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Number of items: 17.

Loren, Scott (2018). Mediating the Crisis: Revisionary Economics in Oliver Stone’s Wall Street Films. In: Parvulescu, Constantin. Global Finance on Screen: From Wall Street to Side Street. London: Taylor & Francis, 123-140.

Loren, Scott (2016). Pimp My Presidency: Super PACs and Campaign Financing. St.Gallen: University of St.Gallen.

Melodrama After the Tears : New Perspectives on the Politics of Victimhood. Edited by: Loren, Scott; Metelmann, Jörg (2016). Amsterdam: Amsterdam University Press.

Loren, Scott (2016). Tears of Testimony: Glenn Beck and the Conservative Moral Occult. In: Loren, Scott; Metelmann, Jörg. Melodrama After the Tears. New Perspectives on the Politics of Victimhood. Amsterdam: Amsterdam University Press, 247-260.

Loren, Scott (2014). An American odyssey of suffering: aesthetic strategies in Steve McQueen’s '12 Years a Slave'. Anglia : Journal of English Philology, 132(2):336-351.

Land, Chris; Loren, Scott; Metelmann, Jörg (2014). Rogue logics: organization in the grey zone. Organization Studies, 35(2):233-253.

Loren, Scott; Metelmann, Jörg (2013). Irritation of Life: The Subversive Melodrama of Michael Haneke, David Lynch and Lars von Trier. Marburg: Schüren.

Loren, Scott (2012). Feel It! Das Management der Emotionen: Eine Diskussion zwischen Eva Illouz, Linda Williams, Dorthe Staunæs und Chris Steyaert, moderiert von Scott Loren. In: Metelmann, Jörg; Beyes, Timon. Die Macht der Gefühle : Emotionen in Management, Organisation und Kultur. Berlin: Berlin University Press, 23-56.

Loren, Scott (2012). Posthumanist panic cinema: defining a genre. In: Straub, Julia. Paradoxes of authenticity : studies on a critical concept. Bielefeld: De Gruyter, 159-183.

Loren, Scott; Metelmann, Jörg (2011). What’s the matter? race as res. Journal of Visual Culture, 10(3):397-405.

Loren, Scott (2011). Mutating masculinity: re-visions of gender and violence in the cinema of David Cronenberg. In: Läubli, Martina; Sahli, Sabrina. Männlichkeiten denken : aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transkript, 151-170.

Loren, Scott (2008). Self-fashioning, freedom, and the problem of his-story: the return of noir. European Journal of American Studies, 3(1):1-12.

Loren, Scott (2008). Dead fathers and other detours: Ulmer’s noir. In: Rhodes, Gary. Edgar G. Ulmer: detour on poverty row. Lanham [Md.]: Lexington Books, 61-96.

Loren, Scott (2008). Mechanical humanity, or how I learned to stop worrying and love the android: the posthuman subject in "2001: A Space Odyssey" and "Artificial Intelligence: A.I". In: Rhodes, Gary. Stanley Kubrick: essays on his films and legacy. North Carolina: McFarland and Co, 211-231.

Loren, Scott (2007). Doubles, others, and the split-self: a Lacanian reading of identity in Paul Auster’s New York Trilogy. In: Hellenic Association for American Studies - Ex-centric Narratives: Identity and Multivocality in Anglo-American Cultures - International Graduate Student Conference, Thessaloniki, March 2007 - March 2007.

Loren, Scott. Our wills and fates : the politics of identity in contemporary American fiction and film. 2005, University of Zurich, Faculty of Arts.

Loren, Scott (2004). What are the Implications of the Virtual for the Human? European Journal of American Culture, 23(3):173-185.

This list was generated on Tue Aug 20 06:56:56 2019 CEST.