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Jucker, Andreas H (2024). Speech Acts: Discursive, Multimodal, Diachronic. Cambridge: Cambridge University Press.

Mambelli, Gloria; Vogelsanger, Johanna (2024). The church and the manor: Assessing and comparing the effects of language contact on two Middle English lexical domains. Lexis, HS 3:online.

Taavitsainen, Irma; Jucker, Andreas H (2024). “I rede þou lerne wel þis of me”: Advice giving in Middle English medical discourse. In: Räikkönen, Jenni; Suhr, Carla; Palander-Collin, Minna; Nurmi, Arja; Nevala, Minna; Hiltunen, Turo. Multilingualism and Language Variation in English across Genres and Registers : A Festschrift in Honour of Päivi Pahta. Helsinki: Modern Language Society of Helsinki, 97-122.

Wallis, Christine; Seiler, Annina; Pagan, Heather (2024). Multilingual glossing and translanguaging in John of Garland’s Dictionarius: The case of Bruges, Public Library, MS 536. Lexis, HS 3:online.

Wirtz, Mason A; Pfenninger, Simone E (2024). Signature Dynamics of Development in Second Language Sociolinguistic Competence: Evidence From an Intensive Microlongitudinal Study. Language Learning, 74(3):707-743.

Castelli, Stella (2024). “It Was That Smile That Maddened Irene”: Ambiguous Antics and the Power of Uncertainty in Nella Larsen’s Passing. SPELL: Swiss Papers in English Language and Literature, 44:143-159.

Bouso, Tamara; Hundt, Marianne; Van Driessche, Laetitia (2024). A sisterhood of constructions? A structural priming approach to modelling links in the network of Objoid Constructions. Cognitive Linguistics, 35(3):313-344.

Tiwari, Mansi (2024). Book review: The flesh of animation: Bodily sensations in film and digital media By Sandra Annett. Minneapolis, MN: University of Minnesota Press. 2024. pp. 288. Journal of Popular Culture:Epub ahead of print.

Timofeeva, Olga; Kahlas-Tarkka, Leena (2024). Yet ar ye not lyche, for thu art a fals strumpet: Pronominal terms of address in The Book of Margery Kempe. Journal of Historical Pragmatics:Epub ahead of print.

Wirtz, Mason A; Pfenninger, Simone E; Kaiser, Irmtraud; Ender, Andrea (2024). Sociolinguistic competence and varietal repertoires in a second language: A study on addressee‐dependent varietal behavior using virtual reality. Modern Language Journal, 108(2):385-411.

Moretti, Lorenzo (2024). A quantitative exploration of the functions of auxiliary do in Middle English. English Language and Linguistics:1-21.

Mattli, Alan (2024). "They Weren't All Fakes": Feminist Crime Fiction as an 'Authentic Copy' in Marcia Muller's Edwin of the Iron Shoes. In: Münderlein, Kerstin-Anja. Crime Fiction, Femininities and Masculinities: Proceedings of the Eighth Captivating Criminality Conference. Bamberg: University of Bamberg Press, 102-113.

Hundt, Marianne; Dallas, Bethany; Nakanishi, Shimon (2024). The be‐ versus get‐passive alternation in world Englishes. World Englishes, 43(1):86-108.

Landert, Daniela. Methods in Historical Corpus Pragmatics. Epistemic stance in Early Modern English. 2024, University of Zurich, Faculty of Arts.

Bouso, Tamara; Hundt, Marianne (2024). They worked their hardest on the construction’s history: Superlative Objoid Constructions in Late Modern American English. Corpus Linguistics and Linguistic Theory, 20(1):91-121.

Shakespeare / Space: Contemporary Readings in Spatiality, Culture and Drama. Edited by: Karremann, Isabel (2024). London: Bloomsbury.

Mattli, Alan. The Swiss film harvest for 2024: taking stock of migration and the right to protest. In: SWI swissinfo.ch, 11 February 2024, online.

Jucker, Andreas H (2024). “Is that a request or a command?”: Speech act meta discourse and illocutionary indeterminacy. SPELL: Swiss papers in English language and literature, 2024(44):103-119.

Binotto, Johannes (2024). vague | wave (video essay + creator statement). : videoessayreseaerch.org.

Seiler, Annina (2024). Birds, birds, birds: The dissemination and transformation of Old English Leviticus glosses on the Continent. In: Bulitta, Brigitte; Pelle, Stephen. Wörter – Texte – Schreiberhände: Sprachliche und kulturelle Wechselbeziehungen zwischen Fränkischem Reich, Irland und Britannien im Frühmittelalter. Leipzig: De Gruyter Akademie Forschung, 281-317.

Pfenninger, Simone E (2024). Conclusion and envoi: Language acquisition at the intersection of sociolinguistics and World Englishes research. In: Buschfeld, Sarah; Vida-Mannl, Manuela; Schmalz, Mirjam. Acquisition and Variation in World Englishes: Bridging Paradigms and Rethinking Approaches. Berlin: De Gruyter, 361-378.

Frey Büchel, Nicole (2024). Experiments in Self-Narration: Women's Scientific Autobiographies for the ELT Classroom. In: Prusse, Michael C; Mayer, Nikola. This is My Story: Biographical and Autobiographical Narratives in English Language Teaching. Bern: hep Verlag, 69-86.

Karremann, Isabel (2024). Introduction. In: Karremann, Isabel. Shakespeare / Space. London: The Arden Shakespeare, 1-21.

Buschfeld, Sarah; Schneider, Gerold (2024). Investigating child language acquisition from a joint perspective: A comparison of traditional and new L1 speakers of English. In: Schmalz, Mirjam; Vida-Mannl, Manuela; Buschfeld, Sarah. Acquisition and Variation in World Englishes: Bridging Paradigms and Rethinking Approaches. Berlin: De Gruyter, 133-157.

Timofeeva, Olga (2024). Low German in The Book of Margery Kempe. POETICA: An International Journal of Linguistic-Literary Studies, 99&100:23-39.

Sigg, Pascal. Mediating the Real – Self-Reflection in Recent American Reportage. 2024, University of Zurich, Faculty of Arts.

Xie, Fang. Multimodality and Speech Act Perceptions Across Cultures: The Case of Compliments. 2024, University of Zurich, Faculty of Arts.

Timofeeva, Olga (2024). Review of Gabriella Mazzon (ed.). 2023. Language contact and the history of English. English Language and Linguistics:Epub ahead of print.

Timofeeva, Olga; Wallis, Christine (2024). Social ties and negotiation of lexical norms in Old English: The vocabularies of vices. Lexis, HS3:online.

Binotto, Johannes (2024). Unsettling bodies. Video essay as embodied research. Akademisk Kvarter, (27):57-70.

Tiwari, Mansi (2023). The Object Looks Back: Paraesthetic Vision in Portrait de la jeune fille en feu and Optic Nerve. In: Bertoli, Angelica; Gelmi, Giulia; Missagia, Andrea; Tavano, Maria Novella. A Driving Force: On the Rhetoric of Images and Power. Venice: Edizioni Ca' Foscari, 263-277.

Jucker, Andreas H (2023). Pragmatics: Research Methods. In: Chapelle, Carol A. The Encyclopedia of Applied Linguistics. London: Wiley Blackwell, 1-4.

Binotto, Johannes (2023). Pflotsch pflo:tch (Swiss-German). In: Herzogenrath, Bernd. A Sound Word Almanac. New York, London: Bloomsbury, 70-73.

Ronan, Patricia; Schneider, Gerold (2023). “To boldly go where no man has gone before”: how iconic is the Star Trek split infinitive? Linguistics Vanguard, 9(s3):247-255.

Mattli, Alan. Las Toreras grabs Spanish-Swiss tragedy by the horns. In: SWI swissinfo.ch, 1 December 2023, online.

Wirtz, Mason A; Pfenninger, Simone E (2023). Variability and individual differences in L2 sociolinguistic evaluations: The GROUP, the INDIVIDUAL and the HOMOGENEOUS ENSEMBLE. Studies in Second Language Acquisition, 45(5):1186-1209.

Keller, Mareike; Seiler Rübekeil, Annina (2023). Let Each One Tell its Own Story: Language Mixing in Four Copies of Amore Langueo. In: Pons-Sanz, Sara M; Sylvester, Louise. Medieval English in a Multilingual Context : Current Methodologies and Approaches. Cham: Palgrave Macmillan, 467-497.

Schneider, Gerold; Reveilhac, Maud (2023). Colloquialisation, compression and democratisation in British parliamentary debates. In: Korhonen, Minna; Kotze, Haidee; Tyrkkö, Jukka. Exploring Language and Society with Big Data: Parliamentary discourse across time and space. Amsterdam: John Benjamins Publishing, 336-372.

Battell, Sophie Emma (2023). Shakespeare and the Economics of the Death Penalty. Textual Practice, 37(11):1670-1689.

Mattli, Alan. Zurich Film Festival’s balancing act: #DontRockTheBoat. In: Swissinfo.ch, 3 October 2023, online.

Seiler, Annina; Wallis, Christine (2023). Philological Approaches. In: Condorelli, Marco; Rutkowska, Hanna. The Cambridge Handbook of Historical Orthography. Cambridge: Cambridge University Press, 338-359.

Kuijpers, Moniek; Lendvai, Piroska; Lusetti, Massimo; Rebora, Simone; Ruh, Lina; Tadres, Jonathan; Ternes, Tina; Vogelsanger, Johanna (2023). Absorption in Online Reviews of Books: Presenting the English-Language AbsORB Metadata Corpus and Annotation Guidelines. Journal of Open Humanities Data, 9:13.

Pfenninger, Simone E; Kliesch, Maria (2023). Variability as a functional marker of second language development in older adult learners. Studies in Second Language Acquisition, 45(4):1004-1030.

Mattli, Alan. Documentary shows the concrete reality of Le Corbusier's Indian utopia. In: SWI swissinfo.ch, 31 August 2023, online.

Zehentner, Eva; Röthlisberger, Melanie; Colleman, Timothy (2023). Ditransitive constructions in Germanic languages. In: Zehentner, Eva; Colleman, Timothy; Röthlisberger, Melanie. Ditransitives in Germanic Languages: Synchronic and diachronic aspects. Amsterdam: John Benjamins Publishing, 1-18.

Ditransitives in germanic languages. Synchronic and diachronic aspects. Edited by: Zehentner, Eva; Röthlisberger, Melanie; Colleman, Timothy (2023). Amsterdam / Philadelphia: John Benjamins Publishing.

Mattli, Alan. Die Kunst der niederschwelligen Unterhaltung. In: Maximum Cinema, 14 August 2023, online.

Mattli, Alan; Simantob, Eduardo. Radu Jude and the joys of making a cinema masterpiece. In: Swissinfo, 13 August 2023, online.

Binotto, Johannes (2023). Down a dark spiral. [in] Transition, 9(4):online.

Karremann, Isabel (2023). Bartholomew Fair’s Olfactory Cross-Mappings. In: Kern-Stähler, Annette; Robertson, Elizabeth. Literature and the Senses. Oxford: Oxford University Press, 218-235.

Battell, Sophie Emma (2023). On the threshold: hospitality in Shakespeare's drama. Edinburgh: Edinburgh University Press.

Zehentner, Eva; Hundt, Marianne; Schneider, Gerold; Röthlisberger, Melanie (2023). Differences in syntactic annotation affect retrieval. International Journal of Corpus Linguistics, 28(3):378-406.

Capitalist Crisis Poetry: Lyric Encounters with Neoliberalism in the Twenty-First Century. Edited by: Schoch, Hannah; Benz, Stefan A; Hartwig, Marcel (2023). Heidelberg: Universitätsverlag Winter.

Binotto, Johannes Binotto (2023). Practices of Viewing XI: Description (video essay). https://transferences.org: [s.n.].

Memory and Affect in Shakespeare's England. Edited by: Baldo, Jonathan; Karremann, Isabel (2023). Cambridge: Cambridge University Press.

Binotto, Johannes; Kreutzer, Evelyn (2023). A Manifesto for Videographic Vulnerability. Zeitschrift für Medienwissenschaft:online.

Frank, Michael C; Flood, Maria (2023). Introduction: the figure of the terrorist in literature and visual culture. In: Frank, Michael C; Flood, Maria. The Figure of the Terrorist in Literature and Visual Culture. Edinburgh: Edinburgh University Press, 1-26.

The figure of the terrorist in literature and visual culture. Edited by: Frank, Michael C; Flood, Maria (2023). Edinburgh: Edinburgh University Press.

Baldo, Jonathan; Karremann, Isabel (2023). Introduction. In: Baldo, Jonathan; Karremann, Isabel. Memory and Affect in Shakespeare's England. Cambrige: Cambridge Univerity Press, 1-22.

Hundt, Marianne (2023). Competition in antagonistic verb complementation. In: de Smet, Hendrik; Petré, Peter; Szmrecsanyi, Benedikt. Context, Intent and Variation in Grammaticalization. Berlin: De Gruyter, 159-188.

Frank, Michael Clemens (2023). "Terror" between Tragedy and Tyranny: The Politics of an Emotion in the Eighteenth Century. In: Berndt, Frauke; Karremann, Isabel; Müller-Wille, Klaus. Figures of Pathos: Festschrift in Honor of Elisabeth Bronfen. Würzburg: Königshausen & Neumann, 309-323.

Straumann, Barbara (2023). Princess Diana's Figurations of Pathos in Pablo Larraín’s 'Spencer'. In: Berndt, Frauke; Karremann, Isabel; Müller-Wille, Klaus. Figures of Pathos: Festschrift in Honor of Elisabeth Bronfen. Würzburg: Königshausen & Neumann, 223-236.

Mattli, Alan. This Brunner, Hollywood’s best Swiss friend, shares star-studded memories. In: SWI swissinfo.ch, 15 May 2023, online.

Jucker, Andreas H; Landert, Daniela (2023). The diachrony of im/politeness in American and British movies (1930–2019). Journal of Pragmatics, 209:123-141.

Kuijpers, Moniek; Rebora, Simone; Piroska, Lendvai; Lusetti, Massimo; Ruh, Lina; Vogelsanger, Johanna; Ternes, Tina (2023). Absorption in Online Book Reviews. https://osf.io/: OSF - open platform.

Shakespeare Jahrbuch: Odysseen. Edited by: Karremann, Isabel (2023). Stuttgart: Alfred Kröner Verlag.

Locher, Miriam A; Jucker, Andreas H; Landert, Daniela; Messerli, Thomas C (2023). Fiction and Pragmatics. Cambridge: Cambridge University Press.

Schneider, Gerold (2023). Detecting and Analysing Learner Difficulties Using a Learner Corpus Without Error Tagging. In: Harrington, Kieran; Ronan, Patricia. Demystifying Corpus Linguistics for English Language Teaching. Cham: Palgrave Macmillan, 229-257.

Schmalz, Mirjam; Meer, Philipp (2023). Englishes of the Caribbean: A research bibliography. World Englishes, 42(1):169-183.

Schmalz, Mirjam (2023). Teachers’ language attitudes and production patterns in St. Kitts. World Englishes, 42(1):115-129.

Moretti, Lorenzo (2023). The Functions of Auxiliary Do in Middle English Poetry: A Quantitative Study. Journal of English Linguistics, 51(1):3-29.

Mattli, Alan (2023). Review of Noir Fiction and Film: Diversions and Misdirections by Lee Clark Mitchell. Crime Fiction Studies, 4(1):136-139.

Castelli, Stella (2023). Death Is Served: The Serialization of Death and Its Conceptualization Through Food Metaphors in US Literature and Media. Bielefeld: transcript.

Jucker, Andreas H (2023). Historical pragmatics. www.oxfordbibliographies.com: Oxford University Press.

Schoch, Hannah (2023). Grasping the Complicity and Multiplicity of Hamilton: An American Musical: Genre Circulation and the Politics of Pop Culture Pedagogy. European Journal of American Studies, 18(1):online.

Jucker, Andreas H (2023). Chapter 12: “He offered an apologetic smile”: The politeness of apologetic gestures. In: Jucker, Andreas H; Hübscher, Iris; Brown, Lucien. Multimodal Im/politeness: Signed, spoken, written. Amsterdam: John Benjamins Publishing, 327-351.

Castelli, Stella (2023). »Who in the World Am I?« Das Enigma des Selbst als therapeutic narrative in Westworld. In: Bronfen, Elisabeth; Lötscher, Christine; Müller-Wille, Klaus. »One more loop around the bend« Kulturanalytische Betrachtungen zu Westworld. Zürich: Diaphanes, 157-186.

Jucker, Andreas H; Seiler, Annina (2023). Translating Middle English (Im)politeness: The Case of Geoffrey Chaucer’s Miller’s Tale. Chaucer Review, 58(1):35-59.

Benz, Stefan; Schoch, Hannah; Hartwig, Marcel (2023). Introduction: Capitalist Crisis Poetry: Lyric Encounters with Neoliberalism in the Twenty-First Century. Amerikastudien / American Studies, 68(2):147-164.

Binotto, Johannes Binotto (2023). Practices of Viewing XII: Ending (video essay). .

Seiler, Annina (2023). Animal Glossaries (English and German traditions). In: Seiler, Annina; Benati, Chiara; Pons-Sanz, Sara M. Medieval Glossaries from North-Western Europe: Tradition and Innovation. Turnhout: Brepols Publishers, 449-472.

Brown, Lucien; Hübscher, Iris; Jucker, Andreas H (2023). Chapter 1: Multimodal im/politeness: Introduction. In: Jucker, Andreas H; Hübscher, Iris; Brown, Lucien. Multimodal Im/politeness: Signed, spoken, written. Amsterdam: John Benjamins Publishing, 1-23.

Castelli, Stella. Death is Served – The Serialization of Death and Its Conceptualization Through Food Metaphors in US Literature and Media. 2023, University of Zurich, Faculty of Arts.

Binotto, Johannes (2023). Desktop Documentary. NECSUS, 12(1):281-283.

Keller, Jonas. English Grammatical Gender and Language Contact. 2023, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2023). Gloria Swanson: Der grösste Star und ihr Créateur. In: Janser, Andres. René Hubert: Kostümwelten. Zürich: Lars Müller, 42-55.

Pagan, Heather; Seiler, Annina; Wallis, Christine (2023). Linguistic Layers in John of Garland’s Dictionarius. Études médiévales anglaises, 102(1):63-108.

Timofeeva, Olga (2023). Ludwig in Anglo-Saxon sources. In: Marti Heinzle, Mirjam; Thöny, Luzius. Swe gamelith is: Studien zur vergleichenden germanischen Sprachwissenschaft: Festschrift für Ludwig Rübekeil zum 65. Geburtstag. Heidelberg: Universitätsverlag Winter, 121-131.

Timofeeva, Olga; Keller, Jonas (2023). Multilingual encounters in The Book of Margery Kempe. Études médiévales anglaises, (102):11-42.

Seiler, Annina (2023). Multilingualism in medieval English glossaries: A multimodal analysis. In: Włodarczyk, Matylda; Tyrkkö, Jukka; Adamczyk, Elżbieta. Multilingualism from Manuscript to 3D: Intersections of Modalities from Medieval to Modern Times. New York: Routledge, 35-57.

Binotto, Johannes (2023). Offene Maschinen: Die Erfindungen der Rear Projection und das Unbewusste der Filmtechnik in Hollywood. In: Udelhofen, Stefan; Göttel, Dennis; Riffi, Aycha. Produktionskulturen audiovisueller Medien. Neuere Perspektiven der Medienindustrie- und Produktionsforschung. Wiesbaden: Springer (Bücher), 249-270.

Jucker, Andreas H (2023). Politeness. In: Newhauser, Richard. The Chaucer Encyclopedia. Oxford: Wiley Blackwell, 1492.

Reconnecting form and meaning: In honour of Kristin Davidse. Edited by: Gentens, Caroline; Ghesquière, Lobke; McGregor, William B; Van linden, An (2023). Amsterdam: John Benjamins.

Vogelsang, Manuel. Revisiting the Past, Melodramatically! Melodrama and the Making of the American Past. 2023, University of Zurich, Faculty of Arts.

Pfenninger, Simone; Festman, Julia; Singleton, David (2023). Second Language Acquisition and Lifelong Learning. London: Routledge.

Binotto, Johannes (2023). Telefon, Grammofon, Player Piano. Zum Unbewussten der Maschinen in Westworld. In: Bronfen, Elisabeth; Lötscher, Christine; Müller-Wille, Klaus. One More Loop Around the Bend : Kulturanalytische Betrachtungen zu "Westworld". Zürich, Berlin: Diaphanes, 91-120.

Seiler, Annina (2023). Turegum: Zurich, Constantia: Chostinza: Das Ortsnamenglossar in Zürich, Zentralbibliothek, Ms. Car. C 164. In: Marti Heinzle, Mirjam; Thöny, Luzius. Swe gameliþ ist: Studien zur vergleichenden germanischen Sprachwissenschaft: Festschrift für Ludwig Rübekeil zum 65. Geburtstag. Heidelberg: Universitätsverlag Winter, 177-194.

Binotto, Johannes (2023). Verrückungen. Zum wackelnden Bild als Denkfigur. In: Berndt, Frauke; Karremann, Isabel; Müller-Wille, Klaus. Figures of Pathos. Festschrift in Honor of Elisabeth Bronfen. Würzburg: Königshausen & Neumann, 151-162.

Tjon-A-Meeuw, Olivia. Writing the Caribbean: Race and Sexuality in (Neo-)Victorian Narratives. 2023, University of Zurich, Faculty of Arts.

Binotto, Johannes (2023). capricorn sunset [a constellation] (video essay + written essay). Interfaces : Image, Texte, Language, (50):online.

Mattli, Alan. «The Conservative Mystery Lover Will Object» – Revisionist Crime Fiction in the U.S. 2023, University of Zurich, Faculty of Arts.

Schneider, Gerold; Reveilhac, Maud (2022). Assessing How Attitudes to Migration in Social Media Complement Public Attitudes Found in Opinion Surveys. SPELL: Swiss Papers in English Language and Literature, 41:119-153.

Binotto, Johannes Binotto (2022). Practices of Viewing IX: Color (video essay). https://transferences.org: [s.n.].

Mattli, Alan. What chansonnier Mani Matter can (still) tell us about Switzerland. In: Swissinfo.ch, 24 November 2022, online.

Schneider, Gerold (2022). Systematically Detecting Patterns of Social, Historical and Linguistic Change: The Framing of Poverty in Times of Poverty. Transactions of the Philological Society, 120(3):447-473.

Rautionaho, Paula; Hundt, Marianne (2022). Primed progressives? Predicting the progressive in World Englishes. Corpus Linguistics and Linguistic Theory, 18(3):599-625.

Battell, Sophie Emma (2022). Pericles and the Secret. Shakespeare, 18(4):432-450.

Mattli, Alan. Swiss myths fall apart at the Zurich Film Festival. In: Swissinfo, 2 October 2022, online.

Gentens, Caroline (2022). Review of Ruohonen, Juho and Juhani Rudanko. 2021. Infinitival vs Gerundial Complementation with Afraid, Accustomed, and Prone. Multivariate Corpus Studies. Cham: Palgrave Macmillan. Folia Linguistica:493-500.

Meyer, Nathalie; Jucker, Andreas H (2022). Co-presence and beyond: Spatial configurations of communication in virtual environments. In: Jucker, Andreas H; Hausendorf, Heiko. Pragmatics of Space. Berlin/Boston: De Gruyter, 579-608.

Purschke, Christoph; Schmalz, Mirjam (2022). Mapping perceptions and knowledge of language: Societal multilingualism and its sociopragmatic grounding. In: Jucker, Andreas H; Hausendorf, Heiko. Pramgatics of Space. Berlin/Boston: De Gruyter, 679-714.

Hundt, Marianne; Van Driessche, Laetitia; Pijpops, Dirk (2022). Epicentral influence via agent-based modelling. World Englishes, 41(3):377-399.

Breidenbach, Beate. Die Walküre: Frauen bringen das patriarchale Machtgefüge zum Einsturz: Elisabeth Bronfen, die Zürcher Literaturprofessorin, Feministin und versierte Mythendeuterin, spricht über die Frauenfiguren und Richard Wagners «Walküre». In: MAG : Das Opernhaus Magazin, 94, September 2022, 24-26.

Binotto, Johannes Binotto (2022). Practices of Viewing X: Sleep (video essay). https://transferences.org: [s.n.].

Kircher, Ruth; Zipp, Lena (2022). An Introduction to Language Attitudes Research. In: Kircher, Ruth; Zipp, Lena. Research Methods in Language Attitudes. Cambridge: Cambridge University Press, 1-16.

Zipp, Lena (2022). Questionnaires to Elicit Qualitative Data. In: Kircher, Ruth; Zipp, Lena. Research Methods in Language Attitudes. Cambridge: Cambridge University Press, 145-159.

Research Methods in Language Attitudes. Edited by: Kircher, Ruth; Zipp, Lena (2022). Cambridge: Cambridge University Press.

Timofeeva, Olga (2022). Sociolinguistic Variation in Old English : Records of Communities and People. Amsterdam/Philadelphia: John Benjamins Publishing.

Mattli, Alan. Waiting as an act of resistance: six films by Nicolas Wadimoff. In: Swissinfo, 23 May 2022, online.

Frank, Michael C (2022). Hamid, Mohsin: The Reluctant Fundamentalist. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (KLL). Stuttgart: J.B. Metzler, 1-2.

Mattli, Alan. Black Spider: horror made in Switzerland. In: Swissinfo, 19 April 2022, online.

Hundt, Marianne; Oppliger, Rahel (2022). (The) fact is … /(Die) Tatsache ist … focaliser constructions in English and German are similar but subject to different constraints. International Journal of Corpus Linguistics, 27(1):1-30.

Gentens, Caroline (2022). Parenthetical clauses and speech reporting: the case of shriek. Language Sciences, 90:101460.

Mühlheim, Martin (2022). Dada Zurich in Anglophone Literatures: Trends, Trivia, and Methodological Traps. In: Mareuge, Agathe; Zanetti, Sandro. The return of DADA = Die Wiederkehr von DADA = Le retour de DADA. Dijon: Les presses du réel, 57-80.

Karremann, Isabel (2022). Artless Deaths in Hamlet: The Play as Danse Macabre. In: Engel, William; Williams, Grant. The Shakespearean Death Arts : Hamlet Among the Tombs. Cham: Springer, 281-306.

Tjon-A-Meeuw, Olivia (2022). An Oceanic Nation of Pirates in Emmanuel Appadocca or Blighted Life: A Tale of the Boucaneers. Romance, Revolution and Reform, 4:81-100.

Hundt, Marianne (2022). Constructional variation and change in N-is focaliser constructions. In: Sommerer, Lotte; Keizer, Evelien. English Noun Phrases from a Functional-Cognitive Perspective : Current issues. Amsterdam: John Benjamins Publishing, 206-233.

Bronfen, Elisabeth (2022). Fiktion eröffnet Möglichkeitsräume. In: Sgier, Irena; Schenkel, Ronald. Zusammenhänge: Zehn Gespräche über das Lernen von Erwachsenen heute und morgen. Zürich: Transit, 69-83.

Bronfen, Elisabeth (2022). All That Heaven Allows (1955). In: Paul, Heike; Marak, Sarah; Gerund, Katharina; Henderson, Marius. Lexicon of Global Melodrama. Bielefeld: Transcript, 99-102.

Schneider, Gerold (2022). Comparing data-driven to corpus-based approaches for diachronic variation: document-classification and overuse metrics. In: Schlüter, Julia; Schützler, Ole. Data and Methods in Corpus Linguistics: Comparative Approaches. Cambridge: Cambridge University Press, 291-322.

Jucker, Andreas H (2022). Corpus pragmatics. In: Verschueren, Jef; Östman, Jan-Ola. Handbook of Pragmatics : Manual. Second edition. Amsterdam: John Benjamins Publishing, 1516-1527.

Bronfen, Elisabeth (2022). Das Visuelle: Von der Bildtafel zu Instagram. In: Susanne, Vögeli. Fülscher heute: Kochbuch. Zürich: Hier und Jetzt Verlag, 39-48.

Bronfen, Elisabeth. Der marode Kern der patriarchalen Kultur. In: Die Walküre: Programmbuch, 2022, 32-37.

Bronfen, Elisabeth (2022). Die Fifties: Kühlschränke und ein Hauch Amerika. In: Susanne, Vögeli. Fülscher heute: Kochbuch. Zürich: Hier und Jetzt Verlag, 129-135.

Bronfen, Elisabeth (2022). Die Westernheldin. Ein Gendering des Genres. In: Petersen, Christoph; May, Markus. Heroen – Helden : Eine Geschichte der literarischen Exorbitanz von der Antike bis zur Gegenwart. Göttingen: Wallstein Verlag, 353-372.

Bronfen, Elisabeth (2022). Die erste US-amerikanische Präsidentin im zeitgenössischen TV-Drama: eine serielle Kompensation. In: Breidenbach, Carina; Ghalleb, Ines; Pensel, Dominik; Simon, Katharina; Telsnig, Florian; Wittmann, Martin. Fakten und Verunsicherung: Ordnungen von Wahrheit, Fiktion und Wirklichkeit. Hamburg: Meiner Verlag, 95-114.

Bronfen, Elisabeth. Douglas Sirk – Imitationen des Lebens. In: Filmpodium, 2022, 5-7.

Bronfen, Elisabeth. Ein Mobile der Liebestäuschung. In: Salzburger Festspiele, 2022, 20-27.

Binotto, Johannes (2022). Entzonungen – Zur Erogeneität des Filmischen und ihrer Verschiebung im Videoessay. RISS - Zeitschrift für Psychoanalyse, (96):66-91.

Jucker, Andreas H (2022). Historical pragmatics. In: Verschueren, Jef; Östman, Jan-Ola. Handbook of Pragmatics : Manual (2. Auflage). Amsterdam: John Benjamins Publishing, 744-755.

Utiger, Julia Teresa. Internalising Rejection: Children of the New African Diasporas in Contemporary British and Spanish Narratives. 2022, University of Zurich, Faculty of Arts.

Frank, Michael C; Schreier, Daniel (2022). Introduction: Mobilities in Literature and Language. SPELL: Swiss Papers in English Language and Literature, 41:9-24.

Binotto, Johannes (2022). Jo B.n.t. by Jo B.n.t. - Joan Bennett, Blaubart, Büchsen, Besetzungen. In: Robnik, Drehli; Schätz, Joachim. Gewohnte Gewalt. Häusliche Brutalität und heimliche Bedrohung im Spannungskino. Wien: Sonderzahl, 297-304.

Bronfen, Elisabeth. Lohengrin und Superman: die dunkle Seite der Superhelden. In: Lohengrin: Programmbuch, 2022, 90-100.

Schneider, Gerold; Reveilhac, Maud (2022). Measuring Attitudes to Migration in the Media automatically with Complementary Data Sources and Methods. In: Ronan, Patricia; Ziegler, Evelyn. Approaches to Migration and Language Identity. Oxford, Bern, Berlin, Bruxelles, New York, Wien: Peter Lang, 207-252.

Schneider, Gerold (2022). Medical topics and style from 1500 to 2018. In: Hiltunen, Turo; Taavitsainen, Irma. Corpus pragmatic studies on the history of medical discourse. Amsterdam: Benjamins, 49-78.

Migrations and contacts. Edited by: Frank, Michael C; Schreier, Daniel (2022). Heidelberg: Universitätsverlag Winter.

Hundt, Marianne (2022). N-is Focalizers as Semi-fixed Constructions: Modeling Variation across World Englishes. Journal of English Linguistics, 50(2):115-141.

Bronfen, Elisabeth (2022). Ophélie: La belle défunte. In: Musée de la Vie romantique. Héroïnes romantiques. Paris: Editions Paris Musées, 44-46.

Mattli, Alan (2022). Policing the border in Lucas Pope’s computer game ‚Papers, Please‘. In: Frank, Michael C; Schreier, Daniel. Migrations and Contacts. Heidelberg: Universitätsverlag Winter, 99-117.

Oppliger, Rahel (2022). Post-head compression in noun phrase referring expressions: structural change in interactive communication. In: Sommerer, Lotte; Keizer, Evelien. English Noun Phrases from a Functional-Cognitive Perspective : Current issues. Amsterdam: John Benjamins Publishing, 108-133.

Binotto, Johannes Binotto (2022). Practices of Viewing VII: Distance (video essay). https://transferences.org: [s.n.].

Binotto, Johannes Binotto (2022). Practices of Viewing VIII: Dubbing (video essay). https://transferences.org: [s.n.].

Pragmatics of Space. Edited by: Jucker, Andreas H; Hausendorf, Heiko (2022). Berlin/Boston: De Gruyter.

Schneider, Gerold (2022). Recent changes in spoken British English according to spoken BNC2014. In: Flach, Susanne; Hilpert, Martin. Broadening the spectrum of corpus linguistics: New approaches to variability and change. Amsterdam: John Benjamins Publishing, 173-195.

Timofeeva, Olga (2022). Review of Mary Kate Hurley (2021), Translation Effects: Language, Time, and Community in Medieval England. Anglistik, 33(2):273-276.

Dunkel, George E. (2022). Rgvedic Family Grammar. Innsbruck: Institut für Sprachwissenschaft der Universität Innsbruck.

Timofeeva, Olga (2022). Royal chancery after 1066: Lexical choice, change and negotiation. Neuphilologische Mitteilungen, 123(2):32-60.

Straumann, Barbara (2022). Schulden in der Literatur: Mit Charles Dickens im Schuldgefängnis. Bulletin Schweizerische Akademie der Geistes- und Sozialwissenschaften (SAGW), 3:36-40.

Bronfen, Elisabeth. Spike Lee's Joints. In: Filmpodium, 2022, 37-39.

Binotto, Johannes (2022). Synced. NECSUS, 11(1):304-308.

Schneider, Gerold (2022). Syntactic changes in verbal clauses and noun phrases from 1500 onwards. In: Los, Bettelou; Cowie, Claire; Honeybone, Patrick. English Historical Linguistics: Change in Structure and Meaning. Amsterdam: John Benjamins Publishing, 163-200.

Dunkel, George E (2022). Testing the Anukramani. In: Scharf, Peter. Sabdanugamah: Indian Linguistic Studies in Honor of George Cardona; Volume 2: Vedic, Indo-European and Other Linguistic Studies. Providence: Sanskrit Library, 241-257.

Timofeeva, Olga (2022). The art of dying: Making a will in Old English and its sociolinguistic context. Studia Anglica Posnaniensia, 57(1):109-129.

Binotto, Johannes (2022). close by. Georges Franju, the uncanny, and the moving frame (video essay). https://transferences.org: [s.n.].

Mühlheim, Martin (2022). “Black But Comely”: Settler-Colonial Identity, African Whiteness, and Intertextuality in James L. Sims’s Travel Narrative “Scenes in the Interior of Liberia” (1858). SPELL: Swiss Papers in English Language and Literature, 41:71-97.

Röthlisberger, Melanie (2021). Between context and community: Regional variation in register effects in the English dative alternation. In: Seoane, Elena; Biber, Douglas. Corpus-based Approaches to Register Variation. Amsterdam / Philadelphia: John Benjamins Publishing, 111-142.

Ittensohn, Mark (2021). Frankenstein and Romantic scrapbook culture. In: Ittensohn, Mark; Bevan Zlatar, Antoinina; Steiner - Karafili, Enit; Timofeeva, Olga. Words, Books, Images, and the Long Eighteenth Century. Amsterdam: John Benjamins, 151-168.

Words, Books, Images, and the Long Eighteenth Century. Edited by: Bevan Zlatar, Antoinina; Ittensohn, Mark; Steiner, Enit Karafili; Timofeeva, Olga (2021). Amsterdam: John Benjamins.

Schoch, Hannah (2021). Staging Revolutions: "Hamilton. An American Musical", Genre Affordances, and the Political Dynamics of Cultural Circulation. In: Ritzer, Ivo. Media and Genre: Dialogues in Aesthetics and Cultural Analysis. London: Palgrave Macmillan, 105-128.

Seiler, Annina (2021). Review of: Claudia Di Sciacca, Concetta Giliberto, Carmela Rizzo and Loredana Teresi (eds). 2018. Studies on Late Antique and Medieval Germanic Glossography and Lexicography in Honour of Patrizia Lendinara. 2 vols. Pisa: Edizioni ETS. Anglia : Journal of English Philology, 139(4):764-773.

Timofeeva, Olga (2021). Women and inheritance in medieval England. In: Frauen im europäischen Mittelalter, Zürich, UZH, 19 October 2021, Universität Zürich.

Hilpert, Martin; Flach, Susanne (2021). Disentangling modal meanings with distributional semantics. Digital Scholarship in the Humanities, 36(2):307-321.

Jucker, Andreas H (2021). Features of orality in the language of fiction: A corpus-based investigation. Language and Literature, 30(4):341-360.

Montedoro, Beatrice (2021). Evelyn Tribble, Early Modern Actors and Shakespeare’s Theatre: Thinking with the Body. Notes & Queries, 67(4):573-575.

Flood, Maria; Frank, Michael C (2021). How 9/11 changed cinema. Melbourne: The Conversation.

Bronfen, Elisabeth. Warum Neugierde so wichtig ist. In: NZZ Folio, 3 September 2021, 70-73.

Tottie, Gunnel (2021). Not-negation revisited: variation between a and any in verb complements in contemporary spoken American English. English Language and Linguistics, 25(3):513-535.

Seiler, Annina (2021). Review: The Emergence and Development of English: An Introduction. By William A. Kretzschmar, Jr. Cambridge Introductions to the English Language.Cambridge: Cambridge University Press, 2018. Vi + 262. ISBN: 9781108469982 (hardback). Journal of English Linguistics, 49(3):349-352.

Jucker, Andreas H (2021). Methodological issues in digital conversation analysis. Discourse, Context & Media, 42(100520):100520.

Hundt, Marianne (2021). “The next Morning I got a Warrant for the Man and his Wife, but he was fled”: Did sociolinguistic factors play a role in the loss of the be-perfect? In: Kranich, Svenja; Breban, Tine. Lost in Change: Causes and Processes in the Loss of Grammatical Elements and Constructions. Amsterdam: John Benjamins Publishing, 199-233.

Perez, Danae Maria; Schmalz, Mirjam (2021). Complex patterns of variety perception in the Eastern Caribbean. In: Perez, Danae Maria; Sippola, Eeva. Postcolonial Language Varieties in the Americas. Berlin, Boston: De Gruyter, 269-290.

Timofeeva, Olga (2021). The role of binominals in the Pater Noster table of the Vernon MS, f. 231v. In: ICEHL, Graphic literacy workshop, Leiden, Zoom, 7 June 2021, Universität Leiden.

Hundt, Marianne; Röthlisberger, Melanie; Seoane, Elena (2021). Predicting voice alternation across academic Englishes. Corpus Linguistics and Linguistic Theory, 17(1):189-222.

Schreier, Daniel (2021). Variation and third age: a sociolinguistic perspective. Linguistics Vanguard, 7(s2):20200030.

Binotto, Johannes (2021). Videoessays: Zeigen als Intervention. Zürich: Geschichte der Gegenwart.

Zullo, Davide; Pfenninger, Simone E; Schreier, Daniel (2021). A pan-Atlantic 'multiple modal belt'? American Speech: a Quarterly of Linguistic Usage, 96(1):7-44.

Flach, Susanne (2021). From movement into action to manner of causation: changes in argument mapping in the into-causative. Linguistics, 59(1):247-283.

Staley, Larssyn; Jucker, Andreas H (2021). “The uh deconstructed pumpkin pie”: the use of 'uh' and 'um' in Los Angeles restaurant server talk. Journal of Pragmatics, 172:21-34.

Frank, Michael C (2021). "The insecurity state": Anti-terrorism legislation and the politics of fear in Kamila Shamsie's "Home Fire". Journal for the Study of British Cultures, 28(2):209-224.

Binotto, Johannes (2021). Abstandshalter. Von Skalierungen, Schleiern, Rinnsteinen und der Frage der Distanz. In: Maeder, Jso. CHR.K. Journal um eine Erwartung. 1995-2018. St. Gallen, Berlin: Vexer, 189-197.

Ghilardi, Morgane (2021). Artifice and the Superheroes of the 21st Century: Post-Cinematic Reflections on Constructedness. In: Anders, Lisann. The Force of The Umbrella Academy: Essays on Voices and Violence in the Comics and Netflix Series. Jefferson, North Carolina: McFarland & Company, Inc., 70-87.

Frick, Deborah. Authority and Authorship in Medieval and Seventeenth Century Women's Visionary Writings. 2021, University of Zurich, Faculty of Arts.

Eberle, Nicole. Bermudian English – A Sociohistorical and Linguistic Profile. 2021, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2021). Bücherschau "Eric S. Mallin, Reading Shakespeare in the Movies: Non-Adaptations and Their Meaning". Shakespear Jahrbuch, 2021:262-263.

Die Gleichheit der Geschlechter : Eine Literaturgeschichte der Aufklärung. Edited by: Karremann, Isabel (2021). Heidelberg: Metzler.

Karrermann, Isabel (2021). Einführung: Die Gleichheit der Geschlechter. In: Karremann, Isabel. Die Gleichheit der Geschlechter : Eine Literaturgeschichte der Aufklärung. Stuttgart: J. B. Metzler Verlag, 5-19.

Schreier, Daniel (2021). English varieties outside of North America. In: Bruhn de Garavito, Joyce; Schwieter, John W.. Introducing linguistics: theoretical and applied approaches. Cambridge: Cambridge University Press, 593-602.

Bronfen, Elisabeth (2021). Entlarvende Emotionen. In: Kunst- und Ausstellungshalle der Bundesrpublik Deutschland; DFF; Rainer Werner Fassbinder Foundation. Methode Rainer Werner Fassbinder: eine Retrospektive. Berlin: Hatje Cantz, 140-149.

Straumann, Barbara (2021). Fatal Resemblances: Cross-mapping Hitchcock's Vertigo with Nabokov's Lolita. In: Gottlieb, Sidney; Martin, Donal. Haunted by Vertigo: Hitchcock's Masterpiece Then and Now. New Barnet/Bloomington: John Libbey Publishing/Indiana University Press, 95-116.

Karremann, Isabel (2021). From Insular Territory to Global Terrains of Consciousness: The Case of Robinson Crusoe and The Farther Adventures. In: Karremann, Isabel; Ackermann, Zeno; Malhotra, Simi; Nishat, Zaidi. Terrains of Consciousness: Multilogical Perspectives on Globalization. Würzburg: Würzburg University Press, 13-34.

Bronfen, Elisabeth (2021). Genuss. In: Edition Hochparterre. Ganz : Schweizer Landschaftsarchitektur der Gegenwart. Zürich: Hochparterre Verlag für Architektur, Planung und Design, 154-171.

Seiler, Annina (2021). Germanic names, vernacular sounds, and Latin spellings in early Anglo-Saxon and Alemannic charters. In: Gallagher, Robert; Roberts, Edward; Tinti, Francesca. The Languages of Early Medieval Charters : Latin, Germanic Vernaculars, and the Written Word. Leiden: Brill, 117-153.

Bevan Zlatar, Antoinina (2021). God Talk: seeing and hearing the dialogue in heaven in Paradise Lost. Milton Studies, 63(2):211-241.

Leitner, Magdalena; Jucker, Andreas H (2021). Historical Sociopragmatics. In: Haugh, Michael; Kádár, Dániel Z; Terkourafi, Marina. The Cambridge Handbook of Sociopragmatics. Cambridge: Cambridge University Press, 687-709.

Bronfen, Elisabeth (2021). Inszenierung des Ungewissen: von Frauenzimmern und Zwischenräumen. In: Kunz, Stephan. Zilla Leutenegger: ZILLAGORILLA. Wien: VfmK Verlag für moderne Kunst GmbH, 77-84.

Oppliger, Rahel. Interaction and Language Change: Noun Phrase Referring Expressions in Spoken Task-Based Dialogue. 2021, University of Zurich, Faculty of Arts.

Bevan Zlatar, Antoinina (2021). Introduction - Words, Books, Images, and the Long Eighteenth Century : Essays for Allen Reddick. In: Bevan Zlatar, Antoinina; Ittensohn, Mark; Steiner-Karafili, Enit; Timofeeva, Olga. Words, Books, Images, and the Long Eighteenth Century : Essays for Allen Reddick. Amsterdam: John Benjamins Publishing, 2-16.

Schmalz, Mirjam. Language Attitudes in St. Kitts – Changing Norms of English and Creole in a Caribbean Community. 2021, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2021). Literature's Pandemic Archive. www.abridged.zone: Abridged.

Straumann, Barbara (2021). Long Live the Queen! Queen Victoria as a National Icon in Film. In: Keller, Daniela; Habermann, Ina. Brexit and Beyond : Nation and Identity. Tübingen: Narr Francke Attempto, 41-60.

Bevan Zlatar, Antoinina (2021). Milton among the Iconoclasts. In: Depledge, Emma; Garrison, John; Nicosia, Marissa. Making Milton: Print, Authorship, Afterlives. Oxford: Oxford University Press, 123-140.

Höhn, Simone Eva. One Great Family: Domestic Relationships in Samuel Richardson's Novels. 2021, University of Zurich, Faculty of Arts.

Höhn, Simone Eva (2021). One Great Family: Domestic Relationships in Samuel Richardson’s Novels. Tübingen: Narr Francke Attempto Verlag.

Binotto, Johannes Binotto (2021). Practices of Viewing I: F.FWD (video essay). https://transferences.org: [s.n.].

Binotto, Johannes Binotto (2021). Practices of Viewing II: Pause (video essay). https://transferences.org: [s.n.].

Binotto, Johannes Binotto (2021). Practices of Viewing III: Muted (video essay). https://transferences.org: [s.n.].

Binotto, Johannes Binotto (2021). Practices of Viewing IV: Screenshot (video essay). https://transferences.org: [s.n.].

Binotto, Johannes Binotto (2021). Practices of Viewing V: Mask (video essay). https://transferences.org: [s.n.].

Binotto, Johannes Binotto (2021). Practices of Viewing VI: Loop (video essay). https://transferences.org: [s.n.].

Bronfen, Elisabeth (2021). Resettling the Frontier: der Western im zeitgenössischen TV-Drama. In: Peltzer, Anja; Ahrens, Jörn. Politik der Grenze: interdisziplinäre Perspektiven auf die Frontier im Western der Gegenwart. Köln: Herbert von Halem Verlag, 68-87.

Timofeeva, Olga (2021). Review of Shana Poplack. 2018. Borrowing: Loanwords in the Speech Community and in the Grammar. English World-Wide: a journal of varieties of English, 42(2):237-241.

Karremann, Isabel (2021). Review: Shaping Remembrance from Shakespeare to Milton. By Patricia Philippy. Cambridge: Cambridge University Press. 2018. xii+269 pp. £80. ISBN 978–1–108–42298–7. Modern Language Review, 116(1):163-165.

Bronfen, Elisabeth (2021). Serial Politics of the Equal Rights Amendment: Revisiting a Feminist Legacy. Amerikastudien / American Studies, 66(1):89-94.

Röthlisberger, Melanie (2021). Social constraints on syntactic variation: The role of gender in Jamaican English ditransitive constructions. In: Bernaisch, Tobias. Gender in World Englishes. Cambridge: Cambridge University Press, 147-175.

Karremann, Isabel; Ackermann, Zeno; Malhotra, Simi; Zaidi, Nishat (2021). Terrains of Consciousness: Multilogical Perspectives on Globalization. Würzburg: Würzburg University Press.

Bronfen, Elisabeth (2021). The Embodied Self Fragmented and Recomposed: Hannah Villiger's Photographic Sculptures. In: Dal Molin, Gioia. Hannah Villiger : Roma and Afterwards. Italien: Mousse Publishing, 150-158.

Locher, Miriam A; Jucker, Andreas H (2021). The Pragmatics of Fiction: Literature, Stage and Screen Discourse. Edinburgh: Edinburgh University Press.

Dunkel, George E (2021). The oral style of the Rgveda. Oral Tradition, 35(1):3-36.

Suter, Edgar (2021). The subject inflections of the Mek languages: a comparative reconstruction. NUSA: Linguistic studies of languages in and around Indonesia, 71:1-20.

Bronfen, Elisabeth (2021). Traumfabrik Shakespeare. In: Missing, Link. Traumstationen: Geheimagent Traum. Zürich: Scheidegger & Spiess, 218-231.

Müller, Serge. Vulgar Greatness and Common Lords: The Rhetoric of Ambiguity and the Poets of the Nobility in Samuel Johnson's "Lives of the Poets". 2021, University of Zurich, Faculty of Arts.

Binotto, Johannes (2021). Übertragungstörungen. Psychoanalyse als Tontechnik. In: Lenhart, Peter; Strauss, Harald; Wulftange, Gereon; Zahn, Manuel. Übertragungen. Zur Politik der Beziehungen. Berlin: Parados, 54-77.

Bevan Zlatar, Antoinina (2021). “The pretious life-blood of a master spirit”: Thomas Hollis and the Body and Spirit of John Milton’. In: Bevan Zlatar, Antoinina; Ittensohn, Mark Claudio; Steiner-Karafili, Enit; Timofeeva, Olga. Words, Books, Images, and the Long Eighteenth Century : Essays for Allen Reddick. Amsterdam: John Benjamins Publishing, 122-150.

Schneider, Gerold; Hundt, Marianne; Schreier, Daniel (2020). Pluralized non-count nouns across Englishes: a corpus-linguistic approach to dialect typology. Corpus Linguistics and Linguistic Theory, 16(3):515-546.

Castelli, Stella. Death Is Served: American Recipes for Murder - A Serial Compulsion. 2020, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth. Mein kulinarisches ABC. In: Tagespiegel Sonntag, 24362, 15 November 2020, 5.

Anders, Lisann (2020). Diversity and Unity in the TV Show Community. Alcalá de Henares, Madrid: PopMeC Research Blog.

Flach, Susanne (2020). Schemas and the frequency/acceptability mismatch: Corpus distribution predicts sentence judgments. Cognitive Linguistics, 31(4):609-645.

Flach, Susanne (2020). Reduction Hypothesis revisited: Frequency or association? In: Sanchez-Stockhammer, Christina; Günther, Franziska; Schmid, Hans-Jörg. Language in mind and brain: Multimedial proceedings of the workshop held at LMU Munich, December 10–11, 2018. München: LMU Open Access, 16-22.

Keller, Jonas (2020). The Leipzig-Jakarta list as a means to test Old English / Old Norse mutual intelligibility. NOWELE (North-Western European Language Evolution), 73(2):252-275.

Bronfen, Elisabeth (2020). Serial Shakespeare: An infinite variety of appropriations in American TV drama. Manchester: Manchester University Press.

Röthlisberger, Melanie; Tagliamonte, Sali A (2020). The social embedding of a syntactic alternation: variable particle placement in Ontario English. Language Variation and Change, 32(3):317-348.

Bronfen, Elisabeth (2020). Angesteckt: Zeitgemässes über Pandemie und Kultur. Zürich: Echtzeit Verlag.

Bronfen, Elisabeth. Im Kino kann man Katastrophen geniessen. In: Süddeutsche Zeitung, 200, 31 August 2020, 11.

Flach, Susanne (2020). Beyond modal idioms and modal harmony: a corpus-based analysis of gradient idiomaticity in mod + adv collocations. English Language and Linguistics, aop:online.

Anders, Lisann (2020). Seeing the Invisible: Batman's Gotham and Green Arrow's Star City Unmasked. The PopMeC: the US in popular media and culture.

Narratives of the War on Terror: Global Perspectives. Edited by: Frank, Michael Clemens; Malreddy, Pavan Kumar (2020). New York and London: Routledge.

Anders, Lisann (2020). Communication in Postmodern Urban Fiction : The Shadow of Imagination. Newcastle upon Tyne: Cambridge Scholars Publishing.

Castelli, Stella (2020). The Reality of Text is Manifold: Performances of Writerliness in Supernatural's "The Real Ghostbusters". In: Macklem, Lisa; Grace, Dominick. Supernatural: Out of the Box : Essays on the Metatextuality of the Series. Jefferson, North Carolina: McFarland & Co, 15-27.

Tamaredo, Ivan; Röthlisberger, Melanie; Grafmiller, Jason; Heller, Benedikt (2020). Probabilistic indigenization effects at the lexis–syntax interface. English Language and Linguistics, 24(2):413-440.

Tuominen-Pope, Josefina Johanna. Romantic Celebrity, Literary Periodicals, and the Dichotomy of High and Popular Culture: The Reception of Lord Byron and John Clare. 2020, University of Zurich, Faculty of Arts.

Graën, Johannes; Alfter, David; Schneider, Gerold (2020). Using Multilingual Resources to Evaluate CEFRLex for Learner Applications. In: 12th Conference on Language Resources and Evaluation (LREC 2020), Marseille, 11 May 2020 - 16 May 2020. European Language Resources Association, 346-355.

Stefanowitsch, Anatol; Flach, Susanne (2020). Too big to fail but big enough to pay for their mistakes: A collostructional analysis of the patterns [too ADJ to V] and [ADJ enough to V]. In: Corpas Pastor, Gloria; Colson, Jean-Pierre. Computational Phraseology. Amsterdam: John Benjamins Publishing, 248-272.

Flach, Susanne (2020). Constructionalization and the Sorites Paradox: the emergence of the into-causative. In: Sommerer, Lotte; Smirnova, Elena. Nodes and networks in Diachronic Construction Grammar. Amsterdam: John Benjamins Publishing, 46-67.

Ljungberg, Christina (2020). Criss-crossing James Joyce's Ulysses: Chiasmus and Cognition. In: Fischer, Olga; Perniss, Pamela; Ljungberg, Christina. Operationalizing Iconicity. Amsterdam: John Benjamins Publishing, 200-210.

Rivera Godoy-Benesch, Rahel (2020). The production of lateness: old age and creativity in contemporary narrative. Tübingen: Narr Francke Attempto Verlag.

Castelli, Stella (2020). Freddy and Jason – Their New Full-Length Feature. Lehigh University: Horror Homeroom.

Schneider, Gerold (2020). Spelling normalisation of Late Modern English: comparison and combination of VARD and character-based statistical machine translation. In: Kytö, Merja; Smitterberg, Eric. Late Modern English: novel encounters. Amsterdam: John Benjamins Publishing, 243-268.

Bronfen, Elisabeth. Ich und meine Küche. In: NZZ am Sonntag, 2 February 2020, 8.

Bronfen, Elisabeth. Die erste US-Präsidentin? Da kriegen wir ja die Krise! In: NZZ am Sonntag, 19 January 2020, 57-58.

Anders, Lisann (2020). The normal abnormal: the case of 'Cirque du freak: the vampire's assistant'. In: Cutler-Broyles, Teresa. The big top on the big screen: explorations of the circus in film. Jefferson, NC, USA: McFarland, 47-59.

Bronfen, Elisabeth; Zinsli, Hans Jürg. Was das Kriegskino mit uns macht. In: Tages-Anzeiger, 14 January 2020, 31.

Binotto, Johannes (2020). In Lag of Knowledge. The Video Essay as Parapraxis. In: Herzogenrath, Bernd. Practical Aesthetics. London, New York: Bloomsbury Academic, 83-93.

Schreier, Daniel (2020). World Englishes and their dialect roots. In: Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W. The Cambridge Handbook of World Englishes. Cambridge: Cambridge University Press, 384-407.

Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W (2020). World Englishes: an introduction. In: Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W.. The Cambridge Handbook of World Englishes. Cambridge: Cambridge University Press, 1-21.

Bronfen, Elisabeth (2020). "Mourning Sickness": Bunny Rogers' Theater der Erinnerung. In: Trummer, Thomas. Bunny Rogers: Kind Kingdom. Bregenz: Kunsthaus Bregenz, 151-181.

Bronfen, Elisabeth (2020). "Mourning Sickness": Bunny Rogers' Theater of Commemoration. In: Trummer, Thomas. Bunny Rogers: Kind Kingdom. Bregenz: Kunsthaus Bregenz, 152-181.

Ronan, Patricia; Schneider, Gerold (2020). A Man who Was Just an Incredible Man, an Incredible Man: Age Factors and Coherence in Donald Trump’s Spontaneous Speech. In: Schneider, Ulrike; Eitelmann, Matthias. Linguistic Inquiries into Donald Trump’s Language : From ‘Fake News’ to ‘Tremendous Success’. London: Bloomsbury, 62-84.

Binotto, Johannes (2020). Abstand : Zu Hayao Miyazakis "Tonari no Totoro". Filmbulletin: Zeitschrift für Film und Kino, (390):24-25.

Bronfen, Elisabeth (2020). Apple Pie: ein amerikanischer Alltagsmythos. In: Frizzoni, Brigitte; Lötscher, Christine. "Bring me that horizon!": Neue Perspektiven auf Ästhetik und Praxis populärer Literatur und Medien. Zürich: Chronos Verlag, 249-254.

Binotto, Johannes (2020). Aufladung : Zu Sidney Lumets "Running on Empty". Filmbulletin: Zeitschrift für Film und Kino, (385):51-52.

Strebel, Stefanie. Between Dream Houses and ‹God's Own Junkyard›: Architecture and the Built Environment in Suburban Fiction. 2020, University of Zurich, Faculty of Arts.

Ang-Tschachtli, Silja. Bilingual Couples in Conversation. 2020, University of Zurich, Faculty of Arts.

Staicov, Adina. Creating belonging in San Francisco Chinatown's diasporic community : morphosyntactic aspects of indexing ethnic identity. 2020, Universtät Zürich, Faculty of Arts.

Binotto, Johannes (2020). Destabilisierung der Lust. Zu Jane Campions "The Piano". Filmbulletin: Zeitschrift für Film und Kino, (387):24-25.

Karremann, Isabel (2020). Die Crusoe-Trilogie als Utopie der Einsamkeit. In: Bergmann, Ina; Klein, Dorothea. Kulturen der Einsamkeit. Würzburg: Königshausen & Neumann, 195-210.

Die Feministische Aufklärung in Europa / The Feminist Enlightenment across Europe. Edited by: Karremann, Isabel; Stiening, Gideon (2020). Hamburg: Felix Meiner Verlag.

Taavitsainen, Irma; Jucker, Andreas H (2020). Digital pragmatics of English. In: Adolphs, Svenja; Knight, Dawn. The Routledge Handbook of English Language and Digital Humanities. London: Routledge, 107-124.

Binotto, Johannes (2020). Dispositiv Kino : Zu Preston Sturges "Sullivan's Travels". Filmbulletin: Zeitschrift für Film und Kino, (387):20-21.

Bronfen, Elisabeth (2020). Diven in der Kunstgeschichte. In: Abramovic, Marina. Marina Abramović: 7 Deaths of Maria Callas. Bayern: Bayerische Staatsoper, 34-43.

Binotto, Johannes (2020). Ein anderer Ausgang : Zu Rainer Werner Fassbinders "Welt am Draht". Filmbulletin: Zeitschrift für Film und Kino, (386):22-23.

Bronfen, Elisabeth (2020). Eine Frage des Geschmacks. In: Ahlers, Lisa Anette. Amuse-bouche - der Geschmack der Kunst : interdisziplinäres Symposium zu Geschmack und Esskultur. Berlin: Hatje Cantz, 48-53.

Binotto, Johannes (2020). F.FWD (Practices of Viewing 1). schnittstellen.me: Practices of Viewing.

Karremann, Isabel; Stiening, Gideon (2020). Feministische Aufklärung in Europa – Skizze eines Forschungsprogramms. Aufklärung. Interdisziplinäres Jahrbuch zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte, 32:5-15.

Bronfen, Elisabeth (2020). Frozen into Allegory: Cleopatra's Cultural Survival. In: Violi, Alessandra; Grespi, Barbara; Pinotti, Andrea; Conti, Pietro. Bodies of Stone in the Media, Visual Culture, and the Arts. Amsterdam: Amsterdam University Press, 305-316.

Seiler, Annina (2020). How to Catch Your Unicorn: Defining Meaning in Ælfric's Glossary, the Oxford English Dictionary, and Urban Dictionary. Dictionaries, 41(2):245-276.

Binotto, Johannes (2020). Ideologiekritik und/als analyse textuelle. In: Hagener, Malte; Pantenburg, Volker. Handbuch Filmanalyse. Wiesbaden: Springer, 291-308.

Pabst, Katharina; Konnelly, Lex; Röthlisberger, Melanie; Tagliamonte, Sali A. (2020). Individual- vs. community-level variation: new evidence from variable (t,d) in Canadian English. In: Asahi, Yoshiyuki. Proceedings of Methods XVI : Papers from the Sixteenth International Conference on Methods in Dialectology, 2017. Bern: Peter Lang, 17-25.

Bronfen, Elisabeth (2020). Intermediale Übersetzbarkeit: Shakespeares Nachreife im zeigenössischen seriellen TV-Drama. In: Schülting, Sabine. Shakespear-Jahrbuch 2020: Übersetzung. Stuttgart: Kröner Verlag, 145-169.

Taavitsainen, Irma; Jucker, Andreas H (2020). Introduction - Manners, norms and transgressions in the history of English : literary and linguistic approaches. In: Jucker, Andreas H; Taavitsainen, Irma. Manners, Norms and Transgressions in the History of English : Literary and linguistic approaches. Amsterdam: John Benjamins Publishing, 1-23.

Binotto, Johannes (2020). Kontinuierliche Synkope : Zu Michelangelo Antonionis "L'Eclisse". Filmbulletin: Zeitschrift für Film und Kino, (389):24-25.

Manners, norms and transgressions in the history of English : literary and linguistic approaches. Edited by: Jucker, Andreas H; Taavitsainen, Irma (2020). Amsterdam: John Benjamins Publishing.

Mühlheim, Martin (2020). Meaningful Lines. Babylonia: Zeitschrift für Sprachunterricht und Sprachenlernen, (2):34-41.

Bronfen, Elisabeth (2020). Meret Oppenheims Apfelgeschichte: Der Traum als poetischer Ausdruck der Fantasie. Quarto: Zeitschrift des Schweizerischen Literaturarchivs, (48):65-72.

Binotto, Johannes (2020). Muttersprache : Zu Fredi Murers "Höhenfeuer". Filmbulletin: Zeitschrift für Film und Kino, (391):24-25.

Timofeeva, Olga (2020). On the margins of Bible translation: English decalogues and their circulation in the thirteenth–fourteenth centuries. Aevum, 94(2):317-340.

Callegaro, Elena. Parallel Corpora for the Investigation of (Variable) Article Use in English – A Construction Grammar Approach. 2020, University of Zurich, Faculty of Arts.

Jucker, Andreas H (2020). Politeness in the history of English: from the Middle Ages to the present day. Cambridge: Cambridge University Press.

Karremann, Isabel (2020). Post-Reformatorische Gedächtniskultur in Edmund Spensers ‚The Ruines of Time‘. In: Klein, Dorothea. Formen der Selbstthematisierung in der vormodernen Lyrik. Hildesheim: Weidmannsche Verlagsbuchhandlung GmbH, 321-339.

Bevan Zlatar, Antoinina (2020). Reading Anne Clifford's Books in the Company of Samuel Daniel. Aufklärung. Interdisziplinäre Halbjahreschrift zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte, 32:35-65.

Karremann, Isabel (2020). Religion and the Feminist Enlightenment in England: The case of Mary Astell. Aufklärung. Interdisziplinäres Jahrbuch zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte, 32:67-86.

Van Driessche, Laetitia (2020). Review of Hansen (2018): Corpus Linguistics and Sociolinguistics: A Study of Variation and Change in the Modal Systems of World Englishes. English World-Wide: a journal of varieties of English, 41(3):377-382.

Staub, Lyutsiya. Revisiting Renoir, Manet and Degas : impressionist figure paintings in contemporary anglophone art fiction. 2020, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2020). Schillernde Erbschaft - Judith Shakespeare. In: Jost, Rita; Kronenberg, Heidi. Gruss aus der Küche: Texte zum Frauenstimmrecht. Zürich: Rotpunktverlag, 186-193.

Binotto, Johannes (2020). Schärfe ziehen : Zu John Boormans "Point Blank". Filmbulletin: Zeitschrift für Film und Kino, (384):22-23.

Bronfen, Elisabeth (2020). Shakespeare's Darkness: A stage and state of mind. In: Dunn, Nick; Edensor, Tim. Rethinking Darkness: Culture, Histories, Practices. London: Routledge, 38-49.

Frank, Michael C (2020). Swift, Graham: Wish You Were Here. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (KLL). Stuttgart: J.B. Metzler, 1-2.

Lehmann, Hans Martin. Syntactic Variation, Change, and Lexical Preference: a Corpus-Based Study. 2020, University of Zurich, Faculty of Arts.

Tjon-A-Meeuw, Olivia (2020). The Daughters of Bertha Mason: Caribbean Madwomen in Laura Fish’s 'Strange Music'. In: Maier, Sarah E; Ayres, Brenda. Neo-Victorian Madness: Rediagnosing Nineteenth-Century Mental Illness in Literature and Other Media. Cham: Palgrave Macmillan, 73-95.

Ittensohn, Mark. The Frame Tale in Late Romantic Britain: Genre and Authorial Hybridity. 2020, Universität Zürich, Faculty of Arts.

Karremann, Isabel (2020). The Inheritance of Loss: Post-Reformation Memory Culture and the Limits of Antiquarian Discourse. In: Cummings, Brian; Law, Ceri; Wallace, Bronwyn; Walsham, Alexandra. Remembering the Reformation. London: Routledge, 41-58.

Jucker, Andreas H (2020). The discourse of manners and politeness in Restoration and eighteenth-century drama. In: Jucker, Andreas H; Taavitsainen, Irma. Manners, Norms and Transgressions in the History of English : Literary and linguistic approaches. Amsterdam: John Benjamins Publishing, 102-120.

Timofeeva, Olga (2020). The lexicalisation of a Middle English binominal. In: Pérez Lorido, Rodrigo; Prado-Alonso, Carlos; Rodríguez-Puente, Paula. Of ye Olde English Langage and Textes: New Perspectives on Old and Middle English Language and Literature. Berlin: Peter Lang, 51-80.

Anders, Lisann (2020). Trapped in the Body: The Fragmentation of Body & Mind in Chuck Palahniuk's Fight Club. In: Angonese, Giulia; Dainese, Francesca; Vareshi, Carlo; Nicolini, Andrea. À Corps Perdu : limiti, costruzioni e intensità del corpo. Alessandria, Italy: Edizioni dell'Orso, 297-309.

Binotto, Johannes (2020). Wahn der Gewissheit. Amerikanische Paranoia, amerikanisches Kino. Filmbulletin: Zeitschrift für Film und Kino, (389):4-13.

Schreier, Daniel (2020). When contact does not matter: the robust nature of vernacular universals. In: Beaman, Karen; Buchstaller, Isabelle; Fox, Sue; Walker, James A. Advancing socio-grammatical variation and change: Sociolinguistic research in honour of Jenny Cheshire. London: Routledge, 303-318.

Binder, Sabine. Women and Crime in Post-Transitional South African Crime Fiction – A Study of Female Victims, Perpetrators and Detectives. 2020, University of Zurich, Faculty of Arts.

Zipp, Lena (2019). World Englishes, migration and diaspora. In: Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W. The Cambridge Handbook of World Englishes. Cambridge, 120-141.

Bronfen, Elisabeth; Violi, Alessandra (2019). Ghosting her dead body. Women: A Cultural Review, 30(4):411-439.

Jucker, Andreas H (2019). Review of: Ehrhardt, Claus, und Eva Neuland (Hrsg.). Sprachliche Höflichkeit. Historische, aktuelle und künftige Perspektiven. Tübingen: Narr Francke Attempto (2017). Zeitschrift für Rezensionen zur Germanistischen Sprachwissenschaft, 11(1-2):8-11.

Binotto, Johannes. Kino im Spiegellabyrinth. Wie Hollywood über sich selber nachdenkt. In: Programmheft Stadtkino Basel, December 2019, 11-13.

Gutbrodt, Fritz (2019). Leslie Fiedler: "Why not, then, invent a New New Criticism, a Post-Modernist criticism?". In: Fries, Thomas; Zanetti, Sandro. Revolutionen der Literaturwissenschaft 1966-1971. Zürich: Diaphanes, 241-255.

Frey Büchel, Nicole (2019). On identification and narrative identity: self-formation in Bharati Mukherjee's "Jasmine". In: Riquet, Johannes; Heusser, Martin. Imaging identity: text, mediality and contemporary visual culture. Cham: Palgrave Macmillan, 123-145.

Szmrecsanyi, Benedikt; Röthlisberger, Melanie (2019). World Englishes from the perspective of dialect typology. In: Schreier, Daniel; Hundt, Marianne; Schneider, Edgar W. The Cambridge handbook of world Englishes. Cambridge: Cambridge University Press, 534-558.

Bitterli, Dieter (2019). Exeter Book Riddle 95: 'The Sun', a New Solution. Anglia : Journal of English Philology, 137(4):612-638.

Binotto, Johannes (2019). Crossing another river: border and transgression in the films of Sam Peckinpah. In: Stiglegger, Marcus; Escher, Anton. Mediale Topographien: Beiträge zur Medienkulturgeographie. Wiesbaden: Springer VS, 97-111.

Anders, Lisann (2019). Making her own destiny: Disney's diverse females. In: Frankel, Valerie. Fourth wave feminism in science fiction and fantasy. Volume 1: essays on film representations, 2012-2019. Jefferson, NC, USA: McFarland, 39-48.

Smirnova, Elena; Mailhammer, Robert; Flach, Susanne (2019). The role of atypical constellations in the grammaticalization of German and English passives. Diachronica, 36(3):384-416.

Bronfen, Elisabeth. Mad Women. In: Republik, 27 August 2019, online.

Bronfen, Elisabeth. High Noon – aber nicht ohne Frauen. In: Republik, 30 July 2019, online.

Bronfen, Elisabeth. Satire, Fake, Realsatire. In: Republik, 25 June 2019, online.

Bronfen, Elisabeth. Begehren und Aufbegehren. In: Republik, 4 June 2019, online.

Timofeeva, Olga (2019). Chancery norms before Chancery English?: templates in royal writs from Alfred the Great to William the Conqueror. Journal of Historical Pragmatics, 20(1):51-77.

Binotto, Johannes (2019). Unerträgliche Exzesse: zum Ekel im Film. Filmbulletin: Zeitschrift für Film und Kino, 61(379):4-12.

Binotto, Johannes. Im Rausch der Sinne: Kino als Ekstase. In: Programmheft Kino Rex Bern, May 2019, 4-8.

Bronfen, Elisabeth. Der Glamour der Gewalt. In: Republik, 30 April 2019, online.

Jucker, Andreas H (2019). Speech act attenuation in the history of English: the case of apologies. Glossa, 4(1):45.

Schreier, Daniel (2019). /h/ insertion as a 'camouflaged archaism'?: dialect contact, colonial lag and the feature pool in South Atlantic English. Diachronica, 36(1):37-65.

Bronfen, Elisabeth. Fragliche Gerechtigkeit. In: Republik, 2 April 2019, online.

Keller, Thomas. Engel in der Unterwelt: Scott Walker (1943-2019). In: WOZ: Die Wochenzeitung, 13, 28 March 2019, 25.

Frank, Michael C (2019). Antizipationen des nächsten Anschlags: zur Rolle der Imagination im Sicherheitsdiskurs nach 9/11. In: Becker, Johannes; Bühler, Benjamin; Pravica, Sandra; Willer, Stefan. Zukunftssicherung: kulturwissenschaftliche Perspektiven. Bielefeld: transcript Verlag, 123-146.

Bronfen, Elisabeth. Karneval der Spione. In: Republik, 5 March 2019, online.

Zipp, Lena (2019). Review of Sandra C. Deshors, Sandra Götz and Samantha Laporte (eds.). 2018. Rethinking Creativity in Non-Native Englishes. Amsterdam: John Benjamins. ICAME Journal, 43(1):123-128.

Bronfen, Elisabeth. Tod des Tyrannen. In: Republik, 7 February 2019, online.

Röthlisberger, Melanie; Szmrecsanyi, Benedikt (2019). Dialect typology: recent advances. In: Brunn, Stanley; Kehrein, Roland. Handbook of the Changing World Language Map. Cham: Springer, 1-26.

Bronfen, Elisabeth. Machtlust. In: Republik, 8 January 2019, online.

Hundt, Marianne (2019). My language, my identity: negotiating language use and attitudes in the New Zealand Fiji Indian diaspora. Asian Englishes, 21(1):2-21.

Callegaro, Elena; Clematide, Simon; Hundt, Marianne; Wick, Sara (2019). Variable article use with acronyms and initialisms: a contrastive analysis of English, German and Italian. Languages in Contrast, 19(1):48-78.

Binotto, Johannes (2019). Vorläufiges: sieben Thesen zum Vorspann. Filmbulletin: Zeitschrift für Film und Kino, 61(376):4-11.

Binotto, Johannes. Zeit nehmen. Und geben: warum lange Filme mehr als nur lang sind. In: Programmheft Kino Xenix, January 2019, 2-5.

Bronfen, Elisabeth (2019). "You've gotten your pound of flesh!": Shakespeare im Zeitalter der Fernsehserie. Filmbulletin: Zeitschrift für Film und Kino, (3):4-11.

Sobral Mourao, Ana (2019). 'My body is burning with the shame of not belonging': Gender, violence and shame in diasporic Somali women's writings. European Journal of English Studies, 23(3):326-339.

Keller, Thomas. A Practicological Modernism – Wyndham Lewis and British Art Rock. 2019, University of Zurich, Faculty of Arts.

Binotto, Johannes (2019). Amerika 1839: unheimliche Transmissionen. In: Kiening, Christian; Stercken, Martina. Medialität: historische Konstellationen. Zürich: Chronos, 399-406.

Binotto, Johannes (2019). Analyse in Bewegung. Der Videoessay als Zukunft der Filmkritik. In: Brunner, Philipp; Fischer-Smid, Tereza; Kuhn, Marius. Freie Sicht aufs Kino. Filmkritik in der Schweiz. Marburg: Schüren Verlag, 157-172.

Binotto, Johannes (2019). Analyse in Bewegung: der Videoessay als Zukunft der Filmkritik. In: Brunner, Philipp; Fischer-Smid, Tereza; Kuhn, Marius. Freie Sicht aufs Kino: Filmkritik in der Schweiz. Marburg: Schüren Verlag, 157-172.

Straumann, Barbara (2019). Apotheose des Stars: moderne Formen der Bewunderung. In: Grunenberg, Christoph; Fischer-Hausdorf, Eva. Ikonen: was wir Menschen anbeten. München: Hirmer, 329-339.

Binotto, Johannes (2019). Beschwörung: zu Werner Herzogs "Grizzly Man". Filmbulletin: Zeitschrift für Film und Kino, 61(377):18-19.

Bronfen, Elisabeth (2019). Bjørn Melhus. Göttingen: Wallstein Verlag.

Binotto, Johannes (2019). Brennender Stern, Loch im Film: zu "Gone with the wind". Filmbulletin: Zeitschrift für Film und Kino, 61(382):18-19.

Bronfen, Elisabeth (2019). Crossmapping: a hermeneutic practice. In: von Sass, Hartmut. Between/Beyond/Hybrid: new essays on transdisciplinarity. Zürich: Diaphanes, 133-146.

Lehmann Imfeld, Zoë Christina (2019). Decadent horror fiction and fin-de-siècle neo-Thomism. In: Beal, Eleanor; Greenaway, Jonathan. Horror and religion: new literary approaches to theology, race and sexuality. Cardiff: University of Wales Press, 57-74.

Bronfen, Elisabeth (2019). Dem Tragischen Ausweichen: Shakespeares Winter’s Tale mit Hitchcocks Vertigo und Finchers Gone Girl gelesen. In: Brock, Eike; Lotter, Maria-Sybilla. Besser geht’s nur in der Komödie: Cavell über die moralischen Register von Literatur und Film. Freiburg: Verlag Karl Alber, 206-228.

Binotto, Johannes (2019). Der Arbeiter betritt den Film: zu "Death on the Nile". Filmbulletin: Zeitschrift für Film und Kino, 61(380):60-61.

Bronfen, Elisabeth (2019). Der gefährliche Traum der Wiederkehr: über Korngold, Poe, Hitchcock, Shakespeare. In: Koch, Christoph. Die tote Stadt: Oper in drei Bildern (Programm Bayerische Staatsoper). München: Bayerische Staatsoper, 70-79.

Bronfen, Elisabeth (2019). Durch den Spiegel in eine Parallelwelt. In: Lutz, Albert. Spiegel : Der Mensch im Widerschein. Zürich, Köln und Wienand: Museum Rietberg, 294-299.

Bronfen, Elisabeth (2019). Erotik des Tötens - tödliche Erotik: ein Motiv der Jagd. In: Egloff, Peter; Kunz, Stephan. Passion: Bilder von der Jagd. Zürich: Scheidegger & Spiess, 161-193.

Landert, Daniela (2019). Function-to-form mapping in corpora: historical corpus pragmatics and the study of stance expressions. In: Suhr, Carla; Nevlainen, Terttu; Taavitsainen, Irma. From data to evidence in English language research. Leiden: Brill, 169-190.

Jucker, Andreas H (2019). Internet pragmatics and the fuzziness of analytical categories: a response to Francisco Yus. Internet Pragmatics, 2(1):41-46.

Binotto, Johannes (2019). Jacques Lacan: "[L]’inconscient, c’est le discours de l’Autre.". In: Zanetti, Sandro; Fries, Thomas. Revolutionen der Literaturwissenschaft 1966–1971. Zürich: Diaphanes, 357-372.

Binotto, Johannes (2019). Konstruieren, was sein wird: zu Agnès Vardas "Uncle Yanco". Filmbulletin: Zeitschrift für Film und Kino, 61(379):48-49.

Ridealgh, Kim; Jucker, Andreas H (2019). Late Egyptian, Old English and the re-evaluation of Discernment politeness in remote cultures. Journal of Pragmatics, 144:56-66.

Popov, Aleksandar. Live sports commentating: a comparative study of cricket, football, horse racing and tennis commentaries. 2019, University of Zurich, Faculty of Arts.

Pagan, Heather; Seiler, Annina (2019). Multilingual annotations in Ælfric’s Glossary in London, British Library, Cotton Faustina A. x: A commented edition. Early Middle English, 1(2):13-64.

Perez, Danae Maria; Zipp, Lena (2019). On the relevance of voice quality in contact varieties: non-modal phonation type in Afro-Yungueño Spanish. Language Ecology, 3(1):3-27.

Paul, McCarthy (2019). Photography and Fiction: Our Unreal Stories. In: Grau, Donatien; Wiesner, Christoph. After the Crisis: Contemporary States of Photography. Zurich: diaphanes, 179-222.

Taavitsainen, Irma; Landert, Daniela (2019). Science. In: Brown, Peter. A new companion to Chaucer. Hoboken/Chichester: Wiley-Blackwell Publishing, Inc., 379-393.

Bronfen, Elisabeth (2019). Seriality. In: Paul, Heike. Critical Terms in Future Studies. Cham: Palgrave Macmillan, 273-280.

Constant, Mathieu; Eryivit, Gülcse; Ramisch, Carlos; Rosner, Mike; Schneider, Gerold (2019). Statistical MWE-aware parsing. In: Parmentier, Yannick; Waszczuk, Jakub. Representation and parsing of multiword expressions: current trends. Berlin: Language Science Press, 147-182.

Seiler, Annina (2019). Teaching the history of the English language backwards. In: Moore, Colette; Palmer, Chris C. Teaching the History of the English Language. New York: Modern Language Association, 137-146.

Frank, Michael C (2019). Terrorist Self-Fashioning: Politics, Identity and the Making of “Martyrdom” Videos – From the 7/7 Bombers to 'Four Lions'. In: Riquet, Johannes; Heusser, Martin. Imaging Identity: Text, Mediality and Contemporary Visual Culture. Cham: Palgrave Macmillan, 237-258.

Bronfen, Elisabeth (2019). The Mimicry of Care: Strategies of Sentimalism in 'Homeland' and 'House of Cards'. In: Haselstein, Ulla; Kelleter, Frank; Starre, Alexander; Weger, Birte. American Counter/Publics. Heidelberg: Universitätsverlag Winter, 313-324.

Frank, Michael C (2019). The Novel after 9/11: From Ground Zero to the "War on Terror". In: Baumbach, Sybille; Neumann, Birgit. New Approaches to the Twenty-First-Century Anglophone Novel. Cham: Palgrave Macmillan, 175-194.

Dreiding, Michelle. The Space Between. Toni Morrison’s Poetics of Liminality. 2019, University of Zurich, Faculty of Arts.

Straumann, Barbara (2019). The apotheosis of the star: modern forms of admiration. In: Grunenberg, Christoph; Fischer-Hausdorf, Eva. Icons: worship and admiration. Munich: Hirmer, 329-339.

Bronfen, Elisabeth (2019). The gothic at the heart of film and film theory. In: Hogle, Jerrold E; Miles, Robert. The gothic and theory: an Edinburgh companion. Edinburgh: Edinburgh University Press, 165-180.

Seiler, Annina (2019). The spelling of the Erfurt glossary. In: Nievergelt, Andreas; Rübekeil, Ludwig. 'athe in palice, athe in anderu sumeuuelicheru stedi'. Raum und Sprache: Festschrift für Elvira Glaser zum 65. Geburtstag. Heidelberg: Universit�tsverlag Winter, 525-540.

Bronfen, Elisabeth (2019). Theorie als Erzählung: Sigmund Freud. In: Mersch, Dieter; Sasse, Sylvia; Zanetti, Sandro. Ästhetische Theorie. Zürich: Diaphanes, 57-74.

Bronfen, Elisabeth (2019). Theory as narrative: Sigmund Freud. In: Mersch, Dieter; Sasse, Sylvia; Zanetti, Sandro. Aesthetic Theory. Zürich: Diaphanes, 53-68.

Bronfen, Elisabeth (2019). Underground glamour: the enchantments of Charles Atlas. In: Gygax, Raphael; Jaeggi, Martin. Charles Atlas. Zürich: Migros Museum für Gegenwartskunst & JRP Ringier, 39-56.

Binotto, Johannes; Gerber, Andrin (2019). Video/Game: Andri Gerber in Conversation with Johannes Binotto. In: Gerber, Andrin. Architectonics of Game Spaces: The Spatial Logic of the Virtual and its Meaning for the Real. Bielefeld: Transcript, 71-83.

Binotto, Johannes (2019). Von den Gesten: zu John Cassavetes' "A woman under the influence". Filmbulletin: Zeitschrift für Film und Kino, 61(381):44-45.

Bronfen, Elisabeth (2019). Vorwort zu 'Middlemarch'. In: Zerbst, Rainer. Middlemarch: eine Studie des Lebens in der Provinz. München: dtv, 5-13.

Bronfen, Elisabeth (2019). Weibliche Schönheit vor dem Spiegel. In: Lutz, Albert. Spiegel : Der Mensch im Widerschein. Zürich, Köln und Wienand: Museum Rietberg, 284-291.

Binotto, Johannes (2019). Weiterfahren, Linien zeichnen, Punkte machen: zu "Vanishing Point". Filmbulletin: Zeitschrift für Film und Kino, 61(376):44-45.

Hustvedt, Siri; Bronfen, Elisabeth (2019). Wenn Gefühle auf Worte treffen: ein Gespräch mit Elisabeth Bronfen. Zurich: Kampa Verlag.

Schoch, Hannah (2019). Zirkulierende Bildformeln zwischen Ost und West: Politiken des Populären und 'Shakespeare: the animated tales'. In: Ritzer, Ivo; Steinwender, Harald. Politiken des Populären: Medien--Kultur--Wissenschaft. Wiesbaden: Springer, 75-111.

Binotto, Johannes (2019). Zwischen den Kulissen: zu "White Christmas". Filmbulletin: Zeitschrift für Film und Kino, 61(383):18-19.

Seiler, Annina (2019). Ælfric’s Glossary in the Middle English Period. In: Stenroos, Merja; Mäkinen, Martti; Thengs, Kjetil V; Traxel, Oliver M. Current Explorations in Middle English: Selected papers from the 10th International Conference on Middle English (ICOME), University of Stavanger, Norway, 2017. Bern: Peter Lang, 285-307.

Lehmann Imfeld, Zoë Christina (2019). ‘The incalculable potency of community’: the role of science fiction in religion and science. Philosophy, Theology and the Sciences, 6(2):148-163.

Jucker, Andreas H (2019). “Oops, I forgot, sorry”: the spill cries oops and whoops in the history of American English. Lingue e Linguaggi, 31:15-33.

Bronfen, Elisabeth. Gespaltene Mutter der Nation. In: Republik, 5 December 2018, online.

Jucker, Andreas H (2018). Apologies in the History of English: Evidence from the Corpus of Historical American English (COHA). Corpus Pragmatics, 2(4):375-398.

Schneider, Gerold; Graën, Johannes (2018). NLP Corpus Observatory – Looking for Constellations in Parallel Corpora to Improve Learners’ Collocational Skills. In: 7th Workshop on NLP for Computer Assisted Language Learning at SLTC 2018 (NLP4CALL 2018), Stockholm, 7 November 2018. Linköping Electronic Conference Proceedings, 69-78.

Bronfen, Elisabeth. Die Zerstückelung Amerikas. In: Republik, 6 November 2018, online.

Bronfen, Elisabeth. Serielle Politik. In: Republik, 16 October 2018, online.

Hundt, Marianne (2018). It is time that this (should) be studied across a broader range of Englishes: a global trip around mandative subjunctives. In: Deshors, Sandra C. Modeling World Englishes. Assessing the interplay of emancipation and globalization of ESL varieties. Amsterdam: John Benjamins Publishing, 217-244.

Bronfen, Elisabeth. Nach dem Aufstand. In: Republik, 18 September 2018, online.

Frank, Michael C (2018). "Why do they hate us?": Terrorists in American and British fiction of the mid-2000s. In: Herman, Peter C. Terrorism and Literature. Cambridge: Cambridge University Press, 340-360.

Schreier, Daniel; Marković, Milan; Petković, Saša (2018). "i sall synge in haboundance of gastly softne" : /h/ insertion in Middle English: methodology, data mining and some first interpretations. SELIM : Journal of the Spanish Society for Mediaeval English Language and Literature, 23:115-136.

Jucker, Andreas H; Hausendorf, Heiko; Dürscheid, Christa; Frick, Karina; Hottiger, Christoph; Kesselheim, Wolfgang; Linke, Angelika; Meyer, Nathalie; Steger, Antonia (2018). Doing space in face-to-face interaction and on interactive multimodal platforms. Journal of Pragmatics, 134:85-101.

Grafmiller, Jason; Szmrecsanyi, Benedikt; Röthlisberger, Melanie; Heller, Benedikt (2018). General introduction: a comparative perspective on probabilistic variation in grammar. Glossa, 3(1):1-10.

Frank, Michael C; Malreddy, Pavan Kumar (2018). Global Responses to the "War on Terror". European Journal of English Studies, 22(2):92-102.

Oppliger, Rahel (2018). Whatever the specific circumstances, …: a construction grammar perspective of wh-ever clauses in English. In: Seoane, Elena; Acuña-Fariña, Carlos; Palacios-Martínez, Ignacio. Subordination in English: Synchronic and Diachronic Perspectives. Berlin: De Gruyter, 263-284.

Timofeeva, Olga; Ingham, Richard (2018). Inroduction - Special issue on mechanisms of French contact influence in Middle English: diffusion and maintenance. English Language and Linguistics, 22(2):197-205.

Mechanisms of French contact influence in Middle English: diffusion and maintenance. Edited by: Timofeeva, Olga; Ingham, Richard (2018). Cambridge: Cambridge University Press.

Timofeeva, Olga (2018). Mid ðare soðe luue ðe is icleped karite: Pastoral care and lexical innovation in the thirteenth century. SELIM Journal of the Spanish Society for Mediaeval English Language and Literature, 23:55-85.

Timofeeva, Olga (2018). Survival and loss of Old English religious vocabulary between 1150 and 1350. English Language and Linguistics, 22(2):225-247.

Schneider, Gerold (2018). Differences between Swiss High German and German German via data-driven methods. In: SwissText 2018: 3rd Swiss Text Analytics Conference, Winterthur, 12 June 2018 - 13 June 2018.

Straumann, Barbara (2018). Female Performers in British and American Fiction. Berlin: De Gruyter.

Rivera Godoy-Benesch, Rahel (2018). Blaue Stunden von Joan Didion, 2012. Angewandte Gerontologie Appliquée, 3(2):47-48.

Frank, Michael C (2018). Two worlds in one book: "Ways of Sunlight" and the migrant short story cycle. In: Gill, Patrick; Kläger, Florian. Constructing coherence in the British short story cycle. New York and London: Routledge, 127-141.

Caspar, Cyril L. (2018). The Last Pilgrimage to Eternity: Protestant Paths to the Afterlife in Early Modern English Poetry. Bielefeld: Transcript Verlag.

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Straumann, Barbara (2018). Admired and reviled: figures of finance capitalism in Martin Scorsese's "The Wolf of Wall Street" (2013) and Anthony Trollope's "The Way We Live Now" (1875). In: Zwierlein, Anne-Julia; Petzold, Jochen; Boehm, Katharina; Decker, Martin. Anglistentag 2017 Regensburg: Proceedings. Trier: WVT Wissenschaftlicher Verlag Trier, 145-157.

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Reddick, Allen (2018). By deeds of stealth: English books abroad in the mid-eighteenth century. In: Orgis, Rahel; Heim, Matthias. Fashioning England and the English: literature, nation, gender. Cham: Palgrave Macmillan, 121-145.

Binotto, Johannes (2018). Closed Circuits. Immanence as Disturbance in High Definition Cinema. In: Koch, Lars; Nanz, Tobias; Pause, Johannes. Disruption in Arts. Berlin, Boston: De Gruyter, 171-185.

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Barwick, Kane. Darkness repeating : a Derridean analysis of Charles Dickens' Our mutual friend, Great expectations and Bleak house. 2018, University of Zurich, Faculty of Arts.

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Binotto, Johannes (2018). Drin bleiben: Zur Kadrage in Ida Lupinos Regiearbeiten. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 126-140.

Bronfen, Elisabeth (2018). Enchanted visions : ghostly media from E.T.A. Hoffmann to Alfred Hitchcock. In: Brewster, Scott; Thurston, Luke. The Routledge Handbook to the Ghost Story. New York: Routledge, 361-369.

Binotto, Johannes (2018). Extremes Sprechen. Zur Stimme von Werner Herzog. In: Bachmann, Alejandro; Koch, Michelle. Echos. Zum dokumentarischen Werk Werner Herzogs. Berlin: Vorwerk 8, 204-216.

Mühlheim, Martin (2018). Fictions of Home: Narratives of Alienation and Belonging, 1850-2000. Tübingen: Narr Francke Attempto.

Schneider, Gerold; Grigonyte, Gintare (2018). From Lexical Bundles to Surprisal and Language Models: measuring the idiom principle on native and learner language. In: Kopaczyk, Joanna; Tyrkkö, Jukka. Applications of Pattern-driven Methods in Corpus Linguistics. Amsterdam: Benjamins, 15-56.

Jucker, Andreas H (2018). Historische Pragmatik. In: Liedtke, Frank; Tuchen, Astrid. Handbuch Pragmatik. Stuttgart: J. B. Metzler, 132-139.

Bronfen, Elisabeth (2018). Hollywood und das Projekt Amerika : Essays zum kulturellen Imaginären einer Nation. Bielefeld: transcript Verlag.

Bronfen, Elisabeth (2018). Hurray for Hollywood. Philosophy and Cinema According to Stanley Cavell. In: Herzogenrath, Bernd. Film as Philosophy. Minneapolis: University of Minnesota Press, 180-199.

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Hundt, Marianne; Staicov, Adina (2018). Identity in the London Indian diaspora: towards the quantification of qualitative data. World Englishes, 37:166-184.

Lehmann Imfeld, Zoe (2018). Imagination as co-creation: science and theology through the lens of science-fiction literature. In: Lehmann Imfeld, Zoe; Losch, Andreas. Our common cosmos: exploring the future of theology, human culture and space sciences. London: Bloomsbury, 125-140.

Bronfen, Elisabeth (2018). Internal enmity: Hollywood's fragile home stories in the 1950s and 1960s. In: Pettey, Homer B.. Cold War Film Genres. Edinburgh, UK: Edinburgh University Press, 123-143.

Jucker, Andreas H (2018). Introduction to part 4: Observational pragmatics. In: Jucker, Andreas H; Schneider, Klaus P.; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 335-342.

Jucker, Andreas H (2018). Introduction to part 5: Corpus pragmatics. In: Jucker, Andreas H; Schneider, Klaus P; Bublitz, Wolfram. Methods in Pragmatics. Berlin: De Gruyter, 455-466.

Straumann, Barbara (2018). Maggie Smith: Grand Old Lady of British Cinema. Filmpodium, 2018(Juli-Sep):4-6.

Binotto, Johannes (2018). Mann, Michael. In: Foerster, Lukas; Perneczky, Nikolaus. The real eighties: amerikanisches Kino der Achtzigerjahre: ein Lexikon. Wien: SYNEMA Gesellschaft für Film und Medien, 114-119.

Ljungberg, Christina (2018). Mapping Utopia. In: Riquet, Johannes; Kollmann, Elizabeth. Spatial modernities : geography, narrative, imaginaries. New York: Routledge, 42-56.

Loren, Scott (2018). Mediating the Crisis: Revisionary Economics in Oliver Stone’s Wall Street Films. In: Parvulescu, Constantin. Global Finance on Screen: From Wall Street to Side Street. London: Taylor & Francis, 123-140.

Methods in pragmatics. Edited by: Jucker, Andreas H; Schneider, Klaus P.; Bublitz, Wolfram (2018). Berlin: De Gruyter Mouton.

Ghilardi, Morgane Aeysha (2018). Never Fear (1949). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino : die zwei Seiten der Kamera. Berlin: Bertz und Fischer, 159-165.

Rivera Godoy-Benesch, Rahel (2018). No place for female creativity?: challenging male traditions of the Bildungsroman and the Künstlerroman in Karen Blixen’s "The Dreamers". Variations, 26:73-83.

Schoch, Hannah (2018). Not Wanted (1949). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 152-158.

Bronfen, Elisabeth (2018). Parallel editing, double time: Mad Men's time machine. Zeitschrift für Medien- und Kulturforschung, 9(1):33-48.

Bronfen, Elisabeth (2018). Rethinking genre memory: Hitchcock's Vertigo and its revision. In: Vaughan, Hunter; Conley, Tom. The Anthem handbook of screen theory. New York City, NY, U.S.A.: Anthem Press, 193-208.

Hundt, Marianne (2018). Review of Debra Ziegeler. 2015. Converging Grammars: Constructions in Singapore English. Boston, Berlin: de Gruyter. English World-Wide: a journal of varieties of English, 39(2):243-249.

Zipp, Lena (2018). Review of: Anna M. Babel (ed.). Awareness and control in sociolinguistic research. Cambridge, U.K.: Cambridge University Press. 2016. Journal of Sociolinguistics, 22(1):123-128.

Bronfen, Elisabeth (2018). Rezension zu: Marvin Keith Booker, Bob Batchelor: Mad Men: A Cultural History. Medienwissenschaft : Rezensionen, 2018(1):94-96.

Leitner, Magdalena (2018). Rezension/Book Review of : Requests in American and British English : A Contrastive Multi-method Analysis by Ilka Flöck, John Benjamins. Journal of Pragmatics, 124:125-127.

Bronfen, Elisabeth (2018). Schlussakkord / Zu neuen Ufern / La Habanera. In: Beyer, Friedemann; Grob, Norbert. Der NS-Film. Ditzingen: Reclam, 195-207.

Binotto, Johannes (2018). The Bigamist (1953). In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz + Fischer, 179-189.

Castelli, Stella (2018). The Hitch-Hiker (1953). In: Bronfen, Elisabeth; Schoch, Hannah; Ritzer, Ivo. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 190-196.

Frey Büchel, Nicole (2018). The indivisibility of change: the challenge of trauma to the genre of coming-of-age narratives. IAFOR Journal of Arts & Humanities, 5(1):23-34.

Hundt, Marianne (2018). Variable article usage with institutional nouns: An “oddment” of English? In: Ho-Cheong Leung, Alex; van der Wurff, Wim. The Noun Phrase in English. Past and present. Amsterdam: John Benjamins, 113-142.

Bronfen, Elisabeth (2018). Verwehte Spuren. In: Beyer, Friedemann; Grob, Norbert. Der NS-Film. Ditzingen, 234-245.

Seoane, Elena; Hundt, Marianne (2018). Voice alternation and authorial presence : variation across disciplinary areas in academic english. Journal of English Linguistics, 46(1):3-22.

Binder, Sabine. Women in Crime: victims, perpetrators and detectives in post-transitional South African crime fiction. 2018, University of Zurich, Faculty of Arts.

Binotto, Johannes (2018). Übertragungsstörungen. Psychoanalyse als Tontechnik. Journal für Psychoanalyse, (59):88-111.

Bevan Zlatar, Antoinina (2018). ‘“Flowers wrought in carpets”: looking afresh at the Homily against Peril of Idolatrie. In: Pitassi, Maria-Cristina; Solfaroli Camillocci, Daniela. Crossing traditions: essays on reformation and intellectual history: in honour of Irena Backus. Leiden: Brill, 386-404.

Schneider, Gerold; El-Assady, Menna; Lehmann, Hans Martin (2017). Tools and Methods for Processing and Visualizing Large Corpora. Studies in Variation, Contacts and Change in English, 19:online.

Studer-Joho, Dieter (2017). A catalogue of manuscripts known to contain Old English dry-point glosses. Tübingen: Narr Francke Attempto.

Frank, Michael C (2017). Respondenz zu: Doris Bachmann-Medick, "Jenseits der Konsensgemeinschaft – Kulturwissenschaften im 'socio-political turn'?". Zeitschrift für Kulturwissenschaften, 2017(2):111-114.

Grigonyte, Gintare; Schneider, Gerold (2017). Measuring Encoding Efficiency in Swedish and English Language Learner Speech Production. In: Interspeech 2017, Stockholm, 19 August 2017 - 24 August 2017. ISCA, 1779-1783.

Lehmann Imfeld, Zoë Christina; Vainio, Olli-Pekka (2017). Kummituksia, avaruusaluksia ja teologiaa. Zoë Lehmann Imfeldin haastattelu. Finland: https://www.areiopagi.fi.

Jucker, Andreas H (2017). Speech acts and speech act sequences: greetings and farewells in the history of American English. Studia Neophilologica:1-20.

Vrana, Leo; Schneider, Gerold (2017). Saying Whatever It Takes: Creating and Analyzing Corpora from US Presidential Debate Transcripts. In: Corpus Linguistics Conference 2017, Birmingham, 25 July 2017 - 28 July 2017, 537-544.

Zipp, Lena (2017). Code-switching in the media: Identity negotiations in a Gujarati diaspora radio program. International Journal of the Sociology of Language, 247:33-48.

Seiler, Annina (2017). Book review: Peter Orton, Writing in a Speaking World: The Pragmatics of Literacy in Anglo-Saxon Inscriptions and Old English Poetry. Medieval and Renaissance Texts and Studies 445. Tempe: Arizona Center for Medieval and Renaissance Studies, 2014. Speculum, 92(3):877-879.

Hundt, Marianne; Gardner, Anne-Christine (2017). Corpus-based approaches : watching english change. In: Brinton, Laurel. English Historical Linguistics: Approaches and Perspectives. Cambridge: Cambridge University Press, 96-130.

Frank, Michael C (2017). The cultural imaginary of terrorism in public discourse, literature, and film: narrating terror. London and New York: Routledge.

Schneider, Gerold; Pettersson, Eva; Percillier, Michael (2017). Comparing Rule-based and SMT-based Spelling Normalisation for English Historical Texts. In: Proceedings of the NoDaLiDa 2017 Workshop on Processing Historical Language, Gothenburg, 22 May 2017. Linköping University Electronic Press, Linköpings universitet, 40-46.

Caspar, Cyril L. The Last Pilgrimage to Eternity: Protestant Paths to the Afterlife in Early Modern English Poetry. 2017, University of Zurich, Faculty of Arts.

Frank, Michael C (2017). Das Tattoo als Tabu: kulturelle Grenzgänger und ihre Tätowierungen in der Kolonialliteratur – von Gonzalo Guerrero bis Jean-Baptiste Cabri. In: Därmann, Iris; Macho, Thomas. Unter die Haut: Tätowierungen als Logo- und Piktogramme. München: Wilhelm Fink, 99-134.

Gardner, Anne-Christine; Hundt, Marianne; Kindlimann, Moira (2017). Digitization of the Mary Hamilton papers. ICAME Journal, 41(1):3-30.

Timofeeva, Olga (2017). Lexical loans and their diffusion in old english: of ‘gospels’, ‘martyrs’, and ‘teachers'. Studia Neophilologica, 89(2):215-237.

Ittensohn, Mark (2017). Fictionalising the Romantic Marketplace: Self-reflexivity in the Early-Nineteenth-Century Frame Tale. Victoriographies, 7(1):25-41.

Reddick, Allen (2017). Lynda Mugglestone. Samuel Johnson and the Journey into Words. International Journal of Lexicography, 30(3):382-387.

Bollinger, Claudine; Lehmann Imfeld, Zoë Christina. Monster als Haustier. In: unipress, 170, 1 February 2017, 12-13.

Schreier, Daniel (2017). Dialect formation in isolated communities. Annual Review of Linguistics, 3:347-362.

Schoenenberger, Petra. Transformations of the Supernatural: Problems of Representation in the Work of Daniel Defoe. 2017, University of Zurich, Faculty of Arts.

Ljungberg, Christina (2017). Reading as mapping. In: Tally, Robert T. Jr. The Routledge Handbook of LIterature and Space. London: Routledge, 95-105.

Ljungberg, Christina (2017). The sensorial effectiveness of Laure Prouvost's art. Versus, 1/2017(124):75-87.

Seiler, Annina (2017). Untangling the strands: The spelling of the Épinal glossary. In: Dusil, Stephan; Schwedler, Gerald; Schwitter, Raphael. Exzerpieren - Kompilieren - Tradieren : Transformationen des Wissens zwischen Spätantike und Frühmittelalter. Berlin: De Gruyter, 153-174.

Bevan Zlatar, Antoinina (2017). "The image of their glorious maker": looking at representation and similitude in Milton's Paradise Lost. In: Bevan Zlatar, Antoinina; Timofeeva, Olga. What is an image in medieval and early modern England? Tübingen: Narr Francke Attempto, 241-265.

Jucker, Andreas H; Staley, Larssyn (2017). (Im)politeness and developments in methodology. In: Culpeper, Jonathan; Haugh, Michael; Kádár, Dániel Z. The Palgrave Handbook of Linguistic (Im)politeness. London: Palgrave Macmillan, 403-429.

Bevan Zlatar, Antoinina (2017). Anne Clifford and her Bible. Studies in English Literature, 1500-1900, 57(1):157-180.

Höhn, Simone (2017). Catherine Ingrassia (ed.), The Cambridge Companion to Women's Writing in Britain, 1660-1789, Cambridge University Press, 2015 (review). Variations, 25:182-183.

Jucker, Andreas H (2017). Chapter 9: Pragmatics and Discourse. In: Brinton, Laurel J; Bergs, Alexaner. The History of English/Historical Outlines from Sound to Text. Berlin: De Gruyter, 165-184.

Röthlisberger, Melanie; Grafmiller, Jason; Szmrecsanyi, Benedikt (2017). Cognitive indigenization effects in the English dative alternation. Cognitive Linguistics, 28(4):673-710.

Timofeeva, Olga (2017). Cum saca et soca, et tol et theam: the status of english terminology in latin acta of william the conqueror. Mittellateinisches Jahrbuch, 52(2):195-215.

Leitner, Magdalena (2017). Curses or threats? Debating the power of witches’ words in 17th-century Scottish courtrooms. Nordic Journal of English Studies (NJES), 16(1):145-170.

Binotto, Johannes (2017). Death | Drive | Image: Bill Morrison's "Tributes – Pulse: A Requiem for the 20th Century". In: Herzogenrath, Bernd. The Films of Bill Morrison. Aesthetics of the Archive. Amsterdam: Amsterdam University Press, 241-251.

Straumann, Barbara (2017). Debt and the Moral Imagination in Middlemarch. The Yearbook of Comparative Literature, 60:125-148.

Bitterli, Dieter (2017). Der Bilderhimmel von Hergiswald. Salenstein: Benteli.

Bronfen, Elisabeth (2017). Der Pate / Der Pate 2. In: Grog, Norbert; Kiefer, Bernd; Ritzer, Ivo. New Hollywood : Stilepoche des Films. Stuttgart: Reclam, 170-181.

Dimensions of iconicity. Edited by: Zirker, Angelika; Bauer, Matthias; Fischer, Olga; Ljungberg, Christina (2017). Amsterdam and Philadelphia: John Benjamins.

Schreier, Daniel (2017). Early Twentieth-Century Tristan da Cunha h'English. In: Hickey, Raymond. Listening to the past: audio records of accents of English. Cambridge: Cambridge University Press, 484-501.

Binotto, Johannes (2017). Feedback. Zur Theorie der Serie. In: ETH Graphische Sammlung. On Series, Scenes and Sequences. Zürich: Edition Fink, 535-547.

Binotto, Johannes (2017). Film / Architektur. Eine Einführung. In: Binotto, Johannes. Film | Architektur. Basel: Birkhäuser, 10-22.

Straumann, Barbara; Mieszkowski, Sylvia (2017). Force Fields of Serial Narration. In: Berns, Ute; Mathieson, Jolene. Anglistentag 2016 Hamburg : Proceedings. Trier: Wissenschaftlicher Verlag Trier, 151-160.

Bronfen, Elisabeth (2017). Freuds zeitgemässe Gedanken über Krieg und Kino: Zum narrativen Umgang mit dem Tod in The Big Red One und The Thin Red Line. In: Tippner, Anja; Laferl, Christopher F. Extreme Erfahrungen: Grenzen des Erlebens und der Darstellung. Berlin, Deutschland: Kulturverlag Kadmos, 225-249.

Bronfen, Elisabeth (2017). Hexenkessel. In: Grog, Norbert; Kiefer, Bernd; Ritzer, Ivo. New Hollywood : Stilepoche des Films. Stuttgart: Reclam, 208-218.

Jucker, Andreas H; Kopaczyk, Joanna (2017). Historical (im)politeness. In: Culpeper, Jonathan; Haugh, Michael; Kádár, Dániel Z. The Palgrave Handbook of Linguistic (Im)politeness. London: Springer, 433-459.

Binotto, Johannes (2017). Ideologiekritik und/als analyse textuelle. In: Hagener, Malte; Pantenburg, Volker. Handbuch Filmanalyse / 2017 Online. Wiesbaden: Springer, online.

Jucker, Andreas H; Locher, Miriam A (2017). Introducing Pragmatics of Fiction: Approaches, trends and developments. In: Locher, Miriam A; Jucker, Andreas H. Pragmatics of Fiction. Berlin: De Gruyter, 1-22.

Riquet, Johannes (2017). Island Spatialities. In: Tally Jr, Robert T. The Routledge Handbook of Literature and Space. Abingdon: Routledge, 214-229.

Castelli, Stella (2017). It's All Fun and Games Until the Laughter Ceases: The Fine Line Between Humor and Horror. Variations, 25:69-81.

Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone (2017). Language History Meets Psychology. In: Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone. The Changing English Language: Psycholinguistic Perspectives. Cambridge: Cambridge University Press, 1-17.

Literatura e Outras Artes : Construção da Memória em Angola e Moçambique. Edited by: Ineke, Phaf-Rheinberger; Sobral, Ana; Pantoja, Selma (2017). Frankfurt am Main: Peter Lang Verlag.

Landert, Daniela (2017). Meta-communicative expressions and situational variation of stance marking: I say and I tell (you) in Early Modern English dialogues. Nordic Journal of English Studies, 16(1):120-144.

Landert, Daniela; Miscione, Gianluca (2017). Narrating the stories of leaked data: The changing role of journalists after Wikileaks and Snowden. Discourse, Context & Media, 19:13-21.

Straumann, Barbara (2017). Noise and Voice: Female Performers in George Meredith, George Eliot and Isak Dinesen. In: Mieszkowski, S; Nieberle, S. Unlaute : Noise / Geräusch in Kultur, Medien und Wissenschaften seit 1900 (unter Mitarbeit von Innokentij Kreknin). Bielefeld: Transcript, 239-260.

Landert, Daniela (2017). Participation as user involvement. In: Hoffmann, Christian R; Bublitz, Wolfram. Pragmatics of Social Media. Berlin: De Gruyter, 31-60.

Pragmatics of Fiction. Edited by: Locher, Miriam A; Jucker, Andreas H (2017). Berlin: De Gruyter Mouton.

Binotto, Johannes (2017). Prekäre Schauplätze: Der Film als das Unheimliche der Architektur. In: Binotto, Johannes. Film | Architektur. Basel: Birkhäuser, 10-28.

Bronfen, Elisabeth (2017). Reigen nächtlicher Begegnungen: Chantal Akermanns TOUTE UNE NUIT. Film-Konzepte, 47:41-54.

Binotto, Johannes (2017). Reverse Shots: Vom Wiedersehen der Fotografie im Film. In: Meier, Marco. Auf der Suche nach dem fotografischen Unikat. Zwischen analoger und digitaler Reproduktion. Zürich: Rüffer & Rub Sachbuchverlag, 76-93.

Landert, Daniela (2017). Review of Birte Bös and Lucia Kornexl (eds.). Changing Genre Conventions in Historical English News Discourse. Advances in Historical Sociolinguistics 5. Amsterdam/Philadelphia, PA: Benjamins, 2015. Anglia : Journal of English Philology, 135(2):358-362.

Binotto, Johannes (2017). SCHUTZBAUTEN. Matte paintings, glass shots und die Durchbrüche der Phantasie. Zeitschrift für Medienwissenschaft, 17(2):16-30.

Schreier, Daniel; Perez, Danae Maria; Eberle, Nicole (2017). Settler varieties. In: Canagarajah, Suresh. The Routledge Handbook of Migration and Language. London, 243-257.

Bronfen, Elisabeth (2017). Shakespeare seriell gedacht : Erinnern, wiederholen, durcharbeiten. In: Angeloch, Dominic; Lange-Kirchheim, Astrid; Pietzcker, Carl. Jahrbuch für Literatur und Psychoanalyse : Shakespeare. Freiburg im Breisgau: Königshausen & Neumann, 293-320.

Landert, Daniela (2017). Stance in Fiction. In: Locher, Miriam A; Jucker, Andreas H. Pragmatics of Fiction. Berlin: De Gruyter, 489-514.

The Changing English Language: Psycholinguistic Perspectives. Edited by: Hundt, Marianne; Mollin, Sandra; Pfenninger, Simone E (2017). Cambridge: Cambridge University Press.

Reddick, Allen (2017). The Example of Samuel Johnson : Analyzing Literary Language. Farmington Hills: Gale.

Sobral Mourao, Ana (2017). Trenches of the mind: rap music in Angola and the (re-)construction of national identity. In: Sobral Mourao, Ana; Macedo, Tânia; Pantoja, Selma; Phaf-Rheinberger, Ineke. Literatura e outras artes: construção da memória em Angola e Moçambique. Bern: Peter Lang, 123-154.

Stamp Bahadur, Lilly. Troubled masculinity: the rake and the fop in the English comedy between 1662 and 1728. 2017, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2017). Unsaubere Schnittflächen: Mit Susan Sontag den Krieg betrachten. In: Dieter, Anna-Lisa; Tiedtke, Silvia. Radikales Denken : Zur Aktualität Susan Sontags. Zürich: Diaphanes, 195-218.

Jucker, Andreas H; Landert, Daniela (2017). Variation and change: Historical pragmatics. In: Barron, Anne; Gu, Yuego; Steen, Gerard. The Routledge Handbook of Pragmatics. London: Routledge, 79-90.

Bronfen, Elisabeth (2017). Vorwort: Ivo Ritzer. Medialität der Mise-en-scène. Zur Archäologie telekinematischer Räume. In: Ritzer, Ivo. Medialität der Mise-en-scène. Zur Archäologie telekinematischer Räume. Wiesbaden: Springer, VII-X.

What is an Image in Medieval and Early Modern England? Edited by: Bevan Zlatar, Antoinina; Timofeeva, Olga (2017). Tübingen: Narr.

Seiler, Annina (2017). Zur Graphematik des i-Umlauts im Altenglischen und Althochdeutschen. In: Waxenberger, Gaby; Sauer, Hans; Kazzazi, Kerstin. Von den Hieroglyphen zur Internetsprache: Das Verhältnis von Laut, Schrift und Sprache. Wiesbaden: Reichert, 97-110.

Straumann, Barbara. Jane Austen Goes to the Movies: Die 'Austenmania' des Kinos. In: Kinok, December 2016, 4-9.

Rivera Godoy-Benesch, Rahel (2016). "Komm süsser Tod". Frauen und Alterssuizid. : Die feministisch-theologische Zeitschrift der Schweiz.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction - The New Energy Crisis : Climate, Economics and Geopolitics. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah. New Approaches in English Linguistics : Building Bridges. Amsterdam: Springer, 1-12.

New Approaches in English Linguistics : Building Bridges. Edited by: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah (2016). Amsterdam: Benjamins.

Variations Nr. 24 : Ursprünge / Origines / Origins. Edited by: Barras, Roxane; Drath, Marie; Haensler, Philippe; Heine, Stefanie; Höhn, Simone; Hofmann, Tatjana; Ittensohn, Mark; Özelt, Clemens; Zöllner, Reto (2016). Bern: Peter Lang.

Lehmann Imfeld, Zoë Christina; Wüthrich, Urs. Gespensterforscherin hilft Astrophysikern auf die Sprünge: Interview von Urs Wüthrich. In: Berner Zeitung, 6 October 2016, 3.

Sobral Mourao, Ana; Malreddy, Pavan (2016). Violent worlds: three readings from the global south. In: Anglistentag Hamburg, Hamburg, Germany, 21 September 2016 - 24 September 2016. Wissenschaftlicher Verlag Trier, 245-256.

Oppliger, Rahel (2016). Automatic authorship attribution based on character n-grams in Swiss German. In: KONVENS 2016, Bochum, 19 September 2016 - 21 September 2016. Universitätsverlag Ruhr-Universität Bochum, 177-185.

Schneider, Gerold; Hundt, Marianne; Oppliger, Rahel (2016). Part-Of-Speech in Historical Corpora: Tagger Evaluation and Ensemble Systems on ARCHER. In: KONVENS 2016, Bochum, 19 September 2016 - 21 September 2016, RUB.

This Blessed Plot: Studien zur englischen Literatur- und Kulturgeschichte [Aleida Assmann]. Edited by: Detmers, Ines; Frank, Michael C; Sobral, Ana (2016). Heidelberg: Universitätsverlag Winter.

Binotto, Johannes (2016). Allein sein. Tonari no Totoro, Hayao Miyazaki, Japan 1988. In: Frenzel Ganz, Y; Fäh, M. Cinépassion - The Sequel. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 123-129.

Lehmann Imfeld, Zoë Christina; Miranda, Christa (2016). Die Geschichten mit der Angst: Schauerliteratur Radio-Interview von Christa Miranda. Schweiz: SRF.

Lehmann Imfeld, Zoë Christina; Luterbacher, Celia. Reclaiming the supernatural: Interview von Celia Luterbacher. In: Swissinfo, 27 July 2016, online.

Ljungberg, Christina (2016). The diagrammatic nature of maps. In: Krämer, Sybille; Ljungberg, Christina. Thinking with diagrams : the semiotic basis of human cognition. Boston/Berlin: De Gruyter, 139-159.

Thinking with diagrams: the semiotic basis of human cognition. Edited by: Krämer, Sybille; Ljungberg, Christina (2016). Boston/Berlin: De Gruyter.

Lehmann Imfeld, Zoë Christina; Ulmi, Nic. Les fantômes se font hanter aussi: Interview von Nic Ulmi. In: Le Temps, 20 June 2016, 24.

Lehmann Imfeld, Zoë Christina; Dietschi, Irene. Spezialistin für das Grauen: Interview von Irene Dietschi. In: Tages Anzeiger, 11 June 2016, 60.

Hundt, Marianne (2016). Who is the/a/ø professor at your university? A construction-grammar view on changing article use with single role predicates in American English. In: López-Couso, Maria José; Méndez-Naya, Belén; Núñez-Pertejo, Paloma; Palacios-Martínez, Ignacio. Corpus Linguistics on the Move: Exploring and Understanding English Through Corpora. Amsterdam: Brill - Rodopi, 227-258.

Rivera Godoy-Benesch, Rahel (2016). Das Alter in der Literatur : eine Chance für die Gerontologie. Angewandte Gerontologie Appliquée, 1(2):33-34.

Caspar, Cyril L (2016). New Perspectives of the Early Modern Afterlife: The Last Pilgrimage in the Poetry of John Donne and Sir Walter Raleigh. In: Classen, Albrecht. Death and the Culture of Death in the Middle Ages and Early Modern Time: the Material and Spiritual Conditions of the Medieval and Early Modern Culture of Death. Berlin: Walter de Gruyter, 432-456.

Binotto, Johannes (2016). Vorstellen, ein Wunder. Zu Frederick Wisemans "National Gallery". Filmbulletin: Zeitschrift für Film und Kino, 3:40-41.

Frank, Michael C (2016). Evokationen des Terrors: die Bilder des 11. September bei Ian McEwan, Martin Amis und Don DeLillo. In: Rüth, Axel; Schwarze, Michael. Erfahrung und Referenz: erzählte Geschichte im 20. Jahrhundert. Paderborn: Wilhelm Fink, 340-360.

Rivera Godoy-Benesch, Rahel (2016). Ageing, agency, and autobiography: Challenging Ricoeur's concept of narrative identity. In: Cerezo Moreno, Marta; Pascual Soler, Nieves. Traces of Aging: Old Age and Memory in Contemporary Narrative. Bielefeld: transcript, 91-109.

Binotto, Johannes (2016). Bilder geben: Übertragungen zwischen Film und Psychiatrie. Filmbulletin: Zeitschrift für Film und Kino, 2:46-55.

Binotto, Johannes (2016). Stimmen hören. Zu "Suddenly Last Summer". Filmbulletin: Zeitschrift für Film und Kino, 2:42-43.

Loren, Scott (2016). Pimp My Presidency: Super PACs and Campaign Financing. St.Gallen: University of St.Gallen.

Binotto, Johannes. Weltreise im Zimmer: Zum Hotel als Ort des Films. In: Neue Zürcher Zeitung, 12 February 2016, 43.

Binotto, Johannes. Von Angesicht zu Angesicht: Über die Grossaufnahme. In: WOZ: Die Wochenzeitung, 21 January 2016, 8.

Szmrecsanyi, Benedikt; Grafmiller, Jason; Heller, Benedikt; Röthlisberger, Melanie (2016). Around the world in three alternations: Modeling syntactic variation in varieties of English. English World-Wide: a journal of varieties of English, 37(2):109-137.

Frank, Michael C (2016). "The place for me": Karibische London-Texte der Nachkriegszeit im Spiegel von Michel de Certeaus "Gehen in der Stadt". In: Benz, Maximilian; Dennerlein, Katrin. Literarische Räume der Herkunft: Fallstudien zu einer historischen Narratologie. Berlin und Boston: De Gruyter, 357-382.

Straumann, Barbara (2016). "How to Live Well on Nothing a Year": money, credit and debt in Thackeray's Vanity Fair. In: Puskas, Genoveva; Leer, Martin Hugo. Economies of English. Tübingen: Narr Francke Attempto, 163-180.

Bronfen, Elisabeth (2016). A Mysterious Point of Certainty: Maria Lassnig's Body-Awareness Painting. In: Latham, Janine. Maria Lassnig. Woman Power. Maria Lassnig in New York 1968-1980. New York: Petzel and the Maria Lassnig Foundation, 7-10.

Ittensohn, Mark (2016). A Story Telling and a Story Reading Age: Textuality and Sociability in the Romantic Frame Tale. Studies in Romanticism, 55(3):393-415.

Timofeeva, Olga (2016). Alfredian press on the vikings: critical discourse approach to outgroup construction. Journal of English Linguistics, 44(3):230-253.

Zipp, Lena (2016). Allan Bell. 2014. The Guidebook to Sociolinguistics: Review. English World-Wide: a journal of varieties of English, 37(1):91-96.

Timofeeva, Olga (2016). Bide nu æt Gode þæt ic grecisc cunne: Attitudes to Greek and the Greeks in the Anglo-Saxon period. Studia Anglica Posnaniensia, 51(2):5-29.

Schreier, Daniel (2016). Contact histories and simplification: Some typological and sociolinguistic considerations. In: Seiler, Guido; Bächler, Raffaela. Complexity, Isolation and Variation. Berlin: De Gruyter, 139-157.

Binotto, Johannes (2016). Continuing Peyton Place: Das Melodrama und seine Bastarde. In: Ritzer, Ivo; Schulze, Peter. Transmediale Genre-Passagen : Interdisziplinäre Perspektiven. Wiesbaden: Springer, 269-288.

Bronfen, Elisabeth (2016). Dame im Schach. Eine fortlaufende Serie. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders : Zu einer Poetik des Seriellen. Zürich, Berlin: Diaphanes, 17-43.

Straumann, Barbara (2016). Der viktorianische Roman denkt seriell: Wiederholung und Differenz bei George Eliot. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders: Zu einer Poetik des Seriellen. Zurich: Diaphanes, 163-180.

Schneider, Gerold; Gilquin, Gaëtanelle (2016). Detecting innovations in a parsed corpus of learner english. International Journal of Learner Corpus Research, 2(2):177-204.

Bronfen, Elisabeth (2016). Die Maschinenfrau. Ein monströs-astrales Denkbild und seine filmischen Ausformungen. In: Mettler, Michel; Rogger, Basil; Weber, Peter; Widmer, Ruedi; Zweifel, Stefan. Holy Shit : Katalog einer verschollenen Ausstellung. Zürich: Diaphanes, 110-121.

Mühlheim, Martin (2016). Dissecting Sacrificial Logic: Markus Werner's Bis bald, Hartmann von Aue's Der arme Heinrich, and the Ethics of Intentional Suffering. In: Brooks, Nicholas; Thuswaldner, Gregor. Making Sacrifices - Opfer bringen: Visions of Sacrifice in European and American Cultures - Opfervorstellungen in europäischen und amerikanischen Kulturen (Symphilologus). Wien: New Academic Press, 160-178.

Binotto, Johannes (2016). Durch die Wände = Through the Walls. In: Malik, M; Luethi, Claude. 4661m2: Art in Prison. Zürich: Niggli, 12-21.

Barras, Roxane; Höhn, Simone; Ittensohn, Mark (2016). Editorial. Variations, 24:9-15.

Binotto, Johannes (2016). Eigenwillige Echos: Zu Heidis Nachleben im Film. In: Service de Presse Suisse. Viceversa literatur: "Heidi". Zürich: Rotpunktverlag, 90-95.

Bronfen, Elisabeth; Straumann, Barbara (2016). Elizabeth I: the cinematic afterlife of an early modern political diva. In: Merck, Mandy. The British monarchy on screen. Manchester: Manchester University Press, 132-154.

Zipp, Lena; Staicov, Adina (2016). English in San Francisco Chinatown – Indexing identity with speech rhythm? In: Seoane, Elena; Suárez Gómez, Cristina. World Englishes: New theoretical and methodological considerations. Amsterdam: John Benjamins Publishing, 205-228.

Hundt, Marianne (2016). Error, feature, (incipient) change - or something else altogether? In: Seoane, Elena; Suárez-Gómez, Cristina. World Englishes: New Theoretical and methodological considerations. Amsterdam: John Benjamins Publishing, 37-60.

Seiler, Annina (2016). Factual and Fictional Inscriptions: Literacy and the Visual Imagination in Anglo-Saxon England. In: Niles, John D; Klein, Stacy S; Wilcox, Jonathan. Anglo-Saxon England and the Visual Imagination. Tempe, Arizona: Arizona Center for Medieval and Renaissance Studies, 211-236.

Taavitsainen, Irma; Jucker, Andreas H (2016). Forms of address. In: Hough, Carole. The Oxford Handbook of Names and Naming. Oxford: Oxford University Press, 427-437.

Lehmann Imfeld, Zoë Christina; Maudlin, Joshua (2016). Fresh Thinking Podcast Interview. Princeton: Center of Theological Inquiry.

Hundt, Marianne (2016). Global spread of English: processes of change. In: Kytö, Merja; Pahta, Päivi. The Cambridge Handbook of English Historical Linguistics. Cambridge: Cambridge University Press, 335-346.

Bronfen, Elisabeth (2016). Hybrid Spaces in Antony and Cleopatra. In: Habermann, Ina; Witen, Michelle. Shakespeare and Space. Theatrical Explorations of the Spatial Paradigm. London: Palgrave Macmillan, 103-120.

Jucker, Andreas H (2016). Höflichkeit im Theater der englischen Renaissance : Ben Jonsons Bartholomew Fair. Wolfenbütteler Renaissance-Mitteilungen, 36(2):77-88.

Kollmann, Elizabeth. I and the other(s): contemporary life-writing and the exilic imaginary. 2016, University of Zurich, Faculty of Arts.

Rathore-Nigsch, Claudia; Schreier, Daniel (2016). Indian English in Uganda: The historical sociolinguistics of a migrant community. In: Meierkord, Christiane; Namyalo, Saudah; Bebwa, Isingoma. Ugandan English: Its sociolinguistics, structure and uses in a globalising post-protectorate. Amsterdam: John Benjamins, 251-274.

Berger, Manuel; Jucker, Andreas H; Locher, Miriam A (2016). Interaction and space in the virtual world of Second Life. Journal of Pragmatics, 101:83-100.

Chevalier, Sarah; Gardner, Anne-Christine; Honkapoja, Alpo; Hundt, Marianne; Schneider, Gerold; Timofeeva, Olga (2016). Introduction - New Approaches to English Linguistics : Building bridges. In: Timofeeva, Olga; Gardner, Anne-Christine; Honkapoja, Alpo; Chevalier, Sarah. New Approaches to English Linguistics : Building bridges. Amsterdam: John Benjamins Publishing, 1-12.

Riquet, Johannes (2016). Islands as Shifting Territories: Evolution and Geology in the Island Poetics of Darwin, Wallace, Wells and Ghosh. In: Schödel, Kathrin; Dautel, Katrin. Insularity : representations and constructions of small worlds. Würzburg: Königshausen & Neumann, 223-236.

Riquet, Johannes (2016). Islands erased by snow and ice: approaching the spatial philosophy of cold water island imaginaries. Island Studies Journal, 11(1):145-160.

Reddick, Allen (2016). Lynda Mugglestone. Samuel Johnson and the Journey into Words. Review of English Studies, 67(281):807-809.

Bronfen, Elisabeth (2016). Mad Men, death and the American dream. Zurich, Berlin: Diaphanes.

Melodrama After the Tears : New Perspectives on the Politics of Victimhood. Edited by: Loren, Scott; Metelmann, Jörg (2016). Amsterdam: Amsterdam University Press.

Chang, Sophie Hsiu-Hui. Native and non-native teachers' discourse in EFL classrooms: English, Mandarin, code-switching and the use of OK. 2016, University of Zurich, Faculty of Arts.

New Approaches to English Linguistics: Building Bridges. Edited by: Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Chevalier, Sarah (2016). Amsterdam: John Benjamins.

Noch einmal anders : Zu einer Poetik des Seriellen. Edited by: Bronfen, Elisabeth; Frey, Christiane; Martyn, David (2016). Zürich, Berlin: Diaphanes.

Rathore-Nigsch, Claudia; Schreier, Daniel (2016). Our heart is still in Africa: Twice migration and its sociolinguistic consequences. Language in Society, 45(2):163-191.

Bronfen, Elisabeth (2016). Panoply of Power. Salzburg: Salzburg Festival Bookshop.

Jucker, Andreas H (2016). Politeness in eighteenth-century drama: A discursive approach. Journal of Politeness Research: Language, Behaviour, Culture, 12(1):95-115.

Bronfen, Elisabeth (2016). Reigen der Macht. Salzburg: Salzburg Festival Bookshop.

Riquet, Johannes (2016). Review of Daniel Barbu, Nicolas Meylan and Youri Volokhine (Eds.) (2015). Mondes clos: Les îles. Island Studies Journal:332-334.

Höhn, Simone (2016). Rezension : Charis Charalampous, Rethinking the Mind-Body Relationship in Early Modern Literature, Philosophy and Medicine. The Renaissance of the Body, New York: Routledge 2016 (review). Variations, 24:242-243.

Mühlheim, Martin (2016). Slippery Subjects: Intersecting Economies of Genre in Gay Male Coming-Out Films, 1995–2015.

Riquet, Johannes (2016). Spectral Island Topographies: Geology, Cultural Sedimentation and the Haunted East-West Relations in Letters from Iwo Jima and Skyfall. In: Salmela, Markku; Piipponen, Maarit. Topographies of Popular Culture. Newcastle upon Tyne: Cambridge Scholars Publishing, 115-136.

Schreier, Daniel (2016). Super-leveling, fraying-out, internal restructuring: A century of present be concord in Tristan da Cunha English. Language Variation and Change, 28(2):203-224.

Loren, Scott (2016). Tears of Testimony: Glenn Beck and the Conservative Moral Occult. In: Loren, Scott; Metelmann, Jörg. Melodrama After the Tears. New Perspectives on the Politics of Victimhood. Amsterdam: Amsterdam University Press, 247-260.

Gardner, Anne-Christine (2016). The Development of a Lexical Standard in English. In: Glessgen, Martin-Dietrich; Trotter, David. La Régionalité Lexicale du Français au Moyen Âge. Strasbourg: Société de Linguistique Romane/ÉLiPhi, 413-431.

Lehmann Imfeld, Zoë Christina (2016). The Victorian ghost story and theology: from Le Fanu to James. Switzerland: Springer International Publishing AG.

Timofeeva, Olga (2016). The Viking outgroup in early medieval English chronicles. Journal of Historical Sociolinguistics, 2(1):83-121.

Hundt, Marianne; Schneider, Gerold; Seoane, Elena (2016). The use of the be-passive in academic Englishes: local versus global usage in an international language. Corpora, 11(1):31-63.

This blessed plot : Studien zur englischen Literatur- und Kulturgeschichte. Edited by: Sobral Mourao, Ana; Detmers, Ines; Firges, Janine; Frank, Michael C (2016). Heidelberg: Universitätsverlag Winter.

Tom McCarthy. Recessional - or, the Time of the Hammer. Edited by: Bronfen, Elisabeth (2016). Zürich, Berlin: Diaphanes.

Biber, Douglas; Egbert, Jesse; Gray, Bethany; Oppliger, Rahel; Szmrecsanyi, Benedikt (2016). Variationist versus text-linguistic approaches to grammatical change in English: nominal modifiers of head nouns. In: Kyto, Merja; Pahta, Päivi. The Cambridge Handbook of English Historical Linguistics. Cambridge: Cambridge University Press, 351-375.

Müller, Tina. Visions in a frame: a study of development through gaze refinement in Dorothea Brooke, Isabel Archer, and Lily Briscoe. 2016, University of Zurich, Faculty of Arts.

Frank, Michael C (2016). Ästhetik des Schreckens: der Schauerroman von Horace Walpole bis Ann Radcliffe. In: Koppenfels, Martin von; Zumbusch, Cornelia. Handbuch Literatur & Emotionen. Berlin: Walter de Gruyter, 461-480.

Hundt, Marianne; Zipp, Lena; Huber, André (2015). Attitudes in Fiji towards varieties of English. World Englishes, 34(4):688-707.

Binotto, Johannes (2015). Mit doppeltem Boden. Fassbinders Happy Ends und Hollywoods Hoffnung. Text + Kritik : Zeitschrift für Literatur, 103:54-62.

Ittensohn, Mark (2015). Romanticism and the Beyond of Language: Northrop Frye and the Wordsworthian Imitation of the Point of Epiphany. In: Bewell, Alan; ten Kortenaar, Neil; Warkentin, Germaine. Educating the Imagination: Northrop Frye, Past, Present, and Future. Montreal: McGill-Queen's University Press, 147-163.

Binotto, Johannes (2015). Whiteout. Eine Theorie des Schneewesterns. Filmbulletin: Zeitschrift für Film und Kino, (8.15):6-16.

Rubini Messerli, Luisa (2015). Achim Aurnhammer und Rainer Stillers, Hgg. : Giovanni Boccaccio in Europa. Studien zu seiner Rezeption in Spätmittelalter und Früher Neuzeit. Wiesbaden : Harrassowitz Verlag, 2014 (Wolfenbütteler Abhandlungen zur Renaissanceforschung 31, mit 10 Farbabbildungen und Schwarzweißbildern). Arcadia: Zeitschrift für vergleichende Literaturwissenschaft, 50(2):481-490.

Binotto, Johannes (2015). Gefühle synchronisieren: "La Boum". Filmbulletin: Zeitschrift für Film und Kino, (7.15):44-45.

Bronfen, Elisabeth. Kalte Kriegerinnen. Mythos 007: Die Geheimnisse der Bond-Girls. In: RollingStone, 253, November 2015, 68-74.

Hundt, Marianne (2015). Standards bei digitalen Editionen. Bulletin der Schweizerischen Akademie der Geistes- und Sozialwissenschaften (SAGW), (4 (2015)):51-52.

Perez, Danae Maria (2015). Traces of Portuguese in Afro-Yungueño Spanish? Journal of Pidgin and Creole Languages, 30(2):307-343.

Straumann, Barbara (2015). Adaptation – Remediation – Transmediality. In: Rippl, Gabriele. Intermediality: Literature – Image – Sound – Music. Handbooks of English and American Studies. Berlin: De Gruyter Mouton, 249-267.

Binotto, Johannes. Tier werden, im Kino. In: Neue Zürcher Zeitung, 10 July 2015, 17.

Binotto, Johannes. Mit Ambivalenz leben. Das philosophische Kino von Hayao Miyazaki. In: Neue Zürcher Zeitung, 8 July 2015, 15.

Binotto, Johannes (2015). Fall Out: Zum Kino von Sam Peckinpah. Filmbulletin: Zeitschrift für Film und Kino, (5.15):6-17.

Binotto, Johannes (2015). Kontakt, gestört: Paul Schraders „The Canyons“. Filmbulletin: Zeitschrift für Film und Kino, (5.15):50-51.

Frank, Michael C (2015). Chronotopoi. In: Dünne, Jörg; Mahler, Andreas. Handbuch Literatur & Raum. Berlin und Boston: De Gruyter, 160-169.

Letter Writing and Language Change. Edited by: Auer, Anita; Schreier, Daniel; Watts, Richard J (2015). Cambridge UK: Cambridge University Press.

Ljungberg, Christina (2015). Intermediality and Performance Art. In: Rippl, Gabriele. Handbook of Intermediality. Berlin, Boston: De Gruyter Mouton, 547-561.

Binotto, Johannes. Schwankende Seele. Das Schiff als Film und umgekehrt. In: Programmheft Kino Xenix, June 2015, 1-4.

Leitner, Magdalena. Conflicts in Early Modern Scottish Letters and Law-Courts. 2015, University of Glasgow, Faculty of Arts.

Bissig, Florian. Coleridge and Communication. 2015, University of Zurich, Faculty of Arts.

Bissig, Florian (2015). Coleridge and Communication. Trier: Wissenschaftlicher Verlag Trier.

Binotto, Johannes. Phantomschmerzen. Zu Stanley Kubrick. In: Neue Zürcher Zeitung, 27 March 2015, 19.

Markin, Alexander (2015). Bezdna zvezd polna. Seance, (59/60):107-112.

Binotto, Johannes. Effekte haschen: Luc Bessons exzessives Kino der Attraktionen. In: Neue Zürcher Zeitung, 6 February 2015, 19.

Pfenninger, Simone E (2015). MSL in the digital ages: Effects and effectiveness of computer-mediated intervention for FL learners with dyslexia. Studies in Second Language Learning and Teaching, 5(1):109-133.

Lehmann Imfeld, Zoë Christina (2015). 'Thrashing between exoneration and excoriation': creating narratives in 'We need to talk about Kevin'. In: Lehmann Imfeld, Zoë Christina; Hampson, Peter; Milbank, Alison. Theology and literature after postmodernity. London: Bloomsbury, 179-194.

Honkapohja, Alpo (2015). A review of Richard Ingham (2012), The Transmission of Anglo-Norman: Language history and language acquisition. Neuphilologische Mitteilungen, CXVI(1):199-201.

Binotto, Johannes (2015). Affekt, Effekt, Defekt: Filmtechnik und/als Affektstörung. RISS. Zeitschrift für Psychoanalyse, (81):78-104.

Bronfen, Elisabeth (2015). Afterword : Thomas Mann and Shakespeare : something rich and strange. In: Döring, Tobias; Fernie, Ewan. Thomas Mann and Shakespeare : something rich and strange. New York: Bloomsbury, 246-256.

Bronfen, Elisabeth (2015). Am Nabel des Weiblichen: Hans Schärers Madonnen. In: Schuppli, Madeleine; Wagner, Marianne. Hans Schärer. Madonnen & Erotische Aquarelle. Luzern/Poschiavo: s.n., 144-156.

Frank, Michael C (2015). At war with the unknown: Hollywood, Homeland Security, and the cultural imaginary of terrorism after 9/11. Amerikastudien / American Studies, 60(4):485-504.

Rivera Godoy-Benesch, Rahel (2015). Autorenporträts: Nadine Gordimer und Pablo Neruda. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 9. Baar, Switzerland: Klett und Balmer, 46-47.

Bronfen, Elisabeth (2015). Begegnungen Traumatischer Art. JAWS im Zeichen des Todestriebes gelesen. In: Schwanebeck, Wieland. DER WEISSE HAI revisited : Steven Spielbergs JAWS und die Geburt eines amerikanischen Albtraums. Berlin: Bertz und Fischer, 161-176.

Daub, Adrian; Bronfen, Elisabeth (2015). Broomhilda Unchained: Tarantino's Wagner. The Wagner Journal, 9(2):55-67.

Ljungberg, Christina (2015). Cartosemiotics. In: Trifonas, Peter Perikles. International Handbook of Research in Semiotics. New York: Springer Verlag, 759-770.

Binotto, Johannes (2015). Choreographie als Schizophrenie: Bleuler, Deleuze und die Musicals von Busby Berkeley. In: Sollberger, Daniel; Kapfhammer, Hans-Peter; Boehlke, Erik; Hoff, Paul; Stompe, Thomas. Bilder der Schizophrenie. Berlin: Frank & Timme, 307-321.

Bronfen, Elisabeth (2015). Cleopatra's Venus. In: Berressem, Hanjo; Blamberger, Günter; Goth, Sebastian. Venus as Muse : From Lucretius to Michel Serres. Leiden, Boston: Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft, 235-249.

Frank, Michael C (2015). Conjuring up the next attack: the future-orientedness of terror and the counterterrorist imagination. Critical Studies on Terrorism, 8(1):90-109.

Ronan, Patricia; Schneider, Gerold (2015). Determining light verb constructions in contemporary British and Irish English. International Journal of Corpus Linguistics, 20(3):326-354.

Die Amerikanerin in Hitlers Badewanne : Drei Frauen berichten über den Krieg: Martha Gellhorn, Lee Miller, Margaret Bourke-White. Edited by: Bronfen, Elisabeth; Kampa, Daniel (2015). Hamburg: Hoffmann und Campe.

Binotto, Johannes (2015). Die gesprungene Wahrheit. Jacques Lacan, Delmer Daves und das Happy End. In: Ritzer, Ivo. Classical Hollywood und kontinentale Philosophie. Wiesbaden: Springer VS, 113-132.

Binotto, Johannes (2015). Die gesprungene Wahrheit: Jacques Lacan, Delmer Daves und das Happy End. In: Ritzer, Ivo. Classical Hollywood und kontinentale Philosophie. Wiesbaden: Springer, 113-132.

Hundt, Marianne (2015). Do-support in early New Zealand and Australian English. In: Collins, Peter. Grammatical Change in English World-Wide. Amsterdam: John Benjamins, 65-86.

Bronfen, Elisabeth (2015). Faszinierende Zerstörung des Krieges : Drei Weibliche Ansichten. In: Bronfen, Elisabeth; Kampa, Daniel. Die Amerikanerin in Hitlers Badewanne : Drei Frauen berichten über den Krieg: Martha Gellhorn, Lee Miller, Margaret Bourke-White. Hamburg: Hoffmann und Campe, 297-354.

Bronfen, Elisabeth (2015). Francesca Woodman : Fotografische Tableaux Vivants. In: Schor, Gabriele. Feministische Avantgarde : Kunst der 1970er-Jahre aus der Sammlung Verbund, Wien. München, London, New York: Prestel Verlag, 363-364.

Bronfen, Elisabeth (2015). Frequency Hopping. Thema Selections Spiel mit der Uniform. In: Bucher, Gina. Female Chic. Thema Selection – Geschichte eines Modelabels. Zurich: Edition Patrick Frey, 40-67.

Binotto, Johannes (2015). Glanz / Glance / Glas: Von der Unsichtbarkeit des Spiegels = On the invisibility of mirrors = De l’invisibilité du miroir. In: Haus am Gern, H. Aire de bellelay. Biel: Edition Haus am Gern, 5-17.

Bronfen, Elisabeth (2015). Gothic Wars - Media's Lust: On the Cultural Afterlife of the War Dead. In: Fred, Botting; Catherine, Spooner. Monstrous Media / Spectral Subjects : Imaging Gothic From the Nineteenth Century to the Present. Manchester: Manchester University Press, 15-28.

Jucker, Andreas H; Landert, Daniela (2015). Historical pragmatics and early speech recordings: Diachronic developments in turn-taking and narrative structure in radio talk shows. Journal of Pragmatics, 79:22-39.

Lehmann Imfeld, Zoë Christina; Hampson, Peter; Milbank, Alison (2015). Hospitable conversations in theology and literature: re-opening a space to be human. In: Lehmann Imfeld, Zoë Christina; Hampson, Peter; Milbank, Alison. Theology and literature after postmodernity. London: Bloomsbury, 1-12.

Ljungberg, Christina (2015). Iconicity. In: Sotirova, Violeta. Bloomsbury Companion to Stylistics. London: Bloomsbury, 476-489.

Bronfen, Elisabeth (2015). Isoldes Liebestod in Hollywood. Eine Transmediale Affäre. In: Fornoff, Christine; Unseld, Melanie. Wagner - Gender - Mythen. Wagner in der Diskussion. Würzburg: Königshausen & Neumann, 231-257.

Rivera Godoy-Benesch, Rahel (2015). Kompass zur Altersbelletristik der Gegenwart. Trends, Analysen, Interpretationen. Zürich: Pro Senectute Verlag.

Bronfen, Elisabeth (2015). Mad Men. Zürich/Berlin: Diaphanes.

Binotto, Johannes (2015). Masochistisches Ritual als Alltagstrott. The Duke of Burgundy von Peter Strickland. Filmbulletin: Zeitschrift für Film und Kino, (3.15):24-25.

Locher, Miriam A; Jucker, Andreas H; Berger, Manuel (2015). Negotiation of space in Second Life newbie interaction. Discourse, Context & Media, 9:34-45.

Schneider, Gerold; Lehmann, Hans Martin; Schneider, Peter (2015). Parsing early and late modern English corpora. Literary and Linguistic Computing, 30(3):423-439.

Jucker, Andreas H (2015). Pragmatics of fiction: Literary uses of "uh" and "um". Journal of Pragmatics, 86:63-67.

Landert, Daniela (2015). Reportable Facts and a Personal Touch: The Functions of Direct Quotes in Online News. In: Arendholz, Jenny; Bublitz, Wolfram; Kirner-Ludwig, Monika. The Pragmatics of Quoting Now and Then. Berlin/Boston: De Gruyter, 29-52.

Representations of War, Migration and Refugeehood: Interdisciplinary Perspectives. Edited by: Rellstab, Daniel H; Schlote, Christiane (2015). New York und Abingdon: Routledge.

Ulzega, Lenka. Rhodesian English in London. 2015, University of Zurich, Faculty of Arts.

Binotto, Johannes (2015). Räume, Gänge, Kammern, Straßen: Das Unheimliche im Film. In: Mitterer, Nicola; Nagy, Hajnalka. Zwischen den Worten. Hinter der Welt Wissenschaftliche und didaktische Annäherungen an das Unheimliche. Innsbruck, Wien, Bozen: Studien Verlag, 157-172.

Bronfen, Elisabeth (2015). Screening and disclosing fantasy: rear projection in Hitchcock. Screen, 56(1):1-24.

Bronfen, Elisabeth (2015). Shakespeare's Wire. In: Ernst, Christoph; Paul, Heike. Amerikanische Fernsehserien der Gegenwart : Perspektiven der American Studies und der Media Studies. Bielefeld: Transcript, 89-109.

Biewer, Carolin (2015). South Pacific Englishes. A Sociolinguistic and Morphosyntactic Profile of Fiji English, Samoan English and Cook Islands English. Amsterdam: John Benjamins.

Honkapohja, Alpo (2015). Suomalaista rockmusiikkia "I hear a tone, I gotta go.". Helsinki: Study Materials, University of Helsinki.

Binotto, Johannes; Pfister, Michael (2015). Totalität und Unendlichkeit. Ein Dialog über die Fernsehserie. In: Knellessen, Olaf; Schiesser, Giaco; Strassberg, Daniel. Serialität : Wissenschaften, Künste, Medien. Wien: Turia + Kant, 53-67.

Taavitsainen, Irma; Jucker, Andreas H (2015). Twenty years of historical pragmatics: Origins, developments and changing thought styles. Journal of Historical Pragmatics, 16(1):1-24.

Jucker, Andreas H (2015). Uh and um as planners in the Corpus of Historical American English. In: Taavitsainen, Irma; Kytö, Merja; Claridge, Claudia; Smith, Jeremy. Developments in English: Expanding Electronic Evidence. Cambridge: Cambridge University Press, 162-177.

Bronfen, Elisabeth (2015). Vorwort : Horrorgeschichten / Ambrose Bierce. In: Haefs, Gisbert. Horrorgeschichten Ambrose Bierce. Zürich: Elster Verlag, 7-29.

Bronfen, Elisabeth (2015). War Literature into War Film: The Aesthetics of Violence and the Violence of Aesthetics. In: Rippl, Gabriele. Handbook of Intermediality. Berlin, Boston: De Gruyter Mouton, 287-305.

Hundt, Marianne (2015). World Englishes. In: Biber, Douglas; Reppen, Randi. The Cambridge Handbook of English Corpus Linguistics. Cambridge: Cambridge University Press, 381-400.

Seiler, Annina (2015). Writing the Germanic Languages: The Early History of the Digraphs <th>, <ch> and <uu>. In: Conti, Aidan; Da Rold, Orietta; Shaw, Philip. Writing Europe, 500-1450: Texts and Contexts. Cambridge: D. S. Brewer, 101-121.

Binotto, Johannes (2015). fleck / flush / flaque: Von der Schwärze des Sehens = On the blackness of vision = De la noirceur du voir. In: Haus am Gern, H. Aire de bellelay. Biel: Edition Haus am Gern, 25-37.

Binotto, Johannes. Verführungen, Kraftakte : Gene Kelly, der Tänzer vor und hinter der Kamera. In: Neue Zürcher Zeitung, 302, 30 December 2014, 15.

Binotto, Johannes. Liebe dein Symptom! «It's a Wonderful Life», der Weihnachtsfilm aller Weihnachtsfilme, im Filmpodium. In: Neue Zürcher Zeitung, 292, 16 December 2014, 17.

Straumann, Barbara. Stimmt es, dass Frauen im 19. Jahrhundert keine Stimme hatten? In: Journal: die Zeitung der Universität Zürich, 6, 8 December 2014, 20.

Binotto, Johannes. Ihre Hoheit. Retrospektive zur Schauspielerin Judi Dench. In: Neue Zürcher Zeitung, 280, 2 December 2014, 19.

Binotto, Johannes. Labyrinth der Leere : Über den Raum des Unheimlichen. In: Magazin. Zeitschrift der Universität Zürich, 4, December 2014, 48-49.

Lehmann Imfeld, Zoë Christina. The Ghost of God: Theology in the Supernatural Fiction of Arthur Machen, M.R. James, Sheridan Le Fanu and Henry James. 2014, University of Bern.

Heine, Stefanie (2014). Bryony Randall and Jane Goldman (eds.).Virginia Woolf in Context. Literature in Context. Cambridge: Cambridge University Press, 2012, xviii + 502 pp. Anglia : Journal of English Philology, 132(3):615-618.

Binotto, Johannes (2014). Bastardkinder. Zur Wiederentdeckung der frühen TV-soap "PEYTON PLACE". CARGO. Film/Medien/Kultur, (24):65-67.

Binotto, Johannes (2014). Die einschüchternde Erotik der Charlotte Rampling. Stadtkino Basel Programmzeitschrift:15-16.

Schreier, Daniel (2014). Koinéisation and historical phonology. In: Honeybone, Patrick; Salmons, Joseph C. The Handbook of Historical Phonology. Oxford: Oxford University Press, 217-239.

Ljungberg, Christina (2014). Laurie Anderson's Versions of Massenet / Corneille,Melville's Moby Dick and Döblin / Fassbinder. In: Cavagna, Mattia; Maeder, Costantino. Philology and Performing Arts: A Challenge. Louvain: Presses universitaires de Louvain, 257-269.

Binotto, Johannes. Mazed World : Zur unheimlichen Landschaft des Sommernachtstraums. In: Programmheft Schauspielhaus Zürich: Ein Sommernachtstraum, October 2014, 8-25.

Bissig, Florian (2014). Review of Roger Perret (ed.). Moderne Poesie in der Schweiz: Eine Anthologie. Zürich: Limmat Verlag, 2013 and Luzius Keller (ed.). Modern and Contemporary Swiss Poetry: An Anthology. Champaign, Ill.: Dalkey Archive Press, 2012. Variations: Literaturzeitschrift der Universität Zürich, 22:211-213.

Hundt, Marianne (2014). Home is where you're born: Negotiating identity in the diaspora. Studia Neophilologica, 86(2):125-137.

Studer-Joho, Nicole (2014). Diffusion and Change in Early Middle English: Methodological and Theoretical Implications from the LAEME Corpus of Tagged Texts. Tübingen: Francke Verlag.

Hundt, Marianne (2014). 'Books that sell' – mediopassives and the modification ‘constraint’. In: Hundt, M. Late Modern English Syntax. Cambridge: Cambridge University Press, 90-109.

History of German Literature. Modern and contemporary times. Edited by: Markin, Alexander; Dmitrieva, Katja; Pavlova, Nina (2014). Moscow: Russian State University for Humanities Press.

Hundt, Marianne (2014). Introduction: Late Modern English syntax in its linguistic and socio-historical context. In: Hundt, Marianne. Late Modern English Syntax. Cambridge: Cambridge University Press, 1-10.

Late Modern English Syntax. Edited by: Hundt, M (2014). Cambridge: Cambridge University Press.

Jucker, Andreas H (2014). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 1-15.

Binotto, Johannes. Testgelände für Ungehörigkeit. Pre-Code Hollywood im Filmpodium. In: Neue Zürcher Zeitung, 18 July 2014, 17.

Frank, Michael C (2014). Terror- und Trauma-Romane: Zwei Perspektiven auf die Welt nach 9/11. In: Hennigfeld, Ursula. Poetiken des Terrors: Narrative des 11. September 2001 im interkulturellen Vergleich. Heidelberg: Universitätsverlag Winter, 93-114.

Loren, Scott (2014). An American odyssey of suffering: aesthetic strategies in Steve McQueen’s '12 Years a Slave'. Anglia : Journal of English Philology, 132(2):336-351.

Leitner, Magdalena (2014). Crabit or offended? Words in conflicts in Scotland’s past. Dictionary of the Scots Language: Scotland: Scottish Language Dictionaries.

Straumann, Barbara. Embodied Voices: Female Performers in Narrative Fiction. 2014, University of Zurich, Faculty of Arts.

Gardner, Anne-Christine (2014). Review: Anneli Meurman-Solin and Jukka Tyrkkö (eds.). Principles and practices for the digital editing and annotation of diachronic data (Studies in Variation, Contacts and Change in English 14). ICAME Journal, 38(1):207-211.

Binotto, Johannes. Bilder schiessen. Über Sergio Leone. In: Neue Zürcher Zeitung, 31 March 2014, 17.

Binotto, Johannes. Der Mann im Schatten der Leinwand. Der legendäre Drehbuchautor Jean-Claude Carriere zu Besuch. In: Neue Zürcher Zeitung, 12 March 2014, 21.

Schneider, Edgar W; Hundt, Marianne; Schreier, Daniel (2014). The times they are a-changin' - and so are the editors of EWW. English World-Wide. A Journal of Varieties of English, 35(1):1-5.

Binotto, Johannes (2014). Phantombilder, Glance-Lichter: Zur Fortführung des Kinos bei Christoph Girardet und Matthias Müller. Filmbulletin: Zeitschrift für Film und Kino, 56(1.14):38-43.

Land, Chris; Loren, Scott; Metelmann, Jörg (2014). Rogue logics: organization in the grey zone. Organization Studies, 35(2):233-253.

Binotto, Johannes. Kino als Trieb. Zum Filmregisseur Monte Hellman. In: Neue Zürcher Zeitung, 31 January 2014, 19.

Ex Philologia Lux: Essays in honour of Leena Kahlas-Tarkka. Edited by: Tyrkkö, Jukka; Timofeeva, Olga; Salenius, Maria (2014). Helsinki: Mémoires de la Société Néophilologique.

Smith, Sara W; Jucker, Andreas H (2014). "Maybe, but probably not": Negotiating likelihood and perspective. Language and Dialogue, 4(2):284-298.

Sobral Mourao, Ana (2014). 'Oceans of pain’: the sea as memory and metaphor in Angolan poetry and rap music. In: Mann, Michael; Phaf-Rheinberger, Ineke. Beyond the line: cultural narratives of the Southern Oceans. Berlin: Neofelis Verlag, 199-231.

Reddick, Allen (2014). A Kinde of Massacre: Censoring John Milton. In: Iannaccaro, Giuliana; Iamartino, Giovanni. Enforcing and Eluding Censorship: British and Anglo-Italian Perspectives. Newcastle upon Tyne: Cambridge Scholars Publishing, 31-42.

Honkapohja, Alpo (2014). A review of Da Rold, Orietta, and Elaine Treharne (eds.), Textual Cultures: Cultural Texts. Essays and Studies Collected on Behalf of the English Association. Neuphilologische Mitteilungen, CXV(4):503-506.

Chevalier, Sarah (2014). Attitudes of Students in Switzerland Towards Varieties of English. In: Langlotz, Andreas; Soltysik Monnet, Agnieszka. Emotion, Affect and Sentiment: The Language and Aesthetics of Feeling. Tübingen: Gunter Narr Verlag, 197-213.

Bronfen, Elisabeth (2014). Audiovisuell und Romanesk. Televisuelle Imagination als Kulturkritik: Am Beispiel von David Simons "The Wire". In: Widmer, Ruedi. Laienherrschaft: 18 Exkurse zum Verhältnis von Künsten und Medien. Zürich, Berlin: Diaphanes, 27-39.

Binotto, Johannes (2014). Aussen drin: Francesca Woodmans eigene Räume. In: Schor, Gabriele; Bronfen, Elisabeth. Francesca Woodman. Werke aus der Sammlung Verbund. s.n.: Sammlung Verbund, 51-61.

Rivera Godoy-Benesch, Rahel (2014). Autorenporträts: Toni Morrison und Mark Twain. In: Lindauer, Thomas; Senn, Werner. Die Sprachstarken 8. Baar, Switzerland: Klett und Balmer, 34-35.

Riquet, Johannes (2014). Bliss and War on the Island: Undoing Myth and Negotiating History in Stevenson's Treasure Island (1883) and Garland's The Beach (1996). In: Horatschek, Anna-Margaretha; Rosenberg, Yvonne; Schäbler, Daniel. Navigating Cultural Spaces: Maritime Places. Amsterdam: Brill, 177-190.

Landert, Daniela (2014). Blurring the Boundaries of Mass Media Communication? Interaction and User-Generated Content on Online News Sites. In: Tyrkkö, Jukka; Leppänen, Sirpa. Texts and Discourses of New Media. Helsinki: VARIENG, online.

Binotto, Johannes (2014). Cela ne se voit pas. Wie man im Kino beobachten kann, was sich nicht zeigen lässt. Filmbulletin: Zeitschrift für Film und Kino, (614):21-23.

Bronfen, Elisabeth (2014). Cinema of the Gothic Extreme. In: Hogle, Jerrold E. The Cambridge Companion to the Modern Gothic. New York: Cambridge University Press, 107-122.

Jucker, Andreas H; Taavitsainen, Irma (2014). Complimenting in the history of American English: A metacommunicative expression analysis. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 257-276.

Contact, variation, and change in the history of English. Edited by: Pfenninger, Simone E; Timofeeva, Olga; Gardner, Anne-Christine; Honkapohja, Alpo; Hundt, Marianne; Schreier, Daniel (2014). Amsterdam: John Benjamins Publishing.

Jucker, Andreas H (2014). Courtesy and politeness in "Sir Gawain and the Green Knight". Studia Anglica Posnaniensia, 49(3):5-28.

Binotto, Johannes (2014). Cutting/Together. Operations on the Body of Film. In: Kunstverein Hannover. Christoph Girardet & Matthias Müller: Tell Me What You See. s.n.: Kunstverein Hannover, 119-121.

Gardner, Anne-Christine (2014). Derivation in Middle English: Regional and Text Type Variation. Helsinki: Société Néophilologique.

Diachronic Corpus Pragmatics. Edited by: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka (2014). Amsterdam: John Benjamins.

Jucker, Andreas H; Taavitsainen, Irma (2014). Diachronic corpus pragmatics: Intersections and interactions. In: Taavitsainen, Irma; Jucker, Andreas H; Tuominen, Jukka. Diachronic Corpus Pragmatics. Amsterdam: John Benjamins, 3-26.

Binotto, Johannes (2014). Die halbe Wahrheit – Zur Verteidigung des Happy Ends. Cinema, (59):10-21.

Bolander, Brook; Locher, Miriam A (2014). Doing sociolinguistic research on computer-mediated data: A review of four methodological issues. Discourse, Context & Media, 3:14-26.

Schlote, Christiane (2014). Dramatizing the Congo: Refugees, Humanitarian Aid Workers and Gender. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 214-229.

Zipp, Lena (2014). Educated Fiji English. Lexico-grammar and variety status. Amsterdam: John Benjamins Publishing.

Bronfen, Elisabeth (2014). Einen Abdruck hinterlassen. Francesca Woodmans fotographische tableaux vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman. Werke aus der SAMMLUNG VERBUND. Köln, New York: Verlag der Buchhandlung König, 11-31.

English in the Indian Diaspora. Edited by: Hundt, Marianne; Sharma, Devyani (2014). Amsterdam: Benjamins.

Francesca Woodman: Works from the SAMMLUNG VERBUND. Edited by: Bronfen, Elisabeth; Schor, Gabriele (2014). Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König.

Schlote, Christiane (2014). From Front Page to Front Stage: War Correspondents and Media Ethics in British Theatre. In: Aragay, Mireia; Monforte, Enric. Ethical Speculations in Contemporary British Theatre. Houndmills: Palgrave, 173-189.

Bronfen, Elisabeth (2014). Geist/Gespenst. In: Wirz, Benno; Pieper, Natalie. Philosophische Kehrseiten: Eine andere Einleitung in die Philosophie. Freiburd, München: Verlag Karl Alber, 141-168.

Bronfen, Elisabeth (2014). Gender and Noir. In: Pettey, Homer B; Palmer, R Barton. Film Noir. Edinburgh: Edinburgh University Press, 143-163.

Gothic Renaissance: A Reassessment. Edited by: Bronfen, Elisabeth; Neumeier, Beate (2014). Manchester, New York: Manchester University Press.

Hundt, Marianne (2014). Heterogeneity vs. homogeneity. In: Auer, Anita; Schreier, Daniel; Watts, Richard J. Letter Writing and Language Change. Cambridge: Cambridge University Press, 72-100.

Bronfen, Elisabeth (2014). Hollywood und der Erste Weltkrieg: Eine Frage der imaginären Annäherung. In: Wagner, Karl; Baumgartner, Stephan; Gamper, Michael. Der Held im Schützengraben : Führer, Massen und Medientechnik im Ersten Weltkrieg. Zürich: Chronos, 323-336.

Bronfen, Elisabeth (2014). Hollywood's Wagner: The Return to/of the Ordinary. In: Börnchen, Stefan; Mein, Georg; Strowick, Elisabeth. Jenseits von Bayreuth. Richard Wagner heute. Paderborn: Wilhelm Fink Verlag, 239-262.

Bronfen, Elisabeth (2014). Hollywoods Wagner: Die Rückkehr zum/des Gewöhnlichen. In: Drehmel, Jan; Vogt, Steffen; Jaspers, Kristina. Richard Wagner und das Kino der Dekadenz. Wien, Berlin: Turia + Kant, 44-75.

Zipp, Lena (2014). Indo-Fijian English. Linguistic diaspora or endonormative stabilization? In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 187-213.

Straumann, Barbara (2014). Inhabiting feminine suspicion. In: Badmington, Neil. Alfred Hitchcock: Critical evaluations of leading film-makers. London, New York: Routledge, Taylor & Francis Group, 159-195.

Riquet, Johannes (2014). Killing King Kong: The camera at the borders of the tropical island, 1767-1937. Nordlit : Tidsskrift i litteratur og kultur, 31:133-149.

Bronfen, Elisabeth (2014). Leaving an Imprint: Francesca Woodman's Photographic Tableaux Vivants. In: Bronfen, Elisabeth; Schor, Gabriele. Francesca Woodman: Works from the SAMMLUNG VERBUND. Köln, New York: Distributed Art Publishers, Inc. / Verlag der Buchhandlug Walther König, 11-31.

Bronfen, Elisabeth (2014). Lubitsch's War: Comedy as Political Ploy in To Be or Not to Be. In: Dolar, Mladen; Novak, Ivana; Krečič, Jela. Lubitsch Can't Wait: A Theoretical Examination. Ljubljana: Columbia University Press, 131-150.

Markin, Alexander (2014). Martin Opitz and the reform of German poetry. In: Markin, Alexander. History of German Literature: Modern and Contemporary Times. Moscow: Russian Statte University for Humanities Press, 61-76.

Schreier, Daniel (2014). On cafeterias and new dialects: the role of primary transmitters. In: Buschfeld, Sarah; Hoffmann, Thomas; Huber, Magnus; Kautzsch, Alexander. The Evolution of Englishes : The Dynamic Model and beyond. Amsterdam: John Benjamins, 231-248.

Binotto, Johannes (2014). Outside In: Francesca Woodman’s Rooms of Her Own. In: Schor, Gabriele; Bronfen, Elisabeth. Francesca Woodman. Works of the Sammlung Verbund. s.n.: Sammlung Verbund, 51-61.

Landert, Daniela (2014). Personalisation in Mass Media Communication. British online news between public and private. Amsterdam/Philadelphia: John Benjamins.

Jucker, Andreas H (2014). Pragmatics and language change: Historical pragmatics. In: Huang, Yan. The Oxford Handbook of Pragmatics. Oxford: Oxford University Press, 550-566.

Binotto, Johannes (2014). Punktförmiges D/denken: Veränderte Wahrnehmung in, auf und durch Yves Netzhammers Zeichnungen. In: Thomé, Pierre; Kost, Lynn. In Bildern denken. Ein Experiment über die Wahrnehmung von Bildern. Zürich: APPLAUS Medien AG, 169-186.

Bronfen, Elisabeth (2014). Queen Margaret's Haunting Revenge: The Gothic Legacy of Shakspeare's Wars of the Roses. In: Bronfen, Elisabeth; Neumeier, Beate. Gothic Renaissance: A Reassessment. Manchester, New York: Manchester University Press, 75-91.

Mühlheim, Martin (2014). Resisting Governmental Illegalisation: Xenophobia and Otherness in Steven Spielberg’s E. T.: The Extra-Terrestrial. In: Bashir, Hassan; Roye, Susmita. Experiencing Otherness: Multidisciplinary Perspectives. Oxford: Inter-Disciplinary, 1-10.

Dreiding, Michelle (2014). Rethinking the Beginning: Toni Morrison and the Dramatization of Liminality. Reconstruction : Studies in Contemporary Culture:n/a.

Hundt, Marianne (2014). Review of 'A Dictionary of South African Indian English' by Rajend Mesthrie. Journal of Language Contact, 7(2):446-452.

Hundt, Marianne (2014). Review of 'Early Modern English Dialogues: Spoken Interaction as Writing' by Jonathan Culpepper and Merja Kytö. Journal of Historical Pragmatics, 15(1):149-152.

Frank, Michael C (2014). Terrorism for the sake of counterterrorism: undercover policing and the specter of the agent provocateur in Joseph Conrad's "The Secret Agent". Conradiana, 46(3):151-177.

Rüegg, Larssyn (2014). Thanks responses in three socio-economic settings: A variational pragmatics approach. Journal of Pragmatics, 71:17-30.

Riquet, Johannes. The Aesthetics of Island Space: Perception, Ideology, Geopoetics. 2014, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2014). The allure of money: Hollywood's reconfiguration of wall street. In: Peretz, Eyal; Szendy, Peter. The Yearbook of Comparative Literature. Bloomington, Indiana, US: The Department of Comparative Literature, Indiana University and The University of Toronto Press, 149-182.

Hundt, Marianne (2014). The demise of the being to V construction. Transactions of the Philological Society, 112(2):167-187.

Jucker, Andreas H; Berger, Manuel (2014). The development of discourse presentation in The Times, 1833–1988. Media History, 20(1):67-87.

Seiler, Annina (2014). The scripting of the Germanic languages: A comparative study of "spelling difficulties" in Old English, Old High German and Old Saxon. Zurich: Chronos.

Binotto, Johannes (2014). There Are No Subbasements. Zur Oberflächlichkeit von Film, Erinnerung und Unbewusstem. In: Holl, Ute; Wittmann, Matthias. Memoryscapes. Filmformen der Erinnerung. Zürich, Berlin: Diaphanes, 181-198.

Bronfen, Elisabeth (2014). Valérie Favre's Suicide Images: An Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 154-162.

Bronfen, Elisabeth (2014). Valérie Favres Bilder des Selbstmordes. Ein Atlas. In: Babias, Marius. Valérie Favre. Selbstmord. Suicide. Köln: Verlag der Buchhandlung König, 12-21.

Schreier, Daniel (2014). Variation and Change in English: an introduction (Grundlagen der Anglistik und Amerikanistik 39). Berlin: Erich Schmidt Verlag.

Bronfen, Elisabeth (2014). War and its Fictional Recovery On-Screen: Narrative Management of Death in The Big Red One and The Thin Red Line. In: LaRocca, David. The Philosophy of War Films. Lexington, Kentucky: University Press of Kentucky, 413-436.

Schlote, Christiane (2014). Writing Dubai. Indian Labour Migrants and Taxi Topographies. South Asian Diaspora, 6(1):33-46.

Hundt, Marianne (2014). Zero articles in Indian English. A Comparison of primary and secondary diaspora situations. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 131-170.

Binotto, Johannes (2014). Zusammen/schneiden: Operationen am lebenden Körper des Films. In: Kunstverein Hannover. Christoph Girardet & Matthias Müller: Tell Me What You See. Nannover: Kunstverein Hannover, 118-120.

Mühlheim, Martin. Fictions of Home: Narratives of Alienation and Belonging, 1850-2000. 2013, University of Zurich, Faculty of Arts.

Timofeeva, Olga (2013). The Wor(l)ds of Kalevala: Finnish Loans in Modern English. In: Tyrkkö, Jukka; Timofeeva, Olga; Salenius, Maria. Ex Philologia Lux: Essays in Honour of Leena Kahlas-Tarkka. Helsinki: Mémoires de la Société Néophilologique, 159-185.

Heller-Andrist, Simone (2013). 34. Heller-Andrist, Simone . 2012. The Friction of the Frame: Derrida’s Parergon in Literature. Tübingen: Francke, 277 pp. English and American Studies in German, 2(1):57-60.

Schreier, Daniel (2013). Collecting ethnographic and sociolinguistic data. In: Krug, Manfred; Schlüter, Julia. Research Methods in Language Variation and Change. Cambridge: Cambridge University Press, 17-39.

Bissig, Florian (2013). Review of James Grant. The Critical Imagination. Oxford: Oxford University Press, 2013. Variations: Literaturzeitschrift der Universität Zürich, 21:230-232.

Binotto, Johannes. Der ironische Stylist. Retrospektive George Cukor. In: Neue Zürcher Zeitung, 7 October 2013, 13.

Honkapohja, Alpo. A linguistic and codicological study of the Sloane group of middle English manuscripts. 2013, University of Zurich, Faculty of Arts.

Timofeeva, Olga (2013). Anglo-Latin and Old English: A Case for Integrated Bilingual Corpus Studies of Anglo-Saxon Registers. In: Bennett, Paul; Durrell, Martin; Scheible, Silke; Whitt, Richard J. New Methods in Historical Corpus Linguistics. Tübingen: Narr, 195-204.

Röthlisberger, Melanie; Schneider, Gerold (2013). Of-genitive versus s-genitive: A corpus-based analysis of possessive constructions in 20thcentury English. In: Bennett, Paul; Durrell, Martin; Scheible, Silke; Whitt, Richard J. New Methods in Historical Corpora. Tübingen: Narr Verlag, 163-180.

Kollmann, Elizabeth (2013). Resurrecting the dead in Anne Michaels’s Fugitive Pieces. HBI Project on Families, Children and the Holocaust N/A, University of Zurich.

Binotto, Johannes. Die schizophrenen Träume des Kinos. Vorschau auf das 11. Internationale Festival für Animationsfilm Fantoche. In: NZZ, 203, 3 September 2013, 17.

Cojocaru, D (2013). Fiona Peters, Anxiety and Evil in the Writings of Patricia Highsmith. Notes & Queries, 60(3):466-467.

Frank, Michael C (2013). Abjekt. In: Nünning, Ansgar. Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Fünfte, aktualisierte und erweiterte Auflage. Stuttgart und Weimar: J. B. Metzler, 1-2.

Frank, Michael C (2013). Contact zone. In: Nünning, Ansgar. Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Fünfte, aktualisierte und erweiterte Auflage. Stuttgart und Weimar: J. B. Metzler, 109-110.

Frank, Michael C (2013). Grenze/Grenzziehung. In: Nünning, Ansgar. Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Fünfte, aktualisierte und erweiterte Auflage. Stuttgart und Weimar: J. B. Metzler, 282-283.

Frank, Michael C (2013). Heterotopie. In: Nünning, Ansgar. Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Fünfte, aktualisierte und erweiterte Auflage. Stuttgart und Weimar: J. B. Metzler, 303.

Frank, Michael C (2013). Imaginative geography. In: Nünning, Ansgar. Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Fünfte, aktualisierte und erweiterte Auflage. Stuttgart und Weimar: J. B. Metzler, 330-331.

Frank, Michael C (2013). Rhizom. In: Nünning, Ansgar. Metzler Lexikon Literatur- und Kulturtheorie: Ansätze – Personen – Grundbegriffe. Fünfte, aktualisierte und erweiterte Auflage. Stuttgart und Weimar: J. B. Metzler, 657-658.

Binotto, Johannes. Verblüffende Verbindungen. Das Filmpodium Zürich zeigt einen Querschnitt aus den Kinojahren 1963 und 1973. In: NZZ, 155, 8 July 2013, 11.

Binotto, Johannes. Nichts dahinter. «The Real Eighties» – Amerikanisches Kino 1980–89 im Filmpodium Zürich. In: NZZ, 145, 26 June 2013, 19.

Binotto, Johannes. Welche Möglichkeiten, welche Überraschungen! Zu den Filmen Jane Campions. In: NZZ, 126, 4 June 2013, 18.

Binotto, Johannes (2013). Abgrund der Oberfläche. The Real Eighties – Amerikanisches Kino 1980-1989. Filmbulletin: Zeitschrift für Film und Kino, (4.13):12-21.

Denison, David; Hundt, Marianne (2013). Defining relatives. Journal of English Linguistics, 41(2):135-167.

Binotto, Johannes (2013). My Home Is My Symptom: A Psychoanalytic Plea for Flawed Architecture. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: Transcript, 33-46.

Binotto, Johannes. Klassische Subversionen. Internationales Experimentalfilm-Festival Videoex. In: NZZ, 117, 24 May 2013, 21.

Binotto, Johannes (2013). Das Begehren ist ein Knochen. Bringing Up Baby, Howard Hawks, USA 1938. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial Verlag, 121-128.

Binotto, Johannes (2013). Was will der Mann? After Hours, Martin Scorsese, USA 1985. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 121-128.

Schönfelder, Christa (2013). Wounds and words: childhood and family trauma in romantic and postmodern fiction. Bielefeld: Transcript.

Frank, Michael C (2013). 9/11 als Zäsur: zur Karriere eines Topos in Politik, Medien und akademischem Diskurs. In: Hennigfeld, Ursula; Packard, Stephan. Abschied von 9/11?: Distanznahmen zur Katastrophe. Berlin: Frank & Timme, 15-34.

Binotto, Johannes (2013). Rück-Sicht auf Darstellbarkeit. Zur Ästhetik und Aussagekraft der Rear Projection. Filmbulletin: Zeitschrift für Film und Kino, (2.13):37-43.

Schreier, Daniel (2013). English as a contact language: lesser-known varieties. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambriudge University Press., 149-164.

Hundt, Marianne; Schreier, Daniel (2013). Nothing but a contact language... In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 1-17.

Frey Büchel, Nicole (2013). "Indefinite, sketchy but not entirely obliterated": Narrative identity in Jeffrey Eugenides's Middlesex. In: Holler, Claudia; Klepper, Martin. Rethinking Narrative Identity: Persona and Perspective. Amsterdam / Philadelphia: John Benjamins, 129-146.

Schönfelder, Christa (2013). (Re-)Visions of the Buried Self: Childhood Trauma and Self-Narration in Margaret Atwood's 'Cat's Eye'. In: Rippl, Gabriele; Kirss, Tiina; Schweighauser, Philipp; Steffen, Therese; Sutrop, margrit. Haunted Narratives: Life-Writing in an Age of Trauma. Toronto: Univ of Toronto, 257-274.

Markin, Alexander (2013). Amerikanskij Dom Uzhasa: Ot Idillii k horroru. Seance, (53/54):259-270.

Schönfelder, Christa (2013). Renegotiations of Longing and Belonging: Exile, Memory, and Nostalgia. In: Rippl, Gabriele; Schweighauser, Philipp; Kirss, Tiina; Sutrop, Margrit; Steffen, Therese. Haunted Narratives: Life-Writing in an Age of Trauma. Toronto: Univ of Toronto, 297-304.

Binotto, Johannes. Im Dickicht der Bilder. Waldrausch im Kino Xenix. In: NZZ, 48, 27 February 2013, 19.

Bronfen, Elisabeth (2013). "Man weiß nicht woher die Einfälle einfallen": Über das Verhältnis von Form und Nichts bei Meret Oppenheim. In: Eipeldauer, Heike. Meret Oppenheim: Retrospektive. Ostfildern: Hatje Cantz, 35-44.

Honkapohja, Alpo (2013). A review of Code-switching in Early English (2011) by Herbert Schendl & Laura Wright (eds.). Journal of Historical Pragmatics, 14(2):321-327.

Eberle, Nicole; Schreier, Daniel (2013). African Bermudian English and the Caribbean Connection. English World-Wide. A Journal of Varieties of English, 34(3):279-304.

Bronfen, Elisabeth (2013). Angst im Film. In: Koch, Lars. Angst: Ein interdisziplinäres Handbuch. Stuttgart: Metzler, 251-264.

Bronfen, Elisabeth (2013). Auf der Suche nach Kleopatra: Das Nachleben einer kulturellen Ikone. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra: Die Ewige Diva. München: Hirmer, 8-21.

Binotto, Johannes (2013). Bond Rerouted: 007 and the Internal Conflict in/of Digital Media. In: Ljungberg, Christina; Klarer, Mario. Cultures in Conflict / Conflicting Cultures. Tübingen: Narr Francke Attempto, 51-63.

Leitner, Magdalena (2013). Book review of: Merja Kytö, Peter J. Grund and Terry Walker. Testifying to language and life in Early Modern England. Journal of Historical Pragmatics, 14(2):305-309.

Chevalier, Sarah (2013). Caregiver responses to the language mixing of a young trilingual. Multilingua, 32(1):1-32.

Alexander, Markin (2013). Chicago. In: Bronfen, Elisabeth; Grob, Norbert. Classical Hollywood. Stuttgart: Reclam Verlag, 193-199.

Classical Hollywood. Edited by: Bronfen, Elisabeth; Grob, Norbert (2013). Stuttgart: Reclam.

Jucker, Andreas H; Kopaczyk, Joanna (2013). Communities of practice as a locus of language change. In: Kopaczyk, Joanna; Jucker, Andreas H. Communities of practice in the history of English. Amsterdam: John Benjamins, 1-16.

Communities of practice in the history of English. Edited by: Kopaczyk, Joanna; Jucker, Andreas H (2013). Amsterdam: John Benjamins.

Jucker, Andreas H (2013). Corpus pragmatics. In: Östman, Jan-Ola; Verschueren, Jef. Handbook of Pragmatics. Amsterdam: John Benjamins, 1-17.

Cultures in Conflict / Conflicting Cultures. Edited by: Ljungberg, C; Klarer, M (2013). Tübingen: Narr.

Gardner, Anne-Christine. Derivation in Middle English: Regional and Text Type Variation. 2013, University of Zurich, Faculty of Arts.

Rathore-­Nigsch, Claudia. Dialect variation and change in the diaspora: a sociophonetic study of the East African Indian community in Leicester, UK. 2013, University of Zurich, Faculty of Arts.

Bronfen, Elisabeth (2013). Die Kunst des Exils. In: Bischoff, Doerte; Komfort-Hein, Susanne. Literatur und Exil: Neue Perspektiven. Berlin: De Gruyter, 381-395.

Seiler, Annina (2013). Die Urkunden des Schreibers Waldo: eine graphematische Analyse. Sprachwissenschaft, 38(2):123-146.

Schneider, Gerold; Zipp, Lena (2013). Discovering new verb-preposition combinations in New Englishes. Studies in Variation, Contacts and Change in English, 13:online.

Jucker, Andreas H; Taavitsainen, Irma (2013). English Historical Pragmatics. Edinburgh: Edinburgh University Press.

English as a Contact Language. Edited by: Schreier, Daniel; Hundt, Marianne (2013). Cambridge: Cambridge University Press.

Binotto, Johannes (2013). Gold diggers of 1933. In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 121-127.

Binotto, Johannes (2013). Goldgräber von 1933 - Gold Diggers of 1933. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.

Timofeeva, Olga (2013). Hearsay and lexical evidentials in old germanic languages, with focus on old English. In: Diewald, Gabriele; Kahlas-Tarkka, Leena; Wischer, Ilse. Comparative Studies in Early Germanic Languages: With a Focus on Verbal Categories. Amsterdam: Benjamins, 169-194.

Bronfen, Elisabeth (2013). Hollywoods Kriege: Geschichte einer Heimsuchung. Frankfurt am Main: S. Fischer Verlag.

Bronfen, Elisabeth (2013). Hollywoods Kriegsbilder: Historisches Wissen anderer Art. In: Ernst, Christoph; Paul, Heike. Präsenz und implizites Wissen: Zur Interdependenz zweier Schlüsselbegriffe der Kultur- und Sozialwissenschaften. Bielefeld: transcript, 35-48.

Bronfen, Elisabeth (2013). Hollywoods Kriegsgerichtsdramen. In: Kappelhoff, Hermann; Gaertner, David; Pogodda, Cilly. Mobilisierung der Sinne: Der Hollywood-Kriegsfilm zwischen Genrekino und Historie. Berlin: Vorwerk 8, 88-121.

Iconic Investigations. Edited by: Elleström, L; Fischer, O; Ljungberg, C (2013). Amsterdam: John Benjamins.

Hundt, Marianne; Schreier, Daniel (2013). Introduction: nothing but a contact language. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 1-17.

Schneider, Gerold (2013). Investigating Irish English With ICE-Ireland. Cahiers de l'institut de linguistique et des sciences du langage, 38(2013):137-162.

Loren, Scott; Metelmann, Jörg (2013). Irritation of Life: The Subversive Melodrama of Michael Haneke, David Lynch and Lars von Trier. Marburg: Schüren.

Straumann, Barbara (2013). Kleopatra im Doppelporträt mit Elizabeth I.: Die Inszenierung der zwei Körper der Königin. In: Kunst- und Ausstellungshalle der Bundesrepublik Deutschland. Kleopatra - Die ewige Diva. München: Hirmer, 68-77.

Kleopatra: Die Ewige Diva. Edited by: Bronfen, Elisabeth; Lulinska, Agnieszka (2013). München: Hirmer.

Bolander, Brook (2013). Language and Power in Blogs: Interaction, disagreements and agreements. Amsterdam: John Benjamins.

Timofeeva, Olga (2013). Latin Loans in Old English and Finnish Loans in Modern English: Can We Distinguish Statistics from Myth? In: McConchie, R W; Juvonen, Teo; Kaunisto, Mark; Nevala, Minna; Tyrkkö, Jukka. Selected Proceedings of the 2012 Symposium on New Approaches in English Historical Lexis (HEL-LEX 3). Somerville, MA, USA: Cascadilla Proceedings Project, 166-176.

Binotto, Johannes (2013). Leave her to heaven (USA 1945). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 285-291.

Bronfen, Elisabeth (2013). Lubitschs Krieg. Die Komödie als politische Strategie in To Be or Not to Be. Neue Rundschau, 124(4):151-172.

Honkapohja, Alpo (2013). Manuscript abbreviations in Latin and English: History, typologies and how to tackle them in encoding. Studies in Variation, Contacts and Change in English, 14:online.

Meaning in the history of English. Words and texts in context. Edited by: Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole (2013). Amsterdam/Philadelphia: John Benjamins.

Straumann, Barbara (2013). Medien im englischsprachigen Bereich. In: Rippl, Gabriele; Winko, Simone. Handbuch Kanon und Wertung: Theorien - Instanzen - Geschichte. Stuttgart: Metzler, 140-146.

Hackert, Stephanie; Deuber, Dagmar; Biewer, Carolin; Hilbert, Michaela (2013). Modals of possibility, ability and permission in selected New Englishes. Helsinki: VARIENG.

Bronfen, Elisabeth (2013). Monumental Cleopatra: Hollywood’s epic film as historical re-imagination. Anglia, 131:218-235.

Bronfen, Elisabeth (2013). Männliche Sammelwut, weibliche Neugierde: Blaubarts Wunde(r)kammer. Fabula, 53(3/4):194-204.

Bronfen, Elisabeth (2013). Night Passages: Philosophy, Literature, and Film. New York: Columbia University Press.

Timofeeva, Olga (2013). Of ledenum bocum to engliscum gereorde: Bilingual communities of practice in anglo-saxon England. In: Kopaczyk, Joanna; Jucker, Andreas H. Communities of Practice in the History of English. Amsterdam: Benjamins, 201-224.

Sobral Mourao, Ana (2013). Performing cosmopolitanism: Gogol Bordello and the global underdogs. In: Waligorska, Magdalena. Music, longing and belonging: articulations of the self and the other in the musical realm. Newcastle upon Tyne: Cambridge Scholars Publishing, 28-47.

Alexander, Markin (2013). Pis'mo, pustota i pokojniki. Russkaja Proza, (3):online.

Bronfen, Elisabeth (2013). Reappropriations of the Cowboy. In: Scheidegger, Ildegarda; Frehner, Matthias. Hannes Schmid: Real Stories. Zürich: JRP|Ringier, 53-62.

Hundt, Marianne (2013). Relatives in scientific English: Variation across time and space. In: Poppi, Franca; Cheng, Winnie. The Three Waves of Globalization: Winds of Change in Professional, Institutional and Academic Genres. Newcastle: Cambridge Scholars Publishing, 244-268.

Bronfen, Elisabeth (2013). Remains of War: Battlefields, Ruins and the Trick of Commemoration. In: Gerber, Andri; Patterson, Brent. Metaphors in Architecture and Urbanism: An Introduction. Bielefeld: transcript, 161-175.

Paparunas, Penny (2013). Review of: Fritz Senn, Noch mehr über Joyce: Streiflichter, hg. mit einem Nachwort von Sabine Baumann, Frankfurt am Main: Schöffling & Co, 2012. Variations: Literaturzeitschrift der Universität Zürich, 21:234-236.

Timofeeva, Olga (2013). Review of: Janie Steen, Verse and Virtuosity: The Adaptation of Latin Rhetoric in Old English Poetry. Toronto: University of Toronto Press, 2008. Neuphilologische Mitteilungen:125-128.

Reddick, Allen (2013). So What's Wrong with "Buxom"? Samuel Johnson, Poetical Language, and Semantics. In: McConchie, R W; Juvonen, Teo; Kaunisto, Mark; Nevala, Minna; Tyrkkö, Jukka. Selected Proceedings of the 2012 Symposium on New Approaches in English Historical Lexis (HEL-LEX 3). Somerville, MA, USA: Cascadilla Proceedings Project, 159-165.

Binotto, Johannes (2013). Some Came Running (USA 1958). In: Grob, Norbert; Bronfen, Elisabeth. Stilepochen des Films: Classical Hollywood. Stuttgart: Reclam, 385-391.

Biewer, Carolin. South Pacific Englishes - The Dynamics of Second-language Varieties of English in Fiji, Samoa and the Cook Islands. 2013, University of Zurich, Faculty of Arts.

Binotto, Johannes (2013). TAT/ORT. Das Unheimliche und sein Raum in der Kultur. Zürich, Berlin: Diaphanes.

Straumann, Barbara (2013). The Conflict of Voice in Nathaniel Hawthorne's The Blithedale Romance. In: Ljungberg, Christina; Klarer, Mario. Cultures in Conflict / Conflicting Cultures. Tübingen: Narr Francke Attempto, 93-107.

Heusser, Martin (2013). The Semantics of Structure: Iconicity in the Poetry of William Carlos Williams and E. E. Cummings. In: Elleström, Lars; Fischer, Olga; Ljungberg, Christina. Iconic Investigations. Amsterdam, Philadelphia: John Benjamins Publishing, 159-172.

Hundt, Marianne (2013). The diversification of English: old, new and emerging epicentres. In: Schreier, Daniel; Hundt, Marianne. English as a Contact Language. Cambridge: Cambridge University Press, 182-203.

Honkapohja, Alpo (2013). The trinity seven planets. Scholarly Editing: The Annual of the Association for Documentary Editing, 34:online.

Leitner, Magdalena (2013). Thou and you in Late Middle Scottish and Early Modern Northern English witness depositions. Journal of Historical Pragmatics, 14(1):100-129.

Binotto, Johannes (2013). Todsünde – Leave Her to Heaven. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 121-127.

Sobral Mourao, Ana (2013). Towards a ‘World Revolution’?: forging a transnational emancipation narrative from Tahrir Square to Wall Street. In: Detmers, Ines; Heidemann, Birte. 'From popular Goethe to global pop': the idea of the West between memory and (dis)empowerment. Amsterdam: Rodopi, 229-253.

Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole (2013). Uncovering layers of meaning in the history of the English language. In: Jucker, Andreas H; Landert, Daniela; Seiler, Annina; Studer-Joho, Nicole. Meaning in the History of English. Words and texts in context. Amsredam: John Benjamins, 1-15.

Keller, Thomas (2013). Unterwürfige Souveränität: Kleopatra in der Popmusik. In: Bronfen, Elisabeth; Lulinska, Agnieszka. Kleopatra - die ewige Diva. München: Hirmer Verlag, 124-131.

Binotto, Johannes (2013). Untiefen. Zu den unheimlichen Räumen Dario Argentos. In: Stiglegger, Marcus; Flintrop, Michael. Dario Argento: Anatomie der Angst. Berlin: Bertz + Fischer, 68-83.

Hundt, Marianne (2013). Using web-based data for the study of global English. In: Krug, Manfred G; Schlüter, Julia. Research Methods in Language Variation and Change. Cambridge: Cambridge University Press, 158-177.

Binotto, Johannes (2013). Verdammt sind sie alle – Some Came Running. In: Bronfen, Elisabeth; Grob, Norbert. Stilepochen des Films. Classical Hollywood. Stuttgart: Reclam, 385-391.

Paparunas, Penny (2013). Wasserfrau als Maskerade? Melusine von Barby und die Hybridisierung von Geschlechterkonfigurationen in Theodor Fontanes »Stechlin«. In: Michel, Paul. Spinnenfuss & Krötenbauch: Genese und Symbolik von Kompositwesen. Zürich: Pano-Verlag, 369-404.

Binotto, Johannes (2012). Beyond Bond: Der Spion im Film zwischen Weltrettung und Selbstzweifel. Stadtkino Basel Programmzeitschrift:10-12.

Frank, Michael C (2012). Überlebsel: das Primitive in Anthropologie und Evolutionstheorie des 19. Jahrhunderts. In: Gess, Nicola. Literarischer Primitivismus. Berlin: De Gruyter, 159-188.

Bronfen, Elisabeth (2012). Specters of War. Hollywood's Engagement with Military Conflict. New Brunswick, NJ: Rutgers UP.

Binotto, Johannes. Die Welt als Puppenhaus. Die verzauberten Filme des Wes Anderson als Retrospektive im Kino Xenix. In: NZZ, 254, 31 October 2012, 21.

Ljungberg, Christina (2012). Creative dynamics. Diagrammatic strategies in narrative. Amsterdam: John Benjamins.

Binotto, Johannes. Roter als Rot. Technicolor – ein Augenschmaus. In: Neue Zürcher Zeitung, 4 October 2012, 19.

Binotto, Johannes. Roter als rot. Das Filmpodium feiert die Farbfilme von Technicolor - ein Augenschmaus. In: NZZ, 231, 4 October 2012, 19.

Markin, Alexander (2012). Nemetskaja Pornografija. In: Volchek, Dmitry. Sestra Monika. Tver': Kolonna Publications, 168-181.

Hundt, Marianne (2012). Varieties of English : Australian / New Zealand English. In: Bergs, Alex; Brinton, Laurel. Historical Linguistics of English : An International Handbook. Berlin: De Gruyter, 1995-2012.

Binotto, Johannes (2012). Übernatürliche Farbe. Zu Technicolor und dessen Ästhetik. Filmbulletin: Zeitschrift für Film und Kino, (6.12):33-39.

Paparunas, Penny (2012). Figurationen des Verworfenen: Schönheit, Hässlichkeit und Alter in Augusta Websters Lyrik. In: Filter, Dagmar; Reich, Jana. Bei mir bist Du schön...Kritische Reflexionen über Konzepte von Schönheit und Körperlichkeit. Hamburg: Centaurus Verlag & Media KG, 159-191.

Binotto, Johannes. Beschwingte Avantgarde. «Swinging London» im Filmpodium. In: NZZ, 151, 2 July 2012, 13.

Caduff, Renzo (2012). Sebastian Donat: Deskriptive Metrik. (Reihe Comparanda. Literaturwissenschaftliche Studien zu Antike und Moderne). Innsbruck/Wien/ Bozen: StudienVerlag, 2010, Band 15, 180 Seiten. Arcadia: Zeitschrift für vergleichende Literaturwissenschaft, 47(1):2019-224.

Lehmann Imfeld, Zoë Christina (2012). Review of: A People of One Book: The Bible and the Victorians by Timothy Larson, Oxford University Press, Oxford, 2011. New Blackfriars, 93(1046):496-498.

Mühlheim, Martin (2012). Keramik, Knollenfrüchte und Kinderbücher: Eine postkoloniale Spurensuche in Zürich. In: Purtschert, Patricia; Lüthi, Barbara; Falk, Francesca. Postkoloniale Schweiz: Formen und Folgen eines Kolonialismus ohne Kolonien. Bielefeld: Transcript Verlag, 157-174.

Timofeeva, Olga (2012). Latin Absolute Constructions and Their Old English Equivalents: Interfaces between Form and Information Structure. In: Meurman-Solin, Anneli; Lopez-Couso, Maria Jose; Los, Bettelou. Information Structure and Syntactic Change in the History of English. New York: Oxford University Press, 228-242.

Lehmann, Hans Martin; Schneider, Gerold (2012). Dependency bank. In: LREC 2012 Conference Workshop "Challenges in the Management of Large Corpora", Istanbul, Turkey, 22 May 2012, 23-28.

Frank, Michael C (2012). Diskurs, Diskontinuität und historisches Apriori: Michel Foucaults "Die Ordnung der Dinge", "Archäologie des Wissens" und "Die Ordnung des Diskurses". In: Reuter, Julia; Karentzos, Alexandra. Schlüsselwerke der Postcolonial Studies. Wiesbaden: Springer, 39-50.

Schneider, Gerold (2012). Using semantic resources to improve a syntactic dependency parser. In: LREC 2012 Conference Workshop "Semantic Relations II", Istanbul, Turkey, 22 May 2012, 67-76.

Binotto, Johannes. Das alte Kino lebt: Retrospektive zum Filmschaffen des deutschen Regisseurs Rainer Werner Fassbinder im Kino Xenix. In: NZZ, 100, 30 April 2012, 15.

Frank, Michael C (2012). Sphären, Grenzen und Kontaktzonen: Jurij Lotmans räumliche Kultursemiotik am Beispiel von Rudyard Kiplings "Plain tales from the hills". In: Frank, Susi K; Ruhe, Cornelia; Schmitz, Alexander. Explosion und Peripherie: Jurij Lotmans Semiotik der kulturellen Dynamik revisited. Bielefeld: De Gruyter, 217-246.

Binotto, Johannes. Unberechenbarer Stern: Zu Marilyn Monroe. In: Basler Zeitung, 21 April 2012, 2.

Heller-Andrist, Simone (2012). The Friction of the Frame: Derrida's Parergon in Literature. Tübingen: Francke Verlag.

Binotto, Johannes. Im Bann des Magiers. In: TagesWoche, 3 February 2012, 43-45.

Paparunas, Penny (2012). Transgressive religiöse Figuren. Rosa : Die Zeitschrift für Geschlechterforschung, 44:45-47.

Binotto, Johannes. Medium und Massage. Der Film «Hysteria» macht die Erfindung des Vibrators zum Komödienthema. In: Basler Zeitung, 12 January 2012, 35.

Cunningham, Conor; Riches, Aaron; Lehmann Imfeld, Zoë Christina; Hampson, Peter (2012). Interview and conversation with Conor Cunningham and Aaron Riches: radical orthodoxy and Christian psychology II - ontological naturalism and Christology. Edification, 6(1):69-79.

Milbank, John; Oliver, Simon; Lehmann Imfeld, Zoë Christina; Hampson, Peter (2012). Interview and conversation with John Milbank and Simon Oliver: radical orthodoxy and Christian psychology I - theological underpinnings. Edification, 6(1):60-68.

Literature and Terrorism: Comparative Perspectives. Edited by: Frank, Michael C; Gruber, Eva (2012). Amsterdam and New York: Rodopi.

Frank, Michael C (2012). Plots on London: Terrorism in turn-of-the-century British fiction. In: Frank, Michael C; Gruber, Eva. Literature and terrorism: comparative perspectives. Amsterdam: Rodopi, 41-65.

Binotto, Johannes (2012). From my cold, dead hands. Die Melancholie des Schneewesterns. Stadtkino Basel Programmzeitschrift, (179):11-12.

Hundt, Marianne; Mair, Christian (2012). "Agile" and "Uptight" genres: The corpus-based approach to language change in progress. In: Biber, Douglas; Reppen, Randi. Corpus Linguistics. Vol. 3 : Varieties. London: Sage, 199-218.

Schneider, Gerold; Hundt, Marianne (2012). "Off with their heads". Profiling TAM in ICE corpora. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 1-34.

Hundt, Marianne; Leech, Geoffrey (2012). "Small is beautiful" On the value of standard reference corpora for observing recent grammatical change. In: Nevalainen, Terttu; Traugott, Elizabeth. The Oxford Handbook of the History of English. Oxford: Oxford University Press, 175-188.

Schreier, Daniel (2012). "Varieties resistant to standardisation.". In: Hickey, Raymond. Standards of English: Codified Varieties around the World. Cambridge: Cambridge University Press, 369-386.

Heusser, Martin (2012). "Why I Write about Mexico" : Mexicanness in Katherine Anne Porter's "María Concepción" and "Flowering Judas". In: Kern-Stähler, Annette; Britain, David. English on the Move : Mobilities in Literature and Language. Tübingen: Narr Francke Attempto, 69-80.

Straumann, Barbara (2012). 'We didn't need dialogue, we had faces': The Public Bodies of Gloria Swanson. PhiN. Philologie im Netz, 5:128-146.

Deuber, Dagmar; Biewer, Carolin; Hackert, Stephanie; Hilbert, Michaela (2012). 'Will' and 'would' in selected New Englishes: general vs. variety-specific tendencies. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 77-102.

Piccitto, Diane (2012). 1793 and the Aftermath of the French Revolution. West Lafayette, Indiana: Extension of Romanticism and Victorianism on the Net.

Schlote, Christiane (2012). A different theatre of war. Humanitarian aid on british stages. In: Reitz, Bernhard; Berninger, Mark. Ethical Debates in Contemporary Theatre and Drama. Trier: WVT, 121-135.

Timofeeva, Olga (2012). Absolutnye prichastnye konstruktsii v pozdnedrevneangliyskih perevodah Biblii. In: Uspenskij, Fjodor. Imenoslov.Istorija jazyka. Istorija kultury. Moscow: Russkij fond sodejstvija obrazovaniju i nauke, 277-292.

Gardner, Anne-Christine (2012). Abstract noun ‘suffixes’ and text type in Old English. In: Sauer, Hans; Waxenberger, Gaby. English Historical Linguistics 2008. Selected Papers from the 15th ICEHL, Munich, 24-30 August 2008. Volume II: Words, Texts and Genres. Amsterdam, Philadelphia: John Benjamins, 119-132.

Biewer, Carolin (2012). Acrolectal English in the South Pacific: emerging standards? In: Hickey, Raymond. Standards of English. Codified Varieties around the World. Cambridge: Cambridge University Press, 336-353.

Chevalier, Sarah (2012). Active trilingualism in early childhood: The motivating role of caregivers in interaction. International Journal of Multilingualism, 9(4):437-454.

Schneider, Gerold (2012). Adapting a parser to historical English. Helsinki: University of Helsinki.

Hundt, Marianne; Szmrecsanyi, Benedikt (2012). Animacy in early New Zealand English. English World-Wide, 33(3):241-263.

Lehmann, Hans Martin; Schneider, Gerold (2012). BNC Dependency Bank 1.0. In: Oksefjell, Signe; Ebeling, Jarle; Hasselgard, Hilde. Aspects of corpus linguistics: compilation, annotation, analysis. Helsinki: Research Unit for Variation, Contacts, and Change in English, online.

Jucker, Andreas H (2012). Changes in politeness cultures. In: Nevalainen, Terttu; Traugott, Elizabeth Closs. The Oxford handbook of the history of international law. Oxford: Oxford University Press, 422-433.

Bronfen, Elisabeth (2012). Cleopatra's Venus. In: Renger, Almut-Barbara; Solomon, Jon. Ancient Worlds in Film and Television : Gender and Politics. Leiden: Brill, 137-150.

Bronfen, Elisabeth (2012). Contending with the Father: Louise Bourgeois and her Aesthetics of Reparation. In: Larratt-Smith, Philip. Louise Bourgeois: The Return of the Repressed: Psychoanalytic Writings. London: Violette Editions, London, 101-114.

Bronfen, Elisabeth (2012). Die Königin ist tot! Lang lebe die Königin! Zu Hiroshi Sugimotos Portrait von Königin Elizabeht II als Wachsfigur. In: Janser, Daniela; Seelig, Thomas. Status – 24 Dokumente von heute. (Winterthur): Photomuseum Winterthur, 38.

Hundt, Marianne; Dose, Stefanie (2012). Differential change in British and American English: Comparing pre- and post-war data. In: Hoffmann, Sebastian; Rayson, Paul; Leech, Geoffrey. English Corpus Linguistics: Looking back, Moving forward. Amsterdam: Rodopi, 79-101.

Studer-Joho, Nicole. Diffusion and Change in Early Middle English: Methodological and Theoretical Implications from the LAEME Corpus of Tagged Texts. 2012, University of Zurich, Faculty of Arts.

Bolander, Brook (2012). Disagreements and agreements in personal/diary blogs: A closer look at responsiveness. Journal of Pragmatics, 44(12):1607-1622.

Schlote, Christiane (2012). Dramatising Refuge(e)s: Rukhsana Ahmad's Song for a Sanctuary and Tanika Gupta's Sanctuary. In: Ley, Graham; Dadswell, Sarah. Critical Essays on British South Asian Theatre. Exeter: University of Exeter Press, 66-78.

Loren, Scott (2012). Feel It! Das Management der Emotionen: Eine Diskussion zwischen Eva Illouz, Linda Williams, Dorthe Staunæs und Chris Steyaert, moderiert von Scott Loren. In: Metelmann, Jörg; Beyes, Timon. Die Macht der Gefühle : Emotionen in Management, Organisation und Kultur. Berlin: Berlin University Press, 23-56.

Riquet, Johannes (2012). How shall we find the concord of this discord?. Music, magic and ideology in A Midsummer Night’s Dream. Variations: Literaturzeitschrift der Universität Zürich, 31(20):77-92.

Ljungberg, Christina (2012). Intermedial narration i den fotolyriska bildboken. Samlaren, 133:366-369.

Hundt, Marianne; Gut, Ulrike (2012). Introduction: Mapping unity and diversity in New Englishes. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, ix-xiii.

Schlote, Christiane (2012). Iraqi Playwrights and the (Un)Reality of War. In: Milich, Stephan; Pannewick, Friederike; Tramontini, Leslie. Conflicting Narrative, War, Trauma and Memory in Iraqi Culture. Wiesbaden: Reichert Verlag, 161-180.

Journal of Historical Pragmatics. Edited by: Jucker, Andreas H; Taavitsainen, I (2012). Amsterdam/Philadelphia: John Benjamins.

Mapping unity and diversity world-wide. Corpus-based studies of new Englishes. Edited by: Hundt, M; Gut, U (2012). Amsterdam: John Benjamins.

Chevalier, Sarah (2012). Mobile Parents, Multilingual Children: Children’s Production of Their Paternal Language in Trilingual Families. In: Kern-Stähler, Annette; Britain, David. On the Move: Mobilities in English Language and Literature. Tübingen: Narr Dr. Gunter, 99-115.

Musik und Literatur/ Musique et littérature/ Music and Literature. Variations: Literaturzeitschrift der Universität Zürich. Edited by: Bissig, Florian; Struzek-Krähenbühl, Franziska; Escher, Georg (2012). Bern: Peter Lang.

Schlote, Christiane (2012). Oil, Masquerades, and Memory: Sokari Douglas Camp's Memorial of Ken Saro-Wiwa. In: Collier, Gordon; Delrez, Marc; Fuchs, Anne; Ledent, Bénédicte. Engaging with Literature of Commitment. Volume 1: Africa in the World. Amsterdam: Rodopi, 243-263.

Bolander, Brook. On language and power in blogs. 2012, University of Basel, Faculty of Arts.

Sobral Mourao, Ana (2012). Opting out: deviance and generational identities in American post-war cult fiction. Amsterdam/New York: Rodopoi.

Zipp, Lena; Bernaisch, Tobias (2012). Particle verbs across first and second language varieties of English. In: Hundt, Marianne; Gut, Ulrike. Mapping Unity and Diversity World-Wide. Corpus-Based Studies of New Englishes. Amsterdam: John Benjamins, 167-196.

Bronfen, Elisabeth (2012). Pathosformeln des Krieges und ihr Nachleben in Hollywood. In: Geimer, Peter; Hagner, Michael. Nachleben und Rekonstruktion : Vergangenheit im Bild. München: Fink; Nationaler Forschungsschwerpunkt »Bildkritik«, 231-249.

Paparunas, Penny (2012). Patricia Rigg, Julia Augusta Webster: Victorian Aestheticism and the Woman Writer, Madison: Farleigh Dickinson University Press, 2009. Variations: Literaturzeitschrift der Universität Zürich, 20:306-308.

Schreier, Daniel (2012). Phonological inventories. In: Hickey, Raymond. Areal Features of the Anglophone World. Berlin and New York: Walter de Gruyter, 277-297.

Bronfen, Elisabeth (2012). Picasso's War Women. In: Schulz-Hoffmann, Carla. Women. Picasso, Beckmann, de Kooning. Ostfildern: Hatje Cantz Verlag, 254-265.

Schlote, Christiane (2012). Post-Millennial British Asian Theatre. Hard times : deutsch-englische Zeitschrift, (91):33-38.

Loren, Scott (2012). Posthumanist panic cinema: defining a genre. In: Straub, Julia. Paradoxes of authenticity : studies on a critical concept. Bielefeld: De Gruyter, 159-183.

Jucker, Andreas H; Taavitsainen, Irma (2012). Pragmatic variables. In: Hernández-Campoy, Juan M; Conde-Silvestre, Juan C. The Handbook of Historical Sociolinguistics. Chichester, West Sussex: Wiley-Blackwell, 293-306.

Jucker, Andreas H (2012). Pragmatics in the history of linguistic thought. In: Allan, Keith; Jaszczolt, Kasia M. The Cambridge Handbook of Pragmatics. Cambridge: Cambridge University Press, 495-512.

Heusser, Martin (2012). Radical Eye Rhymes: Visual Strategies in Modernist Poetry. In: Homem, Rui Carvalho. Relational designs in literature and the arts : page and stage, canvas and screen. Amsterdam: Editions Rodopi B.V., Amsterdam, 221-235.

Piccitto, Diane (2012). Reclaiming ‘the Grandeur of Inspiration’: Authenticity, repetition and parody in William Blake’s Milton. In: Straub, Julia. Paradoxes of Authenticity: Studies on a Critical Concept. Bielefeld: Transcript Verlag, 243-262.

Hundt, Marianne; Denison, David; Schneider, Gerold (2012). Relative complexity in scientific discourse. English Language and Linguistics, 16(2):209-240.

Hundt, Marianne; Denison, David; Schneider, Gerold (2012). Retrieving relatives from historical data. Literary and Linguistic Computing, 27(1):3-16.

Jucker, Andreas H (2012). Review of Culpeper and Kytö, Early Modern English dialogues: Spoken interaction as writing. Studies in English Language. Cambridge: Cambridge University Press, 2010. English Language and Linguistics, 16:519-523.

Rivera Godoy-Benesch, Rahel (2012). Review of: Simone Heller-Andrist, The Friction of the Frame. Derrida's Parergon in Literature, Tübingen: Francke, 2012. Variations, 20:301-302.

Schönfelder, Christa (2012). Review of: Suman Gupta: Contemporary Literature. Variations: Literaturzeitschrift der Universität Zürich, 20:292-293.

Bissig, Florian (2012). Review of: Tim Milnes. The Truth about Romanticism: Pragmatism and Idealism in Keats, Shelley, Coleridge. Cambridge: Cambridge University Press. Variations: Literaturzeitschrift der Universität Zürich, 20:286-288.

Schlote, Christiane (2012). Revisiting Bolton: Transcultural Adaptation and Regional Identity in Ayub Khan-Din's Rafta, Rafta. In: Nicklas, Pascal; Lindner, Oliver. Adaptation and Cultural Appropriation. Berlin: De Gruyter, 251-263.

Schreier, Daniel (2012). Second-language varieties : Second-language varieties of English. In: Brinton, Laurel; Bergs, Alexander. Historical Linguistics of English : An International Handbook. Berlin: Walter de Gruyter, 2106-2120.

Jucker, Andreas H; Taavitsainen, Irma; Schneider, Gerold (2012). Semantic corpus trawling: Expressions of “courtesy” and “politeness” in the Helsinki Corpus. In: Suhr, Carla; Taavitsainen, Irma. Developing Corpus Methodology for Historical Pragmatics. Helsinki: Research Unit for Variation, Contacts and Change in English, 1.

Hundt, Marianne (2012). The committee has/have decided... On concord patterns with collective nouns in inner- and outer-circle varieties of English. In: Biber, Douglas; Reppen, Randi. Corpus Linguistics. Vol. 3 : Varieties. London: Sage, 293-318.

Seiler, Annina (2012). The function of the sword-hilt inscription in Beowulf. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond. Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Narr Francke Attempto, 181-197.

Hundt, Marianne; Hoffmann, Sebastian; Mukherjee, Joybrato (2012). The hypothetical subjunctive in South Asian Englishes. Local developments in the use of a global construction. English World-Wide, 33(2):147-164.

Schreier, Daniel (2012). The impact of migratory movements on linguistic systems: Transplanted speech communities and varieties from a historical sociolinguistic perspective. In: Hernández-Campoy, J M; Conde-Sylvestre, J Camilo. The Handbook of Historical Sociolinguistics. Oxford: Wiley-Blackwell Publishing, 524-551.

Jucker, Andreas H; Dürscheid, Christa (2012). The linguistics of keyboard-to-screen communication. A new terminological framework. Linguistik Online, 56(6/12):1-26.

Landert, Daniela. The personalisation of mass media communication. Involving settings, private content and linguistic immediacy in british online news. 2012, University of Zurich, Faculty of Arts.

Studer-Joho, Nicole (2012). The transmission of alliterative poetry: scribal practice in the A text of William Langland's Piers Plowman. Neuphilologische Mitteilungen, 113(1):85-104.

Hundt, Marianne (2012). Towards a corpus of New Zealand English: News from Erewhon? Te Reo: Journal of the Linguistic Society of New Zealand, 55:51-74.

Bitterli, Dieter (2012). Two Old English Prose Riddles of the Eleventh Century. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond: Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Franke, 1-11.

Schreier, Daniel (2012). Words and the New Englishes: Borrowing as evidence of contact and ancestral effects. In: Chevalier, Sarah; Honegger, Thomas. Words, word, words: Philology and beyond. Festschrift for Andreas Fischer on the occasion of his 65th birthday. Tübingen: Francke, 165-180.

Words, Words, Words: Philology and Beyond: Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Edited by: Chevalier, Sarah; Honegger, Thomas (2012). Tübingen: Narr.

Schönfelder, Christa. Wounds and words: childhood and family trauma in romantic and postmodern fiction. 2012, University of Zurich, Faculty of Arts.

Binotto, Johannes (2012). Zusammen-Schneiden. Von der Notwendigkeit körperlicher und geistiger Versehrtheit. Denkbilder. Das Germanistikmagazin der Universität Zürich, 17(31):6-7.

Jucker, Andreas H (2012). “These imputations are too common, sir”: Politeness in Early Modern English dialogues: The case of Ben Jonson’s Volpone, or The Fox. In: Mazzon, Gabriella; Fodda, Luisianna. Historical Perspective on Forms of English Dialogue. Milano: FrancoAngeli, 40-58.

Jucker, Andreas H (2012). “What’s in a name?”: Names and terms of address in Shakespeare’s Romeo and Juliet. In: Chevalier, Sarah; Honegger, Thomas. Words, Words, Words: Philology and Beyond. Festschrift for Andreas Fischer on the Occasion of his 65th Birthday. Tübingen: Narr, 77-97.

Lehmann Imfeld, Zoë Christina (2011). Review of: British Romanticism and the Catholic Question: Religion, History and National Identity, 1778-1829, by Tomko, Michael, Palgrave Macmillan, London, 2011. New Blackfriars, 93(1043):125-126.

Schlote, Christiane (2011). Street lives, roof lives. Literary transformations of Arab urban spaces after Mahfouz. Journal of Postcolonial Writing, 47(5):524-535.

Loren, Scott; Metelmann, Jörg (2011). What’s the matter? race as res. Journal of Visual Culture, 10(3):397-405.

Bissig, Florian (2011). Coleridge and the contemporaneity of authorship. Variations: Literaturzeitschrift der Universität Zürich, 19:71-84.

Paparunas, Penny (2011). Rezension zu Christine O'Neill (Hg.), Zerrinnerungen. Fritz Senn zu James Joyce, Aus dem Englischen von Fritz Senn, Zürich: Verlag Neue Zürcher Zeitung, 2007. Variations: Literaturzeitschrift der Universität Zürich, 19:284-286.

Frank, Michael C (2011). Terror/Terrorismus: Zwei problematische Begriffe / Terror/Terrorism: Two Problematic Terms [German and English]. In: Hoffman, Felix. Unheimlich vertraut: Bilder vom Terror / The Uncanny Familiar: Images of Terror. Köln: Verlag der Buchhandlung Walther König, 46-67.

Schneider, Gerold (2011). Using automatically parsed corpora to discover lexico-grammatical features of English varieties. In: 30th International Conference on Lexis and Grammar, Nicosia, Cyprus, 5 October 2011 - 8 October 2011. University of Cyprus, Department of French Studies and Modern Languages, 251-258.

Schneider, Gerold; Clematide, Simon; Rinaldi, Fabio (2011). Detection of interaction articles and experimental methods in biomedical literature. BMC Bioinformatics, 12(Suppl 8):S13.

Binotto, Johannes. Ästhetik des Verderbens. In: Neue Zürcher Zeitung, 21 September 2011, 21.

Frank, Michael C (2011). Alien terrorists: public discourse on 9/11 and the American science fiction film. In: Hammond, Philip. Screens of terror: representations of war and terrorism in film and television since 9/11. Bury St Edmunds, Suffolk: abramis academic publishing, 149-169.

Esterhammer, Angela (2011). John Thelwall's "Panoramic Miscellany": the lecturer as journalist. Romantic Circles Praxis:online.

Zipp, Lena; Dellwo, Volker (2011). ‘Read speech normalization’ (RSN): a method to study prosodic variability in spontaneous speech. In: Lee, Wai-Sum; Zee, Eric. Proceedings of the 17th International Congress of Phonetic Sciences. Hong Kong: International Phonetic Association, 2328-2331.

Binotto, Johannes (2011). Der Wille zum Exzess. Über die Filme von Nicholas Ray. Filmpodium: Das Programmheft, 2011(Aug-Sep):13-15.

Neurauter-Kessels, Manuela (2011). Im/polite reader responses on British online news sites. Journal of Politeness Research, 7(2):187-214.

Binotto, Johannes. Medium und Verbrechen. Das Zürcher Filmpodium zeig Fritz Langs «While the City Sleeps». In: NZZ, 150, 30 June 2011, 21.

Schneider, Gerold; Zimmermann, Heinrich (2011). Text-Mining-Methoden im Semantic Web. Wirtschaftsinformatik und Management, 3:28-35.

Reddick, Allen (2011). Thomas Hollis Gifts to Linnaeus. PuLSe, 10:4-5.

Schreier, Daniel; Lavarello Schreier, Karen (2011). Tristan da Cunha and the Tristanians. London: Battlebridge.

Lehmann, Hans Martin; Schneider, Gerold (2011). A large-scale investigation of verb-attached prepositional phrases. Helsinki: University of Helsinki.

Schneider, Gerold; Rinaldi, Fabio (2011). A data-driven approach to alternations based on protein-protein interactions. In: III Congreso Internacional de Lingüística de Corpus, Valencia, Spain, 7 April 2011 - 9 April 2011. Universitat Politècnica de València, 597-607.

Esterhammer, Angela (2011). Review of: Romantic Europe and the Ghost of Italy, by Joseph Luzzi. European Journal of English Studies, 15(1):85-86.

Gardner, Anne-Christine (2011). Review of: Susanne Mühleisen. Heterogeneity in word-formation patterns. A corpus- based analysis of suffixation with -ee and its productivity in English (Studies in Language Companion Series 118). Amsterdam, Philadelphia: John Benjamins, 2010. 245 pp. ISBN 978-90-272-0585-8. ICAME Journal, (35):248-252.

Binotto, Johannes. Fruchtbare Umwege. «Niedertourige Roadmovies» im Aprilprogramm des Zürcher Kinos Xenix. In: NZZ, 74, 29 March 2011, 21.

Binotto, Johannes. Die Schönheit des Abseitigen. Die «Tiger Lillies Freakshow» im Theater Winterthur. In: NZZ, 71, 25 March 2011, 25.

Caspar, Cyril L; Eschle Wyler, Regula; Wyler, Bruno (2011). Cornerstones in Ulrich Bach’s Work on theology and disability. Journal of Religion, Disability & Health, 15(1):34-41.

Binotto, Johannes. Hellsichtige Verdunkelungen. Das Filmpodium Zürich zeigt eine Retrospektive auf das Werk von Arthur Penn. In: NZZ, 38, 15 February 2011, 17.

Schlote, Christiane (2011). Not just another play about Iraq: An interview with Hassan Abdulrazzak. Journal of Postcolonial Writing, 47(1):101-111.

Honkapohja, Alpo (2011). Multilingualism in Trinity College Cambridge Manuscript O.1.77. In: Fisiak, Jacek; Bator, Magdalena. Foreign Influences on Medieval English. Frankfurt am Main: Peter Lang, 25-45.

Biber, Douglas; Grey, Bethany; Honkapohja, Alpo; Pahta, Päivi (2011). Propositional modifiers in early English medical prose: A study on their historical development in noun phrases. In: Pahta, Päivi; Jucker, Andreas H. Communicating Early English Manuscripts. Cambridge: Cambridge University Press, 197-211.

Frank, Michael C (2011). "A mark indelible": Herman Melville and the cross-cultural history of tattooing in the nineteenth century. In: Jobs, Sebastian; Mackenthun, Gesa. Embodiments of cultural encounters. Münster: Waxmann Verlag GmbH, 41-59.

Frank, Michael C (2011). ''A contradiction in terms": Patrick Neate's "City of tiny lights" as a literary intervention into post-9/11 discourse. In: Austenfeld, Thomas; Daphinoff, Dimiter; Herlth, Jens. Terrorism and narrative practice. Münster: LIT-Verlag, 61-79.

Straumann, Barbara (2011). A Voice of Her Own? Weibliche Stimmeffekte bei George Du Maurier, George Bernard Shaw und Isak Dinesen. In: Brandt, Sabina; Butte, Maren. Bild und Stimme. München: Wilhelm Fink, 239-255.

Straumann, Barbara (2011). A voice of her own? Feminine voice effects in George Du Maurier, George Bernard Shaw and Isak Dinesen. Slovo a smysl / Word and Sense: A Journal of Interdisciplinary Theory and Criticism in Czeck Studies, 15:21-39.

Timofeeva, Olga (2011). Battlefield victory: Lexical transfer in Medieval Anglo-Latin. In: Kranich, Svenja; Becher, Viktor; Höder, Steffen; House, Juliane. Multilingual Discourse Production: Diachronic and Synchronic Perspectives. Amsterdam/Philadelphia: John Benjamins, 109-132.

Binotto, Johannes (2011). Baumeister Kino - Überlegungen zum Film als Raumkunst. Modulor. Magazin für Architektur, Immobilien, Recht, 4(6):24-30.

Steiner - Karafili, Enit (2011). Bodies playing on the boundaries of Jane Austen's Juvenilia. Figurationen: Gender - Literatur - Kultur, 12(2):61-72.

Piccitto, Diane (2011). Book Review of: Mary A. Favret. War at a Distance: Romanticism and the Making of Modern Wartime; Princeton 2010. Variations: Literaturzeitschrift der Universität Zürich, 19:307-308.

Binotto, Johannes (2011). Che vuoi? Mafia und die Hysterie der Männer. In: Läubli, M; Sahli, S. Männlichkeiten denken. Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transcript, 285-302.

Esterhammer, Angela (2011). Coleridge's "The Improvisatore": poetry, performance, and remediation. Wordsworth Circle, 40:122-128.

Esterhammer, Angela (2011). Coleridge, Sgricci, and the shows of London: improvising in print and performance. In: Burwick, Frederick; Douglass, Paul. Dante and Italy in British Romanticism. New York: Palgrave Macmillan, 143-159.

Communicating early English manuscripts. Edited by: Pahta, P; Jucker, Andreas H (2011). Cambridge: Cambridge University Press.

Jucker, Andreas H; Pahta, Päivi (2011). Communicating manuscripts: authors, scribes, readers, listeners and communicating characters. In: Pahta, Päivi; Jucker, Andreas H. Communicating early English manuscripts. Cambridge: Cambridge University Press, 3-10.

Bronfen, Elisabeth (2011). Der Geodät des Bürgerkriegs. In: Biers, Ambrose; Haefs, Hanswilhelm. Geschichten aus dem Bürgerkrieg. Zürich: Elster Verlag, 7-21.

Binotto, Johannes (2011). Descartes, Le Corbusier und der Terror der idealen Stadt. Modulor. Magazin für Architektur, Immobilien, Recht, (7):37-42.

Hundt, Marianne; Mukherjee, Joybrato (2011). Discussion forum: New Englishes and learner Englishes – quo vadis? In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes : Bridging a Paradigm Gap. Amsterdam: John Benjamins Publishing, 209-218.

Binotto, Johannes (2011). Ein-Bildungen – Zum Kino der Hysterie. Zürich: Kino Xenix.

Exploring Second-Language Varieties of English and Learner Englishes. Edited by: Mukherjee, Joybrato; Hundt, Marianne (2011). Amsterdam: Benjamins.

Schlote, Christiane (2011). Generic activism: Ahdaf Soueif and Etel Adnan’s art of creative non-fiction. In: Oboe, Annalisa; Bassi, Shaul. Experiences of Freedom in Postcolonial Literatures and Cultures. London: Routledge, 283-295.

Buonanno, Giovanna; Sams, Victoria; Schlote, Christiane (2011). Glocal routes in British Asian drama: Between adaptation and tradaptation. Postcolonial Text, 6(2):1-18.

Jucker, Andreas H (2011). Greetings and farewells in Chaucer's Canterbury Tales. In: Pahta, Päivi; Jucker, Andreas H. Communicating early English manuscripts. Cambridge: Cambridge University Press, 229-240.

Jucker, Andreas H (2011). Historical speech act analysis: Greetings and farewells. In: Frenk, Joachim; Steveker, Lena. Anglistentag 2010 Saarbrücken. Proceedings. Trier: Wissenschaftlicher Verlag, 397-406.

Bronfen, Elisabeth (2011). Hitler goes pop: Totalitarianism, avant-garde aesthetics and Hollywood entertainment. In: Madsen, Deborah L; Klarer, Mario. The Visual Culture of Modernism. Tübingen: Narr, 85-106.

Steiner - Karafili, Enit (2011). Images of masculinity and the feminist inflection. In: Läubli, M; Sahli, S. Männlichkeiten denken. Aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transcript, 219-238.

Hoffmann, Sebastian; Hundt, Marianne; Mukherjee, Joybrato (2011). Indian English - an emerging epicentre? A pilot study on light verbs in web-derived corpora of South Asian Englishes. Anglia, 129(3-4):258-280.

Timofeeva, Olga (2011). Infinitival Complements with the Verb (ge)don in Old English: Latin Influence Revisited. Leeds Studies in English, 42:93-108.

Hundt, Marianne; Mukherjee, Joybrato (2011). Introduction: Bridging a paradigm gap. In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes : Bridging a Paradigm Gap. Amsterdam: John Benjamins Publishing, 1-6.

Binotto, Johannes (2011). Io sono sempre vista. Das Unheimliche dies- und jenseits des Bildes. In: Heilmann, T A; von der Heiden, A; Tuschling, A. medias in res. Medienkulturwissenschaftliche Positionen. Bielefeld: Transcript, 97-111.

Piccitto, Diane (2011). Jahrgänge. Versuche über historische Gleichzeitigkeit: 1793. Variations: Literaturzeitschrift der Universität Zürich, 19:18-21.

Esterhammer, Angela (2011). John Galt's fictional and performative worlds. In: Pittock, Murray. The Edinburgh Companion to Scottish Romanticism. Edinburgh: Edinburgh University Press, 166-177.

Frey Büchel, Nicole (2011). Jugendliche brauchen Heldinnen! – Buchbesprechung von: Manuela Kalbermatten:'Von nun an werden wir mitspielen': Abenteurerinnen in der phantastischen Kinder- und Jugendliteratur der Gegenwart, Zürich, Chronos, 2011. ph Akzente, 18(4):47.

Binotto, Johannes (2011). Jump Cut. Zur Chrono-Logik von Film und Psychoanalyse. In: Kiening, Christian; Prica, Aleksandra; Wirz, Benno. Wiederkehr und Verheissung. Dynamiken der Medialität in der Zeitlichkeit. Zürich: Chronos, 253-268.

Markin, Alexander (2011). Kommentar zu Alfred Döblins "Berge Meere und Giganten". In: Gory Morja i Giganty. Roman / Alfred Döblin. Sankt Petersburg: Izdatel'stvo Ivana Limbakha, 702-788.

Markin, Alexander (2011). Kommentar zu Alfred Döblins "Berlin Alexanderplatz. Geschichte von Franz Biberkopf". In: Berlin Aleksandrplac : istorija o France Biberkopfe / Alfred Döblin. Moskau: Ladomir, 509-607.

LautSchriftSprache. Beiträge zur vergleichenden historischen Graphematik. Edited by: Glaser, Elvira; Seiler, Annina; Waldispühl, Michelle (2011). Zürich: Chronos.

Seiler, Annina (2011). Litteras superfluas - Zum Gebrauch 'überflüssiger' Buchstaben im Althochdeutschen, Altsächsischen und Altenglischen. In: Glaser, Elvira; Seiler, Annina; Waldispühl, Michelle. LautSchriftSprache. Beiträge zur vergleichenden historischen Graphematik. Zürich: Chronos, 167-183.

Bronfen, Elisabeth (2011). Man wird weder als Frau noch als Jude geboren : Was wir von Lubitsch über den Kaufmann von Venedig lernen können. In: Ackermann, Zeno; Schülting, Sabine. Shylock nach dem Holocaust : Zur Geschichte einer deutschen Erinnerungsfigur. Berlin: De Gruyter, 201-218.

Jucker, Andreas H (2011). Mass media. In: Östman, Jan Ola; Verschueren, Jef. Pragmatics in Practice. Amsterdam/Philadelphia: John Benjamins, 248-263.

Biewer, Carolin (2011). Modal auxiliaries in second language varieties of English: A learner's perspective. In: Mukherjee, Joybrato; Hundt, Marianne. Exploring Second-Language Varieties of English and Learner Englishes: Bridging a Paradigm Gap. Amsterdam: John Benjamins, 7-33.

Loren, Scott (2011). Mutating masculinity: re-visions of gender and violence in the cinema of David Cronenberg. In: Läubli, Martina; Sahli, Sabrina. Männlichkeiten denken : aktuelle Perspektiven der kulturwissenschaftlichen Masculinity Studies. Bielefeld: Transkript, 151-170.

Hundt, Marianne; Vogel, Katrin (2011). Overuse of the progressive in ESL and learner Englishes – fact or fiction? In: Mukherjee, Joybrato; Hundt, Marianne. Second-language varieties and learner Englishes. Amsterdam: Benjamins, 145-166.

Bronfen, Elisabeth (2011). Pipipilotti's body camera. In: Rosenthal, Stephanie. Pipilotti Rist: Eyball Massage. London: Hayward Publishing, 116-123.

Jucker, Andreas H (2011). Positive and negative face as descriptive categories in the history of English. Journal of Historical Pragmatics, 12(1-2):178-197.

Landert, Daniela; Jucker, Andreas H (2011). Private and public in mass media communication: from letters to the editor to online commentaries. Journal of Pragmatics, 43:1422-1434.

Schönfelder, Christa (2011). Review of: Anne Whitehead: Memory. Variations: Literaturzeitschrift der Universität Zürich, 19:292-293.

Straumann, Barbara (2011). Review of: Diva – Die Inszenierung der übermenschlichen Frau. Interdisziplinäre Untersuchungen zu einem kulturellen Phänomen des 19. und 20. Jahrhunderts. Ed. Rebecca Grotjahn, Dörte Schmidt and Thomas Seedorf. Forum Musikwissenschaft 7. Schliengen: Argus, 2011. In: Grosch, Nils; Hörner, Fernand. Lied und Populäre Kultur/Song and Popular Culture: Original und Kopie/Original and Copy. Münster: Waxman, 282-287.

Timofeeva, Olga (2011). Review of: Kiriko Sato, The Development from Case-Forms to Prepositional Constructions in Old English Prose. Studies in Language and Communication, 88. Bern: Lang, 2009. Leeds Studies in English, 42:122-124.

Frey Büchel, Nicole (2011). Review of: Károly Pintér, The anatomy of utopia: Narration, estrangement and ambiguity in More, Wells, Huxley and Clarke, Critical explorations in science fiction and fantasy 23, Jefferson, North Carolina and London, McFarland, 2010. Variations: Literaturzeitschrift der Universität Zürich, 19:278-280.

Schlote, Christiane (2011). Rewriting Columbus: Coatlicue’s dramatization of Mexican Indigenous history. In: Davis, Geoffrey V; Devi, Ganesh; Chakravarty, K K. Voice and Memory: Indigenous Imagination and Expression. Delhi: Orient BlackSwan, 68-77.

Bronfen, Elisabeth (2011). Rezension von: Helen Hackett, Shakespeare and Elizabeth: The meeting of two myths. In: Schülting, Sabine; Döring, Tobias; Greiner, Norbert. Shakespeare Jahrbuch. Bochum: Deutsche Shakespeare-Gesellschaft, 235-236.

Binotto, Johannes (2011). Rezension: Matei Chihaia, Der Golem-Effekt. Orientierung und phantastische Immersion im Zeitalter des Kinos. Bielefeld: transcript, 2011. Variations: Literaturzeitschrift der Universität Zürich:297-298.

Kilpiö, Matti; Timofeeva, Olga (2011). Semantic Polyfunctionality and Grammaticalization of the OE Subordinator be þæm þe: A Corpus-based Study. Varieng. Studies in Variation, Contacts and Change in English, 8:online.

Semblance and Signification. Edited by: Michelucci, P; Fischer, O; Ljungberg, C (2011). Amsterdam/Philadelphia: John Benjamins.

Hundt, Marianne (2011). The committee has/have decided... On concord patterns with collective nouns in inner- and outer-circle varieties of English. In: Bautista, Maria Lourdes S. Studies of Philippine English. Exploring the Philippine Component of the International Corpus of English. Manila: Anvil, 117-143.

Jucker, Andreas H (2011). The discourse of poverty in British newspapers: A CDA perspective. In: Valić Nedeljković, Dubravka. Media Discourse of Poverty and Social Exclusion. Novi Sad: Faculty of Philosophy, 13-19.

Bronfen, Elisabeth (2011). The female side of crime: Film noir's femme fatale and the dark side of modernity. In: Nicol, Brian; et al. Crime Culture. Figuring Criminality in Fiction and Film. London: Continuum International Publishing, 71-89.

Chevalier, Sarah. Trilingual Language Acquisition: Contextual Factors Affecting Active Trilingualism. 2011, University of Zurich, Faculty of Arts.

Ljungberg, Christina (2011). Unbinding the text: Intermedial Iconicity in Peter Greenaway's Prospero's Books. In: Michelucci, Pascal; Fischer, Olga; Ljungberg, Christina. Semblance and Signification. Amsterdam / Philadelphia: John Benjamins, 369-388.

Schönfelder, Christa (2011). Verletzte Grenzen: Der versehrte Körper, Trauma und Stigmatisierung in Trezza Azzopardi’s 'The Hiding Place'. Figurationen, 2:73-86.

Reddick, Allen (2011). Vindicating Milton: Poetic misprision in Johnson's dictionary of the English language. In: Horrocks, Thomas A; Weinbrot, H D. Johnson After Three Centuries: New Light on Texts and Contexts. Cambridge, MA: Harvard University Press, 62-71.

Gardner, Anne-Christine (2011). Word formation in Early Middle English: Abstract nouns in the linguistic atlas of Early Middle English. Varieng. Studies in Variation, Contacts and Change in English, 6:online.

Zeitgenossenschaft / Le Contemporain / Contemporaneity. Edited by: Piccitto, Diane; Schönfelder, Christa; Villiger, Christian; Zöllner, Reto (2011). Bern, Switzerland: Peter Lang.

Jucker, Andreas H (2011). 「チョーサーの『カンタベリー物語』における呼称」. In: Takada, Hiroyuki; Shiina, Michi; Onodera, Noriko. 歴史語用論入門:過去のコニュニケーションを復元する (Introduction to Historical Pragmatics). Tokyo: Taishukan, 130-142.

Binotto, Johannes. Mit dem Verstand eines Kindes. In: Neue Zürcher Zeitung, 6 December 2010, 13.

Bronfen, Elisabeth (2010). The Day after Battle: Much Ado about Nothing and the Continuation of War with other Means. In: Herbsttagung der Deutschen Shakespeare-Gesellschaft, Universität Zürich, 28 November 2010 - 29 November 2010.

Binotto, Johannes. Gott ist fort und lacht. Woody Allens abgründige Komödien im Zürcher Filmpodium. In: Neue Zürcher Zeitung, 17 November 2010, 21.

Spiegel mit einem Gedächtnis: Essays zur Photographie [Oliver Wendell Holmes]. Edited by: Frank, Michael C; Stiegler, Bernd (2010). Paderborn: Wilhelm Fink.

Bronfen, Elisabeth (2010). Reporting from the War Zone. In: Certainty Undermined. Life-Worlds and Knowledge in Transition, Wien, 14 October 2010 - 16 October 2010.

Binotto, Johannes. Der Entrückte. In: Neue Zürcher Zeitung, 8 October 2010, 21.

Bissig, Florian (2010). Review of Elinor Shaffer and Edoardo Zuccato (eds.). The Reception of S.T. Coleridge in Europe. Romanticism, 16:327-329.

Bronfen, Elisabeth (2010). Hollywood's War: Thoughts on the Cinematic Mediation of Military Conflict. In: Vortrag am Townsend Center der University of California at Berkeley, Berkeley, 17 September 2010.

Piccitto, Diane. Dramatic Forms and Identity-Formation in the Works of William Blake. 2010, University of Western Ontario (Canada), Faculty of Arts.

Rinaldi, Fabio; Schneider, Gerold; Clematide, Simon; Jegen, Silvan; et al (2010). OntoGene (Team 65): preliminary analysis of participation in BioCreative III. In: BioCreative III workshop, Bethesda, Maryland, 13 September 2010 - 15 September 2010.

Frey Büchel, Nicole; Berliner, Donna (2010). Prelude, or Growth of a Poet's Mind, The William Wordsworth (1799, 1805, 1850). In: Maunder, Andrew. Encyclopedia of Literary Romanticism. New York: Facts on File, Infobase Publishing, 345-349.

Binotto, Johannes. Von wegen Understatement. In: Neue Zürcher Zeitung, 17 August 2010, 15.

Bronfen, Elisabeth (2010). Engenderign Historical Evidence as Visual Reality: Choreography of Battle in Hollywood Cinema. In: Jahrestagung des Deutschen Forum für Kunstgeschichte in Paris, zum Thema "Poiesis- Über das Tun in der Kunst", Paris, 3 July 2010.

Rinaldi, Fabio; Schneider, Gerold; Kaljurand, Kaarel; Clematide, Simon; Vachon, Thérèse; Romacker, Martin (2010). OntoGene in BioCreative II.5. IEEE/ACM Transactions on Computational Biology and Bioinformatics, 7(3):472-480.

Bronfen, Elisabeth (2010). Before the Law: Fritz Lang's M as a court room drama. In: Signs of the Times: Fritz Lang's M and the End of the Weimar Republic, Wien, 17 June 2010.

Bronfen, Elisabeth (2010). A Capacity for Movement: Hollywood's Military Musical an the Choreography of Battle. In: Eigth Tel Aviv International Colloquium on Cinema and Television studies, "Suspenseful Times and the Moving Images", Tel Aviv, 8 June 2010 - 10 June 2010.

Binotto, Johannes. Aussen vor, innen drin. Zur Wiederentdeckeung Daniel Schmids im Zürcher Kino Xenix. In: Neue Zürcher Zeitung, 124, 2 June 2010, 21.

Tottie, Gunnel; Neukom-Hermann, Anja (2010). Quantifier-negation interaction in English: A corpus linguistic study of all...not constructions. In: Horn, Laurence R. The Expression of Negation. Berlin: De Gruyter, 149-185.

Binotto, Johannes (2010). Schnitttechnik des psychischen Apparats. In: Frenzel Ganz, Y; Fäh, M. Cinépassion. Eine psychoanalytische Filmrevue. Giessen: Psychosozial-Verlag, 21-28.

Esterhammer, Angela (2010). Übertragene Ruinen. Byron, Hemans, Keats. In: Döring, Tobias; et al. Übertragene Anfänge. Imperiale Figurationen um 1800. München: Fink, 131-146.

Binotto, Johannes. Cinérotomanie. Godard, Truffaut und die Frauen – eine Xenix-Filmreihe. In: Neue Zürcher Zeitung, 28 April 2010, 21.

Heller-Andrist, Simone. The Friction of the Frame: Derrida's Parergon in Literature. 2010, University of Zurich, Faculty of Arts.

Binotto, Johannes (2010). Für ein unreines Kino. Film und Surrealismus. Filmbulletin: Zeitschrift für Film und Kino, 306(April):33-39.

Historical Pragmatics. Edited by: Jucker, Andreas H; Taavitsainen, Irma (2010). Berlin, New York: De Gruyter.

Markin, Alexander (2010). Hronologija žizni i tvorčestva H.H. Janna = Zeittafel zum Leben und Werk H.H. Jahnns. In: Volček, D. Hans Henni Jann «Eto nastiget každogo» = «Die Nacht aus Blei». Tver': Kolonna Publications, 385-393.

Jucker, Andreas H (2010). Review of Laurel J. Brinton. 2008. The Comment Clause in English. Syntactic Origins and Pragmatic Developments. Cambridge: Cambridge University Press. Language, 86(1):214-215.

Schneider, Gerold; Zimmermann, Heinrich (2010). Text-Mining-Methoden im Semantic Web. HMD Praxis der Wirtschaftsinformatik, 47(1):35-46.

Ljungberg, Christina (2010). Intermedial Strategies in Multimedial Art. In: Elleström, Lars. Media Border, Multimodality and Intermediality. London: Palgrave MacMillan, 81-95.

Schneider, Gerold; Zimmermann, Heinrich (2010). Text Mining Methoden im Semantic Web. HMD Praxis der Wirtschaftsinformatik, (271):35-46.

Bronfen, Elisabeth (2010). Hollywoods Kriegsfuror: Zerstört die Schlacht die Personlichkeit oder hilft sie psychische Störungen zu überwinden, zumindest im Kino? In: 10. Vierwaldstätter-Psychiatrietag zum Thema "Persönlichkeit! Störung? Ein Spannungsfeld sondergleichen!?", Luzern, 28 January 2010.

Jucker, Andreas H (2010). "Audacious, brilliant!! What a strike!": Live text commentaries on the Internet as real-time narratives. In: Hoffmann, Christian R. Narrative Revisitied. Telling a Story in the Age of New Media. Amsterdam / Philadelphia: John Benjamins, 57-77.

Jucker, Andreas H (2010). "In curteisie was set ful muchel hir lest": Politeness in Middle English. In: Culpeper, Jonathan; Kádár, Dániel Z. Historical (Im)Politeness. Bern: Peter Lang, 175-200.

Straumann, Barbara (2010). "There are many that I can be": The Poetics of Self-Performance in Isak Dinesen's "The Dreamers". In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr Francke Attempto, 153-163.

Biewer, Carolin; Hundt, Marianne; Zipp, Lena (2010). 'How' a Fiji corpus? Challenges in the compilation of an ESL ICE component. ICAME Journal, 34:5-23.

Bronfen, Elisabeth (2010). A Diva's War: Marlene Dietrich's glamorous female soldier. In: Tagung des Netzwerkes Vergleichende Literaturwissenschaften an Schwedischen Universitäten zum Thema "Autorschaft", Universität Göteborg, 12 March 2010 - 2010.

Bitterli, Dieter (2010). Alkuin von York und die angelsächsische Rätseldichtung. Anglia, 128(1):4-20.

Schlote, Christiane (2010). British Asian Drama: Ayub Khan-Din. In: Tönnies, Merle. Das englische Drama der Gegenwart. Kategorien – Entwicklungen – Modellinterpretationen. Trier: WVT, 229-248.

Frey Büchel, Nicole (2010). Buchbesprechung von: The English renaissance, orientalism, and the idea of Asia, eds. Debra Johanyak, Walter S.H. Lim., Palgrave Macmillan, 2010. Variations: Literaturzeitschrift der Universität Zürich, 18:254-256.

Steiner - Karafili, Enit (2010). Byron and the Albanians: Unearthing Identities. Studia Albanica, 47(2):137-147.

Bolander, Brook; Locher, Miriam A (2010). Constructing identity on Facebook: Report on a Pilot Study. In: Junod, Karen; Maillat, Didier. Peforming the Self. Tübingen: Narr Francke Attempto, 165-188.

Straumann, Barbara (2010). Diva Warhol: Mediale Performance und Versteckspiel. In: Bier, Rolf; Büttner, Nils. Who is that pale man? Neues zu Warhol. München: Verlag Silke Schreiber, 195-222.

Ljungberg, Christina (2010). Dynamic instances of interaction: the performative function of iconicity in literary texts. Sign Systems Studies, 38(1/4):270-297.

Schreier, Daniel; Wright, Laura (2010). Earliest St Helenian English in writing: Evidence from the St Helena Consultations (1682-1723). In: Hickey, Raymond. Varieties of English in Writing: The written word as linguistic evidence. Amsterdam: John Benjamins Publishing, 245-262.

Bronfen, Elisabeth (2010). Engendering historical Evidence as Visual Reality: The Choreography of Battle in Hollywood Cinema. In: 37. Internationale Tagung der Österreichichen und Schweizer Assoziationen für Amerika Studien (AAAS und SANAS), Universität Insbruck, 13 November 2010 - 2010.

Zipp, Lena. Exo- and endonormative models in Fiji – A corpus-based study on the dynamics of first and second language varieties with a focus on Indo-Fijian English. 2010, University of Zurich, Faculty of Arts.

Taavitsainen, Irma; Jucker, Andreas H (2010). Expressive speech acts and politeness in eighteenth-century English. In: Hickey, Raymond. Eighteenth-Century English: Ideology and Change. Cambridge: Cambridge University Press, 159-181.

Sobral Mourao, Ana (2010). Fragments of reminiscence: popular music as carrier of global memory. In: Assman, Aleida; Sebastian, Conrad. Memory in a Global Age : Discourses, Practices and Trajectories. London: Palgrave Macmillan Ltd., 199-224.

Gutbrodt, Fritz (2010). Fußnoten und Geistesblitze: Zur Motivation des Credit Suisse Award for Best Teaching. In: Tremp, Peter. „Ausgezeichnete Lehre!“ Lehrpreise an Universitäten. Erörterungen – Konzepte – Vergabepraxis. Münster: Waxmann, 89-98.

Jucker, Andreas H (2010). Historical pragmatics. In: Fried, Mirjam; et al. Variation and change: pragmatic perspectives. Amsterdam: Benajmins, 110-122.

Bronfen, Elisabeth (2010). Interrogating light. The visuality of the text. In: Agazzi, E; Giannetto, E; Giudice, F. Representing light across arts and sciences : theories and practices. Göttingen, DE: V & R Unipress, 167-182.

Seiler, Annina (2010). Latinis regulis barbara nomina stringi non possunt, or: How to write the vernacular. In: Robinson, Pamela R. Teaching Writing, Learning to Write: Proceedings of the XVIth Colloquium of the Comité International de Paléographie Latine. London: King's College London CLAMS (18 Nov 2010), 91-101.

Ljungberg, Christina (2010). Mapping Practices for Different Geographies. In: Kriz, Karel; Cartwright, William; Hurni, Lorenz. Mapping Different Geographies. Heidelberg / Berlin: Springer Verlag, 37-56.

Binotto, Johannes; Gerber, Andri (2010). Narration/Non-Ville/Description. le Journal Spéciale 'Z:32-39.

Schlote, Christiane (2010). No leisurely stroll through arab and punjabi london: transnational cityscapes in hanan al-shaykh’s only in london and meera syal’s life isn’t all ha ha hee hee. Interactions. Journal of English and American Literature and Culture, 19(1-2):75-91.

Bronfen, Elisabeth (2010). Nocturnal Wagner: The cultural survival of tristan and isolde in hollywood. In: Jeongwan, J; Gilman, S L. Wagner & Cinema. Bloomington: Indiana University Press, 315-332.

Reddick, Allen (2010). Past and Present in Samuel Johnson’s Dictionary of the English Language. International Journal of Lexicography, 23(2):207-222.

Esterhammer, Angela (2010). Performing identities in Byron and Bourdieu. In: Junod, Karen; Maillat, Didier. Performing the Self. Tübingen: Narr, 21-31.

Schlote, Christiane (2010). Representational Ambiguities and the ‘Dictator Play’. Carmen Rivera’s Dictator: The Downfall of the Dominican Dictator Rafael Leónidas Trujillo Molina. Journal of Haitian Studies, 16(1):70-86.

Steiner - Karafili, Enit (2010). Review of: Karen O'Brien. Women and Enlightenment in Eighteenth-Century Britain. CUP, 2009. Variations: Literaturzeitschrift der Universität Zürich, 18:260-261.

Schönfelder, Christa (2010). Review of: Roger Luckhurst, The Trauma Question. Variations: Literaturzeitschrift der Universität Zürich, 18:245-246.

Bronfen, Elisabeth (2010). Rezension von Margerie Garber, Shakespeare and Modern Culture. Shakespear Jahrbuch, 146:233-234.

Signergy. Edited by: Conradie, J; Johl, R; Beukes, M; Fischer, O; Ljungberg, C (2010). Amsterdam / Philadelphia: John Benjamins.

Bronfen, Elisabeth (2010). Silencing voices. In: Neumeier, Beate. Dichotonies. Gender and Music. Heidelberg: Winter, 23-29.

Esterhammer, Angela (2010). Spontaneity, immediacy, and improvisation in Romantic poetry. In: Mahoney, Charles. The Blackwell Companion to Romantic Poetry. Oxford: Blackwell, 321-336.

Schreier, Daniel (2010). St Helena. In: Schreier, Daniel; et al. The Lesser-Known Varieties of English: an Introduction. Cambridge, UK: Cambridge University Press, 224-244.

Binotto, Johannes. Tat/Ort: Das Unheimliche und sein Raum in der Kultur. 2010, University of Zurich, Faculty of Arts.

The Lesser-Known Varieties of English: an Introduction. Edited by: Schreier, D; Trudgill, P; Schneider, E W; Williams, J P (2010). Cambridge: Cambridge University Press.

Seiler, Annina. The Scripting of the Germanic Languages. A Comparative Study of "Spelling Difficulties" in Old English, Old High German and Old Saxon. 2010, University of Zurich, Faculty of Arts.

Ljungberg, Christina (2010). The bell jar, the maze and the mural: Diagrammatic figurations as textual performance. In: Conradie, Jac; et al; Ljungberg, C. Signergy. Amsterdam / Philadelphia: John Benjamins, 47-72.

Schreier, Daniel (2010). The consequences of migration and colonialism II : overseas varieties. In: Auer, Peter; Schmidt, Jürgen Erich. Language and Space : An International Handbook of Linguistic Variation. Berlin, Germany: Mouton de Gruyter, 451-467.

Esterhammer, Angela (2010). The scandal of sincerity: Wordsworth, Byron, Landon. In: Milnes, Tim; Sinanan, Kerry. Romanticism, Sincerity and Authenticity. London: Palgrave Macmillan, 101-119.

Bronfen, Elisabeth (2010). The spectral bride and her uncanny double. In: McKinnon, E Luanne. Eva Hesse Spectres. New Heaven: Yale University Press, 40-47.

Taavitsainen, Irma; Jucker, Andreas H (2010). Trends and developments in historical pragmatics. In: Jucker, Andreas H; Taavitsainen, Irma. Historical pragmatics. Berlin / New York: De Gruyter Mouton, 3-30.

Schreier, Daniel (2010). Tristan da Cunha. In: Schreier, Daniel; et al. The Lesser-Known Varieties of English: an Introduction. Cambridge, UK: Cambridge University Press, 245-260.

Bronfen, Elisabeth; Straumann, Barbara (2009). Political visions : The two bodies of Elizabeth I. In: Oakley-Brown, Liz; Wilkinson, Louise J. The rituals and rhetoric of queenship : medieval to early modern. Dublin: Four Courts Press, 252-270.

Ljungberg, Christina (2009). Cartographies of the Future: Julie Mehretu’s Dynamic Charting of Fluid Spaces. The Cartographic Journal, 46(4):308-315.

Bronfen, Elisabeth (2009). Crossmappings: Essays zur visuellen Kultur. Zürich: Scheidegger und Spiess.

Straumann, Barbara (2009). The Effects of Voice in Isak Dinesen's "The Dreamers". Variations: Literaturzeitschrift der Universität Zürich, 17:157-171.

Bronfen, Elisabeth (2009). Shakespeare's Specters of War. In: Gothic Renaisance, Köln, 3 October 2009.

Frank, Michael C (2009). Die Verortung des Schreckens: Zum räumlichen Imaginären der 'Gothic novel'. In: Grizelj, Mario. Der Schauer(roman): Formen – Diskurszusammenhänge – Funktionen. Würzburg: Königshausen & Neumann, 117-154.

Bronfen, Elisabeth (2009). Kriegsfotografie. In: Stahel, Urs. Darkside II - Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Göttingen, 125-129.

Sprache als Material. Edited by: Lüthi, Ariane; Villiger, Christian; Weber, Tobias; Zöllner, Reto (2009). Bern: Peter Lang.

Bronfen, Elisabeth (2009). Blaubarts Wunde(r)kammer. In: 49. Literaturtagung zum Thema 'Wir sind die Seinen lachenden Munds': Das Thema Tod in der Literatur, St. Pölten, 30 September 2009.

Frank, Michael C (2009). Die Literaturwissenschaften und der 'spatial turn': Ansätze bei Jurij Lotman und Michail Bachtin. In: Hallet, Wolfgang; Neumann, Birgit. Raum und Bewegung in der Literatur: die Literaturwissenschaften und der Spatial Turn. Bielefeld: Transcript, 53-80.

Esterhammer, Angela (2009). London periodicals, Scottish novels, and Italian fabrications: 'Andrew of Padua, the Improvisatore' re-membered. Studies in Romanticism, 48(3):469-490.

Esterhammer, Angela (2009). Review of: Balladeering, minstrelsy, and the making of British romantic poetry, by Maureen M. McLane. Review of English Studies, 60:825-827.

Frank, Michael C (2009). Sterne, Laurence: The Life and Opinions of Tristram Shandy, Gentleman. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon. 3., völlig neu bearbeitete Auflage. Bd. 15. Stuttgart und Weimar: J. B. Metzler, 570-572.

Biewer, Carolin (2009). Modals and semi-modals of obligation and necessity in South Pacific Englishes. Anglistik, 20(2):41-55.

Fischer-Hornung, Dorothea; Brosius, Christiane; Hundt, Marianne; Mesthrie, Rajend (2009). Moodling beyond Bollywood: e-teaching the language, literature and culture of the Indian diaspora. A report on an interdisciplinary e-course experiment on language, literature and culture in the Indian Diaspora. English Today, 25(3):18-28.

Redefining Literary Semiotics. Edited by: Veivo, Harri; Ljungberg, C; Johansen, J D (2009). Newcastle upon Tyne: Cambridge Scholars' Press.

Ljungberg, Christina (2009). Subjectivity as Performance in Literary Texts. In: Veiveo, Harri; Ljungberg, Christina; Johansen, J Dines. Redefining Literary Semiotics. Newcastle upon Tyne: Cambridge Scholars' Press, 86-108.

Markin, Alexander (2009). O slovar'ah "izmov". Inostrannaja Literatura (Ausländische Literatur), (8):125-129.

Bolander, Brook (2009). On the relevance of Bernstein for German-speaking Switzerland. Multilingua, 28(2-3):195-228.

Bolander, Brook; Watts, Richard J (2009). Re-reading and rehabilitating Basil Bernstein. Multilingua, 28(2-3):143-175.

Jucker, Andreas H (2009). Speech act research between armchair, field and laboratory: The case of compliments. Journal of Pragmatics, 41(8):1611-1635.

Ronan, Patricia; Schneider, Gerold (2009). Multi-verbal expressions of ‘giving’ in Old English and Old Irish. In: Corpus Linguistics Conference, Liverpool, UK, 20 July 2009 - 23 July 2009, 116.

Schneider, Gerold; Hundt, Marianne (2009). Using a parser as a heuristic tool for the description of New Englishes. In: The Fifth Corpus Linguistics Conference, Liverpool, UK, 20 July 2009 - 23 July 2009, online.

Markin, Alexander (2009). Barocke Königinnen. In: Königinnen: Macht, Körper, Teatralität, Englisches Seminar Universität Zürich, 12 June 2009 - 13 June 2009.

Kaljurand, Kaarel; Schneider, Gerold; Rinaldi, Fabio (2009). UZurich in the BioNLP 2009 Shared Task. In: BioNLP 2009 Companion Volume: Shared Task on Event Extraction, NAACL/HLT, Boulder, Colorado, 4 June 2009 - 5 June 2009, 28-36.

Binotto, Johannes. Che vuoi? - Martin Scorsese und seine hysterischen Männer im Zürcher Filmpodium. In: Neue Zürcher Zeitung, 111, 15 May 2009, 50.

Lehmann Imfeld, Zoë Christina (2009). Hybridity and Duality in Salman Rushdie's Midnight's Children. Hyderabad, India: G S P Rao.

Binotto, Johannes (2009). Bruch mit allen Gesetzen: Das Kino und das Böse - eine Filmgeschichte. Filmbulletin: Zeitschrift für Film und Kino, 3(298):14-23.

Frank, Michael C (2009). Imaginative geography as a travelling concept: Foucault, Said and the spatial turn. European Journal of English Studies, 13(1):61-77.

Bautz, Annika (2009). Scott's Victorian Readers. Nineteenth-Century Contexts, 31:1:19-29.

Hundt, Marianne; Smith, Nicholas (2009). The present perfect in British and American English: Has there been any change, recently? ICAME Journal, 33:45-63.

Frank, Michael C (2009). Reverse imperialism: invasion narratives in English turn-of-the-century fiction. In: Knellwolf King, Christa; Rubik, Margarete. Stories of Empire: narrative strategies for the legitimation of an imperial world order. Trier: Wissenschaftlicher Verlag Trier, 69-91.

Schreier, Daniel (2009). Assessing the status of lesser-known varieties of English. English Today, 25(1):19-24.

Schneider, Gerold; Kaljurand, Kaarel; Rinaldi, Fabio (2009). Detecting protein-protein interactions in biomedical texts using a parser and linguistic resources. In: Gelbukh, Alexander. Computational Linguistics and Intelligent Text Processing. Berlin: Springer, 406-417.

Biewer, Carolin (2009). Dietetics as a Key to Language and Character in Shakespeare's Comedy. English Studies, 90(1):17-33.

Schreier, Daniel (2009). Language in isolation, and its implications for variation and change. Language and Linguistics Compass, 3:682-699.

Schreier, Daniel (2009). How diagnostic are English universals? In: Filppula, Markku; Klemola, Juhani; Paulasto, Heli. Vernacular Universals and Language Contacts: Evidence from Varieties of English and Beyond. New York, USA: Routledge, 57-79.

Heusser, Martin (2009). "This is Captain America, I'm Billy": costumes, cultural memory and national identity in Easy Rider. In: Giorcelli, Cristina. Abito e Identità: Ricerche di storia letteraria e culturale. Palermo, Italy: ILA Palma, 169-193.

Sennrich, Rico; Schneider, Gerold; Volk, Martin; Warin, Martin (2009). A New Hybrid Dependency Parser for German. In: Chiarcos, Christian; de Castilho, Richard Eckart; Stede, Manfred. Von der Form zur Bedeutung: Texte automatisch verarbeiten / From Form to Meaning: Processing Texts Automatically. Proceedings of the Biennial GSCL Conference 2009. Tübingen: Narr, 115-124.

Esterhammer, Angela; Domsch, Sebastian (2009). America: A Prophecy. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon. Stuttgart: Metzler, 618-619.

Mühlheim, Martin (2009). Between the Wild West and Pastoral Peace: Nature, Gender, and Tragedy in Annie Proulx's 'Brokeback Mountain'. In: Hyner, B H; McKenzie Stearns, P. Forces of Nature: Natural(-izing) Gender and Gender(-ing) Nature in the Discourses of Western Culture. Newcastle upon Tyne: Cambridge Scholars, 210-241.

Piccitto, Diane (2009). Book review of: Celestine Woo. Romantic actors and bardolatry: performing Shakespeare from Garrick to Kean; New York 2008. Variations: Literaturzeitschrift der Universität Zürich, 17:251-253.

Frey Büchel, Nicole (2009). Buchbesprechung von: Teaching India, ed. Oliver Lindner, Universitätsverlag Winter, Heidelberg 2008. ph akzente, 16(4):34.

Esterhammer, Angela (2009). Byron and cosmopolitanism. Primerjalno Književnost (Comparative Literature), 32(2):113-121.

Leech, Geoffrey; Hundt, Marianne; Mair, Christian; Smith, Nicholas (2009). Change in Contemporary English. A Grammatical Study. Cambridge: Cambridge University Press.

Esterhammer, Angela (2009). Coleridge in the Newspapers, Periodicals, and Annuals. In: Burwick, Frederick. The Oxford Handbook of Samuel Taylor Coleridge. Oxford: Oxford University Press, 165-184.

Hundt, Marianne (2009). Colonial lag, colonial innovation or simply language change? In: Rohdenburg, Günter; Schlüter, Julia. One Language, Two Grammars? Differences between British and American English. Cambridge, UK: Cambridge University Press, 13-37.

Hundt, Marianne (2009). Concord with collective nouns in Australian and New Zealand English. In: Peters, Pam; Collins, Peter; Smith, Adam. Comparative studies in Australian and New Zealand English grammar and beyond. Amsterdam: John Benjamins, 207-224.

Corpora: Pragmatics and Discourse. Edited by: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne (2009). Amsterdam, The Netherlands: Rodopi.

Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne (2009). Corpus linguistics, pragmatics and discourse. In: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 3-9.

Bronfen, Elisabeth (2009). Das Licht befragen: Die Visualität des Textes. In: Bronfen, Elisabeth; Goebel, Eckart. Narziss und Eros: Bild oder Text? Berlin: Wallstein, 229-250.

Binotto, Johannes (2009). Das Verbrechen des Schauplatzes. Unheimliche Tatorte in der Fotografie. In: Stahel, U. Darkside II – Fotografische Macht und fotografierte Gewalt, Krankheit und Tod. Göttingen: Steidl, 104-107.

Bronfen, Elisabeth (2009). Der versehrte Körper des Soldaten im Hollywood-Kriegskino: Schlachtenszenen in Saving Private Ryan und Flags of our Fathers. In: Küchenhoff, Joachim; Pfeiffer, Joachim. Körper, Konstruktionen. Freiburg: Königshausen & Neumann, 109-118.

Schneider, Gerold (2009). Detecting Protein-Protein Interactions in Biomedical Literature Using a Parser. In: Clematide, Simon; Klenner, Manfred; Volk, Martin. Searching Answers. Münster: MV Verlag, 109-118.

Bronfen, Elisabeth (2009). Die Diva. In: Moebius, Stephan; Schroer, Markus. Diven, Hacker, Spekulanten : Sozialtypen der Gegenwart. Frankfurt a. M: Suhrkamp, 81-97.

Bronfen, Elisabeth (2009). Die Fragilität des Glücks: Gefühl und Geschlecht im Hollywood-Melo. In: Fehr, Johannes; Folkers, Gerd. Gefühle zeigen: Manifstationsformen emotionaler Prozesse. Zürich: Chronos, 355-370.

Bissig, Florian (2009). Die Wahrheit im Gedicht: Gadamer und die Lyrik William Wordsworths. Sophist: Philosophische Zeitschrift für Studierende, (1):10-17.

Early modern English news discourse: newspapers, pamphlets and scientific news discourse. Edited by: Jucker, Andreas H (2009). Amsterdam, The Netherlands: John Benjamins.

Esterhammer, Angela; Domsch, Sebastian (2009). Europe: A Prophecy. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart, 619-620.

Gries, Stefan; Stoll, Sabine (2009). Finding developmental groups in acquisition data: variability-based neighbor clustering. Journal of Quantitative Linguistics, 16:217-242.

Hundt, Marianne (2009). Global English - Global Corpora: Report on a panel discussion at the 28th ICAME conference. In: Renouf, Antoinette; Kehoe, Andrew. Corpus Linguistics: Refinements and Reassessments. Amsterdam and New York: Rodopi, 451-462.

Hundt, Marianne (2009). Global feature - local norms? A case study on the progressive passive. In: Hoffmann, Thomas; Siebers, Lucia. World Englishes - Problems, Properties and Prospects. Amsterdam and Philadelphia: John Benjamins, 287-308.

Jucker, Andreas H (2009). Historical Pragmatics. In: Mey, Jacob L. Concise Encyclopedia of Pragmatics (2. Auflage). Oxford: Elsevier, 325-328.

Binotto, Johannes (2009). Hors-champ. Vom psychoanalytischen Feld am Rand des Films. RISS. Zeitschrift für Psychoanalyse, 23(72/73):77-96.

Hundt, Marianne (2009). How often to things get v-ed in Philippine and Singapore English? A case study on the get-passive in two outer-circle varieties of English. In: Bowen, Rhonwen; Mobärg, Mats; Ohlander, Sölve. Corpora and Discourse - and Stuff. Papers in Honour of Karin Aijmer. Göteborg: Acta Universitatis Gothoburgensis, 121-129.

Reddick, Allen (2009). Introduction : From the great desire of promoting learning : Thomas Hollis's gifts to the Harvard College Library / William H. Bond. In: Bond, William H; Reddick, Allen; Stoneman, William. From the great desire of promoting learning : Thomas Hollis's gifts to the Harvard College Library. Harvard: Houghton Library of the Harvard College Library, 1-31.

Esterhammer, Angela; Dick, Alexander (2009). Introduction: Romantic spheres of action. In: Dick, Alexander; Esterhammer, Angela. Spheres of Action: Speech and Performance in Romantic Culture. Toronto, Canada: University of Toronto Press, 3-18.

Steiner - Karafili, Enit. Jane Austen and the civilized woman: moral development and gender. 2009, University of Zurich, Faculty of Arts.

Esterhammer, Angela (2009). Jerusalem: The Emanation of the Giant Albion. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart: Metzler, 622-623.

Narziss und Eros: Bild oder Text? Edited by: Bronfen, E; Goebel, E (2009). Berlin: Wallstein.

Jucker, Andreas H (2009). Newspapers, pamphlets and scientific news discourse in early modern Britain. In: Jucker, Andreas H. Early modern English news discourse: newspapers, pamphlets and scientific news discourse. Amsterdam, The Netherlands: John Benjamins, 1-9.

Bronfen, Elisabeth (2009). Nocturnal battles between good and evil: A cross-mapping of "Macbeth" and "The night of the hunter". In: Achilles, Jochen; Bergmann, Ina. Representations of evil in fiction and film. Trier: Wissenschaftlicher Verlag Trier, 197-212.

Lehmann, Hans Martin; Schneider, Gerold (2009). Parser-based analysis of syntax-lexis interactions. In: Jucker, Andreas H; Schreier, Daniel; Hundt, Marianne. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 477-502.

Biewer, Carolin (2009). Passive constructions in Fiji English: a corpus-based study. In: Jucker, Andreas H; Schreier, D; Hundt, M. Corpora: Pragmatics and Discourse. Amsterdam, The Netherlands: Rodopi, 361-377.

Gutbrodt, Fritz (2009). Pygmalion: Von der Ästhetik als Modellierung der Gefühle. In: Fehr, Johannes; Folkers, Gerd. Gefühle zeigen: Manifestationsformen emotionaler Prozesse. Zürich, Switzerland: Chronos, 215-242.

Ljungberg, Christina; Veivo, Harri (2009). Redefining Literary Semiotics: Introduction. In: Ljungberg, C; Veivo, H; Johansen, J D. Redefining Literary Semiotics. Newcastle upon Tyne: Cambridge Scholars' Press, 1-9.

Esterhammer, Angela (2009). Review of: Romantic Prose Fiction, ed. Gerald Gillespie, Manfred Engel, and Bernard Dieterle. Literary Research / Recherche Littéraire, 25:51-57.

Bitterli, Dieter (2009). Say What I Am Called: The Old English Riddles of the Exeter Book and the Anglo-Latin Riddle Tradition. Toronto: University of Toronto Press.

Spheres of Action: Speech and Performance in Romantic Culture. Edited by: Dick, A; Esterhammer, A (2009). Toronto, Canada: University of Toronto Press.

Bronfen, Elisabeth (2009). Stanley Cavell zur Einführung. Hamburg: Junius Verlag.

Bitterli, Dieter (2009). The 'Cuckoo' in the Collectanea of Pseudo-Bede: An Unnoticed Analogue to Exeter Book Riddle 9. Notes and Queries, 56(4):481-482.

Esterhammer, Angela; Domsch, Sebastian (2009). The Book of Urizen. In: Arnold, Heinz Ludwig. Kindlers Literatur Lexikon (Vol. 2). Stuttgart, 620-621.

Nyffenegger, Sara D (2009). The little disturbances of man. In: Cronin, Gloria L; Berger, Alan L. Encyclopedia of Jewish-American Literature. New York, USA: Facts on File, 171-172.

Nyffenegger, Sara D (2009). The mirror, friend or foe? - Sara Coleridge and the ill effects of society's judgment on female appearance. The Coleridge Bulletin, (33):89-95.

Esterhammer, Angela (2009). Translating the Elgin Marbles: Byron, Hemans, Keats. In: Gravil, Richard. Grasmere 2008: Selected Papers from the Wordsworth Conference. Penrith: Humanities Ebooks, 106-124.

Esterhammer, Angela (2009). Translating the Elgin Marbles: Byron, Hemans, Keats. Wordsworth Circle, 40(1):29-36.

Bronfen, Elisabeth (2009). Zeichnungen des Körpers weiblicher Art: Maria Lassnigs Selbstportraits. In: Friedrich, Julia. Maria Lassnig: Im Möglichkeitsspiegel, Aquarelle und Zeichnungen von 1947 bis heute. Ostfildern: Hatje Cantz, 26-33.

Gutbrodt, Fritz (2009). Zwischen Ach und Ich: Kleists Alkmene als Übersetzerin. In: Fioretos, Aris. Babel: Festschrift für Werner Hamacher. Basel, Switzerland: Urs Engeler, 218-225.

Reddick, Allen (2009). ‘O Fair Britannia! Hail!’: Thomas Hollis and James Boswell at Liberty in Geneva and Switzerland. In: Cossy, Valérie; Kapossy, Béla; Whatmore, Richard. Genève, lieu d’Angleterre, 1725-1814 = Geneva, an English Enclave, 1725-1814. Geneva, Switzerland: Slatkine, 241-268.

Straumann, Barbara (2008). Figurations of exile in Hitchcock and Nabokov. Edinburgh: Edinburgh University Press.

Markin, Alexander (2008). Trauerpoesie kontra Trauerphotographie. In: Klassik und Klassizismus im XX Jahrhunderts, Russische Staatliche Universität für Geisteswissenschaften, Moskau, 4 December 2008 - 6 December 2008, Ladomir.

Frank, Michael C (2008). Reisen durch Raum und Zeit: Joseph Conrads "Heart of Darkness" und die Vernetzung der Welt um 1900. Arcadia: Zeitschrift für vergleichende Literaturwissenschaft, 43(2):332-357.

Reddick, Allen (2008). Johnson and Richardson. In: Cowie, Anthony P. The Oxford History of English Lexicography. Oxford: Oxford University Press, 155-181.

Mediality/Intermediality. Edited by: Heusser, M; Fischer, A; Jucker, Andreas H (2008). Tübingen, Germany: Gunter Narr Verlag.

Reddick, Allen (2008). Living Lives: The Return of Johnson's Lives of the English Poets. Huntington Library Quarterly, 71(3):539-552.

Esterhammer, Angela; Gatrall, Jefferson J A (2008). Introduction : identity, community, and comparative literature. Arcadia: Internationale Zeitschrift für Literaturwissenschaft, 43(1):2-7.

Schreier, Daniel (2008). Non-standardisation. In: Locher, Miriam A; Strässler, Jürg. Standards and Norms in the English Language. Berlin and New York: Mouton de Gruyter, 85-103.

Demont, Florian (2008). The Expression of Self-consciousness in Kamla Das's “An Introduction”. Consciousness, Literature and the Arts:Online.

Frank, Michael C; Mahlke, Kirsten (2008). Nachwort zu: Michail M. Bachtin, "Chronotopos". In: Frank, Michael C; Mahlke, Kirsten. Chronotopos. Frankfurt am Main: Suhrkamp Verlag, 201-242.

Rickli, Christina (2008). Wegweiser aus dem Trauma? Amerikanische Romane nach dem 11. September. In: Domsch, Sebastian. Amerikanisches Erzählen nach 2000: Eine Bestandesaufnahme. München, Germany: edition text + kritik, 126-145.

Frank, Michael C (2008). 'Transdifferenz' und Dekonstruktion. In: Allolio-Näcke, Lars; Kalscheuer, Britta. Kulturelle Differenzen begreifen: das Konzept der Transdifferenz aus interdisziplinärer Sicht. Frankfurt am Main: Campus, 59-78.

Straumann, Barbara (2008). Vocal effect and resonance: voice in Henry James's "The Bostonians". English Text Construction, 1(1):83-96.

Loren, Scott (2008). Self-fashioning, freedom, and the problem of his-story: the return of noir. European Journal of American Studies, 3(1):1-12.

Esterhammer, Angela (2008). Translating the ruins of empire: Byron in the Eastern Mediterranean and the Elgin Marbles in England. In: Uebertragene Anfänge: Imperiale Figurationen um 1800, Munich, Germany, 9 January 2008 - 11 January 2008.

Ljungberg, Christina (2008). Mapping fluid spaces: semiotic bodies and cyberart. In: Armand, Louis; Cernovsky, Pavel. Language Systems after Prague Structuralism. Prague, Czech Republic: Litteraria Pragensia, 98-107.

Taavitsainen, Irma; Jucker, Andreas H (2008). "Methinks you seem more beautiful than ever": Compliments and gender in the history of English. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Benjamins, 195-228.

Jucker, Andreas H; Taavitsainen, Irma (2008). Apologies in the history of English: Routinized and lexicalized expressions of responsibility and regret. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Benjamins, 229-244.

Seiler, Annina (2008). Bedas Sterbelied | Rätsel des Symphosius | Mönchisches Ratespiel | Venantius Fortunatus: Kreuzgedicht | Labyrinth. In: Kiening, Christian; Stercken, Martina. SchriftRäume: Dimensionen von Schrift zwischen Mittelalter und Moderne. Zürich, Switzerland: Chronos, 164-193.

Seiler, Annina (2008). Book review: Dietz, Klaus. Schreibung und Lautung im mittelalterlichen Englisch. Entwicklung und Funktion der englischen Schreibungen ch, gh, sh, th, wh und ihrer kontinentalen Entsprechungen. Anglistische Forschungen, Bd. 364. Heidelberg: Winter, 2006. Anglia, 126(1):130-133.

Frank, Michael C (2008). Chronotopoi: "Petermanns Geographische Mitteilungen", die Ruinen von Simbabwe und die Verzeitlichung des Weltbildes im 19. Jahrhundert. In: Lentz, Sebastian; Ormeling, Ferjan. Die Verräumlichung des Welt-Bildes: Petermanns Geographische Mitteilungen zwischen "explorativer Geographie" und der "Vermessenheit" europäischer Raumphantasien (Beiträge der Internationalen Konferenz auf Schloss Friedenstein Gotha, 9.-11. Oktober 2005). Stuttgart: Franz Steiner Verlag, 99-111.

Jucker, Andreas H (2008). Communicative tasks across languages. Movie narratives in English, in English as a foreign language and in German. In: de los Angeles Gómez González, Maria; Mackenzie, J Lachlan; González Alvarez, Elsa M. Languages and cultures in contrast and comparison. Amsterdam: John Benjamins, 247-274.

Biewer, Carolin (2008). Concord patterns in South Pacific Englishes - the influence of New Zealand English and the local substrate. In: Stierstorfer, K. Anglistentag 2007 Münster: Proceedings. Trier, Germany: Wissenschaftlicher Verlag, 331-343.

Chevalier, Sarah (2008). Contextual aspects of early trilingualism. In: Nikolaev, Alexandre; Niemi, Jussi. Two or More Languages: Proceedings from the 9th Nordic Conference on Bilingualism. August 10–11, 2006. Joensuu: University of Joensuu, 37-46.

Loren, Scott (2008). Dead fathers and other detours: Ulmer’s noir. In: Rhodes, Gary. Edgar G. Ulmer: detour on poverty row. Lanham [Md.]: Lexington Books, 61-96.

Bronfen, Elisabeth (2008). Die Fragilität des Alltäglichen: Eija-Liisa Ahtilas Arbeit mit dem Tod. In: Bonnefoy, Françoise. Eija-Liisa Ahtila: Ausstellungskatalog K21 Kunstsammlung Nordrhein-Westfalen. Düsseldorf: Hatje Cantz, 8-13.

Bronfen, Elisabeth (2008). Femme fatale - Negotiations of tragic desire. In: Felski, Rita. Rethinking tragedy. Baltimore: Johns Hopkins University Press, 287-301.

Jucker, Andreas H; Schneider, Gerold; Taavitsainen, Irma; Breustedt, Barb (2008). Fishing for compliments: precision and recall in corpus-linguistic compliment research. In: Jucker, Andreas H; Taavitsainen, Irma. Speech acts in the history of English. Amsterdam: John Benjamins, 273-294.

Bronfen, Elisabeth (2008). Freuds Nachtreisen. In: Boothe, Brigitte. Ordnung und Außer-Ordnung: zwischen Erhalt und tödlicher Bürde. Bern: Hans Huber, 237-250.

Jucker, Andreas H (2008). Historical pragmatics. Language and Linguistics Compass, 2(5):894-906.

Schneider, Gerold. Hybrid long-distance functional dependency parsing. 2008, University of Zurich, Faculty of Arts.

Identity and community : constructions, deconstructions, reconstructions. Edited by: Esterhammer, A; Gatrall, J J A (2008). Berlin, Germany: de Gruyter.

Bronfen, Elisabeth (2008). Marilyn: Diva und Sexikone der 50er Jahre. In: Paul, Gerhard. Das Jahrhundert der Bilder: 1949 bis heute. Göttingen: Vandenhoeck & Ruprecht, 114-121.

Loren, Scott (2008). Mechanical humanity, or how I learned to stop worrying and love the android: the posthuman subject in "2001: A Space Odyssey" and "Artificial Intelligence: A.I". In: Rhodes, Gary. Stanley Kubrick: essays on his films and legacy. North Carolina: McFarland and Co, 211-231.

Straumann, Barbara (2008). Medial effects: the singer and her voice in Willa Cather's the song of the lark. In: Heusser, Martin; Fischer, Andreas; Jucker, Andreas H. Mediality/Intermediality. Tübingen, Germany: Gunter Narr, 59-73.

Esterhammer, Angela (2008). Musing in public: the sociability and solitude of the romantic improvvisatore. In: Schmid, Susanne. Einsamkeit und Geselligkeit um 1800. Heidelberg: Winter, 17-28.

Bronfen, Elisabeth (2008). Night and the Uncanny. In: Collins, Jo; Jervis, John. Uncanny modernity: cultural theories, modern anxieties. Basingstoke, U.K.: Palgrave Macmillan, 51-67.

Jucker, Andreas H (2008). Politeness in the history of English. In: Dury, Richard; Gotti, Maurizio; Dossena, Marina. English Historical Linguistics 2006. Volume II: Lexical and semantic change. Selected papers from the fourteenth International Conference on English Historical Linguistics (ICEHL 14), Bergamo, 21-25 August 2006. Amsterdam: John Benjamins, 3-29.

Breustedt, Barb. Prefabricated input in language acquisition: the syntax of storybooks. 2008, University of Zurich, Faculty of Arts.

Piccitto, Diane (2008). Review of: Translators, interpreters, mediators: women writers 1700-1900. Variations: Literaturzeitschrift der Universität Zürich, 16:253-255.

Esterhammer, Angela (2008). Review of: Worrall, David: Theatric revolution: drama, censorship, and romantic period subcultures 1773-1832. Studies in Romanticism, 47:413-417.

Esterhammer, Angela (2008). Romanticism and improvisation, 1750-1850. Cambridge: Cambridge University Press.

Bronfen, Elisabeth (2008). Sein Körper sein: Die letzte Diva Leigh Bowery. In: Zechlin, René. Leigh Bowery : beautified provocation. Heidelberg: Kehrer, 67-72.

Bronfen, Elisabeth (2008). Sexualität und die nächtliche Stadt. In: Stahel, Urs. Darkside I - Fotografische Begierde und fotografierte Sexualität. Göttingen: Steidl, 103-107.

Bronfen, Elisabeth (2008). So sind sie gewesen: Inszenierte Weiblichkeit in den Bildern von Fotografinnen. In: Ingelmann, Inka Graeve. Female Trouble: Die Kamera als Spiegel und Bühne weiblicher Inszenierungen. Katalog zur Ausstellung in der Pinakothek der Moderne München vom 17. Juli bis 26. Oktober 2008. München: Hatje Cantz, 11-19.

Biewer, Carolin (2008). South Pacific Englishes: unity and diversity in the usage of the present perfect. In: Nevalainen, T; Taavitsainen, I; Pahta, P; Korhonen, M. The Dynamics of Linguistic Variation : Corpus evidence of English past and present. Amsterdam, The Netherlands: John Benjamins, 203-219.

Jucker, Andreas H (2008). Speech act research between armchair, field and laboratory: The case of compliments. In: Gloning, Thomas; Bons, Iris; Kaltwasser, Dennis. Festplatte für Gerd Fritz. Deutschland, online.

Speech acts in the history of english. Edited by: Jucker, Andreas H; Taavitsainen, I (2008). Amsterdam/Philadelphia: John Benjamins.

Taavitsainen, Irma; Jucker, Andreas H (2008). Speech acts now and then: Towards a pragmatic history of English. In: Jucker, Andreas H; Taavitsainen, Irma. Speech Acts in the History of English. Amsterdam/Philadelphia: John Bejamins, 1-23.

Schreier, Daniel (2008). St Helenian English: origins, evolution and variation. Amsterdam and Philadelphia: Benjamins.: John Benjamins.

Hundt, Marianne (2008). Text corpora. In: Lüdeling, Anke; Kytö, Merja. Corpus Linguistics : An International Handbook. Berlin, Germany: Mouton de Gruyter, 168-186.

Seiler, Annina (2008). The scripting of Old English: An analysis of Anglo-Saxon spellings for w and þ. Sprachwissenschaft, 33(2):139-172.

Bronfen, Elisabeth (2008). Tiefer als der Tag gedacht: eine Kulturgeschichte der Nacht. München: Hanser.

Esterhammer, Angela (2008). Trophies, Triumphs, Tourism, and the Topography of History. Colloquium Helveticum, 39:25-42.

Bronfen, Elisabeth (2008). Verkörperungen der Nacht: Nyx und ihre kulturellen Nachbilder. In: Wyss, Beat; Buschhaus, Markus. Den Körper im Blick: Grenzgänge zwischen Kunst, Kultur und Wissenschaft. München: Fink, 19-33.

Bronfen, Elisabeth (2008). William Shakespeare, Hamlet (1600). In: Kiening, Christian; Herberichs, Cornelia. Literarische Performativität: Lektüren vormoderner Texte. Zürich: Chronos, 373-387.

Frank, Michael C (2007). Photographing ghosts: ancestral reproduction and daguerreotypic mimesis in Nathaniel Hawthorne's "The house of the seven gables". Litteraria Pragensia. Studies in Literature and Culture, 17(34):40-57.

Arbeit am Gedächtnis: für Aleida Assmann. Edited by: Frank, Michael C; Rippl, Gabriele (2007). Paderborn: Wilhelm Fink.

Frank, Michael C (2007). Erinnerungsarbeit und Selbstregulierung: Samuel Richardsons "Pamela", Jean-Jacques Rousseaus "Julie". In: Frank, Michael C; Rippl, Gabriele. Arbeit am Gedächtnis: für Aleida Assmann. Paderborn: Wilhelm Fink Verlag, 351-371.

Bautz, Annika (2007). Early Nineteenth-Century Readers of Jane Austen. Literature Compass, 4(5):1412-1427.

Loren, Scott (2007). Doubles, others, and the split-self: a Lacanian reading of identity in Paul Auster’s New York Trilogy. In: Hellenic Association for American Studies - Ex-centric Narratives: Identity and Multivocality in Anglo-American Cultures - International Graduate Student Conference, Thessaloniki, March 2007.

Lehmann Imfeld, Zoë Christina (2007). The Colonial Other in E.M. Forster's 'A Passage to India'. Quest, 5:85-96.

Seiler, Annina (2007). Exegese eines neutestamentlichen Gleichnisses (Arbeiter im Weinberg). Eine althochdeutsche Predigt über Mt 20, 1-16. In: Forster, Regula; Michel, Paul. Significatio. Zürich, Switzerland: Pano, 175-190.

Introduction to Jane Austen, Krenari dhe Paragjykim. Trans. Enit K.Steiner. Edited by: Steiner - Karafili, Enit (2007). Tirana: Toena.

Mühlheim, Martin; Heusser, Martin (2007). Narrative Space and the Location of Meaning. Academic Exchange Quarterly, 11(1):26-30.

Frey Büchel, Nicole (2007). Perpetual performance : selfhood and representation in Byron's writing. Tübingen: Francke.

Frey Büchel, Nicole (2007). Review of: Regula Schmid: Storytime. Teacher's Guide /Student's Book, Lehrmittelverlag des Kantons Zürich, Zürich 2006. ph Akzente, (2):42.

Bautz, Annika (2007). The Reception of Jane Austen and Walter Scott: A Comparative Longitudinal Study. London: Continuum.

Bautz, Annika (2007). The Reception of Jane Austen in Germany, 1949-2003. In: Mandal, A; Southam, B. The Reception of Jane Austen in Europe. London: Continuum, 93-116.

Bautz, Annika (2007). Walter Scott's Novels in East and West Germany, 1949-2003. In: Pittock, M. The Reception of Scott in Europe. London: Continuum, 117-137.

Frank, Michael C (2006). Kulturelle Einflussangst: Inszenierungen der Grenze in der Reiseliteratur des 19. Jahrhunderts. Bielefeld: Transcript.

Frank, Michael C (2006). Andere Völker, andere Zeiten: das evolutionistische Narrativ in den Humanwissenschaften, 1750-1930. In: Höcker, Arne; Moser, Jeannie; Weber, Philippe. Wissen. Erzählen.: Narrative der Humanwissenschaften. Bielefeld: De Gruyter, 127-138.

Frank, Michael C (2006). Photographische Phantastik: Nathaniel Hawthornes "The House of the Seven Gables" und die frühe Diskursgeschichte der Daguerreotypie. Jahrbuch der Friedrich Schlegel-Gesellschaft, 16:97-123.

Frey Büchel, Nicole (2006). Review of: David Higgins: Romantic genius and the literary magazine: biography, celebrity, politics; London 2005. Variations: Literaturzeitschrift der Universität Zürich, (14):221-223.

Frank, Michael C (2005). The discovery of Europe in the South Pacific: travel writing, "boundary work", and the construction of European identity. In: Procházka, Martin; Pilný, Ondřej. Time refigured: myths, foundation texts & imagined communities. Prag: Litteraria Pragensia, 162-175.

Paparunas, Penny (2005). Wasserfrau als Maskerade? Die Hybridisierung von Geschlechterkonfigurationen in Theodor Fontanes Stechlin. In: Kolloquium: »Spinnenfuß und Krötenbauch«, Zürich, 7 October 2005 - 8 October 2005, Schweizerische Gesellschaft für Symbolforschung.

Schneider, Gerold (2005). A Broad-Coverage, Representationally Minimalist LFG Parser: Chunks and F-Structures Are Enough. In: LFG05, Bergen, Norway, 18 July 2005 - 20 July 2005.

Mühlheim, Martin (2005). Hot Topics, Professed Beliefs, and Dissenting Voices: Theoretical Comments on Politics, Ideology, and Fiction. Variations: Literaturzeitschrift der Universität Zürich, (13):133-145.

Bitterli, Dieter (2005). Imago Sancti Judoci: An Unknown Cycle of Applied Emblems in Central Switzerland. In: Saunders, Alison; Davidson, Peter. Visual Words and Verbal Pictures: Essays in Honour of Michael Bath. Glasgow: Glasgow Emblem Studies, 13-36.

Loren, Scott. Our wills and fates : the politics of identity in contemporary American fiction and film. 2005, University of Zurich, Faculty of Arts.

Barbato, M (2004). Dialect dictionaries. International Journal of Lexicography, 17(4):429-439.

Frank, Michael C (2004). Die Exotik von Robert Müllers "Tropen" (1915): Begegnung mit einem fremden Roman. In: Assmann, Aleida; Frank, Michael C. Vergessene Texte. Konstanz: Universitätsverlag Konstanz, 189-206.

Frank, Michael C (2004). Kolonialismus und Diskurs: Michel Foucaults 'Archäologie' in der postkolonialen Theorie. In: Kollmann, Susanne; Schödel, Kathrin. PostModerne De/Konstruktionen: Ethik, Politik und Kultur am Ende einer Epoche. Münster: LIT-Verlag, 139-155.

Bitterli, Dieter (2004). The Survival of the Dead Cuckoo: Exeter Book Riddle 9. In: Honegger, Thomas. Riddles, knights and cross dressing saints : essays on medieval English language and literature. Bern, Berlin: Peter ang, 95-114.

Loren, Scott (2004). What are the Implications of the Virtual for the Human? European Journal of American Culture, 23(3):173-185.

Frank, Michael C (2002). "Den Kaffern die Kultur absprechen": die Ruinen von Simbabwe und ihre Fiktionalisierung durch Henry Rider Haggard. In: Assmann, Aleida; Gomille, Monika; Rippl, Gabriele. Ruinenbilder. München: Wilhelm Fink Verlag, 253-267.

Burger, H (2002). Worterbuch der Redensarten zu der von Karl Kraus 1899 bis 1936 herausgegebenen Zeitschrift 'Die Fackel'. International Journal of Lexicography, 15(2):157-160.

Binotto, Johannes (2002). Das revoltierende Fleisch. Foucault, Deleuze, Cronenberg und der menschliche Körper. Variations. Literaturzeitschrift der Universität Zürich:85-99.

Bitterli, Dieter (2002). Exeter book riddle 15: Some points for the porcupine. Anglia, 120(4):461-487.

Heusser, Martin (2008). Introduction. In: Heusser, Martin; Fischer, Andreas; Jucker, Andreas H. Mediality /Intermediality. Tübingen, Germany: Gunter Narr Verlag, 11-13.

Bronfen, Elisabeth (2009). Introduction. Textus: English Studies In Italy, 11:197-219.

Schreier, Daniel; Trudgill, Peter; Schneider, Edgar W; Williams, Jeffrey P (2010). Introduction. In: Schreier, Daniel; et al. The lesser-known varieties of English: an introduction. Cambridge, UK: Cambridge University Press, 1-14.

Hundt, Marianne; Sharma, Devyani (2014). Introduction. In: Hundt, Marianne; Sharma, Devyani. English in the Indian Diaspora. Amsterdam: John Benjamins Publishing, 1-8.

Bronfen, Elisabeth; Neumeier, Beate (2014). Introduction. In: Bronfen, Elisabeth; Neumeier, Beate. Gothic Renaissance: A Reassessment. Manchester, New York: Manchester University Press, 1-13.

Rellstab, Daniel H; Schlote, Christiane (2014). Introduction. In: Rellstab, Daniel H; Schlote, Christiane. Representations of War, Migration, and Refugeehood: Interdisciplinary Perspectives. New York and Abingdon: Routledge Chapman & Hall, 1-14.

Bronfen, Elisabeth; Frey, Christiane; Martyn, David (2016). Vorwort. In: Bronfen, Elisabeth; Frey, Christiane; Martyn, David. Noch einmal anders : Zu einer Poetik des Seriellen. Zürich, Berlin: Diaphanes, 7-15.

Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah (2018). Einleitung. In: Bronfen, Elisabeth; Ritzer, Ivo; Schoch, Hannah. Ida Lupino: Die zwei Seiten der Kamera. Berlin: Bertz Fischer, 7-12.

Lehmann Imfeld, Zoë Christina; Losch, Andreas (2018). Introduction. In: Lehmann Imfeld, Zoe; Löschel, Andreas. Our Common Cosmos: Exploring the Future of Theology, Human Culture and Space Sciences. London: Bloomsbury, 1-6.

Seiler, Annina; Benati, Chiara; Pons-Sanz, Sara M (2023). Introduction. In: Seiler, Annina; Benati, Chiara; Pons-Sanz, Sara M. Medieval Glossaries from North-Western Europe: Tradition and Innovation. Turnhout: Brepols Publishers, 23-49.

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