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Archeologia traumy aborcyjnej (Archeology of abortion trauma)


Sajewska, Dorota (2017). Archeologia traumy aborcyjnej (Archeology of abortion trauma). Didaskalia. Gazeta Teatralna, (139-140):13-20.

Abstract

Beginning with Milo Rau’s theatrical version of Piero Paolo Pasolini’s Salo, or: 120 Days of Sodom of1975, Dorota Sajewska presents a brief history of the media discourse around abortion in Poland. Recalling, for instance, the homilies of John Paul II, she proves that abortion became a major stake in the struggle for the Church’s real power in Poland. Sajewska largely focuses on the role the film Silent Scream played in the debate on anti-abortion regulations, showing various aspects of its dissemination. Seeing Silent Scream as a primary image of anti-abortion discourse in Poland after 1989, she reconstructs an archeology of abortion trauma.

Abstract

Beginning with Milo Rau’s theatrical version of Piero Paolo Pasolini’s Salo, or: 120 Days of Sodom of1975, Dorota Sajewska presents a brief history of the media discourse around abortion in Poland. Recalling, for instance, the homilies of John Paul II, she proves that abortion became a major stake in the struggle for the Church’s real power in Poland. Sajewska largely focuses on the role the film Silent Scream played in the debate on anti-abortion regulations, showing various aspects of its dissemination. Seeing Silent Scream as a primary image of anti-abortion discourse in Poland after 1989, she reconstructs an archeology of abortion trauma.

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Additional indexing

Item Type:Journal Article, not_refereed, original work
Communities & Collections:06 Faculty of Arts > Institute of Slavonic Studies
Dewey Decimal Classification:490 Other languages
410 Linguistics
Language:Polish
Date:2017
Deposited On:01 Mar 2018 14:01
Last Modified:07 Apr 2020 07:08
Publisher:Instytut im. Jerzego Grotowskiego
ISSN:1233-0477
OA Status:Green
Official URL:http://www.ceeol.com/search/article-detail?id=545720

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