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Cinematic worlds in color – technology, aesthetics, analysis


Flückiger, Barbara (2019). Cinematic worlds in color – technology, aesthetics, analysis. In: BITForum. Film techniques and technology: illusion, reality, virtuality, innovation. Busan, South Korea: s.n., 11-39.

Abstract

Keynote Beitrag. Auszug aus der Einleitung:
Colors add an immediate and emotionally charged dimension to films. Its significance has often been underestimated in the past. Starting in the mid-1990s an increasing number of scholarly publications have appeared, including Jacques Aumont’s seminal book in France (Aumont 1995), Dall’Asta et al. in Italy (1995) and Hertogs / de Klerk in the Netherlands (Hertogs et al. 1996) on color in silent film, followed in English by Dalle Vacche/Price (2006), Wendy Everett (2007), Scott Higgins (2007), Raphaëlle Costa de Beauregard (2009), Richard Misek (2010), Paul Coates (2011), and several important publications by Sarah Street (Street 2009, Brown et al. 2012, Brown et al. 2013) and Joshua Yumibe (2012 and Street / Yumibe 2019), in German Susanne Marschall (2005) and Christine N. Brinckmann (2014, in English 2015), and in journals including issues of Film History (2000 and 2009) and of 1895 (2014). [...]

Abstract

Keynote Beitrag. Auszug aus der Einleitung:
Colors add an immediate and emotionally charged dimension to films. Its significance has often been underestimated in the past. Starting in the mid-1990s an increasing number of scholarly publications have appeared, including Jacques Aumont’s seminal book in France (Aumont 1995), Dall’Asta et al. in Italy (1995) and Hertogs / de Klerk in the Netherlands (Hertogs et al. 1996) on color in silent film, followed in English by Dalle Vacche/Price (2006), Wendy Everett (2007), Scott Higgins (2007), Raphaëlle Costa de Beauregard (2009), Richard Misek (2010), Paul Coates (2011), and several important publications by Sarah Street (Street 2009, Brown et al. 2012, Brown et al. 2013) and Joshua Yumibe (2012 and Street / Yumibe 2019), in German Susanne Marschall (2005) and Christine N. Brinckmann (2014, in English 2015), and in journals including issues of Film History (2000 and 2009) and of 1895 (2014). [...]

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Additional indexing

Item Type:Book Section, not_refereed, original work
Communities & Collections:06 Faculty of Arts > Institute of Cinema Studies
Dewey Decimal Classification:700 Arts
900 History
Language:English
Date:2019
Deposited On:30 Aug 2019 08:19
Last Modified:24 Mar 2020 08:42
Publisher:s.n.
ISBN:979-11-957427-8-3
Additional Information:Die zweisprachige Publikation (englisch u./o. koreanisch) geht auf eine Tagung zurück, die am 26. und 27. April 2019 an der Open Hall, Busan Community Media Center, im Rahmen des Busan International Short Film Festival stattfand. Co-Organisator war DEU Cinema & Transmedia Institute, HUFS SEMIOSIS Research Center.
OA Status:Green
Related URLs:https://www.film.uzh.ch/de/team/people/flueckiger.html (Author)
https://filmcolors.org/
Project Information:
  • : FunderH2020
  • : Grant ID670446
  • : Project TitleFilm Colors. An Interdisciplinary Approach.

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