Abstract
This chapter deals with stance as the expression of evaluative, epistemic and affective attitudes. Stance is a multifaceted concept and it is used in different ways across different research traditions. In fiction, stance can be realised both in character speech and in narratorial voice, and it can be expressed verbally as well as through non-verbal means, such as gestures and facial expressions. Studying stance can provide insights into characterisation, the dynamics between characters, plot development and narrative perspective. The chapter provides an overview of the different ways in which stance is relevant for the study of fiction from a pragmatic perspective, and it points to the great potential of future research in this area.