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Helbig, Elahe (2022). Performing violence, displaying evidence: photographs of criminals and political inmates in Qajar Iran (1860s–1910s). History of Photography, 45(3-4):264-277.

Battell, Sophie Emma (2022). Pericles and the Secret. Shakespeare, 18(4):432-450.

Wiegand, Daniel (2022). Islands of Sound in the Silent Flow of Film: German Part-Talkies Around 1930 as a Hybrid Medium. The Historical Journal of Film, Radio and Television, 42(3):427-450.

Karremann, Isabel (2022). Artless Deaths in Hamlet: The Play as Danse Macabre. In: Engel, William; Williams, Grant. The Shakespearean Death Arts : Hamlet Among the Tombs. Cham: Springer, 281-306.


Angelone, Samer (2021). Storyboardgraphy. Visual Studies, 36(4-5):421-425.

Theurer, Caroline; Wemmer-Rogh, Wida; Berner, Nicole (2021). Interdependencies between openness and creativity of fifth graders. Psychology of Aesthetics, Creativity, and the Arts, 15(3):391-400.

Mok, Sog Yee; Bakaç, Cafer; Froehlich, Laura (2021). ‘My family’s goals are also my goals’: the relationship between collectivism, distal utility value, and learning and career goals of international university students in Germany. International Journal for Educational and Vocational Guidance, 21(2):355-378.

de Roche, Charles (2021). On Nancy, Hölderlin, the fragmentary and the one. Parallax, 26(4):400-412.

Göksel, Eva (2021). Experiencing drama in a Swiss context: a tale of two student teachers. Research in Drama Education, 26(2):300-305.

Ivcevic, Zorana; Moeller, Julia; Menges, Jochen; Brackett, Marc (2021). Supervisor emotionally intelligent behavior and employee creativity. Journal of Creative Behavior, 55(1):79-91.

Walde, Laura (2021). Brevity ‐ format ‐ programme: a conceptual triangle. Short film studies, 11(2):233-238.

Volmert, Miriam (2021). Fascination with the Fallen: Thinking Ruins in Western Culture. Review of Susan Stewart, The Ruins Lesson. Meaning and Material in Western Culture, Chicago 2020. Architectural Histories, 9(1):11.

Friedman, Hannah Joy (2021). Jusepe de Ribera's Five Senses and the Practice of Prudence. Renaissance Quarterly, 74(4):1111-1161.

Sommerer, Sabine (2021). Riders on the Throne: Animal Agency in Benedetto Antelami’s Parma Cathedra. Gesta - International Center of Medieval Art, 60(2):141-155.


Haensler, Philippe Pascal (2020). The Dis-Appearance of Desire: Nancy and Lacan, the Exscribed and the Sublime. Parallax, 26(4):413-428.

Elsner, Anna Magdalena; Gottlieb, Anna (2020). Landscapes of care and the enchantment of dying in Edwin Beeler’s 'Die weisse Arche' (2016). Studies in Documentary Film, 14(2):147-160.


Mango, Elena; Boglione, Marcella; Mistireki, Aleksandra (2019). Siebter Vorbericht zu den Forschungen in Himera (2018). Antike Kunst, 62:135-143.

Phan, Quang Anh (2019). Challenges and opportunities for the online gaming industry in Vietnam: A qualitative study on the thoughts of involved parties. Creative Industries Journal, 12(3):248-271.

Giese, Francine; Varela Braga, Ariane (2019). Translocating Metropolitan Display Strategies in Nineteenth-Century Europe: Frederick Stibbert, Henri Moser, and their Orientalist Style Rooms. International Journal of Islamic Architecture, 8(1):115-140.

Mistireki, Aleksandra (2019). Die Lopades von Spina - Griechische Kochgefässe in Etrurien? Antike Kunst, 62:35-57.

Mohr, Martin (2019). Forschungen auf dem Monte Iato 2018. Antike Kunst, 62:121-134.

Lameris, Bregt (2019). Hallucinating colours – psychedelic film, technology, aesthetics and affect. Cinéma & Cie, 19(32):85-97.

Lameris, Bregt; Flückiger, Barbara (2019). Teaching the materiality of film. The Moving Image, 19(1):93-101.

Kaufmann, Katrin (2019). The ‘Splendor of the Caliph’s Dwellings’ in Saint Petersburg. Aleksandr Briullov as a pioneer of Neo-Moorish style in Russia. Art in Translation, 11(2):181-199.

Burenina-Petrova, Olga (2019). Бессмертие человека и телесные метаморфозы в творчестве анархо-биокосмистов. Quaestio Rossica, Vol. 7.(№ 1):222-240.


Giese, Francine (2018). Précis, Islamic Art History and Archaeology in Crisis? Challenges and New Perspectives. International Journal of Islamic Architecture, 7(1):201-203.

Preisinger, Raphaèle (2018). Anachoretic Ideals in Urban Settings: Meditational Practices and Mural Painting in Trecento Italy. In: Enenkel, Karl A E; Göttler, Christine. Solitudo: spaces, places, and times of solitude in late medieval and early modern cultures. Leiden/Boston: Brill, 179-207.

Flückiger, Barbara; Halter, Gaudenz (2018). Building a crowdsourcing platform for the analysis of film color. The Moving Image, 18(1):80-83.

Reusser, Christoph (2018). Ein frührotfiguriger attischer Becher des Malers von Berlin 2268. Antike Kunst, 61:108-110.

Mohr, Martin; Reusser, Christoph (2018). Forschungen auf dem Monte Iato 2017. Antike Kunst, 61:88-107.

Junge, Sophie (2018). Groet uit Java: Picture Postcards and the Transnational Making of the Colony around 1900. History of Photography, 42(2):168-184.

Weddigen, Tristan (2018). Materiality and idolatry: Roman imaginations of Saint Rose of Lima. In: Göttler, Christine; Mochizuki, Mia M. The nomadic object. The challenge of world for early modern religious art. Leiden/Boston: Brill, 103-146.

van Gastel, Joris (2018). Slow Violence. Jusepe de Ribera and the Limits of Naturalism. Oxford Art Journal, 41(1):1-17.


Pfeifer, Patricia (2017). The spectator in the interval : Corneliu Porumboiu's The second game (2014) and Marta Popivoda's Mass ornament #1 (2013). Studies in Eastern European Cinema, Vol. 8(3):232-251.

Weddigen, Tristan (2017). Hispano-Incaic Fusions: Ángel Guido and the Latin American Reception of Heinrich Wölfflin. Art in Translation, 9(S1):92-120.

Lurati, Patricia (2017). ‘To dust the pelisse’: the erotic side of fur in Italian Renaissance art. Renaissance Studies, 31(2):240-260.

Volmert, Miriam (2017). "Framing and Fashioning of Images": The Pictorial Invention of the Art Lover in Daniel Mytens’s Portrait of Thomas Howard, Earl of Arundel (ca 1618). Zeitschrift für Kunstgeschichte, 80(1):83-107.

Mohr, Martin; Reusser, Christoph (2017). Forschungen auf dem Monte Iato 2016. Antike Kunst, (60):91-108.

Varela Braga, Ariane (2017). The arab room of the cerralbo palace. Art in Translation, 9(1):7-28.


Flueckiger, Barbara; Heller, Franziska; Op den Kamp, Claudy; Pfluger, David (2016). "Digital Desmet". Translating early applied colors. The Moving Image, 16(1):106-124.

Lörtscher, Miriam L; Weibel, David; Spiegel, Simon; Flückiger, Barbara; Mennel, Pierre; Mast, Fred W; Iseli, Christian (2016). As film goes byte : the change from analog to digital film perception. Psychology of Aesthetics, Creativity, and the Arts, 10(4):458-471.

Gerber, Adrian; de Zwaan, Klaas (2016). The battle for meaning. A cross-national film reception analysis of the battle cry of peace in Switzerland and the Netherlands during the First World War. Early Popular Visual Culture, 14(2):168-187.

van Gastel, Joris (2016). A Fiammingo in Rome. Artus Quellinus and the Origins of the Northern Baroque Bust. The Rijksmuseum Bulletin, 64(2):121-138.

Junge, Sophie (2016). Art Is Still Not Enough. Bilder von AIDS im Spannungsfeld zwischen Kunstanspruch und politischer Mobilisierung. Zeitschrift für Kunstgeschichte, 79(2):261-275.

Reusser, Christoph; Perifanakis, Jacqueline; Mohr, Martin (2016). Forschungen auf dem Monte Iato 2015. Antike Kunst, (59):66-81.

Reineke, Anika; Röhl, Anne (2016). L’ordre et le chaos : le lit comme espace pictural et matériel textile. Perspective. La revue de l’INHA, 2016(1):171-179.

Weddigen, Tristan (2016). Postfactum. Perspective. La revue de l’INHA, (1):216-218.

Eisner, Rivka Syd (2016). Remember September: Re-performing the Burmese ‘Saffron Revolution’ at the Singapore Biennale. Theatre Research International, 41(1):21-39.

Crivelli, Tatiana (2016). The Print Tradition of Vittoria Colonna's «Rime». In: Brundin, Abigail; Crivelli, Tatiana; Sapegno, Maria Serena. A Companion to Vittoria Colonna. Leiden-Boston: Brill, 69-139.

Brundin, Abigail; Crivelli, Tatiana; Sapegno, Maria Serena (2016). Introduction. In: Brundin, Abigail; Crivelli, Tatiana; Sapegno, Maria Serena. A Companion to Vittoria Colonna. Leiden-Boston: Brill, 3-10.


Zingg, Emanuel (2015). Eine Exzerpthandschrift des 10. Jh. in Streifen – Zu den Auszügen aus dem anonymen Περὶ τῶν τῆς ῥητορικῆς προοίμιον, Iohannes Lydosʼ Περὶ μηνῶν, einem Paralleltext zu den Γεωπονικά und nicht identifizierten Werken in den Faszikelverstärkungen des Codex Serdicensis Dujčev gr. 37 im Forschungszentrum „Ivan Dujčev“, Sofia. Byzantion: Revue Internationale Des Études Byzantines, 2015(85):463-489.

Amrein, Ursula (2015). Machtkämpfe und Zerreissproben – der Pfauen als Exilbühne in der Nazi-Zeit. DU: Das Kulturmagazin, (861):78-83.

Brütsch, Matthias (2015). The Three-Act Structure: Myth or Magical Formula? Journal of Screenwriting, 6(3):57-79.

Casula, Philipp (2015). Five Days of War and Olympus Inferno: the 2008 South Ossetia war in Russian and Western popular culture. Studies in Russian and Soviet Cinema, 9(2):110-125.

Reusser, Christoph; Perifanakis, Jacqueline; Mohr, Martin (2015). Forschungen auf dem Monte Iato 2014. Antike Kunst, 58:111-128.

Bronfen, Elisabeth (2015). Screening and disclosing fantasy: rear projection in Hitchcock. Screen, 56(1):1-24.

van Gastel, Joris (2015). Senza sostanza di corpo? Bernini and the Problem of the Sculptor’s Drawing. Sculpture Journal, 24(1):23-35.

Schrijver, Emile (2015). The Eye of the Beholder: Artistic Sense and Craftsmanship in Eighteenth-Century Jewish Books. Images, 7(1):35-55.


Güsewell, Angelika; Ruch, Willibald (2014). Are musicians particularly sensitive to beauty and goodness? Psychology of Aesthetics, Creativity, and the Arts, 8(1):96-103.

Sonnenhauser, Barbara (2014). Erzählen im Bulgarischen zwischen Texttyp und Genre. Pressebericht und Evangelium, Krimi i pravo und Tălkovanie. Die Welt der Slaven – Halbjahresschrift für Slavistik, 59(2):355-381.

Tröhler, Margrit (2014). Film - Movement and the Contagious Power of Analogies: On André Bazin's conception of the cinematic spectactor. Studies in French Cinema, 14(1):33-47.

Reusser, Christoph; Cappuccini, Luca; Perifanakis, Jacqueline; Russenberger, Christian; Mohr, Martin (2014). Forschungen auf dem Monte Iato 2013. Antike Kunst, 57:92-113.

Jäggi, Carola; Bacci, Michele; Kühnel, Bianca; Quirini-Popławski, Rafal; Shalem, Avinoam; Wolf, Gerhard (2014). Qu’est-ce que l’espace méditerranéen au Moyen Âge? Perspective. La revue de l’INHA, 2014(2):271-292.

Valär, Rico Franc (2014). Weder Italiener noch Deutsche! DU : Das Kulturmagazin:88.


Boehler, Natalie (2013). De-locating "Independence": The discourse on Southeast Asian independent cinema and its trajectories. Cinema & Cie, XIII(20):41-53.

Sasse, Sylvia (2013). Hintertüren : Dostoevskij, Nietzsche, Bachtin. Die Welt der Slaven – Halbjahresschrift für Slavistik, LVIII(2):209-231.

Tröhler, Margrit; Späth, Thomas (2013). Muscles and Morals: Spartacus, Ancient Hero of Modern Times. In: Renger, Almut-Barbara; Solomon, Jon. Ancient Worlds in Film and Television. Gender and Politics. Leiden: Brill, 41-63.

Krüger, Gesine (2013). Affentheater – Wer sind wir? Kritische Berichte, 2013(1):109-116.

Stierli, Martino (2013). Building no place: Oscar Niemeyer and the utopias of Brasília. Journal of Architectural Education, 67(1):8-16.

Wenner, Miriam (2013). Challenging the state by reproducing its principles. The demand for “Gorkhaland” between regional autonomy and the national belonging. Asian Ethnology, 72(2):199-220.

Reusser, Christoph; Perifanakis, Jacqueline; Mohr, Martin; Mango, Elena; Badertscher, Thomas (2013). Forschungen auf dem Monte Iato 2012. Antike Kunst, 56:72-87.

Minta, Anna (2013). Glaubenssache(n): Editorial. Kritische Berichte, 41(2):7-9.

Roeck, Bernd (2013). Images, mentalités, quantités: pour une histoire de l'art statistique. Perspective. La revue de l’INHA, (1):5-7.

Bronfen, Elisabeth (2013). Lubitschs Krieg. Die Komödie als politische Strategie in To Be or Not to Be. Neue Rundschau, 124(4):151-172.

Tanner, Alexandra (2013). Untersuchungen zur Ost-Stoa an der Agora von Eretria. Antike Kunst, 56:111-125.


Proyer, Rene T; Sidler, Nicole; Weber, Marco; Ruch, Willibald (2012). A multi-method approach to studying the relationship between character strengths and vocational interests in adolescents. International Journal for Educational and Vocational Guidance, 12(2):141-157.

van Gastel, Joris (2012). Bernini’s Metamorphosis. Sculpture, Poetry, and the Embodied Beholder. Word & Image, 28(2):193-205.

Reusser, Christoph; Cappuccini, Luca; Mohr, Martin; Russenberger, Christian; Mango, Elena; Badertscher, Thomas (2012). Forschungen auf dem Monte Iato 2011. Antike Kunst, 55:112-137.

van Gastel, Joris (2012). Geology and Imagery in the Kingdom of Naples. A Letter on the Origins of Alabaster (1696). Kritische Berichte, 40(3):64-77.

Schäfer, Fabian (2012). Public Opinion – Propaganda – Ideology. Theories on the Press and its social function in Interwar Japan, 1918-1937. Leiden, Boston: Brill.

Uehlinger, Christoph (2012). Religion in the Ancient Levant: confronting gazes now and then. Material Religion, 8(4):525-527.


Kim, David Young (2011). The horror of mimesis. Oxford Art Journal, 34(3):335-353.

Loren, Scott; Metelmann, Jörg (2011). What’s the matter? race as res. Journal of Visual Culture, 10(3):397-405.

Spiegel, Simon (2011). Das Gehirn als Spektakel. DU: Die Zeitschrift der Kultur, 820:76-80.

Reusser, Christoph; Mohr, Martin; Cabras, Virginia; Cappuccini, Luca; Mächler, Claudia (2011). Ausgrabungen und Forschungen in der etruskischen Stadt Spina (Provinz Ferrara) 2007 - 2009. Antike Kunst, 54:105-126.

Reusser, Christoph; Cappuccini, Luca; Mohr, Martin; Russenberger, Christian; Mango, Elena; Badertscher, Thomas (2011). Forschungen auf dem Monte Iato 2010. Antike Kunst, 54:71-104.

Minta, Anna (2011). Horror vacui. Die (Un)Erträglichkeit von Leere in der Architektur Israels. Kritische Berichte, 39(2):7-21.

Rossi, L (2011). Les sept vies de l’«Anticlaudianus». Pour une nouvelle édition de la récriture d’Ellebaut. Cahiers de civilisation médiévale, 54:377-396.

Cacchione, T; Möhring, W; Bertin, E (2011). What is it about Picasso? infants' categorical and discriminatory abilities in the visual arts. Psychology of Aesthetics, Creativity, and the Arts, 5(4):370-378.


Giorgio, Adalgisa; Chemello, Adriana; Crivelli, Tatiana; Wood, Sharon (2010). Didattica della sessualità e del genere tra Svizzera, Gran Bretagna, e Italia. Italian Studies, 65(2):251-262.

Roeck, B (2010). Die Kosten der Kunst: Ein bisher unbekanntes Inventar der Besitztümer Federico da Montefeltros und Ottaviano Ubaldinis della Carda. Zeitschrift für Kunstgeschichte, 73(2):169-186.

Rohrer, Seraina (2010). Revolution in 35 mm. DU: Die Zeitschrift der Kultur, 804:74-79.

Woodfin, Warren T; Rassamakin, Yuriy; Holod, Renata (2010). Foreign Vesture and Nomadic Identity on the Black Sea Littoral in the Early Thirteenth Century: Costume from the Chungul Kurgan. Ars Orientalis, 38:153-184.

Reusser, Christoph; Mohr, Martin; Russenberger, Christian; Mango, Elena (2010). Forschungen auf dem Monte Iato 2009. Antike Kunst, 53:114-138.

Höpflinger, Anna-Katharina (2010). „She Even Carried Weapons”. Interaction of Clothing, Religion and Identity – The Example of Joan of Arc. Material Religion, 6(3):374-376.


Valach, Ladislav; Young, Richard A (2009). Interdisciplinarity in vocational guidance: an action theory perspective. International Journal for Educational and Vocational Guidance, 9(2):85-99.

Keller, Hildegard Elisabeth (2009). Verwildet und vermoost. Du : die Zeitschrift der Kultur, (798):43-47.

Keller, Hildegard Elisabeth; Hamburger, Jeffrey F (2009). Am Anfang war das Licht. Du : die Zeitschrift der Kultur, (796):52-56.


Keller, Hildegard Elisabeth; Hamburger, Jeffrey F (2008). Das blaue Wunder von Weihnachten. DU: Die Zeitschrift der Kultur, Dez/Jan(792):64-67.

Hirschi, A; Läge, D (2008). Increasing the career choice readiness of young adolescents: an evaluation study. International Journal for Educational and Vocational Guidance, 8(2):95-110.

Mondini, Daniela (2008). Aberrare humanum est: Spoerris Reliquienkulte. Kritische Berichte: Zeitschrift für Kunst- und Kulturwissenschaften, 36(3):36-45.

Kaplony, Andreas (2008). Comparing al-Kashghari's map with his text: on the visual language, purpose and transmission of Arabic-Islamic maps. In: Forêt, Philippe; Kaplony, Andreas. The journey of maps and images on the Silk Road. Leiden: Brill, 137-153.

Wille, Clara (2008). Les prophéties de Merlin interprétées par un commentateur du XIIe siècle. Cahiers de civilisation médiévale, 51(203):223-234.

Kaplony, Andreas (2008). List of geographical nomenclature in al-Kāshgharī's text and map. In: Forêt, Philippe; Kaplony, Andreas. The journey of maps and images on the Silk Road. Leiden: Brill, 209-225.

Schneider, Sabine (2008). Poetik der Illumination: Hugo von Hofmannsthals Bildreflexionen im "Gespräch über Gedichte". Zeitschrift für Kunstgeschichte, 71(3):389-404.

Thomann, Johannes (2008). Square horoscope diagrams in Middle Eastern astrology and Chinese cosmological diagrams: were these designs transmitted through the Silk Road? In: Forêt, P; Kaplony, Andreas. The journey of maps and images on the silk road. Leiden: Brill, 97-117.


Roeck, Bernd (2007). Spiritualismus und Groteske: Religiosität, Lebenswelt und Kunst eines Goldschmieds des 16. Jahrhunderts. Zeitschrift für Kunstgeschichte, 70(1):69-88.

Sarasin, Philipp (2007). The body as medium: nineteenth-century European hygiene discourse. Grey Room, (29):48-65.


Kiening, Christian (2005). Familienroman, christlich besetzt: Eine Heiligenlegende als Kippfigur. Neue Rundschau, 116(4):31-38.

Trachsler, Richard (2005). Un siècle de «lettreüre». Observations sur les études de littérature française du Moyen Age entre 1900 et 2000. Cahiers de civilisation médiévale, 48:359-379.


Kiening, Christian (2004). Ästhetische Heiligung: Von Hartmann von Aue zu Lars von Trier. Neue Rundschau, 115(1):56-71.


Maier, Franz Georg (1985). Factoids in ancient history: the case of fifth-century Cyprus. Journal of Hellenic Studies, 105:32-39.


van der Waerden, B L (1960). Greek Astronomical Calendars and their Relation to the Athenian Civil Calendar. Journal of Hellenic Studies, 80:168-180.

This list was generated on Fri Sep 29 02:00:36 2023 CEST.