonology. In: Honeybone, Patrick; Salmons, Joseph C. The Handbook of Historical Phonology. Oxford: Oxford University Press, 217-239.

Ljungberg, Christina (2014). Laurie Anderson's Versions of Massenet / Corneille,Melville's Moby Dick and Döblin / Fassbinder. In: Cavagna, Mattia; Maeder, Costantino. Philology and Performing Arts: A Challenge. Louvain: Presses universitaires de Louvain, 257-269.

Binotto, Johannes. Mazed World : Zur unheimlichen Landschaft des Sommernachtstraums. In: Programmheft Schauspielhaus Zürich: Ein Sommernachtstraum, October 2014, p.8-25.

Bissig, Florian (2014). Review of Roger Perret (ed.). Moderne Poesie in der Schweiz: Eine Anthologie. Zürich: Limmat Verlag, 2013 and Luzius Keller (ed.). Modern and Contemporary Swiss Poetry: An Anthology. Champaign, Ill.: Dalkey Archive Press, 2012. Variations: Literaturzeitschrift der Universität Zürich, 22:211-213.

Hundt, Marianne (2014). Home is where you're born: Negotiating identity in the diaspora. Studia Neophilologica, 86(2):125-137.

Studer-Joho, Nicole (2014). Diffusion and Change in Early Middle English: Methodological and Theoretical Implications from the LAEME Corpus of Tagged Texts. Tübingen: Francke Verlag.

Hundt, Marianne (2014). 'Books that sell' – mediopassives and the modification ‘constraint’. In: Hundt, M. Late Modern English Syntax. Cambridge: Cambridge University Press, 90-109.

Hundt, Marianne (2014). Introduction: Late Modern English syntax in its linguistic and socio-historical context. In: Hundt, Marianne. Late Modern English Syntax. Cambridge: Cambridge University Press, 1-10.

Jucker, Andreas H (2014). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 1-15.

Gardner, Anne-Christine (2014). Review: Anneli Meurman-Solin and Jukka Tyrkkö (eds.). Principles and practices for the digital editing and annotation of diachronic data (Studies in Variation, Contacts and Change in English 14). ICAME Journal, 38(1):207-211.

Schneider, Edgar W; Hundt, Marianne; Schreier, Daniel (2014). The times they are a-changin' - and so are the editors of EWW. English World-Wide. A Journal of Varieties of English, 35(1):1-5.

Binotto, Johannes (2014). Phantombilder, Glance-Lichter: Zur Fortführung des Kinos bei Christoph Girardet und Matthias Müller. Filmbulletin: Zeitschrift für Film und Kino, 56(1.14):38-43.

Smith, Sara W; Jucker, Andreas H (2014). "Maybe, but probably not": Negotiating likelihood and perspective. Language and Dialogue, 4(2):284-298.

Reddick, Allen (2014). A Kinde of Massacre: Censoring John Milton. In: Iannaccaro, Giuliana; Iamartino, Giovanni. Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives. Newcastle upon Tyne: Cambridge Scholars Publishing, 31-42.

Honkapohja, Alpo (2014). A review of Da Rold, Orietta, and Elaine Treharne (eds.), Textual Cultures: Cultural Texts. Essays and Studies Collected on Behalf of the English Association. Neuphilologische Mitteilungen, CXV(4):503-506.

Chevalier, Sarah (2014). Attitudes of Students in Switzerland Towards Varieties of English. In: Langlotz, Andreas; Soltysik Monnet, Agnieszka. Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling. Tübingen: Gunter Narr Verlag, 197-213.

Bronfen, Elisabeth (2014). Audiovisuell und Romanesk. Televisuelle Imagination als Kulturkritik: Am Beispiel von David Simons "The Wire". In: Widmer, Ruedi. Laienherrschaft: 18 Exkurse zum Verhältnis von Künsten und Medien. Zürich, Berlin: Diaphanes, 27-39.

Binotto, Johannes (2014). Aussen drin: Francesca Woodmans eigene Räume. In: Schor, Gabriele; Bronfen, Elisabeth. Francesca Woodman. Werke aus der Sammlung Verbund. s.n.: Sammlung Verbund, 51-61.

Rivera Godoy-Benesch, Rahel (2014). Autorenporträts: Toni Morrison und Mark Twain. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 8. Baar, Switzerland: Klett und Balmer, 34-35.

Riquet, Johannes (2014). Bliss and War on the Island: Undoing Myth and Negotiating History in Stevenson's Treasure Island (1883) and Garland's The Beach (1996). In: Horatschek, Anna-Margaretha; Rosenberg, Yvonne; Schäbler, Daniel. Navigating Cultural Spaces: Maritime Places. Amsterdam: Brill, 177-190.

Landert, Daniela (2014). Blurring the Boundaries of Mass Media Communication? Interaction and User-Generated Content on Online News Sites. In: Tyrkkö, Jukka; Leppänen, Sirpa. Texts and Discourses of New Media. Helsinki: VARIENG, online.

Binotto, Johannes (2014). Cela ne se voit pas. Wie man im Kino beobachten kann, was sich nicht zeigen lässt. Filmbulletin: Zeitschrift für Film und Kino, (614):21-23.

Bronfen, Elisabeth (2014). Cinema of the Gothic Extreme. In: Hogle, Jerrold E. The Cambridge Companion to the Modern Gothic. New York: Cambridge University Press, 107-122.

Jucker, Andreas H; Taavitsainen, Irma (2014). Complimenting in the history of American English: A metacommunicative expression analysis. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 257-276.

Jucker, Andreas H (2014). Courtesy and politeness in "Sir Gawain and the Green Knight". Studia Anglica Posnaniensia, 49(3):5-28.

Binotto, Johannes (2014). Cutting/Together. Operations on the Body of Film. In: Kunstverein Hannover. Christoph Girardet & Matthias Müller: Tell Me What You See. s.n.: Kunstverein Hannover, 119-121.

Gardner, Anne-Christine (2014). Derivation in Middle English: Regional and Text Type Variation. Helsinki: Société Néophilologique.

Jucker, Andreas H; Taavitsainen, Irma (2014). Diachronic corpus pragmatics: Intersections and interactions. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 3-26.

Binotto, Johannes (2014). Die halbe Wahrheit – Zur Verteidigung des Happy Ends. Cinema, (59):10-21.

Bolander, Brook; Locher, Miriam A (2014). Doing sociolinguistic research on computer-mediated data: A review of four methodological issues. Discourse, Context & Media, 3:14-26.

Schlote, Christiane (2014). Dramatizing the Congo: Refugees, Humanitarian Aid Workers and Gender. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 214-229.

Zipp, Lena (2014). Educated Fiji English. Lexico-grammar and variety status. Amsterdam: John Benjamins Publishing.

Bronfen, Elisabeth (2014). Einen Abdruck hinterlassen. Francesca Woodmans fotographische tableaux vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman. Werke aus der SAMMLUNG VERBUND. Köln, New York : Verlag der Buchhandlung König, 11-31.

Schlote, Christiane (2014). From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre. In: Aragay, Mireia; Monforte, Enric. Ethical Speculations in Contemporary British Theatre. Houndmills: Palgrave, 173-189.

Bronfen, Elisabeth (2014). Geist/Gespenst. In: Wirz, Benno; Pieper, Natalie. Philosophische Kehrseiten: Eine andere Einleitung in die Philosophie. Freiburd, München : Verlag Karl Alber, 141-168.

Bronfen, Elisabeth (2014). Gender and Noir. In: Pettey, Homer B; Palmer, R Barton. Film Noir. Edinburgh: Edinburgh University Press, 143-163.

Hundt, Marianne (2014). Heterogeneity vs. homogeneity. In: Auer, Anita; Schreier, D; Watts, Richard J. Letter Writing and Language Change. Cambridge: Cambridge University Press, 72-100.

Bronfen, Elisabeth (2014). Hollywood und der Erste Weltkrieg: Eine Frage der imaginären Annäherung. In: Wagner, Karl; Baumgartner, Stephan; Gamper, Michael. Der Held im Schützengraben : Führer, Massen und Medientechnik im Ersten Weltkrieg. Zürich: Chronos, 323-336.

Bronfen, Elisabeth (2014). Hollywood's Wagner: The Return to/of the Ordinary. In: Börnchen, Stefan; Mein, Georg; Strowick, Elisabeth. Jenseits von Bayreuth. Richard Wagner heute. Paderborn: Wilhelm Fink Verlag, 239-262.

Bronfen, Elisabeth (2014). Hollywoods Wagner: Die Rückkehr zum/des Gewöhnlichen. In: Drehmel, Jan; Vogt, Steffen; Jaspers, Kristina. Richard Wagner und das Kino der Dekadenz. Wien, Berlin: Turia + Kant, 44-75.

Zipp, Lena (2014). Indo-Fijian English. Linguistic diaspora or endonormative stabilization? In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing Company, 187-213.

Straumann, Barbara (2014). Inhabiting feminine suspicion. In: Badmington, Neil. Alfred Hitchcock: Critical evaluations of leading film-makers. London, New York: Routledge, Taylor & Francis Group, 159-195.

Hundt, Marianne; Sharma, Devyani (2014). Introduction. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 1-8.

Bronfen, Elisabeth; Neumeier, Beate (2014). Introduction. In: Bronfen, Elisabeth; Neumeier, Beate. Gothic Renaissance: A Reassessment. Manchester, New York: Manchester University Press, 1-13.

Rellstab, Daniel H; Schlote, Christiane (2014). Introduction. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 1-14.

Riquet, Johannes (2014). Killing King Kong: The camera at the borders of the tropical island, 1767-1937. Nordlit : Tidsskrift i litteratur og kultur, 31:133-149.

Bronfen, Elisabeth (2014). Leaving an Imprint: Francesca Woodman's Photographic Tableaux Vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman: Works from the SAMMLUNG VERBUND. Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König, 11-31.

Bronfen, Elisabeth (2014). Lubitsch's War: Comedy as Political Ploy in To Be or Not to Be. In: Dolar, Mladen; Novak, Ivana; Krečič, Jela. Lubitsch Can't Wait: A Theoretical Examination. Ljubljana: Columbia University Press, 131-150.

Markin, Alexander (2014). Martin Opitz and the reform of German poetry. In: Markin, Alexander. History of German Literature: Modern and Contemporary Times. Moscow: Russian Statte University for Humanities Press, 61-76.

Schreier, Daniel (2014). On cafeterias and new dialects: the role of primary transmitters. In: Buschfeld, Sarah; Hoffmann, Thomas; Huber, Magnus; Kautzsch, Alexander. The Evolution of Englishes : The Dynamic Model and beyond. Amsterdam: John Benjamins, 231-248.

Binotto, Johannes (2014). Outside In: Francesca Woodman’s Rooms of Her Own. In: Schor, Gabriele; Bronfen, Elisabeth. Francesca Woodman. Works of the Sammlung Verbund. s.n.: Sammlung Verbund, 51-61.

Landert, Daniela (2014). Personalisation in Mass Media Communication. British online news between public and private. Amsterdam/Philadelphia: John Benjamins.

Binotto, Johannes (2014). Punktförmiges D/denken: Veränderte Wahrnehmung in, auf und durch Yves Netzhammers Zeichnungen. In: Thomé, Pierre; Kost, Lynn. In Bildern denken. Ein Experiment über die Wahrnehmung von Bildern. Zürich: APPLAUS Medien AG, 169-186.

Bronfen, Elisabeth (2014). Queen Margaret's Haunting Revenge: The Gothic Legacy of Shakspeare's Wars of the Roses. In: Bronfen, Elisabeth; Neumeier, Beate. Gothic Renaissance: A Reassessment. Manchester, New York: Manchester University Press, 75-91.

Mühlheim, Martin (2014). Resisting Governmental Illegalisation: Xenophobia and Otherness in Steven Spielberg’s E. T.: The Extra-Terrestrial. In: Bashir, Hassan; Roye, Susmita. Experiencing Otherness: Multidisciplinary Perspectives. Oxford: Inter-Disciplinary, 1-10.

Dreiding, Michelle (2014). Rethinking the Beginning: Toni Morrison and the Dramatization of Liminality. Reconstruction : Studies in Contemporary Culture:n/a.

Hundt, Marianne (2014). Review of 'A Dictionary of South African Indian English' by Rajend Mesthrie. Journal of Language Contact, 7(2):446-452.

Hundt, Marianne (2014). Review of 'Early Modern English Dialogues: Spoken Interaction as Writing' by Jonathan Culpepper and Merja Kytö. Journal of Historical Pragmatics, 15(1):149-152.

Rüegg, Larssyn (2014). Thanks responses in three socio-economic settings: A variational pragmatics approach. Journal of Pragmatics, 71:17-30.

Bronfen, Elisabeth (2014). The allure of money: Hollywood's reconfiguration of wall street. In: Peretz, Eyal; Szendy, Peter. The Yearbook of Comparative Literature. Bloomington, Indiana, US: The Department of Comparative Literature, Indiana University and The University of Toronto Press, 149-182.

Hundt, Marianne (2014). The demise of the being to V construction. Transactions of the Philological Society, 112(2):167-187.

Jucker, Andreas H; Berger, Manuel (2014). The development of discourse presentation in The Times, 1833–1988. Media History, 20(1):67-87.

Seiler, Annina (2014). The scripting of the Germanic languages: A comparative study of "spelling difficulties" in Old English, Old High German and Old Saxon. Zurich: Chronos.

Binotto, Johannes (2014). There Are No Subbasements. Zur Oberflächlichkeit von Film, Erinnerung und Unbewusstem. In: Holl, Ute; Wittmann, Matthias. Memoryscapes. Filmformen der Erinnerung. Zürich, Berlin: Diaphanes, 181-198.

Bronfen, Elisabeth (2014). Valérie Favre's Suicide Images: An Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 154-162.

Bronfen, Elisabeth (2014). Valérie Favres Bilder des Selbstmordes. Ein Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 12-21.

Schreier, Daniel (2014). Variation and Change in English: an introduction (Grundlagen der Anglistik und Amerikanistik 39). Berlin: Erich Schmidt Verlag.

Bronfen, Elisabeth (2014). War and its Fictional Recovery On-Screen: Narrative Management of Death in The Big Red One and The Thin Red Line. In: LaRocca, David. The Philosophy of War Films. Lexington, Kentucky: University Press of Kentucky, 413-436.

Schlote, Christiane (2014). Writing Dubai. Indian Labour Migrants and Taxi Topographies. South Asian Diaspora, 6(1):33-46.

Hundt, Marianne (2014). Zero articles in Indian English. A Comparison of primary and secondary diaspora situations. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 131-170.

Binotto, Johannes (2014). Zusammen/schneiden: Operationen am lebenden Körper des Films. In: Kunstverein Hannover. Christoph Girardet & Matthias Müller: Tell Me What You See. Nannover: Kunstverein Hannover, 118-120.

Timofeeva, Olga (2013). The Wor(l)ds of Kalevala: Finnish Loans in Modern English. In: Tyrkkö, Jukka; Timofeeva, Olga; Salenius, Maria. Ex Philologia Lux: Essays in Honour of Leena Kahlas-Tarkka. Helsinki: Mémoires de la Société Néophilologique, 159-185.

Heller-Andrist, Simone (2013). 34. Heller-Andrist, Simone . 2012. The Friction of the Frame: Derrida’s Parergon in Literature. Tübingen: Francke, 277 pp. English and American Studies in German, 2(1):57-60.

Schreier, Daniel (2013). Collecting ethnographic and sociolinguistic data. In: Krug, Manfred; Schlüter, Julia. Research Methods in Language Variation and Change. Cambridge: Cambridge University Press, 17-39.

Bissig, Florian (2013). Review of James Grant. The Critical Imagination. Oxford: Oxford University Press, 2013. Variations: Literaturzeitschrift der Universität Zürich, 21:230-232.

Binotto, Johannes. Der ironische Stylist. Retrospektive George Cukor. In: Neue Zürcher Zeitung, 7 October 2013, p.13.

Timofeeva, Olga (2013). Anglo-Latin and Old English: A Case for Integrated Bilingual Corpus Studies of Anglo-Saxon Registers. In: Bennett, Paul; Durrell, Martin; Scheible, Silke; Whitt, Richard J. New Methods in Historical Corpus Linguistics. Tübingen: Narr, 195-204.

Röthlisberger, Melanie; Schneider, Gerold (2013). Of-genitive versus s-genitive: A corpus-based analysis of possessive constructions in 20thcentury English. In: Bennett, Paul; Durrell, Martin; Scheible, Silke; Whitt, Richard J. New Methods in Historical Corpora. Tübingen: Narr Verlag, 163-180.

Binotto, Johannes (2013). Abgrund der Oberfläche. The Real Eighties – Amerikanisches Kino 1980-1989. Filmbulletin: Zeitschrift für Film und Kino, (4.13):12-21.

Denison, David; Hundt, Marianne (2013). Defining relatives. Journal of English Linguistics, 41(2):135-167.

Binotto, Johannes (2013). My Home Is My Symptom: A Psychoanalytic Plea for Flawed Architecture. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: Transcript, 33-46.

Binotto, Johannes (2013). Das Begehren ist ein Knochen. Bringing Up Baby, Howard Hawks, USA 1938. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 121-128.

Binotto, Johannes (2013). Was will der Mann? After Hours, Martin Scorsese, USA 1985. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 121-128.

Schönfelder, Christa (2013). Wounds and words: childhood and family trauma in romantic and postmodern fiction. Bielefeld: Transcript.

Binotto, Johannes (2013). Rück-Sicht auf Darstellbarkeit. Zur Ästhetik und Aussagekraft der Rear Projection. Filmbulletin: Zeitschrift für Film und Kino, (2.13):37-43.

Schreier, Daniel (2013). English as a contact language: lesser-known varieties. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambriudge University Press., 149-164.

Hundt, Marianne; Schreier, Daniel (2013). Nothing but a contact language... In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 1-17.

Frey Büchel, Nicole (2013). "Indefinite, sketchy but not entirely obliterated": Narrative identity in Jeffrey Eugenides's Middlesex. In: Holler, Claudia; Klepper, Martin. Rethinking Narrative Identity: Persona and Perspective. Amsterdam / Philadelphia: John Benjamins, 129-146.

Schönfelder, Christa (2013). (Re-)Visions of the Buried Self: Childhood Trauma and Self-Narration in Margaret Atwood's 'Cat's Eye'. In: Rippl, Gabriele; Kirss, Tiina; Schweighauser, Philipp; Steffen, Therese; Sutrop, margrit. Haunted Narratives: Life-Writing in an Age of Trauma. Toronto: Univ of Toronto, 257-274.

Markin, Alexander (2013). Amerikanskij Dom Uzhasa: Ot Idillii k horroru. Seance, (53/54):259-270.

Schönfelder, Christa (2013). Renegotiations of Longing and Belonging: Exile, Memory, and Nostalgia. In: Rippl, Gabriele; Schweighauser, Philipp; Kirss, Tiina; Sutrop, Margrit; Steffen, Therese. Haunted Narratives: Life-Writing in an Age of Trauma. Toronto: Univ of Toronto, 297-304.

Bronfen, Elisabeth (2013). "Man weiß nicht woher die Einfälle einfallen": Über das Verhältnis von Form und Nichts bei Meret Oppenheim. In: Eipeldauer, Heike. Meret Oppenheim: Retrospektive. Ostfildern: Hatje Cantz , 35-44.

Honkapohja, Alpo (2013). A review of Code-switching in Early English (2011) by Herbert Schendl & Laura Wright (eds.). Journal of Historical Pragmatics, 14(2):321-327.

Eberle, Nicole; Schreier, Daniel (2013). African Bermudian English and the Caribbean Connection. English World-Wide. A Journal of Varieties of English, 34(3):279-304.

Bronfen, Elisabeth (2013). Angst im Film. In: Koch, Lars. Angst: Ein interdisziplinäres Handbuch. Stuttgart: Metzler, 251-264.

Bronfen, Elisabeth (2013). Auf der Suche nach Kleopatra: Das Nachleben einer kulturellen Ikone. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra: Die Ewige Diva. München: Hirmer, 8-21.

Binotto, Johannes (2013). Bond Rerouted: 007 and the Internal Conflict in/of Digital Media. SPELL: Swiss papers in English language and literature, 29:51-63.

Leitner, Magdalena (2013). Book review of: Merja Kytö, Peter J. Grund and Terry Walker. Testifying to language and life in Early Modern England. Journal of Historical Pragmatics, 14(2):305-309.

Chevalier, Sarah (2013). Caregiver responses to the language mixing of a young trilingual. Multilingua, 32(1):1-32.

Alexander, Markin (2013). Chicago. In: Bronfen, Elisabeth; Grob, Norbert. Classical Hollywood. Stuttgart: Reclam Verlag, 193-199.

Jucker, Andreas H; Kopaczyk, Joanna (2013). Communities of practice as a locus of language change. In: Kopaczyk, Joanna; Jucker, Andreas H. Communities of practice in the history of English. Amsterdam: John Benjamins, 1-16.

Jucker, Andreas H (2013). Corpus pragmatics. In: Östman, Jan-Ola; Verschueren, Jef. Handbook of Pragmatics. Amsterdam: John Benjamins, 1-17.

Schneider, Gerold (2013). Describing Irish English with the ICE Ireland Corpus. University of Lausanne. Institut de Linguistique et des Sciences du Langage. Cahiers, 38:137-162.

Bronfen, Elisabeth (2013). Die Kunst des Exils. In: Bischoff, Doerte; Komfort-Hein, Susanne. Literatur und Exil: Neue Perspektiven. Berlin: De Gruyter, 381-395.

Seiler, Annina (2013). Die Urkunden des Schreibers Waldo: eine graphematische Analyse. Sprachwissenschaft, 38(2):123-146.

Schneider, Gerold; Zipp, Lena (2013). Discovering new verb-preposition combinations in New Englishes. Studies in Variation, Contacts and Change in English, 13:online.

Jucker, Andreas H; Taavitsainen, Irma (2013). English Historical Pragmatics. Edinburgh: Edinburgh University Press.

Binotto, Johannes (2013). Gold diggers of 1933. In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 121-127.

Binotto, Johannes (2013). Goldgräber von 1933 - Gold Diggers of 1933. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.

Timofeeva, Olga (2013). Hearsay and lexical evidentials in old germanic languages, with focus on old English. In: Diewald, Gabriele; Kahlas-Tarkka, Leena; Wischer, Ilse. Comparative Studies in Early Germanic Languages: With a Focus on Verbal Categories. Amsterdam: Benjamins, 169-194.

Bronfen, Elisabeth (2013). Hollywoods Kriege: Geschichte einer Heimsuchung. Frankfurt am Main : S. Fischer Verlag .

Bronfen, Elisabeth (2013). Hollywoods Kriegsbilder: Historisches Wissen anderer Art. In: Ernst, Christoph; Paul, Heike. Präsenz und implizites Wissen: Zur Interdependenz zweier Schlüsselbegriffe der Kultur- und Sozialwissenschaften. Bielefeld: transcript, 35-48.

Bronfen, Elisabeth (2013). Hollywoods Kriegsgerichtsdramen. In: Kappelhoff, Hermann; Gaertner, David; Pogodda, Cilly. Mobilisierung der Sinne: Der Hollywood-Kriegsfilm zwischen Genrekino und Historie. Berlin: Vorwerk 8, 88-121.

Hundt, Marianne; Schreier, Daniel (2013). Introduction: nothing but a contact language. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 1-17.

Straumann, Barbara (2013). Kleopatra im Doppelporträt mit Elizabeth I.: Die Inszenierung der zwei Körper der Königin. In: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. Kleopatra - Die ewige Diva. München: Hirmer, 68-77.

Bolander, Brook (2013). Language and Power in Blogs: Interaction, disagreements and agreements. Amsterdam: John Benjamins.

Timofeeva, Olga (2013). Latin Loans in Old English and Finnish Loans in Modern English: Can We Distinguish Statistics from Myth? In: McConchie, R W; Juvonen, Teo; Kaunisto, Mark; Nevala, Minna; Tyrkkö, Jukka. Selected Proceedings of the 2012 Symposium on New Approaches in English Historical Lexis (HEL-LEX 3). Somerville, MA, USA: Cascadilla Proceedings Project, 166-176.

Binotto, Johannes (2013). Leave her to heaven (USA 1945). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 285-291.

Bronfen, Elisabeth (2013). Lubitschs Krieg. Die Komödie als politische Strategie in To Be or Not to Be. Neue Rundschau, 124(4):151-172.

Honkapohja, Alpo (2013). Manuscript abbreviations in Latin and English: History, typologies and how to tackle them in encoding. Studies in Variation, Contacts and Change in English, 14:online.

Straumann, Barbara (2013). Medien im englischsprachigen Bereich. In: Rippl, Gabriele; Winko, Simone. Handbuch Kanon und Wertung: Theorien - Instanzen - Geschichte. Stuttgart: Metzler, 140-146.

Bronfen, Elisabeth (2013). Monumental Cleopatra: Hollywood’s epic film as historical re-imagination. Anglia, 131:218-235.

Bronfen, Elisabeth (2013). Männliche Sammelwut, weibliche Neugierde: Blaubarts Wunde(r)kammer. Fabula, 53(3/4):194-204.

Bronfen, Elisabeth (2013). Night Passages: Philosophy, Literature, and Film. New York: Columbia University Press.

Timofeeva, Olga (2013). Of ledenum bocum to engliscum gereorde: Bilingual communities of practice in anglo-saxon England. In: Kopaczyk, Joanna; Jucker, Andreas H. Communities of Practice in the History of English. Amsterdam: Benjamins, 201-224.

Alexander, Markin (2013). Pis'mo, pustota i pokojniki. Russkaja Proza, (3):online.

Bronfen, Elisabeth (2013). Reappropriations of the Cowboy. In: Scheidegger, Ildegarda; Frehner, Matthias. Hannes Schmid: Real Stories. Zürich: JRP|Ringier, 53-62.

Hundt, Marianne (2013). Relatives in scientific English: Variation across time and space. In: Poppi, Franca; Cheng, Winnie. The Three Waves of Globalization: Winds of Change in Professional, Institutional and Academic Genres. Newcastle: Cambridge Scholars Publishing, 244-268.

Bronfen, Elisabeth (2013). Remains of War: Battlefields, Ruins and the Trick of Commemoration. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: transcript, 161-175.

Paparunas, Penny (2013). Review of: Fritz Senn, Noch mehr über Joyce: Streiflichter, hg. mit einem Nachwort von Sabine Baumann, Frankfurt am Main: Schöffling & Co, 2012. Variations: Literaturzeitschrift der Universität Zürich, 21:234-236.

Timofeeva, Olga (2013). Review of: Janie Steen, Verse and Virtuosity: The Adaptation of Latin Rhetoric in Old English Poetry. Toronto: University of Toronto Press, 2008. Neuphilologische Mitteilungen:125-128.

Reddick, Allen (2013). So What's Wrong with "Buxom"? Samuel Johnson, Poetical Language, and Semantics. In: McConchie, R W; Juvonen, Teo; Kaunisto, Mark; Nevala, Minna; Tyrkkö, Jukka. Selected Proceedings of the 2012 Symposium on New Approaches in English Historical Lexis (HEL-LEX 3). Somerville, MA, USA: Cascadilla Proceedings Project, 159-165.

Binotto, Johannes (2013). Some Came Running (USA 1958). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 385-391.

Binotto, Johannes (2013). TAT/ORT. Das Unheimliche und sein Raum in der Kultur. Zürich, Berlin: Diaphanes.

Straumann, Barbara (2013). The Conflict of Voice in Nathaniel Hawthorne's The Blithedale Romance. In: Ljungberg, Christina; Klarer, Mario. Cultures in Conflict / Conflicting Cultures. Tübingen: Swiss Association of University Teachers of English, SAUTE, 93-107.

Heusser, Martin (2013). The Semantics of Structure: Iconicity in the Poetry of William Carlos Williams and E. E. Cummings. In: Elleström, Lars; Fischer, Olga; Ljungberg, Christina. Iconic Investigations. Amsterdam, Philadelphia: John Benjamins Publishing Company, 159-172.

Hundt, Marianne (2013). The diversification of English: old, new and emerging epicentres. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 182-203.

Honkapohja, Alpo (2013). The trinity seven planets. Scholarly Editing: The Annual of the Association for Documentary Editing, 34:online.

Leitner, Magdalena (2013). Thou and you in Late Middle Scottish and Early Modern Northern English witness depositions. Journal of Historical Pragmatics, 14(1):100-129.

Binotto, Johannes (2013). Todsünde – Leave Her to Heaven. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.

Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole (2013). Uncovering layers of meaning in the history of the English language. In: Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole. Meaning in the History of English. Words and texts in context. Amsredam: John Benjamins, 1-15.

Keller, Thomas (2013). Unterwürfige Souveränität: Kleopatra in der Popmusik. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra. Die ewige Diva. München, 124-131.

Binotto, Johannes (2013). Untiefen. Zu den unheimlichen Räumen Dario Argentos. In: Stiglegger, Marcus; Flintrop, Michael. Dario Argento: Anatomie der Angst. Berlin: Bertz + Fischer, 68-83.

Hundt, Marianne (2013). Using web-based data for the study of global English. In: Krug, Manfred G; Schlüter, Julia. Research Methods in Language Variation and Change. Cambridge: Cambridge University Press, 158-177.

Binotto, Johannes (2013). Verdammt sind sie alle – Some Came Running. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 385-391.

Paparunas, Penny (2013). Wasserfrau als Maskerade? Melusine von Barby und die Hybridisierung von Geschlechterkonfigurationen in Theodor Fontanes »Stechlin«. In: Michel, Paul. Spinnenfuss & Krötenbauch: Genese und Symbolik von Kompositwesen. Zürich: Pano-Verlag, 369-404.

Binotto, Johannes (2012). Beyond Bond: Der Spion im Film zwischen Weltrettung und Selbstzweifel. Stadtkino Basel Programmzeitschrift:10-12.

Bronfen, Elisabeth (2012). Specters of War. Hollywood's Engagement with Military Conflict. New Brunswick, NJ: Rutgers UP.

Ljungberg, Christina (2012). Creative dynamics. Diagrammatic strategies in narrative. Amsterdam: John Benjamins.

Markin, Alexander (2012). Nemetskaja Pornografija. In: Volchek, Dmitry. Sestra Monika. Tver': Kolonna Publications, 168-181.

Hundt, Marianne (2012). Varieties of English: Australian/ New Zealand English. In: Bergs, Alex; Brinton, Laurel. Historical Linguistics of English: An International Handbook. Berlin: Walter de Gruyter, 1995-2012.

Binotto, Johannes (2012). Übernatürliche Farbe. Zu Technicolor und dessen Ästhetik. Filmbulletin: Zeitschrift für Film und Kino, (6.12):33-39.

Paparunas, Penny (2012). Figurationen des Verworfenen: Schönheit, Hässlichkeit und Alter in Augusta Websters Lyrik. In: Filter, Dagmar; Reich, Jana. Bei mir bist Du schön...Kritische Reflexionen über Konzepte von Schönheit und Körperlichkeit. Hamburg: Centaurus Verlag & Media KG, 159-191.

Mühlheim, Martin (2012). Keramik, Knollenfrüchte und Kinderbücher: Eine postkoloniale Spurensuche in Zürich. In: Purtschert, Patricia; Lüthi, Barbara; Falk, Francesca. Postkoloniale Schweiz: Formen und Folgen eines Kolonialismus ohne Kolonien. Bielefeld: Transcript Verlag, 157-174.

Timofeeva, Olga (2012). Latin Absolute Constructions and Their Old English Equivalents: Interfaces between Form and Information Structure. In: Meurman-Solin, Anneli; Lopez-Couso, Maria Jose; Los, Bettelou. Information Structure and Syntactic Change in the History of English. USA: Oxford University Press, 228-242.

Lehmann, Hans Martin; Schneider, Gerold (2012). Dependency bank. In: LREC 2012 Conference Workshop "Challenges in the Management of Large Corpora", Istanbul, Turkey, 22 May 2012 - 22 May 2012, 23-28.

Schneider, Gerold (2012). Using semantic resources to improve a syntactic dependency parser. In: LREC 2012 Conference Workshop "Semantic Relations II", Istanbul, Turkey, 22 May 2012 - 22 May 2012, 67-76.

Heller-Andrist, Simone (2012). The Friction of the Frame: Derrida's Parergon in Literature. Tübingen: Francke Verlag.

Paparunas, Penny (2012). Transgressive religiöse Figuren. Rosa : Die Zeitschrift für Geschlechterforschung, 44:45-47.

Binotto, Johannes (2012). From my cold, dead hands. Die Melancholie des Schneewesterns. Stadtkino Basel Programmzeitschrift, (179):11-12.

Hundt, Marianne; Mair, Christian (2012). "Agile" and "Uptight" genres: The corpus-based approach to language change in progress. In: Biber, Douglas; Reppen, Randi. Corpus Linguistics. Vol. 3 : Varieties. London: Sage, 199-218.

Schneider, Gerold; Hundt, Marianne (2012). "Off with their heads". Profiling TAM in ICE corpora. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 1-34.

Hundt, Marianne; Leech, Geoffrey (2012). "Small is beautiful" On the value of standard reference corpora for observing recent grammatical change. In: Nevalainen, Terttu; Traugott, Elizabeth. The Oxford Handbook of the History of English. Oxford: Oxford University Press, 175-188.

Schreier, Daniel (2012). "Varieties resistant to standardisation.". In: Hickey, Raymond. Standards of English: Codified Varieties around the World. Cambridge: Cambridge University Press, 369-386.

Straumann, Barbara (2012). 'We didn't need dialogue, we had faces': The Public Bodies of Gloria Swanson. PhiN. Philologie im Netz, 5:128-146.

Deuber, Dagmar; Biewer, Carolin; Hackert, Stephanie; Hilbert, Michaela (2012). 'Will' and 'would' in selected New Englishes: general vs. variety-specific tendencies. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 77-102.

Schlote, Christiane (2012). A different theatre of war. Humanitarian aid on british stages. In: Reitz, Bernhard; Berninger, Mark. Ethical Debates in Contemporary Theatre and Drama. Trier: WVT, 121-135.

Timofeeva, Olga (2012). Absolutnye prichastnye konstruktsii v pozdnedrevneangliyskih perevodah Biblii. In: Uspenskij, Fjodor. Imenoslov.Istorija jazyka. Istorija kultury. Moscow: Russkij fond sodejstvija obrazovaniju i nauke, 277-292.

Gardner, Anne-Christine (2012). Abstract noun ‘suffixes’ and text type in Old English. In: Sauer, Hans; Waxenberger, Gaby. English Historical Linguistics 2008. Selected Papers from the 15th ICEHL, Munich, 24-30 August 2008. Volume II: Words, Texts and Genres. Amsterdam, Philadelphia: John Benjamins, 119-132.

Biewer, Carolin (2012). Acrolectal English in the South Pacific: emerging standards? In: Hickey, Raymond. Standards of English. Codified Varieties around the World. Cambridge: Cambridge University Press, 336-353.

Chevalier, Sarah (2012). Active trilingualism in early childhood: The motivating role of caregivers in interaction. International Journal of Multilingualism, 9(4):437-454.

Hundt, Marianne; Szmrecsanyi, Benedikt (2012). Animacy in early New Zealand English. English World-Wide, 33(3):241-263.

Lehmann, Hans Martin; Schneider, Gerold (2012). BNC Dependency Bank 1.0. In: Oksefjell, Signe; Ebeling, Jarle; Hasselgard, Hilde. Aspects of corpus linguistics: compilation, annotation, analysis. Helsinki: Research Unit for Variation, Contacts, and Change in English, online.

Jucker, Andreas H (2012). Changes in politeness cultures. In: Nevalainen, Terttu; Traugott, Elizabeth Closs. The Oxford handbook of the history of international law. Oxford: Oxford University Press, 422-433.

Bronfen, Elisabeth (2012). Cleopatra's Venus. In: Renger, Almut-Barbara; Solomon, Jon. Ancient Worlds in Film and Television : Gender and Politics. Leiden: Brill, 137-150.

Bronfen, Elisabeth (2012). Contending with the Father: Louise Bourgeois and her Aesthetics of Reparation. In: Larratt-Smith, Philip. Louise Bourgeois: The Return of the Repressed: Psychoanalytic Writings. London: Violette Editions, London, 101-114.

Bronfen, Elisabeth (2012). Die Königin ist tot! Lang lebe die Königin! Zu Hiroshi Sugimotos Portrait von Königin Elizabeht II als Wachsfigur. In: Janser, Daniela; Seelig, Thomas. Status – 24 Dokumente von heute. (Winterthur): Photomuseum Winterthur, 38.

Hundt, Marianne; Dose, Stefanie (2012). Differential change in British and American English: Comparing pre- and post-war data. In: Hoffmann, Sebastian; Rayson, Paul; Leech, Geoffrey. English Corpus Linguistics: Looking back, Moving forward. Amsterdam: Rodopi, 79-101.

Bolander, Brook (2012). Disagreements and agreements in personal/diary blogs: A closer look at responsiveness. Journal of Pragmatics, 44(12):1607-1622.

Schlote, Christiane (2012). Dramatising Refuge(e)s: Rukhsana Ahmad's Song for a Sanctuary and Tanika Gupta's Sanctuary. In: Ley, Graham; Dadswell, Sarah. Critical Essays on British South Asian Theatre. Exeter: University of Exeter Press, 66-78.

Riquet, Johannes (2012). How shall we find the concord of this discord?. Music, magic and ideology in A Midsummer Night’s Dream. Variations: Literaturzeitschrift der Universität Zürich, 31(20):77-92.

Ljungberg, Christina (2012). Intermedial narration i den fotolyriska bildboken. Samlaren, 133:366-369.

Hundt, Marianne; Gut, Ulrike (2012). Introduction: Mapping unity and diversity in New Englishes. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, ix-xiii.

Schlote, Christiane (2012). Iraqi Playwrights and the (Un)Reality of War. In: Milich, Stephan; Pannewick, Friederike; Tramontini, Leslie. Conflicting Narrative, War, Trauma and Memory in Iraqi Culture. Wiesbaden: Reichert Verlag, 161-180.

Heusser, Martin (2012). Mexicanness in Katherine Anne Porter's "María Concepción" and "Flowering Judas". In: Kern-Stähler, Annette; Britain, David. English on the Move: Mobilities in Literature and Language. Tübingen: Swiss Association of University Teachers of English, SAUTE, 69-80.

Chevalier, Sarah (2012). Mobile Parents, Multilingual Children: Children’s Production of Their Paternal Language in Trilingual Families. In: Kern-Stähler, Annette; Britain, David. On the Move: Mobilities in English Language and Literature. Tübingen: Narr Dr. Gunter, 99-115.

Schlote, Christiane (2012). Oil, Masquerades, and Memory: Sokari Douglas Camp's Memorial of Ken Saro-Wiwa. In: Collier, Gordon; Delrez, Marc; Fuchs, Anne; Ledent, Bénédicte. Engaging with Literature of Commitment. Volume 1: Africa in the World. Amsterdam: Rodopi, 243-263.

Zipp, Lena; Bernaisch, Tobias (2012). Particle verbs across first and second language varieties of English. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 167-196.

Bronfen, Elisabeth (2012). Pathosformeln des Krieges und ihr Nachleben in Hollywood. In: Geimer, Peter; Hagner, Michael. Nachleben und Rekonstruktion : Vergangenheit im Bild. München: Fink; Nationaler Forschungsschwerpunkt »Bildkritik«, 231-249.

Paparunas, Penny (2012). Patricia Rigg, Julia Augusta Webster: Victorian Aestheticism and the Woman Writer, Madison: Farleigh Dickinson University Press, 2009. Variations: Literaturzeitschrift der Universität Zürich, 20:306-308.

Schreier, Daniel (2012). Phonological inventories. In: Hickey, Raymond. Areal Features of the Anglophone World. Berlin and New York: Walter de Gruyter, 277-297.

Bronfen, Elisabeth (2012). Picasso's War Women. In: Schulz-Hoffmann, Carla. Women. Picasso, Beckmann, de Kooning. Ostfildern: Hatje Cantz Verlag , 254-265.

Schlote, Christiane (2012). Post-Millennial British Asian Theatre. Hard Times, (91):33-38.

Jucker, Andreas H; Taavitsainen, Irma (2012). Pragmatic variables. In: Hernández-Campoy, Juan M; Conde-Silvestre, Juan C. The Handbook of Historical Sociolinguistics. Chichester, West Sussex: Wiley-Blackwell, 293-306.

Jucker, Andreas H (2012). Pragmatics in the history of linguistic thought. In: Allan, Keith; Jaszczolt, Kasia M. The Cambridge Handbook of Pragmatics. Cambridge: Cambridge University Press, 495-512.

Heusser, Martin (2012). Radical Eye Rhymes: Visual Strategies in Modernist Poetry. In: Homem, Rui Carvalho. Relational designs in literature and the arts : page and stage, canvas and screen. Amsterdam: Editions Rodopi B.V., Amsterdam, 221-235.

Piccitto, Diane (2012). Reclaiming ‘the Grandeur of Inspiration’: Authenticity, repetition and parody in William Blake’s Milton. In: Straub, Julia. Paradoxes of Authenticity: Studies on a Critical Concept. Bielefeld: Transcript Verlag, 243-262.

Hundt, Marianne; Denison, David; Schneider, Gerold (2012). Relative complexity in scientific discourse. English Language and Linguistics, 16(2):209-240.

Hundt, Marianne; Denison, David; Schneider, Gerold (2012). Retrieving relatives from historical data. Literary and Linguistic Computing, 27(1):3-16.

Jucker, Andreas H (2012). Review of Culpeper and Kytö, Early Modern English dialogues: Spoken interaction as writing. Studies in English Language. Cambridge: Cambridge University Press, 2010. English Language and Linguistics, 16:519-523.

Rivera Godoy-Benesch, Rahel (2012). Review of: Simone Heller-Andrist, The Friction of the Frame. Derrida's Parergon in Literature, Tübingen: Francke, 2012. Variations, 20:301-302.

Schönfelder, Christa (2012). Review of: Suman Gupta: Contemporary Literature. Variations: Literaturzeitschrift der Universität Zürich, 20:292-293.

Bissig, Florian (2012). Review of: Tim Milnes. The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge. Cambridge: Cambridge University Press. Variations: Literaturzeitschrift der Universität Zürich, 20:286-288.

Schlote, Christiane (2012). Revisiting Bolton: Transcultural Adaptation and Regional Identity in Ayub Khan-Din's Rafta, Rafta. In: Nicklas, Pascal; Lindner, Oliver. Adaptation and Cultural Appropriation. Berlin: De Gruyter, 251-263.

Schreier, Daniel (2012). Second-language varieties of English. In: Brinton, Laurel; Bergs, Alexander. Historical Linguistics of English: An International Handbook. Berlin: Walter de Gruyter, 2106-2120.

Jucker, Andreas H; Taavitsainen, Irma; Schneider, Gerold (2012). Semantic corpus trawling: Expressions of “courtesy” and “politeness” in the Helsinki Corpus. In: Suhr, Carla; Taavitsainen, Irma. Developing Corpus Methodology for Historical Pragmatics. Helsinki: Research Unit for Variation, Contacts and Change in English, 1.

Hundt, Marianne (2012). The committee has/have decided... On concord patterns with collective nouns in inner- and outer-circle varieties of English. In: Biber, Douglas; Reppen, Randi. Corpus Linguistics. Vol. 3 : Varieties. London: Sage, 293-318.

Seiler, Annina (2012). The function of the sword-hilt inscription in Beowulf. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond. Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Narr Francke Attempto, 181-197.

Hundt, Marianne; Hoffmann, Sebastian; Mukherjee, Joybrato (2012). The hypothetical subjunctive in South Asian Englishes. Local developments in the use of a global construction. English World-Wide, 33(2):147-164.

Schreier, Daniel (2012). The impact of migratory movements on linguistic systems: Transplanted speech communities and varieties from a historical sociolinguistic perspective. In: Hernández-Campoy, J M; Conde-Sylvestre, J Camilo. The Handbook of Historical Sociolinguistics. Oxford: Wiley-Blackwell Publishing, 524-551.

Jucker, Andreas H; Dürscheid, Christa (2012). The linguistics of keyboard-to-screen communication. A new terminological framework. Linguistik Online, 56(6/12):1-26.

Studer-Joho, Nicole (2012). The transmission of alliterative poetry: scribal practice in the A text of William Langland's Piers Plowman. Neuphilologische Mitteilungen, 113(1):85-104.

Hundt, Marianne (2012). Towards a corpus of New Zealand English: News from Erewhon? Te Reo: Journal of the Linguistic Society of New Zealand, 55:51-74.

Bitterli, Dieter (2012). Two Old English Prose Riddles of the Eleventh Century. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond: Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Franke, 1-11.

Schreier, Daniel (2012). Words and the New Englishes: Borrowing as evidence of contact and ancestral effects. In: Chevalier, Sarah; Honegger, Thomas. Words, word, words: Philology and beyond. Festschrift for Andreas Fischer on the occasion of his 65th birthday. Tübingen: Francke, 165-180.

Binotto, Johannes (2012). Zusammen-Schneiden. Von der Notwendigkeit körperlicher und geistiger Versehrtheit. Denkbilder. Das Germanistikmagazin der Universität Zürich, 17(31):6-7.

Jucker, Andreas H (2012). “These imputations are too common, sir”: Politeness in Early Modern English dialogues: The case of Ben Jonson’s Volpone, or The Fox. In: Mazzon, Gabriella; Fodda, Luisianna. Historical Perspective on Forms of English Dialogue. Milano: FrancoAngeli, 40-58.

Jucker, Andreas H (2012). “What’s in a name?”: Names and terms of address in Shakespeare’s Romeo and Juliet. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond. Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Narr, 77-97.

Schlote, Christiane (2011). Street lives, roof lives. Literary transformations of Arab urban spaces after Mahfouz. Journal of Postcolonial Writing, 47(5):524-535.

Bissig, Florian (2011). Coleridge and the contemporaneity of authorship. Variations: Literaturzeitschrift der Universität Zürich, 19:71-84.

Paparunas, Penny (2011). Rezension zu Christine O'Neill (Hg.), Zerrinnerungen. Fritz Senn zu James Joyce, Aus dem Englischen von Fritz Senn, Zürich: Verlag Neue Zürcher Zeitung, 2007. Variations: Literaturzeitschrift der Universität Zürich, 19:284-286.

Schneider, Gerold (2011). Using automatically parsed corpora to discover lexico-grammatical features of English varieties. In: 30th International Conference on Lexis and Grammar, Nicosia, Cyprus, 5 October 2011 - 8 October 2011, 251-258.

Schneider, Gerold; Clematide, Simon; Rinaldi, Fabio (2011). Detection of interaction articles and experimental methods in biomedical literature. BMC Bioinformatics, 12(Suppl 8):S13.

Esterhammer, Angela (2011). John Thelwall's "Panoramic Miscellany": the lecturer as journalist. Romantic Circles Praxis:online.

Zipp, Lena; Dellwo, Volker (2011). ’Read speech normalization’ (RSN): A method to study prosodic variability in spontaneous speech. In: The 17th International Congress of Phonetic Sciences, Hong Kong, 17 August 2011 - 31 August 2011, 2328-2331.

Zipp, Lena; Dellwo, Volker (2011). ‘Read speech normalization’ (RSN): a method to study prosodic variability in spontaneous speech. In: Lee, Wai-Sum; Zee, Eric. Proceedings of the 17th International Congress of Phonetic Sciences. Hong Kong: City University of Hong Kong, 2328-2331.

Binotto, Johannes (2011). Der Wille zum Exzess. Über die Filme von Nicholas Ray. Filmpodium: Das Programmheft, 2011(Aug-Sep):13-15.

Neurauter-Kessels, Manuela (2011). Im/polite reader responses on British online news sites. Journal of Politeness Research, 7(2):187-214.

Schneider, Gerold; Zimmermann, Heinrich (2011). Text-Mining-Methoden im Semantic Web. Wirtschaftsinformatik und Management, 3:28-35.

Reddick, Allen (2011). Thomas Hollis Gifts to Linnaeus. PuLSe, 10:4-5.

Schreier, Daniel; Lavarello Schreier, Karen (2011). Tristan da Cunha and the Tristanians. London: Battlebridge.

Lehmann, Hans Martin; Schneider, Gerold (2011). A large-scale investigation of verb-attached prepositional phrases. Helsinki: University of Helsinki.

Schneider, Gerold; Rinaldi, Fabio (2011). A data-driven approach to alternations based on protein-protein interactions. In: III Congreso Internacional de Lingüística de Corpus, Valencia, Spain, 7 April 2011 - 9 April 2011, 597-607.

Esterhammer, Angela (2011). Review of: Romantic Europe and the Ghost of Italy, by Joseph Luzzi. European Journal of English Studies, 15(1):85-86.

Gardner, Anne-Christine (2011). Review of: Susanne Mühleisen. Heterogeneity in word-formation patterns. A corpus- based analysis of suffixation with -ee and its productivity in English (Studies in Language Companion Series 118). Amsterdam, Philadelphia: John Benjamins, 2010. 245 pp. ISBN 978-90-272-0585-8. ICAME Journal, (35):248-252.

Caspar, Cyril L; Eschle Wyler, Regula; Wyler, Bruno (2011). Cornerstones in Ulrich Bach’s Work on theology and disability. Journal of Religion, Disability & Health, 15(1):34-41.

Schlote, Christiane (2011). Not just another play about Iraq: An interview with Hassan Abdulrazzak. Journal of Postcolonial Writing, 47(1):101-111.

Honkapohja, Alpo (2011). Multilingualism in Trinity College Cambridge Manuscript O.1.77. In: Fisiak, Jacek; Bator, Magdalena. Foreign Influences on Medieval English. Frankfurt am Main: Peter Lang, 25-45.

Biber, Douglas; Grey, Bethany; Honkapohja, Alpo; Pahta, Päivi (2011). Propositional modifiers in early English medical prose: A study on their historical development in noun phrases. In: Pahta, Päivi; Jucker, Andreas H. Communicating Early English Manuscripts. Cambridge: Cambridge University Press, 197-211.

Straumann, Barbara (2011). A Voice of Her Own? Weibliche Stimmeffekte bei George Du Maurier, George Bernard Shaw und Isak Dinesen. In: Brandt, Sabina; Butte, Maren. Bild und Stimme. München: Wilhelm Fink, 239-255.

Straumann, Barbara (2011). A voice of her own? Feminine voice effects in George Du Maurier, George Bernard Shaw and Isak Dinesen. Slovo a smysl / Word and Sense: A Journal of Interdisciplinary Theory and Criticism in Czeck Studies, 15:21-39.

Timofeeva, Olga (2011). Battlefield victory: Lexical transfer in Medieval Anglo-Latin. In: Kranich, Svenja; Becher, Viktor; Höder, Steffen; House, Juliane. Multilingual Discourse Production: Diachronic and Synchronic Perspectives. Amsterdam/Philadelphia: John Benjamins, 109-132.

Binotto, Johannes (2011). Baumeister Kino - Überlegungen zum Film als Raumkunst. Modulor. Magazin für Architektur, Immobilien, Recht, 4(6):24-30.

Steiner - Karafili, Enit (2011). Bodies playing on the boundaries of Jane Austen's Juvenilia. Figurationen: Gender - Literatur - Kultur, 12(2):61-72.

Piccitto, Diane (2011). Book Review of: Mary A. Favret. War at a Distance: Romanticism and the Making of Modern Wartime; Princeton 2010. Variations: Literaturzeitschrift der Universität Zürich, 19:307-308.

Binotto, Johannes (2011). Che vuoi? Mafia und die Hysterie der Männer. In: Läubli, M; Sahli, S. Männlichkeiten denken. Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transcript, 285-302.

Esterhammer, Angela (2011). Coleridge's "The Improvisatore": poetry, performance, and remediation. Wordsworth Circle, 40:122-128.

Esterhammer, Angela (2011). Coleridge, Sgricci, and the shows of London: improvising in print and performance. In: Burwick, Frederick; Douglass, Paul. Dante and Italy in British Romanticism. New York: Palgrave Macmillan, 143-159.

Jucker, Andreas H; Pahta, Päivi (2011). Communicating manuscripts: authors, scribes, readers, listeners and communicating characters. In: Pahta, Päivi; Jucker, Andreas H. Communicating early English manuscripts. Cambridge: Cambridge University Press, 3-10.

Bronfen, Elisabeth (2011). Der Geodät des Bürgerkriegs. In: Biers, Ambrose; Haefs, Hanswilhelm. Geschichten aus dem Bürgerkrieg. Zürich: Elster Verlag, 7-21.

Binotto, Johannes (2011). Descartes, Le Corbusier und der Terror der idealen Stadt. Modulor. Magazin für Architektur, Immobilien, Recht, (7):37-42.

Hundt, Marianne; Mukherjee, Joybrato (2011). Discussion forum: New Englishes and learner Englishes – quo vadis? In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes : Bridging a Paradigm Gap. Amsterdam: John Benjamins Publishing, 209-218.

Schlote, Christiane (2011). Generic activism: Ahdaf Soueif and Etel Adnan’s art of creative non-fiction. In: Oboe, Annalisa; Bassi, Shaul. Experiences of Freedom in Postcolonial Literatures and Cultures. London: Routledge, 283-295.

Buonanno, Giovanna; Sams, Victoria; Schlote, Christiane (2011). Glocal routes in British Asian drama: Between adaptation and tradaptation. Postcolonial Text, 6(2):1-18.

Jucker, Andreas H (2011). Greetings and farewells in Chaucer's Canterbury Tales. In: Pahta, Päivi; Jucker, Andreas H. Communicating early English manuscripts. Cambridge: Cambridge University Press, 229-240.

Jucker, Andreas H (2011). Historical speech act analysis: Greetings and farewells. In: Frenk, Joachim; Steveker, Lena. Anglistentag 2010 Saarbrücken. Proceedings. Trier: Wissenschaftlicher Verlag, 397-406.

Bronfen, Elisabeth (2011). Hitler goes pop: Totalitarianism, avant-garde aesthetics and Hollywood entertainment. In: Madsen, Deborah L; Klarer, Mario. The Visual Culture of Modernism. Tübingen: Narr, 85-106.

Steiner - Karafili, Enit (2011). Images of masculinity and the feminist inflection. In: Läubli, M; Sahli, S. Männlichkeiten denken. Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transcript, 219-238.

Hoffmann, Sebastian; Hundt, Marianne; Mukherjee, Joybrato (2011). Indian English - an emerging epicentre? A pilot study on light verbs in web-derived corpora of South Asian Englishes. Anglia, 129(3-4):258-280.

Timofeeva, Olga (2011). Infinitival Complements with the Verb (ge)don in Old English: Latin Influence Revisited. Leeds Studies in English, 42:93-108.

Hundt, Marianne; Mukherjee, Joybrato (2011). Introduction: Bridging a paradigm gap. In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes : Bridging a Paradigm Gap. Amsterdam: John Benjamins Publishing, 1-6.

Binotto, Johannes (2011). Io sono sempre vista. Das Unheimliche dies- und jenseits des Bildes. In: Heilmann, T A; von der Heiden, A; Tuschling, A. medias in res. Medienkulturwissenschaftliche Positionen. Bielefeld: Transcript, 97-111.

Piccitto, Diane (2011). Jahrgänge. Versuche über historische Gleichzeitigkeit: 1793. Variations: Literaturzeitschrift der Universität Zürich, 19:18-21.

Esterhammer, Angela (2011). John Galt's fictional and performative worlds. In: Pittock, Murray. The Edinburgh Companion to Scottish Romanticism. Edinburgh: Edinburgh University Press, 166-177.

Frey Büchel, Nicole (2011). Jugendliche brauchen Heldinnen! – Buchbesprechung von: Manuela Kalbermatten:'Von nun an werden wir mitspielen': Abenteurerinnen in der phantastischen Kinder- und Jugendliteratur der Gegenwart, Zürich, Chronos, 2011. ph Akzente, 18(4):47.

Binotto, Johannes (2011). Jump Cut. Zur Chrono-Logik von Film und Psychoanalyse. In: Kiening, Christian; Prica, Aleksandra; Wirz, Benno. Wiederkehr und Verheissung. Dynamiken der Medialität in der Zeitlichkeit. Zürich: Chronos, 253-268.

Markin, Alexander (2011). Kommentar zu Alfred Döblins "Berge Meere und Giganten". In: Gory Morja i Giganty. Roman / Alfred Döblin. Sankt Petersburg: Izdatel'stvo Ivana Limbakha, 702-788.

Markin, Alexander (2011). Kommentar zu Alfred Döblins "Berlin Alexanderplatz. Geschichte von Franz Biberkopf". In: Berlin Aleksandrplac : istorija o France Biberkopfe / Alfred Döblin. Moskau: Ladomir, 509-607.

Seiler, Annina (2011). Litteras superfluas - Zum Gebrauch 'überflüssiger' Buchstaben im Althochdeutschen, Altsächsischen und Altenglischen. In: Glaser, Elvira; Seiler, Annina; Waldispühl, Michelle. LautSchriftSprache. Beiträge zur vergleichenden historischen Graphematik. Zürich: Chronos, 167-183.

Bronfen, Elisabeth (2011). Man wird weder als Frau noch als Jude geboren. Was wir von Lubitsch über den Kaufmann von Venedig lernen können. In: Ackermann, Zeno; Schülting, Sabine. Shylock nach dem Holocaust. Zur Geschichte einer deutschen Erinnerungsfigur. Berlin: De Gruyter, 201-218.

Jucker, Andreas H (2011). Mass media. In: Östman, Jan Ola; Verschueren, Jef. Pragmatics in Practice. Amsterdam/Philadelphia: John Benjamins, 248-263.

Biewer, Carolin (2011). Modal auxiliaries in second language varieties of English: A learner's perspective. In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes: Bridging a Paradigm Gap. Amsterdam: John Benjamins, 7-33.

Hundt, Marianne; Vogel, Katrin (2011). Overuse of the progressive in ESL and learner Englishes – fact or fiction? In: Mukherjee, Joybrato; Hundt, Marianne. Second-language varieties and learner Englishes. Amsterdam: Benjamins, 145-166.

Bronfen, Elisabeth (2011). Pipipilotti's body camera. In: Rosenthal, Stephanie. Pipilotti Rist: Eyball Massage. London: Hayward Publishing, 116-123.

Jucker, Andreas H (2011). Positive and negative face as descriptive categories in the history of English. Journal of Historical Pragmatics, 12(1-2):178-197.

Landert, Daniela; Jucker, Andreas H (2011). Private and public in mass media communication: from letters to the editor to online commentaries. Journal of Pragmatics, 43:1422-1434.

Schönfelder, Christa (2011). Review of: Anne Whitehead: Memory. Variations: Literaturzeitschrift der Universität Zürich, 19:292-293.

Straumann, Barbara (2011). Review of: Diva – Die Inszenierung der übermenschlichen Frau. Interdisziplinäre Untersuchungen zu einem kulturellen Phänomen des 19. und 20. Jahrhunderts. Ed. Rebecca Grotjahn, Dörte Schmidt and Thomas Seedorf. Forum Musikwissenschaft 7. Schliengen: Argus, 2011. In: Grosch, Nils; Hörner, Fernand. Lied und Populäre Kultur/Song and Popular Culture: Original und Kopie/Original and Copy. Münster: Waxman, 282-287.

Timofeeva, Olga (2011). Review of: Kiriko Sato, The Development from Case-Forms to Prepositional Constructions in Old English Prose. Studies in Language and Communication, 88. Bern: Lang, 2009. Leeds Studies in English, 42:122-124.

Frey Büchel, Nicole (2011). Review of: Károly Pintér, The anatomy of utopia: Narration, estrangement and ambiguity in More, Wells, Huxley and Clarke, Critical explorations in science fiction and fantasy 23, Jefferson, North Carolina and London, McFarland, 2010. Variations: Literaturzeitschrift der Universität Zürich, 19:278-280.

Schlote, Christiane (2011). Rewriting Columbus: Coatlicue’s dramatization of Mexican Indigenous history. In: Davis, Geoffrey V; Devi, Ganesh; Chakravarty, K K. Voice and Memory: Indigenous Imagination and Expression. Delhi: Orient BlackSwan, 68-77.

Bronfen, Elisabeth (2011). Rezension von: Helen Hackett, Shakespeare and Elizabeth: The meeting of two myths. In: Schülting, Sabine; Döring, Tobias; Greiner, Norbert. Shakespeare Jahrbuch. Bochum: Deutsche Shakespeare-Gesellschaft, 235-236.

Binotto, Johannes (2011). Rezension: Matei Chihaia, Der Golem-Effekt. Orientierung und phantastische Immersion im Zeitalter des Kinos. Bielefeld: transcript, 2011. Variations: Literaturzeitschrift der Universität Zürich:297-298.

Kilpiö, Matti; Timofeeva, Olga (2011). Semantic Polyfunctionality and Grammaticalization of the OE Subordinator be þæm þe: A Corpus-based Study. Varieng. Studies in Variation, Contacts and Change in English, 8:online.

Hundt, Marianne (2011). The committee has/have decided... On concord patterns with collective nouns in inner- and outer-circle varieties of English. In: Bautista, Maria Lourdes S. Studies of Philippine English. Exploring the Philippine Component of the International Corpus of English. Manila: Anvil, 117-143.

Jucker, Andreas H (2011). The discourse of poverty in British newspapers: A CDA perspective. In: Valić Nedeljković, Dubravka. Media Discourse of Poverty and Social Exclusion. Novi Sad: Faculty of Philosophy, 13-19.

Bronfen, Elisabeth (2011). The female side of crime: Film noir's femme fatale and the dark side of modernity. In: Nicol, Brian; et al. Crime Culture. Figuring Criminality in Fiction and Film. London: Continuum International Publishing, 71-89.

Ljungberg, Christina (2011). Unbinding the text: Intermedial Iconicity in Peter Greenaway's Prospero's Books. In: Michelucci, Pascal; Fischer, Olga; Ljungberg, Christina. Semblance and Signification. Amsterdam / Philadelphia: John Benjamins, 369-388.

Schönfelder, Christa (2011). Verletzte Grenzen: Der versehrte Körper, Trauma und Stigmatisierung in Trezza Azzopardi’s 'The Hiding Place'. Figurationen, 2:73-86.

Reddick, Allen (2011). Vindicating Milton: Poetic misprision in Johnson's dictionary of the English language. In: Horrocks, Thomas A; Weinbrot, H D. Johnson After Three Centuries: New Light on Texts and Contexts. Cambridge, MA: Harvard University Press, 62-71.

Gardner, Anne-Christine (2011). Word formation in Early Middle English: Abstract nouns in the linguistic atlas of Early Middle English. Varieng. Studies in Variation, Contacts and Change in English, 6:online.

Jucker, Andreas H (2011). 「チョーサーの『カンタベリー物語』における呼称」. In: Takada, Hiroyuki; Shiina, Michi; Onodera, Noriko. 歴史語用論入門:過去のコニュニケーションを復元する (Introduction to Historical Pragmatics). Tokyo: Taishukan, 130-142.

Bronfen, Elisabeth (2010). The Day after Battle: Much Ado about Nothing and the Continuation of War with other Means. In: Herbsttagung der Deutschen Shakespeare-Gesellschaft, Universität Zürich, 28 November 2010 - 29 November 2010.

Bronfen, Elisabeth (2010). Reporting from the War Zone. In: Certainty Undermined. Life-Worlds and Knowledge in Transition, Wien, 14 October 2010 - 16 October 2010.

Bissig, Florian (2010). Review of Elinor Shaffer and Edoardo Zuccato (eds.). The Reception of S.T. Coleridge in Europe. Romanticism, 16:327-329.

Bronfen, Elisabeth (2010). Hollywood's War: Thoughts on the Cinematic Mediation of Military Conflict. In: Vortrag am Townsend Center der University of California at Berkeley, Berkeley, 17 September 2010 - 17 September 2010.

Rinaldi, Fabio; Schneider, Gerold; Clematide, Simon; Jegen, Silvan; et al (2010). OntoGene (Team 65): preliminary analysis of participation in BioCreative III. In: BioCreative III workshop, Bethesda, Maryland, 13 September 2010 - 15 September 2010.

Frey Büchel, Nicole; Berliner, Donna (2010). Prelude, or Growth of a Poet's Mind, The William Wordsworth (1799, 1805, 1850). In: Maunder, Andrew. Encyclopedia of Literary Romanticism. New York: Facts on File, Infobase Publishing, 345-349.

Bronfen, Elisabeth (2010). Engenderign Historical Evidence as Visual Reality: Choreography of Battle in Hollywood Cinema. In: Jahrestagung des Deutschen Forum für Kunstgeschichte in Paris, zum Thema "Poiesis- Über das Tun in der Kunst", Paris, 3 July 2010 - 3 July 2010.

Rinaldi, Fabio; Schneider, Gerold; Kaljurand, Kaarel; Clematide, Simon; Vachon, Thérèse; Romacker, Martin (2010). OntoGene in BioCreative II.5. IEEE/ACM Transactions on Computational Biology and Bioinformatics, 7(3):472-480.

Bronfen, Elisabeth (2010). Before the Law: Fritz Lang's M as a court room drama. In: Signs of the Times: Fritz Lang's M and the End of the Weimar Republic, Wien , 17 June 2010 - 17 June 2010.

Bronfen, Elisabeth (2010). A Capacity for Movement: Hollywood's Military Musical an the Choreography of Battle. In: Eigth Tel Aviv International Colloquium on Cinema and Television studies, "Suspenseful Times and the Moving Images" , Tel Aviv, 8 June 2010 - 10 June 2010.

Tottie, Gunnel; Neukom-Hermann, Anja (2010). Quantifier-negation interaction in English: A corpus linguistic study of all...not constructions. In: Horn, Laurence R. The Expression of Negation. Berlin, New York: De Gruyter Mouton, 149-185.

Binotto, Johannes (2010). Schnitttechnik des psychischen Apparats. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 21-28.

Esterhammer, Angela (2010). Übertragene Ruinen. Byron, Hemans, Keats. In: Döring, Tobias; et al. Übertragene Anfänge. Imperiale Figurationen um 1800. München: Fink, 131-146.

Binotto, Johannes (2010). Für ein unreines Kino. Film und Surrealismus. Filmbulletin: Zeitschrift für Film und Kino, 306(April ):33-39.

Markin, Alexander (2010). Hronologija žizni i tvorčestva H.H. Janna = Zeittafel zum Leben und Werk H.H. Jahnns. In: Volček, D. Hans Henni Jann «Eto nastiget každogo» = «Die Nacht aus Blei». Tver': Kolonna Publications, 385-393.

Jucker, Andreas H (2010). Review of Laurel J. Brinton. 2008. The Comment Clause in English. Syntactic Origins and Pragmatic Developments. Cambridge: Cambridge University Press. Language, 86(1):214-215.

Ljungberg, Christina (2010). Intermedial Strategies in Multimedial Art. In: Elleström, Lars. Media Border, Multimodality and Intermediality. London: Palgrave MacMillan, 81-95.

Schneider, Gerold; Zimmermann, Heinrich (2010). Text Mining Methoden im Semantic Web. HMD Praxis der Wirtschaftsinformatik, (271):35-46.

Bronfen, Elisabeth (2010). Hollywoods Kriegsfuror: Zerstört die Schlacht die Personlichkeit oder hilft sie psychische Störungen zu überwinden, zumindest im Kino? In: 10. Vierwaldstätter-Psychiatrietag zum Thema "Persönlichkeit! Störung? Ein Spannungsfeld sondergleichen!?", Luzern, 28 January 2010 - 28 January 2010.

Jucker, Andreas H (2010). "Audacious, brilliant!! What a strike!": Live text commentaries on the Internet as real-time narratives. In: Hoffmann, Christian R. Narrative Revisitied. Telling a Story in the Age of New Media. Amsterdam / Philadelphia: John Benjamins, 57-77.

Jucker, Andreas H (2010). "In curteisie was set ful muchel hir lest": Politeness in Middle English. In: Culpeper, Jonathan; Kádár, Dániel Z. Historical (Im)Politeness. Bern: Peter Lang, 175-200.

Straumann, Barbara (2010). "There are many that I can be": The Poetics of Self-Performance in Isak Dinesen's "The Dreamers". In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr, 153-163.

Biewer, Carolin; Hundt, Marianne; Zipp, Lena (2010). 'How' a Fiji corpus? Challenges in the compilation of an ESL ICE component. ICAME Journal, 34:5-23.

Bronfen, Elisabeth (2010). A Diva's War: Marlene Dietrich's glamorous female soldier. In: Tagung des Netzwerkes Vergleichende Literaturwissenschaften an Schwedischen Universitäten zum Thema "Autorschaft", Universität Göteborg, 12 March 2010 - 2010.

Bitterli, Dieter (2010). Alkuin von York und die angelsächsische Rätseldichtung. Anglia, 128(1):4-20.

Schlote, Christiane (2010). British Asian Drama: Ayub Khan-Din. In: Tönnies, Merle. Das englische Drama der Gegenwart. Kategorien – Entwicklungen – Modellinterpretationen. Trier: WVT, 229-248.

Frey Büchel, Nicole (2010). Buchbesprechung von: The English renaissance, orientalism, and the idea of Asia, eds. Debra Johanyak, Walter S.H. Lim., Palgrave Macmillan, 2010. Variations: Literaturzeitschrift der Universität Zürich, 18:254-256.

Steiner - Karafili, Enit (2010). Byron and the Albanians: Unearthing Identities. Studia Albanica, 47(2):137-147.

Bolander, Brook; Locher, Miriam A (2010). Constructing identity on Facebook. SPELL: Swiss papers in English language and literature, 24:165-188.

Straumann, Barbara (2010). Diva Warhol: Mediale Performance und Versteckspiel. In: Bier, Rolf; Büttner, Nils. Who is that pale man? Neues zu Warhol. München: Verlag Silke Schreiber, 195-222.

Ljungberg, Christina (2010). Dynamic instances of interaction: the performative function of iconicity in literary texts. Sign Systems Studies, 38(1/4):270-297.

Schreier, Daniel; Wright, Laura (2010). Earliest St Helenian English in writing: Evidence from the St Helena Consultations (1682-1723). In: Hickey, Raymond. Varieties of English in Writing: The written word as linguistic evidence. Amsterdam: John Benjamins Publishing, 245-262.

Bronfen, Elisabeth (2010). Engendering historical Evidence as Visual Reality: The Choreography of Battle in Hollywood Cinema. In: 37. Internationale Tagung der Österreichichen und Schweizer Assoziationen für Amerika Studien (AAAS und SANAS), Universität Insbruck, 13 November 2010 - 2010.

Taavitsainen, Irma; Jucker, Andreas H (2010). Expressive speech acts and politeness in eighteenth-century English. In: Hickey, Raymond. Eighteenth-Century English: Ideology and Change. Cambridge: Cambridge University Press, 159-181.

Gutbrodt, Fritz (2010). Fußnoten und Geistesblitze: Zur Motivation des Credit Suisse Award for Best Teaching. In: Tremp, Peter. „Ausgezeichnete Lehre!“ Lehrpreise an Universitäten. Erörterungen – Konzepte – Vergabepraxis. Münster: Waxmann, 89-98.

Jucker, Andreas H (2010). Historical pragmatics. In: Fried, Mirjam; et al. Variation and change: pragmatic perspectives. Amsterdam: Benajmins, 110-122.

Bronfen, Elisabeth (2010). Interrogating light. The visuality of the text. In: Agazzi, E; Giannetto, E; Giudice, F. Representing light across arts and sciences : theories and practices. Göttingen, DE: V & R Unipress, 167-182.

Schreier, Daniel; Trudgill, Peter; Schneider, Edgar W; Williams, Jeffrey P (2010). Introduction. In: Schreier, Daniel; et al. The lesser-known varieties of English: an introduction. Cambridge, UK: Cambridge University Press, 1-14.

Seiler, Annina (2010). Latinis regulis barbara nomina stringi non possunt, or: How to write the vernacular. In: Robinson, Pamela R. Teaching Writing, Learning to Write: Proceedings of the XVIth Colloquium of the Comité International de Paléographie Latine. London: King's College London CLAMS (18 Nov 2010), 91-101.

Ljungberg, Christina (2010). Mapping Practices for Different Geographies. In: Kriz, Karel; Cartwright, William; Hurni, Lorenz. Mapping Different Geographies. Heidelberg / Berlin: Springer Verlag, 37-56.

Binotto, Johannes; Gerber, Andri (2010). Narration/Non-Ville/Description. le Journal Spéciale 'Z:32-39.

Schlote, Christiane (2010). No leisurely stroll through arab and punjabi london: transnational cityscapes in hanan al-shaykh’s only in london and meera syal’s life isn’t all ha ha hee hee. Interactions. Journal of English and American Literature and Culture, 19(1-2):75-91.

Bronfen, Elisabeth (2010). Nocturnal Wagner: The cultural survival of tristan and isolde in hollywood. In: Jeongwan, J; Gilman, S L. Wagner & Cinema. Bloomington: Indiana University Press, 315-332.

Reddick, Allen (2010). Past and Present in Samuel Johnson’s Dictionary of the English Language. International Journal of Lexicography, 23(2):207-222.

Esterhammer, Angela (2010). Performing identities in Byron and Bourdieu. In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr, 21-31.

Schlote, Christiane (2010). Representational Ambiguities and the ‘Dictator Play’. Carmen Rivera’s Dictator: The Downfall of the Dominican Dictator Rafael Leónidas Trujillo Molina. Journal of Haitian Studies, 16(1):70-86.

Steiner - Karafili, Enit (2010). Review of: Karen O'Brien. Women and Enlightenment in Eighteenth-Century Britain. CUP, 2009. Variations: Literaturzeitschrift der Universität Zürich, 18:260-261.

Schönfelder, Christa (2010). Review of: Roger Luckhurst, The Trauma Question. Variations: Literaturzeitschrift der Universität Zürich, 18:245-246.

Bronfen, Elisabeth (2010). Rezension von Margerie Garber, Shakespeare and Modern Culture. Shakespear Jahrbuch, 146:233-234.

Bronfen, Elisabeth (2010). Silencing voices. In: Neumeier, Beate. Dichotonies. Gender and Music. Heidelberg: Winter, 23-29.

Esterhammer, Angela (2010). Spontaneity, immediacy, and improvisation in Romantic poetry. In: Mahoney, Charles. The Blackwell Companion to Romantic Poetry. Oxford: Blackwell, 321-336.

Schreier, Daniel (2010). St Helena. In: Schreier, Daniel; et al. The Lesser-Known Varieties of English: an Introduction. Cambridge, UK: Cambridge University Press, 224-244.

The Lesser-Known Varieties of English: an Introduction. Edited by: Schreier, D; Trudgill, P; Schneider, E W; Williams, J P (2010). Cambridge: Cambridge University Press.

Ljungberg, Christina (2010). The bell jar, the maze and the mural: Diagrammatic figurations as textual performance. In: Conradie, Jac; et al; Ljungberg, C. Signergy. Amsterdam / Philadelphia: John Benjamins, 47-72.

Schreier, Daniel (2010). The consequences of migration and colonialism II: overseas varieties. In: Auer, Peter; Schmidt, Jürgen Erich. Language and Space: An International Handbook of Linguistic Variation. Berlin, Germany: Mouton de Gruyter, 451-467.

Esterhammer, Angela (2010). The scandal of sincerity: Wordsworth, Byron, Landon. In: Milnes, Tim; Sinanan, Kerry. Romanticism, Sincerity and Authenticity. London: Palgrave Macmillan, 101-119.

Bronfen, Elisabeth (2010). The spectral bride and her uncanny double. In: McKinnon, E Luanne. Eva Hesse Spectres. New Heaven: Yale University Press, 40-47.

Taavitsainen, Irma; Jucker, Andreas H (2010). Trends and developments in historical pragmatics. In: Jucker, Andreas H; Taavitsainen, Irma. Historical pragmatics. Berlin / New York: De Gruyter Mouton, 3-30.

Schreier, Daniel (2010). Tristan da Cunha. In: Schreier, Daniel; et al. The Lesser-Known Varieties of English: an Introduction. Cambridge, UK: Cambridge University Press , 245-260.

Bronfen, Elisabeth; Straumann, Barbara (2009). Political visions: The two bodies of Elizabeth I. In: Oakley-Brown, Liz; Wilkinson, Louise J. The rituals and rhetoric of queenship: medieval to early modern. Dublin: Four Courts Press, 252-270.

Ljungberg, Christina (2009). Cartographies of the Future: Julie Mehretu’s Dynamic Charting of Fluid Spaces. The Cartographic Journal, 46(4):308-315.

Bronfen, Elisabeth (2009). Crossmappings: Essays zur visuellen Kultur. Zürich: Scheidegger und Spiess.

Straumann, Barbara (2009). The Effects of Voice in Isak Dinesen's "The Dreamers". Variations: Literaturzeitschrift der Universität Zürich, 17:157-171.

Bronfen, Elisabeth (2009). Shakespeare's Specters of War. In: Gothic Renaisance, Köln, 3 October 2009 - 3 October 2009.

Bronfen, Elisabeth (2009). Kriegsfotografie. In: Stahel, Urs. Darkside II - Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Göttingen, 125-129.

Bronfen, Elisabeth (2009). Blaubarts Wunde(r)kammer. In: 49. Literaturtagung zum Thema 'Wir sind die Seinen lachenden Munds': Das Thema Tod in der Literatur, St. Pölten, 31 September 2009 - 31 September 2009.

Esterhammer, Angela (2009). London periodicals, Scottish novels, and Italian fabrications: 'Andrew of Padua, the Improvisatore' re-membered. Studies in Romanticism, 48(3):469-490.

Esterhammer, Angela (2009). Review of: Balladeering, Minstrelsy, and the Making of British Romantic Poetry, by Maureen M. McLane. Review of English Studies, 60:825-827.

Biewer, Carolin (2009). Modals and semi-modals of obligation and necessity in South Pacific Englishes. Anglistik, 20(2):41-55.

Fischer-Hornung, Dorothea; Brosius, Christiane; Hundt, Marianne; Mesthrie, Rajend (2009). Moodling beyond Bollywood: e-teaching the language, literature and culture of the Indian diaspora. A report on an interdisciplinary e-course experiment on language, literature and culture in the Indian Diaspora. English Today, 25(3):18-28.

Ljungberg, Christina (2009). Subjectivity as Performance in Literary Texts. In: Veiveo, Harri; Ljungberg, Christina; Johansen, J Dines. Redefining Literary Semiotics. Newcastle upon Tyne: Cambridge Scholars' Press, 86-108.

Bronfen, Elisabeth (2009). Introduction. Textus: English Studies In Italy, 11:197-219.

Markin, Alexander (2009). O slovar'ah "izmov". Inostrannaja Literatura (Ausländische Literatur), (8):125-129.

Bolander, Brook (2009). On the relevance of Bernstein for German-speaking Switzerland. Multilingua, 28(2-3):195-228.

Bolander, Brook; Watts, Richard J (2009). Re-reading and rehabilitating Basil Bernstein. Multilingua, 28(2-3):143-175.

Jucker, Andreas H (2009). Speech act research between armchair, field and laboratory: The case of compliments. Journal of Pragmatics, 41(8):1611-1635.

Ronan, Patricia; Schneider, Gerold (2009). Multi-verbal expressions of ‘giving’ in Old English and Old Irish. In: Corpus Linguistics Conference, Liverpool, UK, 20 July 2009 - 23 July 2009, 116.

Schneider, Gerold; Hundt, Marianne (2009). Using a parser as a heuristic tool for the description of New Englishes. In: The Fifth Corpus Linguistics Conference, Liverpool, UK, 20 July 2009 - 23 July 2009, online.

Markin, Alexander (2009). Barocke Königinnen. In: Königinnen: Macht, Körper, Teatralität, Englisches Seminar Universität Zürich, 12 June 2009 - 13 June 2009.

Kaljurand, Kaarel; Schneider, Gerold; Rinaldi, Fabio (2009). UZurich in the BioNLP 2009 Shared Task. In: BioNLP 2009 Companion Volume: Shared Task on Event Extraction, NAACL/HLT, Boulder, Colorado, 4 June 2009 - 5 June 2009, 28-36.

Binotto, Johannes (2009). Bruch mit allen Gesetzen: Das Kino und das Böse - eine Filmgeschichte. Filmbulletin: Zeitschrift für Film und Kino, 3(298):14-23.

Bautz, Annika (2009). Scott's Victorian Readers. Nineteenth-Century Contexts, 31:1:19-29.

Hundt, Marianne; Smith, Nicholas (2009). The present perfect in British and American English: Has there been any change, recently? ICAME Journal, 33:45-63.

Schreier, Daniel (2009). Assessing the status of lesser-known varieties of English. English Today, 25(1): 19-24.

Schneider, Gerold; Kaljurand, Kaarel; Rinaldi, Fabio (2009). Detecting protein-protein interactions in biomedical texts using a parser and linguistic resources. In: Gelbukh, Alexander. Computational Linguistics and Intelligent Text Processing. Berlin: Springer, 406-417.

Biewer, Carolin (2009). Dietetics as a Key to Language and Character in Shakespeare's Comedy. English Studies, 90(1):17-33.

Schreier, Daniel (2009). Language in isolation, and its implications for variation and change. Language and Linguistics Compass, 3:682-699.

Schreier, Daniel (2009). How diagnostic are English universals? In: Filppula, Markku; Klemola, Juhani; Paulasto, Heli. Vernacular Universals and Language Contacts: Evidence from Varieties of English and Beyond. New York, USA: Routledge, 57-79.

Heusser, Martin (2009). "This is Captain America, I'm Billy": costumes, cultural memory and national identity in Easy Rider. In: Giorcelli, Cristina. Abito e Identità: Ricerche di storia letteraria e culturale. Palermo, Italy: ILA Palma, 169-193.

Sennrich, Rico; Schneider, Gerold; Volk, Martin; Warin, Martin (2009). A New Hybrid Dependency Parser for German. In: Chiarcos, Christian; de Castilho, Richard Eckart; Stede, Manfred. Von der Form zur Bedeutung: Texte automatisch verarbeiten / From Form to Meaning: Processing Texts Automatically. Proceedings of the Biennial GSCL Conference 2009. Tübingen: Narr, 115-124.

Esterhammer, Angela; Domsch, Sebastian (2009). America: A Prophecy. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon. Stuttgart: Metzler, 618-619.

Mühlheim, Martin (2009). Between the Wild West and Pastoral Peace: Nature, Gender, and Tragedy in Annie Proulx's 'Brokeback Mountain'. In: Hyner, B H; McKenzie Stearns, P. Forces of Nature: Natural(-izing) Gender and Gender(-ing) Nature in the Discourses of Western Culture. Newcastle upon Tyne: Cambridge Scholars, 210-241.

Piccitto, Diane (2009). Book review of: Celestine Woo. Romantic actors and bardolatry: performing Shakespeare from Garrick to Kean; New York 2008. Variations: Literaturzeitschrift der Universität Zürich, 17:251-253.

Frey Büchel, Nicole (2009). Buchbesprechung von: Teaching India, ed. Oliver Lindner, Universitätsverlag Winter, Heidelberg 2008. ph akzente, 16(4):34.

Esterhammer, Angela (2009). Byron and cosmopolitanism. Primerjalno Književnost (Comparative Literature), 32(2):113-121.

Leech, Geoffrey; Hundt, Marianne; Mair, Christian; Smith, Nicholas (2009). Change in Contemporary English. A Grammatical Study. Cambridge: Cambridge University Press.

Esterhammer, Angela (2009). Coleridge in the Newspapers, Periodicals, and Annuals. In: Burwick, Frederick. The Oxford Handbook of Samuel Taylor Coleridge. Oxford: Oxford University Press, 165-184.

Hundt, Marianne (2009). Colonial lag, colonial innovation or simply language change? In: Rohdenburg, Günter; Schlüter, Julia. One Language, Two Grammars? Differences between British and American English. Cambridge, UK: Cambridge University Press, 13-37.

Hundt, Marianne (2009). Concord with collective nouns in Australian and New Zealand English. In: Peters, Pam; Collins, Peter; Smith, Adam. Comparative studies in Australian and New Zealand English grammar and beyond. Amsterdam : John Benjamins, 207-224.

Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne (2009). Corpus linguistics, pragmatics and discourse. In: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 3-9.

Bronfen, Elisabeth (2009). Das Licht befragen: Die Visualität des Textes. In: Bronfen, Elisabeth; Goebel, Eckart. Narziss und Eros: Bild oder Text? Berlin: Wallstein , 229-250.

Binotto, Johannes (2009). Das Verbrechen des Schauplatzes. Unheimliche Tatorte in der Fotografie. In: Stahel, U. Darkside II – Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Göttingen: Steidl, 104-107.

Bronfen, Elisabeth (2009). Der versehrte Körper des Soldaten im Hollywood-Kriegskino: Schlachtenszenen in Saving Private Ryan und Flags of our Fathers. In: Küchenhoff, Joachim; Pfeiffer, Joachim. Körper, Konstruktionen. Freiburg: Königshausen & Neumann, 109-118.

Schneider, Gerold (2009). Detecting Protein-Protein Interactions in Biomedical Literature Using a Parser. In: Clematide, Simon; Klenner, Manfred; Volk, Martin. Searching Answers. Münster: MV Verlag, 109-118.

Bronfen, Elisabeth (2009). Die Diva. In: Moebius, Stephan; Schroer, Markus. Diven, Hacker, Spekulanten : Sozialtypen der Gegenwart. Frankfurt a. M: Suhrkamp, 81-97.

Bronfen, Elisabeth (2009). Die Fragilität des Glücks: Gefühl und Geschlecht im Hollywood-Melo. In: Fehr, Johannes; Folkers, Gerd. Gefühle zeigen: Manifstationsformen emotionaler Prozesse. Zürich: Chronos, 355-370.

Bissig, Florian (2009). Die Wahrheit im Gedicht: Gadamer und die Lyrik William Wordsworths. Sophist: Philosophische Zeitschrift für Studierende, (1):10-17.

Esterhammer, Angela; Domsch, Sebastian (2009). Europe: A Prophecy. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart, 619-620.

Gries, Stefan; Stoll, Sabine (2009). Finding developmental groups in acquisition data: variability-based neighbor clustering. Journal of Quantitative Linguistics, 16:217-242.

Hundt, Marianne (2009). Global English - Global Corpora: Report on a panel discussion at the 28th ICAME conference. In: Renouf, Antoinette; Kehoe, Andrew. Corpus Linguistics: Refinements and Reassessments. Amsterdam and New York: Rodopi, 451-462.

Hundt, Marianne (2009). Global feature - local norms? A case study on the progressive passive. In: Hoffmann, Thomas; Siebers, Lucia. World Englishes - Problems, Properties and Prospects. Amsterdam and Philadelphia: John Benjamins, 287-308.

Jucker, Andreas H (2009). Historical Pragmatics. In: Mey, Jacob L. Concise Encyclopedia of Pragmatics. Second Edition. Oxford, UK: Elsevier, 325-328.

Binotto, Johannes (2009). Hors-champ. Vom psychoanalytischen Feld am Rand des Films. RISS. Zeitschrift für Psychoanalyse, 23(72/73):77-96.

Hundt, Marianne (2009). How often to things get v-ed in Philippine and Singapore English? A case study on the get-passive in two outer-circle varieties of English. In: Bowen, Rhonwen; Mobärg, Mats; Ohlander, Sölve. Corpora and Discourse - and Stuff. Papers in Honour of Karin Aijmer. Göteborg: Acta Universitatis Gothoburgensis, 121-129.

Reddick, Allen (2009). Introduction : From the great desire of promoting learning : Thomas Hollis's gifts to the Harvard College Library / William H. Bond. In: Bond, William H; Reddick, Allen; Stoneman, William. From the great desire of promoting learning : Thomas Hollis's gifts to the Harvard College Library. Harvard: Houghton Library of the Harvard College Library, 1-31.

Esterhammer, Angela; Dick, Alexander (2009). Introduction: Romantic spheres of action. In: Dick, Alexander; Esterhammer, Angela. Spheres of Action: Speech and Performance in Romantic Culture. Toronto, Canada: University of Toronto Press, 3-18.

Esterhammer, Angela (2009). Jerusalem: The Emanation of the Giant Albion. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart: Metzler, 622-623.

Jucker, Andreas H (2009). Newspapers, pamphlets and scientific news discourse in early modern Britain. In: Jucker, Andreas H. Early modern English news discourse: newspapers, pamphlets and scientific news discourse. Amsterdam, The Netherlands: John Benjamins, 1-9.

Bronfen, Elisabeth (2009). Nocturnal battles between good and evil: A cross-mapping of "Macbeth" and "The night of the hunter". In: Achilles, Jochen; Bergmann, Ina. Representations of evil in fiction and film. Trier: Wissenschaftlicher Verlag Trier , 197-212.

Lehmann, Hans Martin; Schneider, Gerold (2009). Parser-based analysis of syntax-lexis interactions. In: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 477-502.

Biewer, Carolin (2009). Passive constructions in Fiji English: a corpus-based study. In: Jucker, Andreas H; Schreier, D; Hundt, M. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 361-377.

Gutbrodt, Fritz (2009). Pygmalion: Von der Ästhetik als Modellierung der Gefühle. In: Fehr, Johannes; Folkers, Gerd. Gefühle zeigen: Manifestationsformen emotionaler Prozesse. Zürich, Switzerland: Chronos, 215-242.

Ljungberg, Christina; Veivo, Harri (2009). Redefining Literary Semiotics: Introduction. In: Ljungberg, C; Veivo, H; Johansen, J D. Redefining Literary Semiotics. Newcastle upon Tyne: Cambridge Scholars' Press, 1-9.

Esterhammer, Angela (2009). Review of: Romantic Prose Fiction, ed. Gerald Gillespie, Manfred Engel, and Bernard Dieterle. Literary Research / Recherche Littéraire, 25:51-57.

Bitterli, Dieter (2009). Say What I Am Called: The Old English Riddles of the Exeter Book and the Anglo-Latin Riddle Tradition. Toronto: University of Toronto Press.

Spheres of Action: Speech and Performance in Romantic Culture. Edited by: Dick, A; Esterhammer, A (2009). Toronto, Canada: University of Toronto Press.

Bronfen, Elisabeth (2009). Stanley Cavell zur Einführung. Hamburg: Junius Verlag.

Bitterli, Dieter (2009). The 'Cuckoo' in the Collectanea of Pseudo-Bede: An Unnoticed Analogue to Exeter Book Riddle 9. Notes and Queries, 56(4):481-482.

Esterhammer, Angela; Domsch, Sebastian (2009). The Book of Urizen. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart, 620-621.

Nyffenegger, Sara D (2009). The little disturbances of man. In: Cronin, Gloria L; Berger, Alan L. Encyclopedia of Jewish-American Literature. New York, USA: Facts on File, 171-172.

Nyffenegger, Sara D (2009). The mirror, friend or foe? - Sara Coleridge and the ill effects of society's judgment on female appearance. The Coleridge Bulletin, (33):89-95.

Esterhammer, Angela (2009). Translating the Elgin Marbles: Byron, Hemans, Keats. In: Gravil, Richard. Grasmere 2008: Selected Papers from the Wordsworth Conference. Penrith: Humanities Ebooks, 106-124.

Esterhammer, Angela (2009). Translating the Elgin Marbles: Byron, Hemans, Keats. Wordsworth Circle, 40(1):29-36.

Bronfen, Elisabeth (2009). Zeichnungen des Körpers weiblicher Art: Maria Lassnigs Selbstportraits. In: Friedrich, Julia. Maria Lassnig: Im Möglichkeitsspiegel, Aquarelle und Zeichnungen von 1947 bis heute. Ostfildern: Hatje Cantz , 26-33.

Gutbrodt, Fritz (2009). Zwischen Ach und Ich: Kleists Alkmene als Übersetzerin. In: Fioretos, Aris. Babel: Festschrift für Werner Hamacher. Basel, Switzerland: Urs Engeler, 218-225.

Reddick, Allen (2009). ‘O Fair Britannia! Hail!’: Thomas Hollis and James Boswell at Liberty in Geneva and Switzerland. In: Cossy, Valérie; Kapossy, Béla; Whatmore, Richard. Genève, lieu d’Angleterre, 1725-1814 = Geneva, an English Enclave, 1725-1814. Geneva, Switzerland: Slatkine, 241-268.

Straumann, Barbara (2008). Figurations of exile in Hitchcock and Nabokov. Edinburgh: Edinburgh University Press.

Markin, Alexander (2008). Trauerpoesie kontra Trauerphotographie. In: Klassik und Klassizismus im XX Jahrhunderts, Russische Staatliche Universität für Geisteswissenschaften, Moskau, 4 December 2008 - 6 December 2008.

Reddick, Allen (2008). Johnson and Richardson. In: Cowie, Anthony P. The Oxford History of English Lexicography. Oxford: Oxford University Press, 155-181.

Heusser, Martin (2008). Introduction. In: Heusser, Martin; Fischer, Andreas; Jucker, Andreas H. Mediality /Intermediality. Tübingen, Germany: Gunter Narr Verlag, 11-13.

Reddick, Allen (2008). Living Lives: The Return of Johnson's Lives of the English Poets. Huntington Library Quarterly, 71(3):539-552.

Esterhammer, Angela; Gatrall, Jefferson J A (2008). Introduction: identity, community, and comparative literature. Arcadia: Internationale Zeitschrift für Literaturwissenschaft, 43(1):2-7.

Demont, Florian (2008). The Expression of Self-consciousness in Kamla Das's “An Introduction”. Consciousness, Literature and the Arts:Online.

Rickli, Christina (2008). Wegweiser aus dem Trauma? Amerikanische Romane nach dem 11. September. In: Domsch, Sebastian. Amerikanisches Erzählen nach 2000: Eine Bestandesaufnahme. München, Germany: edition text + kritik, 126-145.

Straumann, Barbara (2008). Vocal effect and resonance: voice in Henry James's "The Bostonians". English Text Construction, 1(1):83-96.

Esterhammer, Angela (2008). Translating the ruins of empire: Byron in the Eastern Mediterranean and the Elgin Marbles in England. In: Uebertragene Anfänge: Imperiale Figurationen um 1800, Munich, Germany, 9 January 2008 - 11 January 2008.

Ljungberg, Christina (2008). Mapping fluid spaces: semiotic bodies and cyberart. In: Armand, Louis; Cernovsky, Pavel. Language Systems after Prague Structuralism. Prague, Czech Republic: Litteraria Pragensia, 98-107.

Taavitsainen, Irma; Jucker, Andreas H (2008). "Methinks you seem more beautiful than ever": Compliments and gender in the history of English. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Benjamins, 195-228.

Jucker, Andreas H; Taavitsainen, Irma (2008). Apologies in the history of English: Routinized and lexicalized expressions of responsibility and regret. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Benjamins, 229-244.

Seiler, Annina (2008). Bedas Sterbelied | Rätsel des Symphosius | Mönchisches Ratespiel | Venantius Fortunatus: Kreuzgedicht | Labyrinth. In: Kiening, Christian; Stercken, Martina. SchriftRäume: Dimensionen von Schrift zwischen Mittelalter und Moderne. Zürich, Switzerland: Chronos, 164-193.

Seiler, Annina (2008). Book review: Dietz, Klaus. Schreibung und Lautung im mittelalterlichen Englisch. Entwicklung und Funktion der englischen Schreibungen ch, gh, sh, th, wh und ihrer kontinentalen Entsprechungen. Anglistische Forschungen, Bd. 364. Heidelberg: Winter, 2006. Anglia, 126(1):130-133.

Jucker, Andreas H (2008). Communicative tasks across languages. Movie narratives in English, in English as a foreign language and in German. In: de los Angeles Gómez González, Maria; Mackenzie, J Lachlan; González Alvarez, Elsa M. Languages and cultures in contrast and comparison. Amsterdam: John Benjamins, 247-274.

Biewer, Carolin (2008). Concord patterns in South Pacific Englishes - the influence of New Zealand English and the local substrate. In: Stierstorfer, K. Anglistentag 2007 Münster: Proceedings. Trier, Germany: Wissenschaftlicher Verlag, 331-343.

Chevalier, Sarah (2008). Contextual aspects of early trilingualism. In: Nikolaev, Alexandre; Niemi, Jussi. Two or More Languages: Proceedings from the 9th Nordic Conference on Bilingualism. August 10–11, 2006. Joensuu: University of Joensuu, 37-46.

Bronfen, Elisabeth (2008). Die Fragilität des Alltäglichen: Eija-Liisa Ahtilas Arbeit mit dem Tod. In: Bonnefoy, Françoise. Eija-Liisa Ahtila: Ausstellungskatalog K21 Kunstsammlung Nordrhein-Westfalen. Düsseldorf: Hatje Cantz, 8-13.

Bronfen, Elisabeth (2008). Femme fatale - Negotiations of tragic desire. In: Felski, Rita. Rethinking tragedy. Baltimore: Johns Hopkins University Press , 287-301.

Jucker, Andreas H; Schneider, Gerold; Taavitsainen, Irma; Breustedt, Barb (2008). Fishing for compliments: precision and recall in corpus-linguistic compliment research. In: Jucker, Andreas H; Taavitsainen, Irma. Speech acts in the history of English. Amsterdam: John Benjamins, 273-294.

Bronfen, Elisabeth (2008). Freuds Nachtreisen. In: Boothe, Brigitte. Ordnung und Außer-Ordnung: zwischen Erhalt und tödlicher Bürde. Bern: Hans Huber , 237-250.

Jucker, Andreas H (2008). Historical pragmatics. Language and Linguistics Compass, 2(5):894-906.

Bronfen, Elisabeth (2008). Marilyn: Diva und Sexikone der 50er Jahre. In: Paul, Gerhard. Das Jahrhundert der Bilder: 1949 bis heute. Göttingen: Vandenhoeck & Ruprecht , 114-121.

Straumann, Barbara (2008). Medial effects: the singer and her voice in Willa Cather's the song of the lark. In: Heusser, Martin; Fischer, Andreas; Jucker, Andreas H. Mediality/Intermediality. Tübingen, Germany: Gunter Narr, 59-73.

Esterhammer, Angela (2008). Musing in public: the sociability and solitude of the romantic improvvisatore. In: Schmid, Susanne. Einsamkeit und Geselligkeit um 1800. Heidelberg: Winter, 17-28.

Bronfen, Elisabeth (2008). Night and the uncanny. In: Collins, Jo; Jervis, John. Uncanny modernity: cultural theories, modern anxieties. Basingstoke, U.K.: Palgrave Macmillan, 51-67.

Schreier, Daniel (2008). Non-standardisation. In: Locher, Miriam A; Strässler, Jürg. Standards and Norms in the English Language. Berlin and New York: Mouton de Gruyter: Mouton de Gruyter, 85-103.

Jucker, Andreas H (2008). Politeness in the history of English. In: Dury, Richard; Gotti, Maurizio; Dossena, Marina. English Historical Linguistics 2006. Volume II: Lexical and semantic change. Selected papers from the fourteenth International Conference on English Historical Linguistics (ICEHL 14), Bergamo, 21-25 August 2006. Amsterdam: John Benjamins, 3-29.

Piccitto, Diane (2008). Review of: Translators, interpreters, mediators: women writers 1700-1900. Variations: Literaturzeitschrift der Universität Zürich, 16:253-255.

Esterhammer, Angela (2008). Review of: Worrall, David: Theatric revolution: drama, censorship, and romantic period subcultures 1773-1832. Studies in Romanticism, 47:413-417.

Esterhammer, Angela (2008). Romanticism and improvisation, 1750-1850. Cambridge: Cambridge University Press.

Bronfen, Elisabeth (2008). Sein Körper sein: Die letzte Diva Leigh Bowery. In: Zechlin, René. Leigh Bowery : beautified provocation. Heidelberg: Kehrer, 67-72.

Bronfen, Elisabeth (2008). Sexualität und die nächtliche Stadt. In: Stahel, Urs. Darkside I - Fotografische Begierde und fotografierte Sexualität. Göttingen: Steidl, 103-107.

Bronfen, Elisabeth (2008). So sind sie gewesen: Inszenierte Weiblichkeit in den Bildern von Fotografinnen. In: Ingelmann, Inka Graeve. Female Trouble: Die Kamera als Spiegel und Bühne weiblicher Inszenierungen. Katalog zur Ausstellung in der Pinakothek der Moderne München vom 17. Juli bis 26. Oktober 2008. München: Hatje Cantz, 11-19.

Biewer, Carolin (2008). South Pacific Englishes: unity and diversity in the usage of the present perfect. In: Nevalainen, T; Taavitsainen, I; Pahta, P; Korhonen, M. The Dynamics of Linguistic Variation : Corpus evidence of English past and present. Amsterdam, The Netherlands: John Benjamins, 203-219.

Jucker, Andreas H (2008). Speech act research between armchair, field and laboratory: The case of compliments. In: Gloning, Thomas; Bons, Iris; Kaltwasser, Dennis. Festplatte für Gerd Fritz. Deutschland, online.

Taavitsainen, Irma; Jucker, Andreas H (2008). Speech acts now and then: Towards a pragmatic history of English. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Bejamins, 1-23.

Schreier, Daniel (2008). St Helenian English: origins, evolution and variation. Amsterdam and Philadelphia: Benjamins.: John Benjamins.

Hundt, Marianne (2008). Text corpora. In: Lüdeling, Anke; Kytö, Merja. Corpus Linguistics: An International Handbook. Berlin, Germany: Mouton de Gruyter, 168-186.

Seiler, Annina (2008). The scripting of Old English: An analysis of Anglo-Saxon spellings for w and þ. Sprachwissenschaft, 33(2):139-172.

Bronfen, Elisabeth (2008). Tiefer als der Tag gedacht: eine Kulturgeschichte der Nacht. München: Hanser.

Esterhammer, Angela (2008). Trophies, Triumphs, Tourism, and the Topography of History. Colloquium Helveticum, 39:25-42.

Bronfen, Elisabeth (2008). Verkörperungen der Nacht: Nyx und ihre kulturellen Nachbilder. In: Wyss, Beat; Buschhaus, Markus. Den Körper im Blick: Grenzgänge zwischen Kunst, Kultur und Wissenschaft. München: Fink, 19-33.

Bronfen, Elisabeth (2008). William Shakespeare, Hamlet (1600). In: Kiening, Christian; Herberichs, Cornelia. Literarische Performativität: Lektüren vormoderner Texte. Zürich: Chronos, 373-387.

Bautz, Annika (2007). Early Nineteenth-Century Readers of Jane Austen. Literature Compass, 4(5):1412-1427.

Seiler, Annina (2007). Exegese eines neutestamentlichen Gleichnisses (Arbeiter im Weinberg). Eine althochdeutsche Predigt über Mt 20, 1-16. In: Forster, Regula; Michel, Paul. Significatio. Zürich, Switzerland: Pano, 175-190.

Mühlheim, Martin; Heusser, Martin (2007). Narrative Space and the Location of Meaning. Academic Exchange Quarterly, 11(1):26-30.

Frey Büchel, Nicole (2007). Perpetual performance : selfhood and representation in Byron's writing. Tübingen: Francke.

Frey Büchel, Nicole (2007). Review of: Regula Schmid: Storytime. Teacher's Guide /Student's Book, Lehrmittelverlag des Kantons Zürich, Zürich 2006. ph Akzente, (2):42.

Bautz, Annika (2007). The Reception of Jane Austen and Walter Scott: A Comparative Longitudinal Study. London: Continuum.

Bautz, Annika (2007). The Reception of Jane Austen in Germany, 1949-2003. In: Mandal, A; Southam, B. The Reception of Jane Austen in Europe. London: Continuum, 93-116.

Bautz, Annika (2007). Walter Scott's Novels in East and West Germany, 1949-2003. In: Pittock, M. The Reception of Scott in Europe. London: Continuum, 117-137.

Frey Büchel, Nicole (2006). Review of: David Higgins: Romantic genius and the literary magazine: biography, celebrity, politics; London 2005. Variations: Literaturzeitschrift der Universität Zürich, (14):221-223.

Paparunas, Penny (2005). Wasserfrau als Maskerade? Die Hybridisierung von Geschlechterkonfigurationen in Theodor Fontanes Stechlin. In: Kolloquium: »Spinnenfuß und Krötenbauch«, Zürich, 7 October 2005 - 8 October 2005.

Schneider, Gerold (2005). A Broad-Coverage, Representationally Minimalist LFG Parser: Chunks and F-Structures Are Enough. In: LFG05, Bergen, Norway, 18 July 2005 - 20 July 2005.

Mühlheim, Martin (2005). Hot Topics, Professed Beliefs, and Dissenting Voices: Theoretical Comments on Politics, Ideology, and Fiction. Variations: Literaturzeitschrift der Universität Zürich, (13):133-145.

Bitterli, Dieter (2005). Imago Sancti Judoci: An Unknown Cycle of Applied Emblems in Central Switzerland. In: Saunders, Alison; Davidson, Peter. Visual Words and Verbal Pictures: Essays in Honour of Michael Bath. Glasgow: Glasgow Emblem Studies, 13-36.

Bitterli, Dieter (2004). The Survival of the Dead Cuckoo: Exeter Book Riddle 9. In: Honegger, Thomas. Riddles, knights and cross dressing saints : essays on medieval English language and literature. Bern, Berlin: Peter ang, 95-114.

Binotto, Johannes (2002). Das revoltierende Fleisch. Foucault, Deleuze, Cronenberg und der menschliche Körper. Variations. Literaturzeitschrift der Universität Zürich:85-99.

Bitterli, Dieter (2002). Exeter book riddle 15: Some points for the porcupine. Anglia, 120(4):461-487.

This list was generated on Tue Oct 17 00:38:40 2017 CEST.