Publication: Chacun de nous tient sa blessure ouverte, si che tal piaga il mondo unqua risalde: The wound in women's poetry (that of Cixous and Colonna among others)
Chacun de nous tient sa blessure ouverte, si che tal piaga il mondo unqua risalde: The wound in women's poetry (that of Cixous and Colonna among others)
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Crivelli, T. (2022). Chacun de nous tient sa blessure ouverte, si che tal piaga il mondo unqua risalde: The wound in women’s poetry (that of Cixous and Colonna among others). In A. Torre & M. Stella (Eds.), The Wounded Body: Memory, Language and the Self from Petrarch to Shakespeare (pp. 261–281). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-91904-7_12
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It is a well known fact that Italian Petrarchism reprises the vast and complex repertory of metaphors, images and themes employed by Petrarch in the Rerum Vulgarium fragmenta with a manneristic method which makes it very difficult, occasionally, to recognise the real literary difference between the model and the imitations. The image of the wound—charged by strong significations referring to the themes of time, memory, relationship with the Other, love’s pain—is very important in that Petrarchistic metaphorical apparatus. The purpose
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Crivelli, T. (2022). Chacun de nous tient sa blessure ouverte, si che tal piaga il mondo unqua risalde: The wound in women’s poetry (that of Cixous and Colonna among others). In A. Torre & M. Stella (Eds.), The Wounded Body: Memory, Language and the Self from Petrarch to Shakespeare (pp. 261–281). Palgrave Macmillan. https://doi.org/10.1007/978-3-030-91904-7_12
