Abstract
“This article was published as «The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions», in: Scott Curtis, Philippe Gautier, Tom Gunning, Joshua Yumibe (Hg.) The Image in Early Cinema. Bloomington: Indiana University Press, 2018, S. 26–35. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press. For re-use, please contact the Copyright Clearance Center (www.copyright.com, 508-744-3350). For all other permissions, please visit http://iupress.indiana.edu.”
Abstract
“This article was published as «The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions», in: Scott Curtis, Philippe Gautier, Tom Gunning, Joshua Yumibe (Hg.) The Image in Early Cinema. Bloomington: Indiana University Press, 2018, S. 26–35. No part of this article may be reproduced, stored in a retrieval system, transmitted, or distributed, in any form, by any means, electronic, mechanical, photographic, or otherwise, without the prior permission of Indiana University Press. For re-use, please contact the Copyright Clearance Center (www.copyright.com, 508-744-3350). For all other permissions, please visit http://iupress.indiana.edu.”
Additional indexing
| Other titles: | «The unsettling of vision – tableaux vivants, early cinema, and optical illusions» |
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| Item Type: | Book Section, refereed, original work |
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| Communities & Collections: | 06 Faculty of Arts > Institute of Cinema Studies |
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| Dewey Decimal Classification: | 700 Arts
900 History |
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| Language: | English |
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| Date: | 2018 |
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| Deposited On: | 23 Jan 2019 10:36 |
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| Last Modified: | 15 Apr 2021 14:57 |
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| Publisher: | Indiana University Press |
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| Series Name: | Early cinema in review: proceedings of Domitor |
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| ISBN: | 978-0-253-03439-7 |
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| Additional Information: | Published biennially, Early Cinema in Review: Proceedings of Domitor is a peer-reviewed series featuring original contributions developed from Domitor's international conferences, which explore early film from its beginnings to 1915. Established in 1985, Domitor, the international society for the study of early cinema, has been at the leading edge of film historiography. The series promotes new methods of historical research through the international exchange of information, documents, and ideas. With the opening of film archives and the growing emphasis on film preservation, the series seeks to build collaborative relationships among scholars, archivists, and early film enthusiasts from around the world. |
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| OA Status: | Green |
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| Related URLs: | https://domitor.org/proceedings/ (Organisation) |
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Wiegand, Daniel