Abstract
Paul Hockings’ Principles of Visual Anthropology opened with Margaret Mead’s article ‘Visual Anthropology in a Discipline of Words’. In her prefatory lines Mead lamented that too many research projects “insist on continuing the hopelessly inadequate note-taking of an earlier age.” Today, some forty years after the first publication of Mead’s text, the opposition of the verbal and the visual still seems to loom over the full acceptance of the visual in cultural anthropology.