Publication: Fabryka jako scena zbrodni. Rekonstrukcje (Factory as a crime scene. Reconstructions)
Fabryka jako scena zbrodni. Rekonstrukcje (Factory as a crime scene. Reconstructions)
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Sajewska, D. (2016). Fabryka jako scena zbrodni. Rekonstrukcje (Factory as a crime scene. Reconstructions). Didaskalia. Gazeta Teatralna, 136, 46–56.
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Abstract
The point of departure for Dorota Sajewska's article is the Lumière film Workers Leaving the Factory. Sajewska regards the 1905 revolution as an unprecedented example of unity between workers' theatre and the proletariat's practices of participation in public life. Sajewska refers to manifestations, demonstrations, as well as aestheticised mass spectacles as the workers' exploration of the street as an open performance space. She places reconstruction practices referring to the October Revolution within the same order. She confronts t
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Sajewska, D. (2016). Fabryka jako scena zbrodni. Rekonstrukcje (Factory as a crime scene. Reconstructions). Didaskalia. Gazeta Teatralna, 136, 46–56.
